"NOVARE Typeface" is a modern sans serif font that comes in a variety of weights, ranging from Thin to Heavy. It has a high body, making it easy to read even in small sizes. The font includes 600 glyphs, which allow for a wide range of typographic possibilities. In addition to the regular weight, "NOVARE Typeface" also includes a condensed version, which is ideal for situations where space is limited. The font supports Private Use Area (PUA) encoding, allowing you to access special characters and symbols that are not available in standard character sets. Overall, "NOVARE Typeface" is a versatile font family that can be used in a variety of design contexts, from branding and advertising to editorial and web design. Its clean and modern aesthetic make it a popular choice for designers looking for a fresh and contemporary look. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s Privat design from 1966 is now resurrected and heavily extended to be used by computer users everywhere. The original design was revived, and two whole new fonts were added to it - one with very unique swash caps and alternates, and one with many many ligatures and letter-combination ornaments. Quiller is a cross between brush calligraphy and very casual fast handwriting. It even has a slight Arabic simulation to it. Given such traits, the addition of a swash font and a multitude of ligatures comes in very handy to keep the natural flow of the font and maintain the elegance of its spirit. Those who like the auto-magic of OpenType’s intelligent substitution should like the fact that the OTF version is a single font with all the bells and whistles ready to go in the swash and discretionary ligatures features. If you use the latest versions of Adobe programs, the OTF version of Quiller is highly recommended.

After a lot of time sitting at my desk, creating fonts and trying to figure out how my new software works, I really like to work out a bit. The only thing that I do not like is the music they play at the gym; it is usually a selection of poppy tunes that appeals to a large audience. But not to me. I prefer my death metal - and eighties music, as it brings back a lot of good memories. So, I bought myself some ear buds and installed a music streaming app on my phone. Yes, I know, I am probably the last person on earth who discovered streaming... One day, during a workout session, I listened to a list of eighties music and one song that I had forgotten about started playing: Rappers Delight by The Sugarhill Gang. When I started working on the font, I had to think about the song and named it Square Beat. Square Beat font, other than the name implies, is a rounded, handmade font, ideally suited for books and magazines aimed at a young audience, toy packaging or posters. It comes with great language support, including Vietnamese.

"BROSTEL Typeface" is a modern sans serif font that comes in a variety of weights, ranging from Thin to Heavy. It has a high body, making it easy to read even in small sizes. The font includes 502 glyphs, which allow for a wide range of typographic possibilities. In addition to the regular weight, "BROSTEL Typeface" also includes a condensed version, which is ideal for situations where space is limited. The font supports Private Use Area (PUA) encoding, allowing you to access special characters and symbols that are not available in standard character sets. Overall, "BROSTEL Typeface" is a versatile font family that can be used in a variety of design contexts, from branding and advertising to editorial and web design. Its clean and modern aesthetic make it a popular choice for designers looking for a fresh and contemporary look. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Introducing Smother Spoon, a remarkable font that mimics natural handwriting with its authentic and organic style. This font is designed to evoke the charm and individuality of real handwriting, instantly infusing your projects with a personal touch. With its exquisite handwritten appearance, Smother Spoon brings out the natural characteristics of your designs. Whether you're creating invitations, logos, posters, or any other creative endeavor, this font adds a unique and artistic flair to your work. Smother Spoon offers both uppercase and lowercase letters, providing flexibility in creating captivating compositions. It also includes numbers and punctuation, ensuring seamless integration with your text. The font's multilingual support enables you to communicate your message effectively in various languages, reaching a broader audience. Featuring PUA Encoding, Smother Spoon allows easy access to special characters and glyphs, expanding your typographic possibilities. Let your creativity flow as you embrace the authentic essence of handwritten artistry. Unleash the natural beauty of Smother Spoon in your designs and captivate your audience with its genuine handwritten appeal. From logos to branding materials and beyond, this font adds a touch of artistic elegance to every project.

"MOUBARU Typeface" is a modern sans serif font that comes in a variety of weights, ranging from Thin to Heavy. It has a high body, making it easy to read even in small sizes. The font includes 680 glyphs, which allow for a wide range of typographic possibilities. In addition to the regular weight, "MOUBARU Typeface" also includes a condensed version, which is ideal for situations where space is limited. The font supports Private Use Area (PUA) encoding, allowing you to access special characters and symbols that are not available in standard character sets. Overall, "MOUBARU Typeface" is a versatile font family that can be used in a variety of design contexts, from branding and advertising to editorial and web design. Its clean and modern aesthetic make it a popular choice for designers looking for a fresh and contemporary look. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Black Street This is a large and bold font, it is very suitable for all design work, it looks elegant and clear and dares to display a unique impression in it for magazines, clothing posters and others.

Be Kind is a sweet and simple handwritten font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Funny Munk - Cute and Thick display Font, Its friendly for design, kid store, seasonal party or banner, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Cute Lime is a bold and colorful display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Super Kids is a playful, and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Banyu Langits is a cute and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Avenus Type is a cute and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

FS Rosa is a free-spirited and optimistic serif typeface – reminiscent of those used on fanzines, film sequences and book covers of the 1970s, such as Cooper and Windsor, it has a laid-back nature with a touch of rebellion. It also reminds of type used in colourful protest graphics by nun-turned-designer Corita Kent, and its personality is akin with brands like Whole Foods - positive rather than preachy. While unconventional, it’s sensible enough to work perfectly for socially conscious brands, magazines, websites and campaigns that want a fairer and more responsible world. Hand-drawn digitally, FS Rosa is warm and open-minded – its irregular letterforms are rounded, with soft terminals, a large x-height and wide apertures. But it is also quirky and eclectic, with irregular shapes – its short ascenders and descenders have slanted serifs, its uppercase forms have unusually low crossbars and the letters are filled with oddities and surprises. The typeface looks to stand out against a sea of homogenous, geometric sans serifs, and celebrates beauty through imperfection. It comes in five weights of Thin, Light, Regular, Bold and Black. The heavier weights make an impact and are great for loud, headline statements. The Regular weight is functional, balanced and robust for text, and the lighter weights have an elegance and contemporary beauty. FS Rosa is eclectic yet with its soft roundness, also positive and progressive. Its name, inspired by the phrase “rose-tinted glasses”, reflects its optimism.

TEL AVALOZ is a vintage font with a serif base. But even though it's vintage, it's also suitable for modern designs. Also suitable for headlines, social media design and branding. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

TZAVELAST is a vintage font with a serif base. But even though it's vintage, it's also suitable for modern designs. Also suitable for headlines, social media design and branding. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Romello is a pretty typeface that was made to make your designs look more funny and pretty. Romello is also accompanied by Alternative characters that embellish every form of writing, Romello is the perfect choice to use for poster designs, signatures, logos, quotes, album covers, business cards, product designs, and many other design projects. Romello has its own charm when used. We make this font look elegant, classy, easy to read, stylish, easy to remember, and easy to use.

Parshell Beautiful and stylish, Parshell is a script font with modern elegance. Its natural strokes add visual flair to any design project, from invitations to certificates—the perfect font for adding a classic touch to your projects while maintaining an authentic, handwritten look. To access alternative glyphs, you'll need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign, and PS. How to use the open type feature https://helpx.adobe.com/illustrator/using/special-characters.html

Introduce Brengkel Font. It's allowing you to create logos, greeting cards, quotes, posters, branding, stationary, design titles, blog header, art quotes, typography art, modern envelope lettering or any purpose to make your art/design project look pretty and trendy. Brengkel Font is also suitable to use for any kind of design such as branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, poster, t-shirt design, stationery and other projects.

Kutaraja is a hand-drawn script font that gives a natural-looking impression that is perfect for those of you who want to use script-style fonts, very suitable for writing product labels, printing t-shirts, greeting cards, invitation cards, etc. Kutaraja family has 2 choice models, namely regular and italic. both have several ligatures, alternate, swash at the beginning and end of lowercase letters to give a sweet touch to the written word or sentence.

Kumo Sans is a clear and comprehensible font stylized to mimic marker pen handwriting. The idea was to interpret swift and negligent hand movement in a distinct and easy to read familiar glyph silhouette. Family comes in three weights and italic slant option. Shadow version with outline and shadow effect is perfect for short catchy phrases, brand names and headlines use. Font contains Latin diacritics, Hebrew cursive writing, Bitcoin, Indian Rupee, New Israeli Shekel symbols, fractions etc.

1955 Is a fresh grotesque interpretation. Any detail too historically referenced is replaced by strong geometry and idiosyncratic features. Round dots and punctuation, curved “l” foot, single storey “g” etc. all these details make 1955 a very contemporary typeface (unlike the name suggests!). With a range of weights going from Thin to Black including Italics, OpenType Features, extended character-set, tailored for print and digital, 1955 has everything to become your new go-to typeface for every project!

In a much needed break from complex scripts and polished packaging fonts, Koziupa and Paul decide to show their playful side. Chicle is bold, stretchable, kid-proof, pet-resistant letters. This font is made to take the abuse of software used to put together the elaborate, attention-scrambling artwork of candy, cereal, and toy packaging, or whatever boxed obscenity contains cat and dog treats. Chicle is Spanish for bubble gum. It's a definite sugar fix — no substitutes.

Hello Aluyeaholics! Boulevard Signature, an exclusive handwritten signature font. Coming with 100+ stunning and super easy to use alternates and ligatures. Very suitable for your wedding invitation, packaging, apps, magazine, headline, website, ads and all type of design project you have. Super Easy to Use alternates - You can easily call alternates using special combination like a.2 k.3 b.4 t.h c.c etc. To get results like the preview just type Boul.4evard.3 Sig.4nature

A clean, well-lit design, Freight Sans proves that even a workhorse can be a breath of fresh air while remaining invitingly readable. Ideal for boundless headlines and text, the power and detail of this design also serves well in way-finding and display environs. From web to print to apps, it’s hard to imagine a project where Freight Sans wouldn’t do the job with aplomb. When you need a sans serif–you need Freight Sans.

Christmas Come is a joyful and celebratory display font. Whether you’re using it for crafts, digital design, presentations, or making Christmas cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Christmas Queen is a dazzling script font. This font is neatly crafted and highly detailed. Whatever the topic, Christmas Queen will be a wonderful asset to your font library, as it has the potential to enhance any creation.

Gracelyn is a whimsical script font with a relaxed theme, featuring a lovely style. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

Blue Note is a simple and neat handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Halloween School is a font family with various types in it, you can choose according to your needs, with several characters to suit the latest design trends experience, make this your choice and have fun with each character.

Gheamarker is a Natural Handwritten font with a relaxed theme, featuring a lovely style. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

This font is very beautiful if we combine it into a design that wants to appear bold, bold and unique, there are several alternatives that you can use to make this font as support for your design project.

Kids Line is a cute and friendly handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Winter Cold is a sweet and adorable display font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Say hello to Editor's Hand, perfect for creating handwritten notes, quotes, logos, or just adding a hand-written touch to any project! This font was designed to create the feel of an actual magazine editor's notes on a design proof. While other handwritten fonts have some visible letter patterns, Editor's Hand comes with three sets of letters that automatically alternate, so you don't have to worry about swapping them out yourself! Note: this feature works in Adobe and most Desktop programs (i.e. Word, Pages, etc.), but does not work in Canva I hope you love using this font as much as I have! I can't wait to see what you create!

Netadyne was created experimentally following a futuristic style recipe with characters made to keep up with today's developments and also combined with various unique alternate variations to produce a font with a very charismatic and sturdy concept. Netadyne is a variable font that has 7 weights from light to black and also includes italic. Netadyne is a versatile font system, designed primarily for display uses with a need of visual impact. Feature : Uppercase & Lowercase Alternate Character Ligature Discretionary Ligature Multilingual Support Latin & Cyrillic Numeral & Punctuation etc Wish you enjoy our font and if you have a question, don't hesitate to drop a message & I'm happy to help.

An elegant natural handwritten script that radiates sophistication, grace, and refinement. It’s the perfect choice for creating designs that require a natural handwritten script touch and luxury styles, such as wedding invitations, high-end fashion branding, or luxury product packaging. And also can be use to add a more human and approachable feel, a sense of timelessness, and class to any design project. Features : Full Set of standard characters and punctuations. Alternates, ligatures and multilingual support characters. PUA Encoded | no special software needed to access extra characters. Note : To be able to access ligatures and the alternate letters, please make sure the software you are using can support opentype features.

The concept of the Baroque Roman type face is something which is remote from us. Ungrateful theorists gave Baroque type faces the ill-sounding attribute "Transitional", as if the Baroque Roman type face wilfully diverted from the tradition and at the same time did not manage to mature. This "transition" was originally meant as an intermediate stage between the Aldine/Garamond Roman face of the Renaissance, and its modern counterpart, as represented by Bodoni or Didot. Otherwise there was also a "transition" from a slanted axis of the shadow to a perpendicular one. What a petty detail led to the pejorative designation of Baroque type faces! If a bookseller were to tell his customers that they are about to choose a book which is set in some sort of transitional type face, he would probably go bust. After all, a reader, for his money, would not put up with some typographical experimentation. He wants to read a book without losing his eyesight while doing so. Nevertheless, it was Baroque typography which gave the world the most legible type faces. In those days the craft of punch-cutting was gradually separating itself from that of book-printing, but also from publishing and bookselling. Previously all these activities could be performed by a single person. The punch-cutter, who at that time was already fully occupied with the production of letters, achieved better results than he would have achieved if his creative talents were to be diffused in a printing office or a bookseller's shop. Thus it was possible that for example the printer John Baskerville did not cut a single letter in his entire lifetime, for he used the services of the accomplished punch-cutter John Handy. It became the custom that one type founder supplied type to multiple printing offices, so that the same type faces appeared in various parts of the world. The type face was losing its national character. In the Renaissance period it is still quite easy to distinguish for example a French Roman type face from a Venetian one; in the Baroque period this could be achieved only with great difficulties. Imagination and variety of shapes, which so far have been reserved only to the fine arts, now come into play. Thanks to technological progress, book printers are now able to reproduce hairstrokes and imitate calligraphic type faces. Scripts and elaborate ornaments are no longer the privilege of copper-engravers. Also the appearance of the basic, body design is slowly undergoing a change. The Renaissance canonical stiffness is now replaced with colour and contrast. The page of the book is suddenly darker, its lay-out more varied and its lines more compact. For Baroque type designers made a simple, yet ingenious discovery - they enlarged the x-height and reduced the ascenders to the cap-height. The type face thus became seemingly larger, and hence more legible, but at the same time more economical in composition; the type area was increasing to the detriment of the margins. Paper was expensive, and the aim of all the publishers was, therefore, to sell as many ideas in as small a book block as possible. A narrowed, bold majuscule, designed for use on the title page, appeared for the first time in the Late Baroque period. Also the title page was laid out with the highest possible economy. It comprised as a rule the brief contents of the book and the address of the bookseller, i.e. roughly that which is now placed on the flaps and in the imprint lines. Bold upper-case letters in the first line dramatically give way to the more subtle italics, the third line is highlighted with vermilion; a few words set in lower-case letters are scattered in-between, and then vermilion appears again. Somewhere in the middle there is an ornament, a monogram or an engraving as a kind of climax of the drama, while at the foot of the title-page all this din is quietened by a line with the name of the printer and the year expressed in Roman numerals, set in 8-point body size. Every Baroque title-page could well pass muster as a striking poster. The pride of every book printer was the publication of a type specimen book - a typographical manual. Among these manuals the one published by Fournier stands out - also as regards the selection of the texts for the specimen type matter. It reveals the scope of knowledge and education of the master typographers of that period. The same Fournier established a system of typographical measurement which, revised by Didot, is still used today. Baskerville introduced the smoothing of paper by a hot steel roller, in order that he could print astonishingly sharp letters, etc. ... In other words - Baroque typography deserves anything else but the attribute "transitional". In the first half of the 18th century, besides persons whose names are prominent and well-known up to the present, as was Caslon, there were many type founders who did not manage to publish their manuals or forgot to become famous in some other way. They often imitated the type faces of their more experienced contemporaries, but many of them arrived at a quite strange, even weird originality, which ran completely outside the mainstream of typographical art. The prints from which we have drawn inspiration for these six digital designs come from Paris, Vienna and Prague, from the period around 1750. The transcription of letters in their intact form is our firm principle. Does it mean, therefore, that the task of the digital restorer is to copy meticulously the outline of the letter with all inadequacies of the particular imprint? No. The type face should not to evoke the rustic atmosphere of letterpress after printing, but to analyze the appearance of the punches before they are imprinted. It is also necessary to take account of the size of the type face and to avoid excessive enlargement or reduction. Let us keep in mind that every size requires its own design. The longer we work on the computer where a change in size is child's play, the more we are convinced that the appearance of a letter is tied to its proportions, and therefore, to a fixed size. We are also aware of the fact that the computer is a straightjacket of the type face and that the dictate of mathematical vectors effectively kills any hint of naturalness. That is why we strive to preserve in these six alphabets the numerous anomalies to which later no type designer ever returned due to their obvious eccentricity. Please accept this PostScript study as an attempt (possibly futile, possibly inspirational) to brush up the warm magic of Baroque prints. Hopefully it will give pleasure in today's modern type designer's nihilism.

Introducing Winthorpe, a typeface that’s steeped in history and inspired by the classic letterforms of traditional metal fonts. With its transitional style, Winthorpe bridges the gap between the old and the new, giving your designs a timeless, sophisticated edge. But Winthorpe is more than just a pretty face. It’s available in small caps and italics, in Regular, Semi-Bold, and Bold weights, giving you plenty of options to play with. And with its versatile range of characters, including lining and old-style numerals, fractions, superiors, inferiors, and ordinals, Winthorpe is perfect for any project that requires a touch of elegance and refinement. So if you’re looking to add a touch of classic sophistication to your designs, look no further than Winthorpe. With its carefully crafted letterforms and attention to detail, it’s the perfect choice for any project that demands the highest level of quality and style. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Rolie Twily, a font that effortlessly combines the elements of display and decorative styles to bring you a unique typographic experience. This font exudes an aura of Curly Elegant Modernity that is sure to make your designs stand out and leave a lasting impression. Key Features: Display and Decorative Fusion: Rolie Twily seamlessly blends the characteristics of display and decorative fonts, resulting in a versatile typeface that can be used for a wide range of creative projects. Curly Elegance: The graceful and whimsical curls in Rolie Twily's letterforms add a touch of sophistication and elegance to your text, making it perfect for invitations, posters, and branding materials where a touch of luxury is desired. Modern Aesthetic: While rooted in tradition, Rolie Twily maintains a contemporary edge, making it ideal for modern design trends. Its clean design ensure that your message remains clear and stylish. Versatile Usage: Whether you're designing wedding invitations, packaging, social media graphics, or any creative project, Rolie Twily brings a sense of charm and refinement to your typography. Attention-Grabbing: The unique and eye-catching nature of Rolie Twily ensures that your content won't go unnoticed. It's a font that demands attention and leaves a lasting impression. Rolie Twily is the perfect choice when you want to infuse your designs with a touch of Curly Elegant Modernity. Elevate your creative projects and make them truly memorable with this exceptional font. Download Rolie Twily today and watch your designs flourish with a newfound sense of style and sophistication.