Ascender™ Uni is a proportionally spaced comprehensive Unicode-compatible font with support for the Unicode Standard, v2.1 (supporting most major code pages and character sets in modern use). Ascender Uni is a 39MB TrueType (TTF) font with approximately 53,000 glyphs. The Latin and related glyphs (designed by Steve Matteson) are Sans Serif, with Gothic ideographs drawn in Japanese style, and complementary styles for other scripts. There are also versions of Ascender Uni that provide localized support for Korean, Simplified Chinese and Traditional Chinese. OpenType layout support is included for Arabic (initial, medial, final, isolate, and required ligature forms, as well as basic mark positioning), and vertical writing for CJK locales (consisting mostly of Latin, symbol, punctuation, and kana glyph variants). Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish), Chinese, Japanese, Korean, Thai, Vietnamese, Hebrew, Arabic. NOTE: Not all applications provide complete support for all the glyphs in this Unicode font.

Clef is a display typeface with clean contours and gently cut-off edges. With its simplicity, this font would suit well with a wide variety of projects, including book covers, art exhibitions and design websites.

We've always liked Art Gothic (you've seen it on the titles and credits for TV's Murder She Wrote) but felt it was far too animated for most uses. Here is our super-simplified version, a calmer font that will fit many display uses.

A simplified blackletter designed by Peter Behrens, architect and graphic artist who came into prominence around 1900. Issued by Rudhard's Typefoundry, Offenbach A. M., this face was typical of many in the Jugendstil period. Its squarish look works well in Craftsman period layouts.

Sweet Tea is a thin, handwritten and simplistic font reminds me of the simple, yet serene days on the front porch swing with a Summer breeze. Sipping an ice cold glass of sweet tea on a hot, sunny day -- there's nothing better.

ITC Vintage is a collaborative effort by California designer Holly Goldsmith and Ilene Strizver. It was inspired by several character shapes found in an all caps headline from a 1915 magazine advertisement. Working under Strizver's art direction, Goldsmith sketched the remaining caps in pencil on vellum, revised them, and after scanning them, added the final adjustments in Fontographer. It includes a caps and small caps alphabet. ITC Vintage is a classic and dignified headline design that suggests elegance and simplicity.

Au Revoir - saying goodbye is one of the hardest things in life, but in a sense it is also beautiful: there is a promise of seeing each other again, as 'Au revoir' literally means: 'to the next time we see one another'. Au Revoir font is slightly cursive, elegant without being posh, simple and legible. You could write a poem or a farewell letter with it, but I guess its simplicity lets you use it in various other, less dramatic, designs.

Rocktopus is a minimal fat blocky letter font. Each letter is designed for simplicity and maximum style points. Check it out! Rocktopus is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Heavy Rain is a decorative roman typeface. Drawn and created by Mans Greback during 2020 and 2021, this medieval serif font has a distinct classic style and a historical character. It gives antiquity to any graphic project, and with its ornamental capitals it accentuates your message. In addition to the decorated uppercase, it is provided in a regular, simplified text style. Heavy Rain is built with guaranteed top-notch quality. It has extensive lingual support, covering all Latin-based languages. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Debraht is a striking example of a stylish modern sans-serif typeface, seamlessly blending contemporary design elements with timeless simplicity. With clean lines and a distinct geometric structure, Debraht exudes a sense of sophistication and versatility. Its balanced proportions and well-crafted letterforms make it an ideal choice for a wide range of applications, from elegant branding to sleek editorial layouts. The typeface’s attention to detail is evident in its subtle curves and thoughtful spacing, ensuring a harmonious and legible appearance across various platforms. Debraht effortlessly captures the essence of modern aesthetics, making it a go-to choice for those seeking a refined and chic typographic solution.

Francker is a sans-serif, based on clean and simple design principles that betray its Danish origin. Its curves are based on the “super ellipse”, a mathematical shape about half-way between an ellipse and a rectangle. Francker’s lowercase lettershapes a, b, n, and u, have no spurs, emphasizing the simplicity of their construction. The Francker family is available in two widths, normal and condensed, each in nine weights, from extra light to extra black. Use Francker for signage, posters, magazines, advertisements, or corporate identity projects—wherever an industrial, contemporary look is needed. The Francker type was developed and designed by Anders Francker, an engineer and designer living in Denmark.

Sommet Slab Round is the latest in the Sommet series, designed as a slab serif companion to Sommet Rounded. The typeface features slightly wider counters to accommodate the serifs and this more generous whitespace allows the typeface to display well on-screen and as a webfont. Rounded serifs give the face more warmth than the original Sommet Slab, which is strong, rigid and technical. Sommet Slab Rounded’s serifs are not just blunted, but slightly obliqued, giving the face dynamic forward momentum. This geometric typeface is based on bold and clean rounded rectangles. It’s soft and friendly look lends itself to a number of applications. It would be a fine choice for tech company logotypes, magazine headlines and can be used for body copy. The typeface family also includes some alternate titling forms. These alternates can be accessed by activating OpenType features and style sets. In order to use these OpenType features, you will need a program with advanced typography capabilities such as the Adobe Suite or Quark. These alternates include a group of simplified forms that can be accessed under the swash alternates. Sommet Slab is just the latest in the versatile Sommet superfamily from insigne. Be sure to check out the rest of the design family that includes serif and sans members.

Named for Algonquin Round Table wit Heywood Broun, Heywood is bold, but playful. The simplicity of the letters combined with the shifting baseline make this the least formal and most fun of The Algonquin Collection of fonts.

Introducing Mobalys - Where Elegance Meets Nature Embrace the beauty of nature with Mobalys, a captivating font that seamlessly blends the grace of elegant script with the modern simplicity of sans serif. Immerse your designs in the lush greenery of a go-green theme, accompanied by stunning leaf illustrations that breathe life into your creations. Elegance in Every Curve: Mobalys boasts an exquisite script style that adds a touch of sophistication to your projects. Each curve and swirl is carefully crafted to exude elegance. Modern Simplicity: The sans serif elements bring a contemporary flair, ensuring versatility in usage. Whether it's a sleek logo or a clean headline, Mobalys adapts effortlessly. Nature's Embrace: Dive into a world of greenery with Mobalys. The font is adorned with enchanting leaf illustrations, adding a touch of organic charm to your designs. Let the beauty of nature seamlessly integrate into your projects. Extensive Character Set: With 730 characters at your fingertips, Mobalys provides a diverse range of options to express your creativity. Explore a plethora of possibilities with ligatures, alternates, swashes, and more. PUA Unicode: Unleash your design freedom with Mobalys' Private Use Area (PUA) Unicode support. Access additional characters and symbols for a truly customized touch to your work. Elevate your designs with Mobalys, where the synergy of elegance and nature creates a visual masterpiece. Immerse your audience in the refreshing green world and let your creativity flourish. Mobalys is not just a font; it's an experience.

Gealman is a Grotesk font that stands out for its simplicity, cleanliness, and rigidity. It delivers a modern look and a touch of elegance to any design project, making it highly versatile. Gealman is great for posters, marketing materials, logotypes, headlines, and more. It pairs perfectly with script, blackletter, stylized, and other fonts. Gealman offers a range of functional aspects, including various styles and character sets. It features a robust character set that supports multiple languages, making it an excellent choice for global branding projects. The design concept behind Gealman was to create a timeless typeface that is both contemporary and classic. The font's sleek, clean lines and geometric shapes give it a modern feel, while its classic proportions provide a timeless elegance. Gealman is unique because it combines simplicity with elegance, making it perfect for a wide range of design applications. Whether you're creating a logotype or designing a poster, Gealman is a versatile and reliable choice. Gealman is not based on a historical design or a revival, but it draws inspiration from classic geometric sans-serif typefaces. Its design is rooted in the concept of precision and balance, which gives it a clean and timeless aesthetic.

Neo Sans began as an intriguing assignment from a branding agency. The agency’s client wanted an “ultra modern” type family that was "futuristic without being gimmicky or ephemeral.” When a bureaucratic decision cancelled the project, Monotype staff designer Sebastian Lester decided to finish the design on his own. “I was left with a sketchbook full of ideas,” he said, “and thought it would be a shame not to see what came of them.” Lester decided that the principal ingredient of an "ultra modern" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. By further amplifying these qualities, he crossed the line from modern to futuristic. Two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as "legible without being neutral, nuanced without being fussy, and expressive without being distracting." Both the Neo Sans and the more minimalist Neo Tech families are available in six weights, ranging from Light to Ultra, with companion italics. Neo Tech offers a suite of alternate characters.

Strateen – a Futurism Sans Serif Font Strateen, a Futurism Sans Serif font, encapsulates the essence of contemporary design with its sleek and progressive aesthetic. Its clean, geometric lines and minimalistic strokes evoke a sense of modernity, making it ideal for projects that seek a futuristic and cutting-edge look. The typeface’s letterforms boast a harmonious balance between simplicity and sophistication, enhancing legibility while maintaining a distinctive personality. Strateen’s sans serif nature contributes to its versatility, enabling seamless integration across various mediums, from digital interfaces to print materials. The font’s forward-thinking design not only aligns with the visual trends of the future but also ensures a timeless appeal, making Strateen a compelling choice for those in pursuit of a dynamic and forward-looking typographic solution. Strateen is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces. Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Squad is a humanist sans serif with semi condensed proportions. Inspired by Adrian Frutiger’s perfectionist style this typeface is a harmonious breed of humanist heritage and contemporary simplicity. The balanced characteristics, clear and legible silhouette and simultaneously vivid appearance of Squad makes it perfect for any design purpose. The figures are evident — it consists of 18 styles from Thin to Black; covers Extended Latin, Cyrillic and Greek with span for more than 130 languages; flawless functionality and supporting many OpenType features, such as localizations, tabular numerals, inferiors & superiors, numerators & denominators, fractions, discretionary liga- tures, case sensitivity etc. Designers: Svetlin Balezdrov, Svet Simov Features: • Over 780 glyphs in 18 styles (Thin to Black) • Extended Latin, Cyrillic and Greek scripts for more than 130 languages; • High x-height and Semi Condensed proportions; • Moderate contrast and vertical stress; • Humanistic characteristics and open vertical terminals; • True form of italics; • Coverage of multiple OpenType features; • Perfect for text, headlines and web;

Pixeloza 02 is a pixel-style, grid-based, display typeface. This is another version of Pixeloza type. Compared to Pixeloza 01, it is characterized by a more slender form, the letters are taller and narrower, which makes the font lighter. The font is characterized by its simplicity, attention to detail, and original form. You can use it in a wide variety of projects. It gives many possibilities for creating graphics. Pixeloza 02 is available in two options: Pixeloza 01 Regular and Pizeloza 01 Skewo Regular.

EPICALLY is a futuristic style font with a unique style and touch, inspired by the Modern theme while maintaining simplicity and unique shapes. Great to use in your projects related to games, future technology, space travel, virtual reality & more!

WIP Symbol is a font of illustrations and icons drawn by hand for office communication and beyond; a perfect companion for the WIP handwriting fonts: FirstLady, GrandMa, MachoMan, MoneyMaker, SugarBaby and ThePresident. Originally designed in 1995 the font was extended and the paths were simplified in 2005.

This is a simplified Tuscan, free from excessive ruffles and flourishes. Types of this general design began to appear in profusion in the 1830, and continued as a popular form until the end of the nineteenth century. We added the lowercase to this one for increased usefulness.

Linotype Albawing is the text type that is derived from the original idea for Linotype Albatross. The sketches were done with Fontographer 3.5 using the simplified outlines of Linotype Albatross. Linotype Albawing is an agile, lively and elegant font and well-suited for headlines, posters and advertisements.

M Hei Sung PRC is a monolinear style Simplified Chinese typeface. Monolinear font designs have little or no thick-thin contrast in the strokes, and modest design characteristics at entry, finial and transitional points of the strokes. The Monolinear category includes Hei (or Gothic) and Yuen typefaces.

Decorative, Display, Headline, Sans Serif, 1930s, Hand Lettered, Monoline, Retro, Vintage, Nostalgic, Stylized, Elegant Some beautiful and stylized Art Deco hand lettering found in the Jan. 6, 1934 issue of the British movie fan publication Picturegoer Weekly inspired Movie Palace JNL, which is now available in both regular and oblique versions. This monoline design adds a touch of elegance to any retro projects.

is a sans serif font with a wide range of uses, This san serif output can cover any product from fashion products, such as beauty equipment, clothes, shoes, magazines, women's knick-knacks to anything related to today's women. I made this font more subtle than the typical san serif family. because it is intended for more detailed beauty. You can see a preview of it in the image I made. Thank you

Behance presentation https://www.behance.net/gallery/51305239/Geometrica Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet modern and minimalist. The font was inspired by the idea of creating a typeface with uppercase/lowercase characters and small caps having the same proportion. The result is a font with a moderate width, generous x-height, and short ascenders and descenders, giving it a compact and clean look. Geometrica comes in 10 weights plus italics—each variant with 589 glyphs—and contains a number of OpenType features that allow you to create very ‘good looking’ designs. Geometrica provides a wide range of choices for any design project and it is especially recommended for UI/UX and app design, branding and corporate design, in 2017 it was selected as one of the 10 best Sans of the year by FontShop.

»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my new, very readable and friendly Sans typeface. »SIGMA« has that classical Sans beauty with friendly touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from Thin to Bold and all the necessary weights in between. Great for body copy and headlines! With 875 Glyphs it is a truly European font designed for all Central European and Latin using countries. »SIGMA« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many ligatures. »SIGMA« comes in Normal and Oblique, I made it Oblique instead of Italic which would have been too playful for this friendly font. Enjoy!