RundigPencil has a semi-informal but very neat and rigidly upright handwritten look. It comes in three weights, each with italics. The calligraphic typeface Rundigsburg is based on similar letter shapes.

Ettlora is a script font with a natural line vibe. gives the impression of a signature, elegant, and beautiful. suitable to be paired with logomarks, branding, invitation cards, greetings cards, events, weddings, and others. Contains standard English fonts and some support for multilingual. can be installed in applications such as adobe family, affinity, Ms.Word, or similar applications.

The six weight Organon Sans typeface is a stylish and feature-laden OpenType family which complements its sister Organon Serif, both components working in tandem to create an elegant, legible and thoughtfully designed suite of fonts which share similar cap & x heights, stem widths and ascender/descender values. Tapered stems give the Organon Sans fonts an attractively robust appearance.

Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold weight is added into the font family. The character set support is similar to Palatino nova, but Greek and Cyrillic are not available in book weight fonts.

Cat Fight is small decorative font family containing two "weights". They are not weights in actual meaning, as they differ by style but to secure safe OTF usage in all OS, they are named as Regular and Bold. Cat Fight is ideal for lively and cheerful usages on posters, packages, labels, website titles, book covers and other similar situations.

Based on script handwriting and engraving used in formal announcements and invitations, the Flemish Script font lends itself to typesetting in which an elegant mood is desired. Flemish Script, Citadel, Florentine Script, and Old Fashion Script have similar lowercase letters but unique flourished capitals. Flemish Script makes a very decorative choice for labels and packaging, greeting cards and invitations.

Open Range is a new font design based on an old classics sans serif font from the 1800s. Some may say that this font looks like a western version of the more modern Benguiat but samples of lettering from the 1800s show a similar design to Benguiat and may have been the inspiration for that font.

On the Ground is a picture font made from drawings of found objects. These object were found on the ground while walking around different cities in the United States. The font uses varying drawing styles (from detailed to pictographic) but they all have a similar irregularity, unifying the characters. Perfect for animations, signs, greeting cards, posters, etc.

A 1963 issue of Billboard Magazine contained an ad for Jimmy Smith (along with some other artists on the same record label) that was hand-lettered in a free-form style similar to show-card ‘one-stroke’ typographic design. This was the inspiration for Top Forty JNL, which is available in both regular and oblique versions.

Display Robust is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Robust has an uppercase alphabet, numbers, and punctuation.

Display Brutal is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Brutal has an uppercase alphabet, numbers, and punctuation.

FourJuly contains three patriotic fonts that might be fun to use in July. They are also very hard to read, but perhaps not as hard as the somewhat similar letters in the fonts of FlagDay. FourJuly A has square, blocky letters with star interiors. FourJuly G and FourJuly H add diagonal stripes. FourJuly G and FourJuly H can be layered on top of FourJuly A to create bicolored letters. See the example here.

Display Carlos is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. There are numbers and punctuation located under their respective keys.

Display Plump is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. There are numbers and punctuation located under their respective keys.

a gothic font with variations of style ready to use

Swithin is based on hand lettering from the titles in a Victorian fairy tale collection. It has a playful look which seems just right for the holiday season, with some rough, hand-drawn variations which make make it feel more unique. It's conceptually similar to our Candlemas and Summerisle fonts, but has its own special personality. It ought to be excellent for holiday cards and other seasonal uses.

The six weight Organon Serif typeface is a stylish and feature-laden OpenType family which complements its sister Organon Sans, both components working in tandem to create an elegant, legible and thoughtfully designed suite of fonts which share similar cap & x heights, stem widths and ascender/descender values. Organon Serif mixes slab and calligraphic traits to create a truly impressive modern serif face fully loaded with typographic options.

The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful. This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks. Boss Jock JNL is available in both regular and oblique versions.

The main problem with handwritten fonts is the limited use in body text. Bodyhand is specifically designed to remedy this, for example when designing children's books with a larger amount of text or in similar contexts. Bodyhand is especially adapted to read comfortably even when used in small font size and requires approximately the same space as the fonts we usually use in body text, such as Times or Helvetica.

Asyatu Arabic style font. These fonts are not only useful and beautiful. They are also well made. Our designers work hard to ensure the quality of each font is similar to that of a professional calligrapher. This font is perfect for you whether you are designing Islamic greeting cards for your friends’ weddings. Invitations for big events like engagement parties or birthday parties, as well as your various special projects.

Say hello to a casual handwritten font family - Dreaming OutLoud. 8 handwritten typefaces made to complement each other in the best possible way. They are easy to use and perfect for expressing your thoughts, posting quotes and simple daily updates on social media. The font package is complemented by more than a 100 transparent background marker lines (easy to change color!) - to emphasise what you are saying :) - and dingbats & doodles font. Two sub-packages included: Elementary package. Use this one if you primarily work in Canva/Cricut and similar applications and don’t want to deal with OpenType features of the PRO fonts. To access alternates - simply change the font to it’s ALT version. Voilà. You can use these fonts on your iPad in Procreate app! Charged package. You need this one if you feel comfortable with OpenType features, if you work in Adobe Suite and similar applications that have OpenType panel to access OT features. You can use these fonts in Canva-like applications as well - they are fully unicode mapped. Contact me with your MyFonts order # to get a free bonus - more than a 100 "Marker selection lines" in png and psd

Calligraphica was designed because there are very few inline fonts, and even fewer inline calligraphic fonts. The original forms were written with a split pen in a single stroke. The minuscules have a rougher look and the capitals have a smoother shape to imitate hand written calligraphy with more formal, decorative initial caps. The Calligraphica family contains 6 fonts: Calligraphica Regular and Italic are the regular upright roman true italic version of the font. The ascenders on this font are a bit higher than the capital letters--this is standard for most fonts. Calligraphica LX Regular and Italic are similar to the first 2 fonts except their ascenders are longer and reach high above the capital letters--giving these fonts a taller appearance. Calligraphica SX Regular and Italic are similar to the first 2 fonts except their ascenders are shorter and are the same height as the capital letters--giving these fonts a shorter appearance.

Display Dots Five is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Five has an uppercase alphabet, numbers, and punctuation.

Display Dots Six is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Six has an uppercase alphabet, numbers, and punctuation.

Display Crisp is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Crisp has tall and short cap alphabets, numbers, and punctuation.

A Neogothic typeface that radiates trendy ease and allows bicolor compositions. The decorative elements of Aeronaut, the swashes we call parachutes and the squiggly arrows of the upper-case characters soften the font’s Gothic appearance. It’s the reason why we labeled it a “Neogothic typeface that radiates trendy ease.” Make it as modern as you like it to be. · Aeronaut-Base combined with Aeronaut-Parachute allows bicolor compositions. Simply place them on top of each other to create playful, two-colored headlines. Aeronaut-Balloon is similar to Aeronaut-Parachute but offers even longer swashes. AeronautPlain is similar to Aeronaut-Base but works as a complete font on its own (as it contains all punctuation). We abandoned the swashes of the upper-case characters to keep the font pure and straight. · The glyphs of Aeronaut are derived from Textualis also known as Textura or Gothic Bookhand. Textualis represented the most calligraphic form of blackletter types and is today regarded as quintessentially Gothic. Aeronaut has been inspired by Kirchengotische Schrift, a font that can be found in a German font book from 1879 entitled Vorlegeblätter für Firmenschreiber. As its name suggests, it was designed for religious publications. · View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut · Language Report for Aeronaut / 175 languages supported: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Aymara, Basque, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chickasaw, Cimbrian, Cofan, Corsican, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Lojban, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Manx, Marquesan, Meglenoromanian, Meriam Mir, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Lule, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek, Venetian, Vepsian, Volapuk, Voro, Walloon, Waraywaray, Warlpiri, Wayuu, Wikmungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

TWO LAYERED FONT: Be sure to get both the FRONT and the BACK! Maintaining simultaneous shades of whimsy and versatility is no simple feat, but the meticulously constructed Stately Gothic accomplishes just that, elegantly. Stately Gothic is a redrawn version of Grit Gothic. The strong vertical character of this stacking/layered typeface make it an ideal solution for use where legibility matters most: posters, logos, book and album covers, and so on. It is part of Grit History Series B along with Heirloom Artcraft, Worn Gothic, Grit Sans, and Grit Gothic.

A while back I created a nice font called Harimau. It is a childish font, with a happy feel to it. Harimau had some unusual glyphs, most notably the 'g' and the 'j', which, for some designers, were a little too unusual. Therefore I have created a new font based on the old Harimau: it is similar, but comes with 'normal' glyphs.

Let Tarot wisp you away onto an enchanted journey. This whimsical serif typeface is perfect for headlines, small bodies of text, and feels like magic when paired with scripted type. Inspired partly by Helsing, Tarot features a similar essence, along with an alluring and spontaneous handwritten presence. Tarot is a charming font used to make anything created feel bewitched. Presto!

Overland Trail JNL is Jeff Levine Fonts’ interpretation of “Italian”, first introduced in 1821 by the Caslon & Catherwood Type Foundry. Unique and somewhat similar to Faux Pas JNL with its eccentric stroke weights (opposite what is considered normal for serif fonts), the typeface features a design most associated with the Old West. Overland Trail JNL is available in both regular and oblique versions.