Awendela Beloved Modern sans serif Font typeface with beautiful Ligature and alternate special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Sernes was inspired by the letterforms in the film series "stranger things" with condensed letters.comes with 18 weights which includes display, alternate and italic. Also supported PUA encoded. Simply copy and paste the alternate characters using the Character Map (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Introducing Monstellar Elegant Typeface Monstellar is a Minimalist Modern Elegant font with beautiful ligatures, and multilingual support. It's a very versatile font that works great in large and small sizes. Monstellar is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Introducing new Love Casual Serif Typefaces with lots of alternative characters, multilingual support and unique ligatures. Love Casual is a very versatile font. Perfect for branding projects, logos, magazine imagery, wedding invitations, posters, apparel, packaging, website headers, or simply as a stylish text overlay onto any background image. Any Questions? Just Ask! Hope you enjoy !

Introducing the latest product "South Rattingson" this font is made by handwriting to make it look professional and looks natural as well as curves that have characters in each letter. "South Rattingson" is perfect for branding projects, homeware designs, product packaging - or simply as a stylish text overlay to any background image. Thank you!

The Nickson pro 1 font invokes the spirit of the cigar labels & circus poster from the early 1900's. A typeface designed for headlines, posters, advertising and corporate identity. There are Alternate character of uppercase. Check the alternate keys file for more info or if you're using the OT version simply select Stylistic Set.

Fox Cat is a font that features imperfect strokes with a handwritting style. It looks great in quotes, social media posts or simply as a stylish text over any background. It works great for greeting cards, stationery or any project that requires a beautiful, informal design. Includes: Uppercase, Lowercase, Numerals and Punctuation Language support

In his compilation of stencil alphabets, Dan X. Solo called this one simply "Concave Stencil". Excellent for marking cases of whiskey or gunpowder, or for setting strikingly up-to-date headlines. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

I have been eager to create a pattern font, and Garamono is a set of patterns which you can simply create by typing an alphabet on keyboard. Garamono consists of 26 unique and original patterns, and 26 elements from traditional to modern. This pattern font is good for using as background, wallpaper, clothing, etc.

Halena is a modern and adaptable sans serif font. Suitable to a wide variety of designs due to its neat and simple style, this font has the potential to become your favorite go-to font, no matter the occasion!

Bestial is a strong, clean, all-caps ornamental typeface outlined by simple, primitive shapes. It is best suited for massive headlines, fashion editorials, album covers, logo design or any other experimental project. The complete character set has 380 glyphs.

Natural forms inspired us to design this font. A very simple, cute and somewhat playful font. The use of this font is various, and we would especially recommend it when the design requires the theme of nature and health.

Story Element is a friendly, simple, and fun display font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Fontazia FloraDot features 62 unique dotted floral patterns. These simple swaying FloraDot blooms will add flair to any font library - they're great for backgrounds, greeting cards, posters, summer themes or any project where florals say just the right thing!

Marnilla Signature is a beautiful, elegant, yet casual and simple script font, featuring a natural look & feel. It has beautiful swashes and ligatures and it’s perfect for logos, wedding invitations, posters, social media posts, signatures, quotes, and much more!

Chamfer, released by Barhart Brothers & Spindler in the late nineteenth century, provided the pattern for this simple, elegant headline face. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Salminah is a fashionable and thin lettered script font. Suitable to a wide variety of designs due to its neat and simple style, this font has the potential to become your favorite go-to font, no matter the occasion!

Qareluna is a beautiful and elegant sans serif font. Suitable to a wide variety of designs due to its neat and simple style, this font has the potential to become your favorite go-to font, no matter the occasion!

Hamuna is a great font for your project. Hamuna is a simple, casual and elegant script featuring a natural look in its ligatures and beautiful swashes. It is perfect for logos, posters, social media posts, signatures and much more!

Retorica, by Enric Jardí. With its simple geometry, Retorica stands out as our Art Déco typeface. Retorica has two styles: one solid version and one hollowed. In addition, each one has a Small Caps set, available by OT features.

Agmena™ has no historical precursor; it was designed from scratch by Jovica Veljovi? whose aim was to create a new book typeface. Although it generally has certain similarities with the group of Renaissance Antiqua fonts, it is not clearly derived from any of these. Clear and open forms, large counters and a relatively generous x-height ensure that the characters that make up Agmena are readily legible even in small point sizes. The slightly tapering serifs with their curved attachments to letter stems soften the rigidity of the typeface, bringing Agmena to life. This non-formal quality is further enhanced by numerous tiny variations to the letter shapes. For example, there are slight differences to the terminals of the b", the "d" and the "h" and minor dissimilarities in the forms and lengths of serifs of many of the letters. The tittles over the "i" and "j" and those of the German umlauts are almost circular, while the diamond shape that is more characteristic of a calligraphic script is used for the punctuation marks. Although many of these variations are only apparent on closer inspection, they are enough to give Agmena the feeling of a hand-made typeface. It is in the larger point sizes that this feature of Agmena comes particularly into play, and individual characters gain an almost sculptural quality. The italic variants of Agmena are actually real cursives. The narrower and thus markedly dynamically formed lowercase letters have a wider range of contrast in terms of line thickness and have the appearance of having been manually produced with a quill thanks to the variations in their terminals. The lowercase "a" assumes a closed form and the "f" has a descender. The italic capitals, on the other hand, have been consciously conceived to act as a stabilising element, although the way they have been inclined does not produce a simply mechanical effect. This visual convergence with the upright characters actually means that it is possible to use letters from both styles in combination. Agmena is available in four weights: Book, Regular, Semibold and Bold, and each has its matching italic variant. Veljovi? designed Book and Regular not only to provide an optical balance between various point sizes, such as between that used for the text and that used in footnotes, but also to take account of different paper forms: Regular for lined paper and Book for publishing paper. Agmena's range of characters leaves nothing to be desired. All variants include small caps and various numeral sets with oldstyle and lining figures for setting proportional text and table columns. Thanks to its pan-European language support, Agmena can be used to set texts not only in languages that use the Latin alphabet as it also features Cyrillic and Greek characters. The set of standard ligatures has been extended to include special combinations for setting Greek and Serbian. Agmena also has some initial letters, alternative glyphs and ornaments. Agmena is a poetic text font with forms and spacing that have been optimised over years of work to provide a typeface that is ideal for setting books. But its letters also cut a good figure in the larger font sizes thanks to their individual, vibrant and, in some cases, sculptural effects. Its robust forms are not merely suited to a printed environment, but are also at home among the complex conditions on terminal screens. You can thus also use Agmena as a web font when designing your internet page."Agmena has received the Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2013.

Loose and irregular, Slowhand is an easy display face to implement.

Bauhaus Geometric, economical, functional... The good, wholesome, modernist values that once fired up the tutors and students of the Bauhaus became the inspiration for FS Dillon after an exploration of the work of the pre-war art and design powerhouse in the Fontsmith studio. The font combines simplicity and directness with a characteristic Fontsmith warmth. Letterforms are compact, with a generous x-height, and built for maximum clarity and impact. The Bauhaus sought beauty through function. FS Dillon achieves it. Made for TV The weights of fonts for TV sometimes have to be adjusted so as not to “blow” on-screen. FS Dillon was originally drawn for the on-screen presentation branding of Film Four, whose primary colour was red. Black type on a red background looks heavier than white, so Dillon needed two weights that would allow white and black type to be used together, looking balanced and equal. Type design is an organic process. Years after developing FS Dillon, we revisited it, redrawing elements and adding italics to maintain consistency. Olympic You don’t get a much higher confirmation of the functional fitness of a typeface than to have it selected to guide visitors around an Olympic complex. FS Dillon was selected as the font for signage at some of the key venues at the London 2012 Olympic Park, helping to get spectators, athletes and officials from all over the world to their seats and starting blocks on time.

Starx is a variable display typeface with angular lines, offering a futuristic and dynamic aesthetic. It consists of three axes: angular, rounded, and slanted. The bold version embodies a strong and high-tech expression, while the italic and rounded versions convey a dynamic, sporty, and futuristic impact.

TurvyTopsy offers all the fun of delightful hand-drawn irregularity, captured in a typeface. Designing this was a wonderful exercise in ignoring all the rules of precise geometric construction to which we normally work. These irregular forms somehow achieve a delightful character & legibility all of their own.