Duesenberg was designed to be similar to turn of the century fonts used primarily in newspapers. It has roman characteristics, yet is clearly not, and really doesn't fall under any category.

Branding Iron is similar to Barnum Block. Use the Branding Iron font for headlines, signs, menus and posters, especially where an American Western quality is desired.

Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.

Introducing Afrocultures - Exotic Typeface created by ikiiko. A handwriting with unique and exotic line curves typeface with ton of alternatives to choose. This typeface is perfect for an elegant logo, magazine layout, headline font, header page, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Swashses Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Browser Sans is a companion to Browser Sans, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.

Browser Sans is a companion to Browser Serif, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.

Sideron is a first release and has some minor similarities to Broadway in its thick and thin strokes but is much squarer. There is also an Italic version.

The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Similar to Choose One/Ten typeface, by Bryan Thatcher. For use in advertising and display composition.

A single weight rounded font, similar to the popular Futura font with several new twists. Usage recommendations include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

This font was designed for an identity project, but wasn't used, so now it's for sale. The idea was to develop something similar to Engraver's Gothic, but with a more informal and playful feel.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

Chorus is a collective effort to sing in harmony. Similarly, each letter is designed to reflect harmony when used together to form a letter, sentence or paragraph. Letters like B, D, P and R have curved stroke (instead of straight line) while joining vertical stem. Letter K, k, and R have similar disjoint point in middle and unique plus stylish curve at foot. Letter C and G has distinct horizontal cut at top as compared to other letters in typeface e.g. S. Letter like b, h, m, n, and p have consistent stroke joint style with vertical stem. Ink traps in various letters are designed such that they blend with the letter form at certain degree instead, getting emphasised. The family comes in various styles in weight and width.

Remembering us of the early graffiti on the New York subways. And similar to creating and producing a graffiti, a "Piece", also the styles of Line44 are superposed in layers.

Tipograf�a caligr�fica inspirada nos t�tulos das canci�ns dun caderno familiar de partituras de 1941. � unha fonte creada da maneira m�is fidel posible a como se debuxar�a cunha pluma estilogr�fica do momento. Axeitada para t�tulos ou letras capitais. Non se recomenda empregar para textos longos, de non ser que se pretenda simular un arquivo antigo dun estilo manuscrito semellante. Tipograf�a caligr�fica inspirada en los t�tulos de las canciones de un cuaderno familiar de partituras de 1941. Es una fuente creada de la manera m�s fiel posible a como se dibujar�a con una pluma estilogr�fica del momento. Adecuada para t�tulos o letras capitales. No se recomienda utilizar pata textos largos, a no ser que se pretenda simular un archivo antiguo de un estilo manuscrito semejante. Calligraphic typography inspired by the titles of the songs of a family notebook of 1941. It is a source created in the most faithful way possible to how it would be drawn with a stylus pen of that moment. Suitable for titles or capital letters. It is not recommended to use for long text, unless you pretend to simulate an old archive with a similar manuscript style.

AZ Black was inspired from a need to develop an easily changable Black style font similar to the bold type on US currency. This font was designed for use as a display headline or sub headline.

Inspired by a famous vampire movie. This font is based on the character shapes of Free Serif, a sample font bundled with FontLab applications; it is quite similar to Times Roman.

This face was designed in 1925 as the Monotype answer to the very popular Cooper Black. Goudy is also quite similar in appearance to Ludlow Black and Pabst Extra Bold, both of which were also done in response to Cooper Black.

CG Triumvirate was designed for use on the Compugraphic phototypesetting system. The CG Triumvirate font family is very similar to Helvetica, and is an ideal font choice for text and display use.

Aura was designed by Jackson Burke for the Linotype foundry in 1960. Aura is a sans serif display font, very similar to Helvetica Inserat. Use the Aura font for headlines and posters.

Effete is a metropolitan titling typeface, similar in weight and proportion to fonts like Imre Reiner's Corvinus, but both more expressive and less goofy. Effete conveys a sense of quality and authenticity.

This font from the same family as Scripio A and Scripio B. The truth it more likely their cousin, very much it is not similar to them. Though looks not so bad.

Take a trip to a tropical paradise. This brush style font has an exotic appeal with alternate uppercase characters borrowed from the font, Babylonica. The OpenType Pro version offers extra alternate characters.

American Writer is suitable for many types of designs. It is meant to be used for body text and is very readable at small text sizes. It looks similar to the type you would see on blueprints or an architect's drawings.

Sandokan is a brush script font with a character and morphology that nears Oriental calligraphy, Art Nouveau typefaces, psychedelic “flower power” fonts from the Sixties and Tuscan poster fonts from the 19th century. Its main features are the high contrast between thick and thin strokes and the extreme slanted angle in the typewriter imprints, creating inverse shadowing. The letter set is further accentuated by exotic decorative details and the often unusual connectors between small letters. The typeface supports all languages using the universal Latin character set. Sandokan is a slightly sweetened cultural cocktail. As such it looks best on everything that needs to come across as exotic and rather solid but unmistakeably eccentric - such as labels and packaging on exotic delicacies or circus posters.

Donuto is a bold rounded font. It's suitable for create logos and branding of food, children's and eco-products. The font contains a number of alternate characters, which allows you to create unique combinations.

The Flyer font family consists of two very heavy condensed sans serif faces, Black Condensed and Extra Black Condensed. Excellent for headlines or packaging, Flyer font is geometric and quite similar to Tempo Heavy Condensed.

Plain Talk JNL is similar to Eckhardt Centerline JNL, but lacks the thin inline lettering and has a different A and G. The hand-lettered look of this font makes it perfect for titling applications.

My friend in the Czech Republic sent me a card with some hand lettering that was similar to this tall headline font. It has a funky yet elegant appearance. Works nice for Art Deco too.

Wally is an elegant hand-drawn script that has a very even flow and is readable down to very small sizes. Since it has a similar design it can be mixed with Novita and Novido.

All typewriter types are rounded and especially American Typewriter has an almost too-slick appearance. Suomi Slab Serif has the glyph shapes similar to typewriting, but the serifs, terminals and connections are crisp and sharp.

Awesome Quote is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination. Happy design! Eko Kurniawan | Letteratom

Excelsor Script is inspired by lithographically produced scripts. It is softer and simpler than, for example, engraved Splendid Script, because its designer used pens and lithographic needles. The graver for steel is held in a quite different way and this has an influence on the shape of the letter. Similar type faces were in use from Neo-Classicism until the beginning of Art Nouveau, when they were pushed aside by a completely different view of festive typography. It has, in contradistinction to other scripts, slightly narrowed letters, which signifies a distinctive elegance without wasting space on the line. For practical reasons it was not possible to encircle the bottle with too long a label. It is, therefore, a suitable type face for labels. Its two optical grades cover a wide range of sizes.

Beautiful, richly ornamented shadowed letters in the Empire fashion, similar to the fonts of the Parisian type founder J. Gille', cut around 1810. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters.

The typography was created from the observed similarities between some musical symbols and the letters of the alphabet. Realizing that there were not typefaces which used this language, decided to implement this idea, providing a new typographic style closer to the musical symbolism.

The "Voluptate Pack" font is a smart sophisticated handwriting pack that includes ‘Voluptate’, ‘Voluptate Classic’ and ‘Voluptate Elements.’ Every single character in our ‘Voluptate’ font distinct and given every letter a unique identity – very much like a person’s handwriting. Of course the characters are similar enough to work hand in hand, but not so similar as to appear as an obviously computer generated type set. The ‘Voluptate Classic’ is very similar in design and ever so slightly informal in its appearance. A thoughtful mix-and-match of both these fonts can give a delightful appearance to your designs. You could use the Voluptate on most areas of the text for example, and the ‘classic’ to emphasize a more personal touch to certain areas, say for example where you may be quoting somebody’s word. When you get the pack you also get a handy ‘Voluptate Elements’ set of designs that can enhance your creations in so many ways. All 3 are available individually, but it's like getting the elements for free when you buy the pack.

Rara is a display font that has a free and energetic expressive character. Rara has a letter shape similar to brushes but solid, this font is suitable for use as a medium that complements passive objects

Slightly condensed with a taller lowercase, Gallivant carries itself very well. Similar to classic thick-and-thin san-serif faces with stems slightly facing inward. Note: OpenType variants may only be accessible via OpenType-aware applications.

With this font, the true fun is ornaments, and there are tons of them. Design conveys either adventurous or eco friendly look, which coupled with many alternate characters adds up to uniqueness in your final design.