If you are looking for a simple, twisted and funny font with lack of readability, you should take a look at Jazzy B typeface. The family contains 2 styles: Thin and Bold. Jazzy B Regular combines these two style, so you can easily create catchy captions for music posters, children books and video games.

Geisha Holiday is an urban font with a unique look. The letters express slightly the formalized strokes of kanji characters but the overall tone is relaxation. Enjoy the laid back, modern, and distinctive style of Geisha Holiday. Geisha Holiday is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Upperclass was a font I created back in 1995. I had a brainstorm about the uppercase letter “A”. I noticed that the cross bar for the letter A is always toward the bottom, what if I moved it toward the top. The result is a unique font, a great addition to your font collection.

Back in the days when we earned our living with a travelling magic show, we took the shaded font Lithotint, filled it in, modified some characters, and here is the result. In those days, to use the font we had to cut and paste stats of individual letters by hand. You have it easier!

There is nothing dangerous about this font, but indeed something dashy! That may not make much sense, and that's the same with the font - unless you want to do something eye-catching and organic looking for kids! Dashy Danger is my laid back, kinda wild, legible but unpredictable kids font - with an organic twist!

RM Sans has been designed to offer an useful but inexpensive family of 5 regular weights; 3 condensed weights; 5 outline weights and an 'eco' alternative. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

On a huge garbage bin in Lisbon I saw the sentence, “Perdidos no kaos”, which means lost in chaos and I really liked the rough stenciled lettering. Back home I designed a typeface that wasn't quite as chaotic as the lettering on the garbage container. Yours – always on the lookout for great typefaces – Gert Wiescher

Marquee is a hand drawn lowercase font with a vintage marquee sign feel.

The Chic font is a headline face ideal for packaging, posters and signs.

A unicase typeface inspired by Latin American wrestling. Versus is a type system designed for use with short and block text. The font, based on well-known typefaces found on boxing posters, combines Latin American elements and wrestling; it is this mixture of widths and weights and different styles which helps give your designs a unique flavour and personality. Versus is a unicase sans serif font well-suited for display use; its orthogonal terminals and short ascenders and descenders make it ideal for block of texts. By mixing different weights, you can have a wide range of design options—short text, isolated words, logos, titles, branding design, posters, etc. The Versus family comes in 9 weights—from a lightweight and condensed Extra Light to an expanded and heavy Ultra. Its character set supports over 200 different languages. The font also includes a large number of stylistic alternates and a complete ligature set which give your compositions a strong identity and personality.

American Copper Family is a vintage font inspired by an old American motorcycle logo. The logo looks very manly and strong, just like the motorbike. American Copper Script is the dominant one that turns the logo into a font. Whereas the Sans and Block family is a complement to the Script. But all three are a very good unit to be juxtaposed together. American Copper is a font made for you (designers) who love automotives: old cars and motorbikes. Anything related to automotive. Besides these two objects, this font is also very cool for music-themed design needs; rock n roll, metal, rockabilly, and others. Oh yes, Custom Culture is another very interesting thing to be depicted with this font. Workshop logo for example. It will look very unique with Interlock on American Copper Script. Pair it with American Copper Block. And, BOOM! The logo will look very manly. If you are curious, you can download the American Copper Script Demo version to try. Happy Designing. Cheers

That Stuff JNL is a collection of twenty-six images ranging from a stop sign to a peace sign... from a daisy to some 35 mm slides... from smiley and unhappy faces to a rubber stamp and a prize ribbon... A little bit of this and that for the creative designer.

Yard Goods JNL is another typeface derived from a sign making outfit consisting of a series of stencils manufactured by the Display Material Company of St. Paul Minnesota. This clean and casual sans design embodies the hand-lettering of 1920s and 30s era show cards, price tickets and display signs.

The National Show Card Writer sign making set contained many different sizes and styles of lettering stencils, and additional type designs could be purchased as add-ons. This product was one of the many economical ways merchants, religious organizations, schools and others could make their own signs at low cost.

CoolKids was inspired by the song “Signs of Life” by Arcade Fire. Since the lyrics talk about some cool kids we wondered what a typeface with the name cool kids would look like. We immediately knew it had to be laid back yet bold and to stand out from the crowd. After designing the bold script we decided to include a light, regular and medium weight to offer you more options for your designs. It comes with initial and final alternates, that show up automatically, to make it feel more natural and similar to handwriting. Every character was carefully drawn and connections are real smooth. This casual font-family speaks most Latin languages, both in their basic and alternate forms. CoolKids is great for creating logos, packaging, posters and much more. More important than to create a font is to use it… so now it’s up to you to create something awesome with it. Feel free to share your designs with us via email to hi@seventype.com We would love to see and share them with the world!

Jean Evans' interest in type design dates back to her third-grade fascination with fancy script writing. Years later, work at a sign-painting school she found in the Yellow Pages® cemented her relationship with letterforms. Evans went on to study with master calligraphers and type designers, including the likes of Donald Jackson, Hermann Zapf and Matthew Carter. Evans' designs have been exhibited and collected around the globe, and her distinctive calligraphic style has been lauded by leading trade organizations, annuals and publications. Hatmaker, one of Evans' more popular typefaces, was originally developed for the Boston-based broadcast design firm of the same name. Inspiration for the design came from Ben Shahn's famous hand-constructed alphabet. Shahn's alphabet, however, was limited to capital letters. Daunted by the idea of designing a lowercase that would measure up to Shahn's capitals, I developed a second set of caps-simple, quirky, yet almost classic-to work as 'lowercase' with the Shahn-like caps," explains Evans. Mixing the two in Hatmaker, creates a lively interplay of light and dark."

Emoli is a strong font family with a laid-back style. Inspired by the strong bending of iron, a unique character can be felt through controlled letterforms and blunt finishes. Each font in this family is standalone, and strong and cute. Emoli consists of ten fonts Emoli-Thin & Emoli-Thin Italic, with the thinnest complexion looks luxurious in high appearance. Emoli-Light and Emoli-Light Italic looks elegant combined with the weight of the Emoli Font family. Regular and italic emojis, the basis of emollient fonts, balance shapes, and letter uniqueness are found in this weight. Emoli Bold and Emoly Bold Italic will gently emphasize a strong character. Emoli Extra Bold and Emoli Extra Bold Italic, the thickest weights that will facilitate legibility and strong attitude. FEATURES 10 weights / Italics / Lines / Numbers & Signs Font family Emoli works well on applications, brands, logos, magazines, films. Different weights give you the full range to explore a variety of applications, while illustrated fonts give a modern, relaxed and powerful feel to any project.

Are you tired of the same old fonts that everyone's using? Add a touch of nostalgia and personality to your designs with Sacharon, a retro pop font! Whether you're working on a vintage-themed project, designing a catchy poster, or simply want to stand out from the crowd, our fonts will give your work the groovy vibe it deserves. Sacharon takes inspiration from the bold and vibrant styles of the '60s and '70s, bringing back the essence of the good old days. From funky disco fonts to psychedelic lettering, we've got the perfect typefaces to transport your audience to an era of fun and excitement. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more. Don't settle for ordinary typography—take a trip down memory lane with Sacharon! Browse our collection now and transform your designs into eye-catching works of art. Get ready to embrace the vibrant, nostalgic spirit of the past in a modern and trendy way. Get it now and let the grooviness begin!

Have you ever imagine to make layered Victorian logo as fast as you blink your eyes? or even make your document and website with victorian classical vibes? Abracadabra! Introducing you opentype font... King Edward and Queen Victoria fonts in one solid package. Very victorian, ornamental, decorative and classical. A solid combination that can bring your design, logo, document, website, etc. back to 1800 decade. Multilingual fonts-family and playful one with 200 alternate characters. Personal & commercial license is included! HOW TO GET ACCESS TO ALTERNATES? Make sure you run an APP or Software that allow you to access Glyph panel. All characters are available through Glyph panel, even more each of the alternate letter has it’s own unicode (PUA) so you can copy/paste from Apple Font Book or Windows Character Map. Total amount of glyphs 1814. OPENTYPE FEATURES - First lowercase (after a capital) and last letter swap automatically. You just need turn on Contextual Alternates. The Victorian graphic Dingbats collection joined together into standard font format (OTF and TTF). Easy to use and great for your decorative document, layout, sign, logo, etc.

Houschka was named after Georg Houschka, a sadly defunct confectioner’s shop in Salzburg, Austria, which had a wonderful 1930’s frontage and distinctively rounded letterforms in the sign above the door. Houschka Pro is the follow up to the original Houschka type family which first appeared back in 1999. Character shapes have been improved, kerning and spacing refined, and OpenType features include CE, Baltic, Turkish & Cyrillic language support plus small caps, 3 stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka is a clean and legible modern sans serif typeface which shares the humanist qualities of Gill Sans and Johnston but retains a uniquely charming character of its own (particularly in signature glyphs A, G, Q, W, u & w). The monolinear structure, rounded corners and rolling curves give Houschka a soft and friendly appearance. Houschka Alt Pro is a carbon copy of the Houschka Pro family with one key difference: the rounded signature glyphs A & W on the default positions swap places with their straight alternates.

Inspired by a small fragment of sign-written lettering, discovered by accident, Snag is a robust mono-line font with small, pointed tips on its terminations. These embryo serifs are inspired by the legacy of a sign-writers brush, and add an overall texture and character to this, otherwise minimalist, style of lettering. Snag has a warm and traditional feel with a modern clarity. A strong component for a multitude of graphic design functions, including packaging, shop fronts, bar signs, advertising and clothing. Snag features a large glyph set, suitable for Latin-based languages worldwide.

Lamon is a soft-natured display typeface. It looks best when used for short words and succinct phrases. Lamon’s outlined glyphs are made of both uppercase and lowercase letters with the smaller letters hiding inside the bigger ones. The face's smooth lines give street signs, packaging and decorative materials a friendly lightness, while the unexpected contrast involves the viewer in an interesting optical game. Lamon is a perfect typeface for neon signs. In addition to Cyrillic and Latin letters, Lamon includes a set of useful characters and currency signs.

Frank H. Atkinson's book Atkinson Sign Painting was published in 1909. For decades, this book served as the manual for sign painters - a handbook for hand lettering. Atkinson’s book described techniques, layouts and several sample alphabets. Modernized Ideal Classic was inspired by one of these demonstration alphabets. Although Classic has its beginnings in art deco, it is very comfortable in any period or style of design. It is most appropriate in headline and display text, poster copy and signs. We've included some nice stylistic alternates and an interesting array of ligatures.

Maximo Nexa is a dynamic, contemporary sans serif font family consisting of 8 meticulously designed fonts. With its clean lines and sporty geometry, Maximo Nexa offers a harmonious aesthetic that seamlessly blends into various design contexts. Whether you're working on branding, editorial projects, signage, or larger applications, Maximo Nexa is your perfect companion.

Screenplay JNL was modeled from the signage seen in an old photo of the RKO movie studios building circa the 1930s. This multi-line lettering is so classic of the Art Deco period. For best effect and readability, use wider spacing between letters. For single words or initials, regular spacing should do fine.

Lalonde Font Family has great readability and can be used for: logos, call outs and headlines for advertising, wedding invitations, t-shirts, signage, scrapbooking, posters, badges, etc. Lalonde is a modern hand-drawn script font and is available with two formats OTF and TTF and with (Latin-1 Supplement) ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÝ ÑÒÓÔÕÖØŒÙÚÛÜ àáâãäåæçèéêëìíîïñòóôõöðøœùúûüýÿ.

A new vintage font family and ornaments called Balford. Inspired by vintage labels and packages, this collection of styles with shadow of typeface and vintage scrolls, panels, and ornaments makes it possible to combine and create many options. Create label designs, headlines, logotypes, signage, posters, greeting cards, letterheads, t-shirts and much more.

Rodista Brush is a super casual hand brushed script with detailed brush stroke texture, and a quirky, Can be used for various purposes. such as the title, signature, letterhead, signage, labels, newsletters, posters, logos, correspondence, wedding invitations, badges, etc. Rodista Brush Font international Support for a review of most Western languages ​​included.

Cortex was designed for Shanghai Word Expo 2010 / A.A.D.I Pavilion corporate identity: signage, corporate communication, graphic design (a 120 pages monography), promotional items, etc. It was inspired by the pavilion "slanted" architectural concept, and had to fit the famous chinese "YOUYUAN" typeface as well. This is a both very clear and dynamic typeface.

Airbuzz is a typeface created by Spinefonts in Warsaw, Poland. The idea was to create something between grotesk and 'lcd' typefaces; something which is strong and condensed. Airbuzz looks best in large sizes (30+ pts). You may find it useful for posters, titling, infographics, signage and corporate identity. Airbuzz features only uppercase characters.

Based on lettering from Eric Gill for the British bookseller WH Smith, Colins Banks made the Gill Facia family for Monotype in 1996. This lettering from Eric Gill was one of the first alphabets that was used for corporate branding. Gill Facia is an elegant signage face for advertisements and for displays.

The Scary font is a large, very friendly brush font, with a hint of a grainy style. It would be perfect for posters, packaging, advertising, news headlines, branding, signage and anything else you want from an urban look and feel. This font will turn any creative idea into a true work of art!

Choose Time is a super casual hand brushed script with detailed brush stroke texture, and a quirky, Can be used for various purposes. such as the title, signature, letterhead, signage, labels, newsletters, posters, logos, correspondence, wedding invitations, badges, etc. Choose Time Font international Support for a review of most Western languages ​​included.

Amigueta Script is a handlettered script font, dynamic and pretty with swashes. Can used for various purposes. such as the title, signature, logo, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Amigueta Script features Open type feature, including initial and terminal letters,ligatures and International support for most Western Languages is included.

De Augusta is a Vintage retro font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. This font perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! Whats Include: Multilingual Support Thankyou Subectype Studio

Grooker is a modern take on sans serif font styles . Perfect for logotypes, signage & branding for apparel, adventure equipment, photography, travel, food & drink, plus so much more. Its timeless semi bold style makes it great for just about any project. Feature: Latin Standard Latin Extension Punctuation Number Symbol Basic Cyrrilic Advance Cyrrilic

Doncaster is a bold display face which emphasises legibility and clarity. The seven typefaces have a timeless quality, making them equally at home today or even in Victorian inspired design work. All of the faces are ideal for poster work, signage or for really eye-catching but not ostentatious headings and titles.

An upstanding, dark horse of a font, Douglas comes in two sets of all capitals and is authoritarian while flying the flag for idiosyncrasies. The font was created using a loose brush and rough paper, and the authentic textures of the lettering indicates these rough and ready roots. Perfect for rustic signage.