DT Decopolis Hotel is a sharply stylised Sans Serif Art Deco font, crafted with a wide oval, dissected and contrasted against precision straight edges and pixel sharp corners. The Capitals have a raised centre line, aligning with the tall lowercase height. A nostalgic looking Art Deco font referencing the 1920's to 1940's during the Golden age of Hollywood, Art Moderne and the rise of luxury items from 100 years ago. Totally geometric with great variations in glyph widths designed to attract attention and create Headlines. DT Decopolis Hotel is a display font with clean simple lines, intended to create a sleek elegance that displays the sophistication of a by-gone era. With both upper and lower-case, this font is Great for Logotypes, Headlines, Strap-lines and smaller descriptive text to give that authentic Art Deco look and feel. Evoking the Art Deco Era of the Great Gatsby, glamorous Hotels and Movie Theatres of the period. Packed with over 500 glyphs, you will enjoy the uniqueness of this typeface! Inspired by 1920's Art Deco, Artisual Deco is a 2020's celebration dedicated to the hundred-year-old history of geometric design. This retro typeface will be the perfect fit for your logo designs or graphic project. DT Decopolis Hotel is a perfect choice for designs with a luxurious but minimalist look and feel. Useful in headlines, logos or product packaging it will match perfectly against sloped script fonts. The typeface works perfectly in both All-Caps or full Upper and lower case. Use with Contextual/Standard Ligatures turned on when possible. to allow the letters to match their neighbours. This will also enable larger Caps for the first letter of a new sentence.

Kamila is a connected script typeface with an elegant feel. It is based on custom lettering and works well in all letter combinations in a harmonious way. This typeface has over 900 glyphs and includes 6 sets of stylistic alternates with swashed letters, standard ligatures, ornaments and other alternates for more versatility. Kamila is suited for most latin languages both in its basic and alternate letterforms. It also has initial and final letters that appear automatically when you type, which makes it feel more similar to writing. Every letter was carefully crafted and connections are smooth. Kamila is great especially for titles, posters, magazines, books, wedding invitations and logos. Enjoy!

Caturrita is a versatile family for use in both long texts, and can be used in titles. The characters have fluidity, contemplating the principle of continuity. It has structural strength of the glyphs to be drawn by considering aspects calligraphy. The name comes from the similarity between the characteristics of the bird well known in southern Brazil: drawing the loose, fluid that resembles a flying bird. Moreover, a clear reminder that some of the glyphs are the serifs beak of the animal. Prize Winner Bornancini - Porto Alegre RS - Academic Category Selected Project Muestra de Estudiantes for the Ibero-American Biennial of Design - Madrid - Spain

Varese is a geometric and modular typeface inspired by early 1900s Art Deco posters. Its heavy weight is excellent for headlines, display, or large body text. The lowercase is similar to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form (see H/h, E/e, F/f, I/i, J/j, L/l, N/n, T/t). The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not. Varese has a sibling, Varese Soft.

Flyoika is a slab serif family with a fairly low x-height, long ascenders, and considerable contrast. The family has five weights, each with an italics and it can be used for either display or text. Flyoika was not designed to meet a particular need but rather out of curiosity. Years ago I had designed two slab serif families, FlyHigh and Euroika, that I recently noticed had a lot of similarities and I wondered what a blend of the two would look like. Several corresponding characters in the two families are considerably different and in cleaning up the results, I usually opted for simplicity. The name "Flyoika" reflects these origins.

Jali is a humanist sans serif typeface particularly suited for wayfinding. Jali comes in versions that support Arabic, Greek, and Latin. The name ‘Jali’ means clear in the Arabic language. The design of Jali reflects the ethos of its name. The combination of low-contrast strokes, ample counters, dots, and distinguishable marks make Jali a versatile typeface. With its humanistic voice and clear letterforms, Jali aims at offering a warm and efficient reading experience. Similar to other wayfinding type families, Jali is also well suited for demanding typographic environments. Jali has received two renowned awards: TDC Certificate in Typographic Excellence and Granshan’s 1st Prize, Arabic & Latin Category in 2019.

Darkloard is inspired by the old-fashioned era. The Darkloard font is a heavy-weight semi-serif font from the vintage style. Four varieties are available: Regular, Stamp, Spurs, and Spurs Stamp. The use of this font results in carefully-crafted styles. Darkloard font is ideal for branding projects, posters, or packaging that need a vintage feel. Features: Uppercase & Lowercase Numerals & Punctuation Multilanguage Supports 60+ Latin based languages Alternates and Ligatures

Within the pages of an early-1900s instructional book on show card lettering was found a marvelous example of an alphabet that typifies the Art Nouveau movement of the era and served as the inspiration for Nouveau Riche JNL. Angular, artistic and reminiscent (in some ways) of ancient Greek lettering, this design has many unusual letterforms. Check out the interpretive K and R for the best examples of this art style.

Radial is a multi-line retro sans-serif font that is reminiscent of fonts from the 70s / disco era. It is all caps, but the lower case glyphs have rounded edges for a subtle difference if you are looking for a softer look. Use open type for some discretionary ligatures of common letter pairs (when set in all caps). Great for use on posters and in headline copy.

Garstang Engraved is the latest in Greater Albion's series of ‘wood type’ inspired fonts. Garstang Engraved is a hand-cut Roman, suggesting the late Victorian era, but the type of thing that continued in use well into the twentieth century. If you want a title face that has versatility and suggests a past history, as well as the art of finely cut wood type, then this is it!

Inspired by a retro Art Deco poster as well as many of the true classic Art Deco type designs of the 1930s and 1940s, Deco Revisited JNL is a bold, black, stencil-influenced design with no counters. Although being a contemporary design, its use in any retro project will truly evoke a feeling for the “streamline” era. Deco Revisited JNL is available in both regular and oblique versions.

The Nolagert display san serif font also has a traditional and at the same time modern, playful and elegant look. Font Nolagert is an amazing creation that combines two cultural eras: I was inspired by the typography traditions of the Soviet Union of the 60s and refracted by modern requirements. It is a kind of bridge between the past and the present, combining classic elegance and modern playfulness.

The sixteen styles of Giza bring back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. The truly unforgettable “Nine” weights were designed for ultimate emphasis in posters, and do their most effective work in the very largest of sizes.

The Theo Ballmer font family is based on Theo’s design ideas which were completed by his son Theo Ballmer (Thierry’s father), and digitized by Thierry, with the help of URW++ and their Ikarus technology. Theo Ballmer is available in 3 x 5 variants: condensed, regular, expanded each in 5 weights. Theo Ballmer is a masterpiece, which fills a historical gap and provides a real font family from the Bauhaus era.

Inspired by a piece of cigarette pack lettering designed by the renowned poster and type designer A.M. Cassandre (perhaps best known for his Peignot typeface), Geetype evokes a 1920s & 30s mood and is an unusual, eye-catching single weight display face. Think vintage hand lettered poster campaigns, Hollywood's golden era and a time when smoking was positively encouraged. Think Greta Garbo, another 'g' with strong, emotional screen presence.

The inspiration for Home Room JNL was a 1950s-era package of die cut cardboard letters and numbers manufactured for educators by the Mutual Aids Company of Los Angeles, California. Pre-cut lettering was popular with teachers who used them in their classrooms for posters, bulletin boards, displays and flash cards. These bold, blocky letters are great for headlines or for recreating the look of school days past.

Videomusic is a bubble font based on letterings from POP culture in the eighties. The edges have a pointed shape and a subtle inclination giving the dynamic touch used in many music television networks and videos from that fantastic era. The family contains 5 fonts; regular, thick, bubble, outline and Shadow. Combine them all and create amazing artworks perfect for many purposes like headlines, branding, packaging, poster, magazine & flyer

The American Sign Museum in Cincinnati houses an amazing collection of vintage signage from all kinds of sources and covering many eras of retail advertising. Someone visiting the museum posted online an image of one particular piece of glass with hand lettering saying “gold leaf” in a bold Art Deco stencil style. Etched Stencil JNL was inspired by that image and is available in both regular and oblique versions.

We always wanted to design a gothic typeface. Our most similar typefaces are Rude and Firme, but Rude has some very delicate curves especially visible in the vertical strokes and Firme introduces a type family with reasonably big ascenders and descenders. On the other hand, Isento has a much more straightforward approach to the particular genre. Loosely inspired by Times Gothic, introduced in the American Type Founders Specimen Book and Catalogue from 1923, soon followed its very own path. Is our first typeface that clearly shows a distinct weight difference between the uppercase and the lowercase and the spacing is very open to provide a much more mechanical feeling. Isento and Isento Slab ranges from Thin to ExtraBold with perfectly matching italics. Immediately seemed very clear that a slab serif companion would follow the sans, therefore Isento Slab is the perfect companion to Isento, with very strong rectangular serifs, ideal to set short passages of text or to become the key actor in a big headline.

We always wanted to design a gothic typeface. Our most similar typefaces are Rude and Firme, but Rude has some very delicate curves especially visible in the vertical strokes and Firme introduces a type family with reasonably big ascenders and descenders. On the other hand, Isento has a much more straightforward approach to the particular genre. Loosely inspired by Times Gothic, introduced in the American Type Founders Specimen Book and Catalogue from 1923, soon followed its very own path. Is our first typeface that clearly shows a distinct weight difference between the uppercase and the lowercase and the spacing is very open to provide a much more mechanical feeling. Isento and Isento Slab ranges from Thin to ExtraBold with perfectly matching italics. Immediately seemed very clear that a slab serif companion would follow the sans, therefore Isento Slab is the perfect companion to Isento, with very strong rectangular serifs, ideal to set short passages of text or to become the key actor in a big headline.

Lumios is a freehand casual marker script that was created using Pilot Sign Pen. It has both extended Latin and basic Cyrillic support that is enhanced with oodles of ligatures (latin as well as cyrillic) and alternates. As a compliment to the script I also created Lumios Design Elements font that can be useful in brand design, greeting cards design etc. Both fonts were carefully traced by hand and have clean edges, hence they are safe to use in all graphic design software (including but not limited to Adobe Suite, Silhouette and Cricut Design, Affinity Designer etc) as well as on websites. The script is fully unicode mapped. To use it in Silhouette and similar applications that do not support OpenType features (yet), you may need to use your default Mac/Windows software such as Font Book or Character Map to select alternates you need. Lumios Marker is a perfect companion to Lumios Typewriter, sharing the same soft curves and clean letter edges.

Alternate Gothic Pro is one of the fonts of the SoftMaker font library. Designed by Morris Fuller Benton in 1903 as a complement to his Franklin Gothic type, Alternate Gothic was created to solve a common problem: fitting headlines in narrow columns. For that purpose, it comes with three similar styles of varying widths. SoftMaker’s Alternate Gothic Pro typeface family contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Umbero is an experimental geometric blackletter. Umbero was inspired by modern street art (by artists like Pokras Lampas, RETNA, etc.), gothic script and constructivism. It has an ornate and twitchy structure: you can not find two similar letters. Capital letters have even more complex structure, then lowercase, to the extent that you can even use them as initial letters with a different, more calm font if you want to achieve a medieval stylization in a contemporary way. Get Umbero if you need something extra for your design. Or vice versa use it as a starting point of your work. It’s a perfect choice for the mystic or contemporary logos, headlines, oversize typography, branding, identity, website design, album art, covers, posters, advertising, etc.

Weaving is a family in which the letters fit together so that wavy lines separate them both horizontally and vertically. It creates this effect by alternating letters on upper-case keys with those on lower-case letters and this alternating is done automatically in applications that support the OpenType feature of contextual alternatives (calt). (The upper-case can be used alone but it unlikely that the lower-case characters could be used by themselves.) The family is a thinner and condensed version of the typeface Woven, but in condensing it, the tessellation properties that a were in Woven are lost. It is a decorative display face but because there are few typefaces similar to it, it is hard to predict what uses it may have. Be creative!

Vodka - a display pack with an edge. Vodka is a display combo pack of four styles and six fonts. Vodka fonts are clean but soft. Vodka's core is two weights of a Brush Script and a Monoline Script with similar characters. Vodka Sans is a bold sans with very soft features. Vodka Sans lowercase letters are a bit condensed version of uppercase. Vodka Slab is a rounded bold display type. Vodka Brush and Pen are equipped with automatic Contextual Alternates and Standard Ligatures that help to keep the flow smooth. For more expressive letters there’s Swash Alternates for every standard letter. Vodka fonts are designed to play together but can easily be used as themselves too. For the best price purchase the whole pack!

Playland is a monoline script typeface designed by Oscar Guerrero exclusively for Monotype. It was inspired by the lettering in Italian urban signage. The Playland typeface has a copperplate calligraphy structure and its letterforms explore different endings in some letters which gives it an informal and fresh touch to words. Playland has a unique and fresh appearance. Unlike similar typefaces that are lighter and more spontaneous, the design of Playland features careful and deliberate curves that give it a slightly more formal and firm look. Its design can lend itself to branding projects, advertising, packaging and editorial purposes. It has a versatile character set, with an attractive suite of OpenType typographic features including ligatures, swashes, alternates and icons that increase its possibilities of use.

The Swedish designer/typographer Anders Bodebeck designed the Bodebeck type family in 2002. The family, which includes five different styles, is primarily intended for use as a titling, or display face, and belongs to the neo-transitional style of typefaces. Transitional style type first appeared in England during the late 1750s, when John Baskerville released his first sets of type. Bodeck bears similarities to another, later transitional style typeface as well - Eric Gill's Perpetua (originally released by the British Monotype Corporation in 1928). Like these two previous English stonecutters turned masters of typography, Anders Bodebeck has given us a modern re-interpretation of classic letterforms. Bodebeck, which is fitted with old style figures, is available in the following styles: Regular, Italic, Bold, Bold Italic, and Extra Bold."

The hand composition typeface was developed at the Ossip Lehmann type foundry (St. Petersburg) in 1904-07 (after designs by Alexander Leo?). It was redeveloped at Polygraphmash in 1960s for slugcasting composition. Named after Russian Empress Elizabeth I (1709-61). Based on typefaces of George Revillon type foundry of 1840s, though some characters’ shapes were redrawn similar to Russian Academy of Sciences typefaces (mid-18th century). Sharp contrast, strong weight Modern Serif with archaic flavor. The typeface is useful in text and display composition, in fiction, historical, and art books, especially connected to the 18th or 19th centuries. It looks great in Russian classical literature such as Pushkin and Gogol works. The revised, improved and completed digital version was designed at ParaType in 2001 by Lyubov Kuznetsova.

One of the earliest Monotype faces, issued about 1906 in two weights, normal and semibold. Based on Schelter & Giesecke's School Fraktur which was in turn based on type favored by early 16th century printers in Wittenberg. It was the door of the Schlosskirche in Wittenberg on which Luther nailed his 95 theses. For this reason, types similar to Wittenberger Fraktur are particularly associated with Lutheran theology. There are two s versions in the DFR-layout. They enable you to typeset the old way, where the long s with the form like an f is used in the beginning and middle of a syllable or word and the typical round s, also called final s, is used at the end of syllable and end of words.

'Snatched' is a spontaneous handwriting. This name is taken from the slang term in the 2022 era to describe someone or something in a positive manner. This font consists of the same uppercase and lowercase, often referred to as 'all capital letterform', complete with numerals and punctuation. Composed in tends to widen form which is more like the typical handwriting of architects. This font looks like it was written with a marker or technical pen, very bold stylish and legible. For designers this is an interesting thing, the design looks very natural and rhythmic to beautify presentations and blue prints. Can be installed for CAD programs, Sekthup and other applications. This font is very suitable for various media related to handmade, craft businesses, logos, quotes, prints, social media posts, indie business, outdoor sports and other applications to strengthen the impression of handwriting and demand attention.

This condensed block is a true knockout. VT Showcard is a heavy-hitting headliner with presence. Inspired by the boxing showcards of the 60’s and 70’s, VT Showcard towers over body copy and demands attention. This tall and mighty athletic display typeface features chiseled corners and subtle embellishments that reinforce a steady rhythm across its dramatic letterforms. With 7 weights, VT Showcard provides a versatility for sports headlines and similar projects.

Erato follows the structure of french and dutch 17th century types. But instead of being historical, it uses modern formal elements. The simplification of similar formal elements creates a homogeneous and contemporary impression. Erato comes in six weights and in OpenType format. All weights contain standard and discretional ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

A 1930s WPA (Works Progress Administration) poster promoting national parks depicts Native Americans overlooking the land with the tag line "his hunting ground of yesterday". The hand lettering of that text is reminiscent of Futura Black and similar Art Deco stencil-influenced type designs, but is rendered in an oblique lower case with no capitals. Re-drawn as Sandwich Shop JNL, the typeface is now available in both regular (vertical) and oblique versions.

Vincenzo is based on a beautiful condensed typeface from the 1920s or earlier; original designer unknown. This is a "Modern" style with fine slab serifs, vertical stress between thick and thins, and high contrast. What is unique about this design is that the triangular serifs (e.g., E, F, L, T, etc.) do not gradually taper as they join the rest of the letter, as would be the case in Bodoni and similar designs. Uppercase only.

Veritas is a serif text family. It is a narrow-width typeface, with a taller x-height than Times Roman for added legibility, but maintains a similar character count in text. It is typeface designed for publication, newspaper (anywhere where narrow columns are necessary) and identity design. It is exquisitely spaced and kerned, even in European characters. The Digital Type Review states "...Veritas is one of the most important contributions ... from any independent foundry."

Terafile, a sans serif family designed by Raúl Plancarte who was inspired by hi-tech aesthetics. It is made up of eight weight variants with their respective italic versions. Ideally it works to capture in a graphic way the universe related to technology, sci-fi, industry and similar topics. It is a mixed family, because the construction of certain letters (as in "a", "f", "z", "B", "P", among others) is enriched with different finishes in structure to gain differentiation and plasticity. In other words, it moves away from an entirely academic design. Another important line in the creative concept of this typeface is the function of its ink traps, which, in addition to fulfilling their primary function, serve to gain gestuality in its use. This font is capable of covering complex design needs by enabling association with specific themes, which makes it highly competitive in its graphic line.

BigStripesMono is another typeface family from IngrimayneType that explores the possibilities of alternating letters sets. The family is monospaced with four fonts: a base or solid style, an outlined style, and two styles in which each character is cut diagonally and the halves are separated to form two characters. These split styles are not designed to be used alone but layered with the base style, outlined style, or both to form colorful lettering with an unusual striped appearance. The stripe is not apparent in single letters but only in words or lines of text. For best results use an application that supports the OpenType feature Contextual Alternatives (calt) to alternate the letters of the split styles. The four styles can be combined in several ways to create unusual lettering appropriate for titles, headlines, and similar uses. And if one wants a bold, monospaced, sans-serif face, BigStripesMono has that too.

Scripta is a family of typefaces that leads "Scripta Pro", a commercial script writing similar to those used in ads advertising the decades 40 and 50, with fine lettering combinations of that time, Scripta Pro is ideal for composing headlines and subheads and this is supplied in two weights. This system is complemented by a Roman Sans "Scripta Gothic" an artdeco style typeface to harmonize with the style of that fonts. To add style to set fonts, created "Scripta Icons", one dingbats font based on a series of graphs that help recreate the ornamental fantasies of a postwar generation, a society in transition between the classical world and ornament and promises of a cosmic and atomic world. For those wishing to use words made was created "Scripta Catchwords". "Scripta Pro" is a script typeface inspired by the style works of the american typeface designer LH Copeland.

Such an honor to introduce our new font family Gratia Singer, a serif font with modern ligature style. Highly recommended font for you who need glamour and stylish looks, perfect choice to make your design projects; logo, branding, invitation, social media ads & website have classy looks, just type and add this font....abra ca da bra! it's magic

It all started with a simple idea back in 1998: do a digital version of a "lost" 70's typeface, and make up the missing letters that were not present in the only available example Jeff Levine had to work with. Jeff wasn't yet doing his own digital font creation, so he hooked up with Brad Nelson who owns a small foundry called Brain Eaters Fonts. Together, they collaborated on "Action Is"- a freeware font named after the source of the type example. This was a title page for a commemorative photo album of images from the 60's TV music show "Where the Action Is", formerly hosted by Jeff's employer at the time, singer-writer-producer Steve Alaimo. The free font took off like a rocket, being released just at the peak of the 60’s/70’s retro craze in the late 1990’s, and it was EVERYWHERE! It showed up on TV shows, packaging and web design -- and was even spotted on signage used on the side of a major amusement resort’s retro-themed hotel. From that point on, Jeff kept getting requests for a version with a lower case. Although they shared the copyright in the freeware version, Brad Nelson gave Jeff his blessing to re-work and take Action Is into the realm of commercial type. Newly improved and re-released as Groovy Happening JNL, it became one of Jeff's better selling type designs. A simplified, yet similar font was issued called Groovy Summer JNL. Now, after about a decade, Jeff had decided to clean up the 3-D (drop shadow) version that was originally freeware with many minute design flaws and re-release it commercially. Groovy 3D Caps JNL is an all-caps, limited character set font which ties in well with the previous releases, yet retains itís 1960s-1970s era charm. The font flag art is courtesy of Barbara D. Berney and is used by permission.