Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina's story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn't even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.

Eduardo Manso has brought new meaning to the word distressed. The contours of Rina have been randomly inverted, spiked and split to create this agitated look. Surprisingly, Rina remains legible. And just to turn the screw a little more, Manso created an outline version, Rina Linea.

Harpo is a naturally condensed font, better at large sizes. Harpo Wide is a more versatile version of the same font. Part of The Algonquin Collection, Harpo was named for occasional Round Table member, Harpo Marx. Light, narrow and discreet this font brought to mind the silent Marx brother.

Based on the popular Microbrew Family (Rising Star, May 2014), Signyard is a display family trapped in time. Inspired by vintage restaurant and hotel signs, Signyard comes decked out in incandescent bulbs for a an authentic retro feel. The family has a unique vintage cinema style, but also works well with a variety of subject matter including weddings, birthdays, breweries, coffee houses, cigar shops, and many more. Signyard is an all caps display font, but the lowercase act as alternates. For super-easy alternates, just mix uppercase and lowercase letters. To add to the realism, Signyard includes double-letter ligatures. Sporting a healthy compliment of features and languages, Signyard is a very versatile display family. Signyard features 6 styles, 4 layers, symbols and opentype features. Opentype features include automatic fractions, subscript numbers, superscript numbers, and double-letter ligatures. Also included are old style numerals, and catchwords. (in the symbols font)

When did it start. One day I was designing some stuff for a fast food café. By style the Café was made as an old Soviet canteen. So I had to do a special accent on this in menu, advertising posters and other print products. I decided to do this by interesting old school font. There are many cool retro fonts on the Internet, but not one of them satisfied me on 100%. The next step was to look at the old posters and find some inspiration. So I found some cool pictures with exact letters that I needed, but there were no typefaces to buy so that I can print some text with this exact letters. That's why I decided to do such typeface for my own. You can use this typeface in the field of nutrition, and it also will suit for cinema posters.

Alisha is an expressive yet legible script face with a generous x-height and a equally generous complement of over 200 alternates and swash forms. Alisha retains the distinctive look of custom lettering with varied letterforms that are personable; yet polished and refined. Alisha is ideal for attracting buyers to product packaging, beckoning readers to headlines and hero graphics, or charming clients in identities and wordmarks. See what’s included! This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here.

🏆 Selected for Tipos Latinos 9. Dona is a non-boring sans serif. While very legible in text sizes, its friendly details really come to life on headlines, packaging and visual identities. To make it even more interesting, Dona Alt brings a different feeling with just a few different glyphs. The Dona type family comes in 5 weights, from Regular to Black, matching italics and an Alt version, totalling 20 fonts. If you need even more control, variable fonts are also available. Each font contains 528 glyphs and supports over 200 languages.

This historic revival font was created especially for use in the preservation and restoration of the 1916 silent film “The Good Bad Man,” starring Douglas Fairbanks. There is only one copy of the original film print in existence, and when the film was restored for a screening at the San Francisco Film Festival in 2014 the new font was created to best recreate the intent of the original lettering in the film. It is a smooth and pleasant vintage lettering style, originally designed for use on silver screens, now fully rendered in OpenType and ready for you to use in your designs or web pages today. There’s a neat story about this historic silent film font from The Atlantic magazine here: here.

This font is a collection of calligraphic ornaments suitable for invitations, gift tags,etc. These designs are assembled from hand drawn elements, and mirrored elements have been modified slightly, to increase the hand-drawn appearance. They would also be right at home framing the dialogue screens of a silent film.

Dive into the world of retro nostalgia with the GAME PAUSED font. With its 6 unique styles in each type - Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Features: Game Paused Main File Has 6 Variable: Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Instructions (Access special characters, even in Cricut Design) Enjoy Designing! Dharmas Studio

Disento Sensual Ligature Sans Serif Typeface . Sexy & elegant sans serif font is ideal for creating logon and Brand Identities. With large variations of original ligatures and a lot of sophisticated Alternates It works perfect for creating stylish logos, striking editorials, invitations, graphic quotes, and more. Uppercase Characters Lowercase Characters Discretionary Ligatures Multilingual support for various languages HOW TO GET ACCESS TO ALTERNATE CHARACTERS & LIGATURES Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type – glyphs Microsoft Windows apps -generally propose a Font menu by right-clicking on a selected text. This Font menu lets you setup several font features, in particular ligatures. "In Word 2010 or newer for Windows, press Control-D to open the Font dialog box, and select the Advanced tab. Check the option to “Use Contextual Alternates,” then set Ligatures to “All,” and click OK." Follow me by Instagram: @labfcreations

A 1926 trade ad for the silent comedy “The Nut-Cracker” starring Edward Everett Horton has the film’s title hand lettered in a decorative bold sans serif design complete with highlight lines and accent dots. This festive type face is now available digitally as Movie Matinee JNL in both regular and oblique versions.

Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile. This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier! Key features: • 6 Weights in Roman and Oblique • 3 Widths – Narrow, Regular, Wide • Extended Caps • Small Caps • Extended Small Caps • Petite Caps • Unicase • Old Style Figures • European Language Support (Latin) • 1,200 glyphs per font.

Movie Script is the script that was used in German movie-brochures. Those were small four page leaflets with a lot of sepia-colored pictures about the movie one was about to see. Today those things are collectors items. The script was also used on those hand-painted posters above the cinema entrance. I cleaned up the old script and made it just a little bit more readable, but overall I left it as it was. Of course I added the necessary glyphs for today's world, like Euro and so on. When I was a kid, my grandfather gave me 1 German Mark and I could go to the movies matinee, that was around 10:30 in the morning, the entrance cost something like 60 Pfennig and the rest was for peanuts and a drink. Still today I love my grandfather for that, movies introduced the world to me (no TV then). Your grandfather-loving designer Gert Wiescher

Introducing Kampione - Vintage Bold Type, created by ikiiko Kampione is a typeface that was inspired by classic movies and frequently makes people nostalgic for the height of cinema. This typeface is distinguished by its strong, dramatic letterforms, which frequently evoke the early 20th-century Art Deco and Art Nouveau movements. Images that enhance boldness and drama, including black-and-white photos, antique movie posters, or pictures of film reels, are frequently used in conjunction with this font. Bold, geometric letterforms that are frequently rounded or squared off at the corners define this style. The font's overall appearance frequently has a significant visual impact and is reminiscent of an old advertisement or poster. This typeface is perfect for an vintage poster, movie title, elegant logo, packaging, magazine design, fashion brand, classic stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Hot Pursuit: A Hand-Drawn Grind-house Roller Derby Font A grungy hand-drawn font with attitude inspired by comic books, Roller Derby and bad Grindhouse movies. Hot Pursuit is a boiling pot of pop-culture references ranging from 70s chase movies to Roller Derby, horror comics to Grindhouse cinema. All combining to create a hand-drawn font for grungy designs with maximum punch. Supplied in regular and italic styles, it creates titles that race off the page, perfectly suited for dynamic movie posters and headlines. Along with the 4 font styles you’ll also find a host of original comic art by Christopher King, plus symbols and underlines to compliment your type. Hot Pursuit contains unique uppercase and lowercase characters, numerals, punctuation and language support. It’s a bad-ass font ready for your t-shirts, posters, stickers, movie titles, YouTube videos and more! Check out the visuals to see it in action for yourself.

Sans Atwic Modern is a clean simple sans serif typeface. It has a universal and neutral look thanks to repeated vertically cut end strokes and thanks to letters that have similar width. Lowercase has higher x-height and its end strokes are open, that a guarantee for better legibility in smaller sizes. Atwic has several alternates which together with left slanted italics freshen the whole font family. It's handy while working on poster, headline, brand identity, website or mobile app. Specimen: http://carontwice.com/files/specimen_Sans_Atwic_Modern.pdf

Get ready to dive into the retro vibes of the early 2000s with PUNK CYBER!. This font brings back the bold, colorful, and experimental visuals that defined the y2k era. With 6 captivating styles - Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Features: Has 6 Variable: Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Instructions (Access special characters, even in Cricut Design) Unique Letterforms Simple Installations Enjoy Designing! Dharmas Studio

Pikelet is a misprinted grunge font ideally suited to headlines, poster and display. As well as irregularities of printing in the actual letters, the ordinary versions contain "print errors" around some of the letters, whereas the Clean versions are identical but without those extra bits of overprint. The All Caps version has 2 sets of capitals which are different to the capitals in the Regular version (and to each other). And the jumbled versions have varying amounts of mis-alignment, but not variations in size. There's also an extensive selection of accented characters for both Western & Eastern European languages, and punctuation and fractions.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

Woolen is a hand-inked & italicized serif, based upon a 17th century type specimen by Jean Jannon. Many of the capital letters are decorated with subtle sprigs and leaves, while the lowercase letters remain classically styled, giving the font a warm and natural look with just the right amount of dignity. Woolen is perfect for logos and branding – she shines in retail identities, particularly for farms, markets, and restaurants. Even though the font is slanted, it reads beautifully as body text and display headlines. Multi-language support is included in the font.

Sittl Pro is a professional version of the style of the same name in our Plaquette package, including 4 weights and true italics (most letters are not simply slanted but carefully crafted for that purpose). The smooth retro look achieved by softly rounded edges and a geometriec appeal is ideal for logos, company identities, menu cards, magazine headlines and the like. There are many choices regarding alternatives – choose the 20 stylistic sets, ligatures as well as initial and final forms to create unique typography for your next stylish project.

Friendly is an homage to Morris Fuller Benton's adorable Announcement typeface. It is not a strict interpretation, digital revival or reverent reproduction of the original letterforms… but I would be remiss and shady to not acknowledge the letterforms that inspired this typeface. If you are looking for a more accurate 'scanned revival' I would recommend searching "Announcement" on MyFonts. As stated earlier, it is an homage to the original letterforms of the typeface but takes a great bit of freedom tightening the construction up in order to loosen up the movement of the variant letterforms to allow a great deal of usable personality. I enjoy stating this dichotomy… "loosen up to tighten up the forms" and vice versa. It seems counterintuitive or silly but by allowing the letterforms to normalize, I felt more comfortable going back and adding rather indulgent personality. Infused with stylistic alternates, swashes, titling, many many contextual alternates, 9 stylistic sets and 2 stylistic sets with wordmarks, the typeface became far more 'friendly' for me… how could it not? With so many loops, swashes and typographic indulgences, it was bound to be fun. The more elaborate and 'overdone' Friendly got, the more I wanted to slant it. Here's where my thinking differs from MFB's original. I like slanted romans… especially ones with long ascenders, but I do not like much of a slant. It has to be the lettering person in me. It's hard for me to do a completely upright serif and not pair it with an angle, but I did not feel Announcement's 'Italic' offered much and the actual slant needed to be far less. If it's not an italic, I prefer the letters to slant with an angle equivalent to the thickness of the vertical stroke. The Slanted version of Friendly is set at 3.6 degrees, is quite subtle, and very fitting for me. You will find that most characters have a contextual, stylistic, swash and titling alternate assigned to them and some have an echoed alternate to the swash and titling options if the stylistic alt has been selected in tandem. Additionally, all of these are accessible in the glyph palette directly from the base glyph typed or through selecting options through the Stylistic Sets 1–9. Stylistic Sets 10 & 11 are a little different. They are actually configured as complex majuscule ligatures… a result of me getting carried away. Other features like a default old style numeral set and coordinating glyphs have been produced along with case support, ordinals, and more have been added to make it more relevant for contemporary use.

Sharplion is a typeface family designed by Zeki Michael and Leyla Melis Aslan. It’s a simple, but sharp display typeface with a clear yet powerful personality, created to not only optimize space, but also build contrast on the printed page and on the screen. Sharplion, coming in two weights and a matching slanted version, is designed to give that neo-vintage industrial feel in 'titles and hierarchic subheadings, logotypes and cases of short and simple copywriting for the artisan, hand-made and small batch look.’ The first 4 letters for what is now Sharplion, were designed in 2018 by Zeki Michael to be used as a logotype for Depo Coffee Roasting’s branding project. In early 2019 after Zeki designed all the letters, numbers and glyphs, he teamed up with talented designer, Leyla Melis Aslan to add strength to the project. The full Sharplion type system includes Regular, Black and Slanted styles – providing a simple but sharp contrast type solution for digital and print design work.

Côte is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt marker. The Côte name is derived from the French word meaning "coast" and is also used to describe winemaking vineyards and regions throughout France. One of the most popular regions in the south of France is the French Riviera also known as the Côte d'Azur. Côte is great for display work, invitations, writing, architecture, posters, wine labels and headings.

a, g, k and y It was a forensic examination by Jason Smith of his existing designs that laid the groundwork for FS Jack. Jason made a list of unique characteristics that would give the sans serif font its typographic thumbprint, which included an unusually large x-height and slightly off-the-wall letters like the lower-case “a”, “g”, “k” and “y”. “I wanted to make something that was slightly uncomfortable,” says Jason, “and in doing so simplify the quirkiness down to a few letters.” Fernando Mello did “the rest of the cooking”, filling the design out and making the additional weights. Tipos Latinos Upon its release in 2010, FS Jack was submitted by Fernando, who is Brazilian, for the esteemed type design biennial, Tipos Latinos, where it was selected as a winner in the Families category. It went on to be selected for type exhibitions throughout Latin America and around the world. “FS Jack is a workhorse,” says Fernando, “but also very ownable and distinctive, and available in a good range of weights, crafted by Jason and I.” Corporate “FS Jack took a couple of years to get noticed and is still fairly underused,” says Jason, “which is good in a way, for our Brandfont clients that have adopted it.” FS Jack was chosen as the signature font for The Shard in London, from its signage down to business cards. Fontsmith also worked with Lloyds Bank to customise FS Jack into a bespoke font for the bank’s updated brand identity – part of Fontsmith’s Brandfont service, which you can read about here. Fat Jack Included in the FS Jack family – just – is FS Jack Poster, the super-heavy weight of the range. “That was a last minute addition,” says Fernando, “after Jason and I started talking about how much we liked Gill KO, a typeface that is almost comically fat.”

Linotype Pisa is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It was designed by Swedish artist Lutz Baar and is a modern text font based on the humanistic Old Face style. The dynamic lines and harmonious proportions make Linotype Pisa a pleasant and legible font. Distinguishing characteristics are the elongated cross strokes of the capital A, B, E, F and P and the slanted cross stroke of the lower case e, typical of Venecian Old Face characters of the 15th century. Linotype Pisa is well-suited to longer texts and headlines.

JT Modernism is a cutting-edge font that seamlessly blends a funky aesthetic with a modern twist. Boasting a total of 18 weights, ranging from the delicately Thin to the boldly commanding Black, this font offers a versatile spectrum of options to suit any design project. The unique charm of JT Modernism lies in its slanted design for each weight, adding a dynamic and energetic flair to your typographic creations. The slant is carefully crafted to enhance the overall visual impact of the font, making it stand out in the contemporary design landscape. Whether you're designing a sleek corporate identity, a vibrant poster, or an edgy website, JT Modernism provides the flexibility and range to meet your every need. It's not just a font; it's a statement, an embodiment of the spirit of the contemporary design renaissance. Welcome to the future of typography – welcome to JT Modernism.

Par Avion's design draws something of its inspiration from the wings of the old BSA Motorcycles logo and was developed in parallel with our Vinea typeface family. “Par Avion” means ‘By Air’ - remember those little blue stickers in the Post Office - for sending Air Mail? We think this typeface design has a lovely streamlined feel of the early jet-era about it.

The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Stanffords Family include 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs. Stanffords is a very versatile script font: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!

Mayfest Is An Elegant Display serif Inspired By Luxury and Elegant Character. FAQ's : Where are the OTF's? They are included in a download link( in a text file) in your main download file. 1 user 2 computers installation (Desktop License) You may NOT use for broadcast or Cinema/Motion Picture. You may NOT resell this font in any platform without further permission from designer. Do NOT embed font files in app/game/e-pub (for desktop license) You may NOT use the fonts in templates for sale/free. ( web/print/app ) For other license use please contact us. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Lanche Is An Modern Elegant Serif Font Inspired By Elegant Serif Typeface FAQ's : Where are the OTF's? They are included in a download link( in a text file) in your main download file. 1 user 2 computers installation (Desktop License) You may NOT use for broadcast or Cinema/Motion Picture. You may NOT resell this font in any platform without further permission from designer. Do NOT embed font files in app/game/e-pub (for desktop license) You may NOT use the fonts in templates for sale/free. ( web/print/app ) For other license use please contact us. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Sailor is the digital rendition of a film type that was popular in the early- to late-1970s. The type was called West Futura Casual at Photo-Lettering by David West. Some of the letter shapes of the original were replaced with more contemporary versions, but the originals remain accessible as alternates from different cells within the font, along with some other alternates and letter combinations. Just as the name implied, this sort of lettering is what happens when someone tries to apply Futura’s geometrical principles with a casual hand brush. This style has been popular for over three decades now, and is still going on strong. Posters with casual attempts at geometry are seen everywhere these days. Sailor’s brush style is now the standard visual expression of fun, cool, and happy atmosphere. It has the kind of versatility that can excite the eyes of children in cinemas, brand a product as happy and hip, turn a sign or banner into a cheerful invitation, or just make a poster or book cover that much more appealing to the eye.

The 50’s were the golden years for cinema and consequently also for the artists who lettered on the posters. Cinefile is a brushed disconnected script included in a family font that evokes the soul of that vintage brush but with a modern touch. The main characteristics of Cinefile are soft and rounded shapes and a very high x-height, clean and easy to read. Cinefile Family includes 3 fonts: Cinefile, a very versatile script font with initial forms, and a generous complement of alternate characters, ligatures, ordinals, Cinefile Slab Serif and Cinefil Ornaments that combine perfectly and give you many options to your designs. Remember that to access to all additional characters, you must use software that is truly compatible with OpenType, such as Adobe CS applications, or we recommend using the Glyphs palette. Cinefile is a friendly and fluid family font that adapts well to titles, packages, invitations, greeting cards, magazines and book covers, children's material, fashion, logos and, posters and wherever you need a fun and sympathetic display font.

The Phantom Isles: Retro Tiki Font A Textured Retro Font Inspired by Tropical Tiki Style and South Sea Adventures! The Phantom Isles is a hand-drawn font inspired by 1950s Tiki culture, tales of exotic locations and south sea adventures. It features the textured look of weathered wood and is the perfect choice for book covers, movie titles, theme parks or vintage themed events. The font includes a complete set of uppercase and lowercase characters, along with numbers, punctuation, symbols and language support. You’ll also find a set of specially illustrated underlines, shapes and icons including flora and fauna, old rope, skulls and more. A Brief History of Tiki Culture Originating from Māori mythology, a tiki is a wooden or stone carving that represents deified ancestors found in most Polynesian cultures. The mainstream and commercialised Tiki Culture that became popular across America from the 1930s to 50s was inspired by the sentimental appeal of an idealised South Pacific, particularly Hawaii, as viewed through the experiences of those who had visited such areas during World War II and cinematic depictions of beautiful scenery, forbidden love and the potential for danger. Over time it selectively incorporated more cultural elements of other regions that affected Polynesia, such as Southeast Asia. The Americanised form of Tiki Culture maintains a dedicated following today, particularly among those interested in 1950s graphic and interior design, history and the escapist lounge aesthetic it inspires. Learn more about the history of Tiki and Polynesian culture.

While watching a 1920s Charlie Chaplin short film, Jeff Levine was taken with the unusually modern looking lettering of the title cards in that silent movie. The lettering was not only right for its time, but could also be adapted to both Art Deco and Techno applications. From this classic film comes the font Two Reeler JNL, a bit of yesterday with an eye toward the future.

The Dava typeface is the result of almost two years of self-study. Dava is a screen sans serif font that is small but fun. His family is small and has fine, regular, bold, fine slant, regular slant, and slanted bold weights.