Vestigio m. Ing. & Fr. vestige: a trace, mark or visible sign left by something as an ancient city in a condition or practice vanished or lost. Vestigia is born by lost pieces of other typography, being then, Garbancera's descendant. It evolved to be seen in big point sizes and compete with other fierce competitors, while retaining some features of it ancient predecessor, navigates a gothic fraktur experimental style, existing between legible and illegible reading.

Gloria Beauty is a script with a new idea that has letter characters connected to each other, so it looks unique and romantic with others. This font has beautiful, well-balanced characters, making it suitable for a variety of purposes. such as posters, wedding invitations, logos, branding, titles, signs, labels, mugs, quotes, and others. Gloria Beauty features 620+ glyphs covering characters, alternatives, and binders, including start and end letters, alternates, binders, and multiple language support.

Bullsmith font collection, inspired by old style letterhead print, beer label, certificate, billhead, lithographic design and sign store. This font came with 3 styles, script, decorative and serif. With the combination from 3 fonts this is perfect to create label design, headline, logo types, signage, poster, certificate, all types of merchandise, book cover and many more application. what you get : 130+ Stylistic Alternate Standard & Discretionary Ligatures Uppercase & Lowercase Numerals & Punctuation OTF file

Fabuleuse Slab is a one-style font that features a thin, condensed and high cap height and x-height. This gives the font a distinct retro look & bohemian feeling that is great for logos & branding, packaging, titles, magazines, posters, signs, shirts, scrap-booking, … This display font comes in Capital letters as well as Lowercase. It also comes equipped with Ligatures, Numbers, Punctuation Marks, Diacritic Marks and a well stocked supply of special characters.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish FOCUS

Introducing of our new product the name is Horror Vibes - Handmade horror Font and Multilanguage support.Introducing of designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!our new product that inspired by Street Tagging, graffiti style with a fun theme very good for graffity poster, flyer, childrenbook, cartoon, comic etc

Inspired by that iconic sign in the Hollywood Hills, this font is a must for film buffs, movie lovers and designers who want to bring a bit of big screen glamour to their projects. It’s a caps only face, but by using the upper and lower case keys type can be set above or below the base line, thus creating the signature stagger effect. See also Jazz Age and Tea Dance by Studio K

Octo is square bold/display font with italics. Letterform is bit quirky and square shaped, it can fill all kind of spaces. Octo has nice form that relate to industrial, machines and italics helps denoting speed. Octo is good for branding in fields of sports, automobile. It has full glyph set of numerals and signs. Octo is an excellent choice for headline-typesetting and logo design. Octo is developed by Gunjan Panchal based in India.

Laythis - Modern Signature Font. It comes with an elegant and modern style that is perfect for making any design stand out! This font is perfect for branding, wedding invitations, magazines, mugs, business cards, quotes, posters and more. Here's what's included: Laythis. OTF Help Files Laythis Type Features: Uppercase - Lowercase Numbers & Punctuation Encoded PUAs Perfect for Headlines, Logotypes, Signs, Posters, Letterheads, T-Shirts and more. Hope you enjoy with our Fonts Thank you

Vexillum is a new and modern look at a classical serif font and inspired by a flag-like object used as a military standard by units in the Ancient Roman army and typography arabic-persian. The shapes of the letters and perfectly balanced high-contrast makes each sign look elegant, sophisticated and eye-catching. Vexillum also can be used in logos and blog posts or independently in combination with text for initials or headlines.

Sigmund PRO is a visual journey around Poland. The main style is inspired by the Polish road signage typeface – designed by Marek Sigmund. With the increase of weight, Sigmund turns into a geometric display – in the spirit of vernacular typography from the signs of Polish streets. Thanks to this span of styles Sigmund will work both in visual identifications and posters. The family consists of 18 varieties and has many alternative characters.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish CATHRINE

Shadow Brush is a strikingly versatile and charming brush script font, hand-brushed with care. With organically flowing letters and a real brush pen texture, Shadow Brush provides a perfect balance of casual yet captivating lettering for your design projects. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts.This font contain of Uppercase, Lowercase, Number, Symbol, Punctuation, also already PUA encoded.

This blackletter font is inspired by the classical Gaelic script that was used from the 16th until mid 18th Century. Featured with beautiful lines and bold accents, this font is good for decorative type settings such as headlines, traditional newspapers, pub signs, greetings cards, and advertising purposes. You can even use this typeface for your unique logotype. With your amazing creative idea, you can use this font to make it even more outstanding and cool!

Aerioz is a monoline all caps font, comes with over 600 characters including 324 alternate letters. Smooth with rounded lines, simple, elegant, and perfect in any layout project such a headline magazines, custom name, neon sign and more typography work. Aerioz is packed with ornaments and OpenType alternates, you can combine the regular font with the ornament to make it more perfect. How to get access alternate glyphs from open type fonts : http://adobe.ly/1m1fn4Y

Rover Pro is a hand painted font family that comes in 5 styles: Regular, Bold, Bold Shadow, Bold Rough and Extra. It was designed with retail in mind, but is also perfectly suited for other uses. The flat brush that was used to hand paint all 424 glyphs creates a nonchalant stroke that adds a personal touch and plenty of pizzaz to your design. Combine Rover Pro Bold Shadow with the Bold and Rough styles for more variety and beautiful designs. For extra fun Rover Pro Extra adds another 85 glyphs to play around with. All in all Rover Pro is a smashing painted font family for virtually every project. Rover Pro is PUA encoded. This means that all Rover Pro's characters are fully accessible via Character Map or Font Book (that come with your PC or Mac).

Bridges is a hand-painted uppercase brush font and includes swashes. Bridges works well for logos, name tags, handwritten quotes, product packaging, merchandise, social media, greeting cards and much more.

Merry Baubles is a set of fleurons in the form of traditional painted glass Christmas Tree ornaments. That's really all there is to say about this piece of typographic fun.

Undercoat offers a gritty twist on a classic font style (Helvetica). It was completely hand painted which makes the font an organic centerpiece to any of your grungy design applications.

The new Fabrizio™ types, designed by Ari Rafaeli, have made their first appearance in Saggi di Letteratura Italiana: Da Dante per Pirandello a Orazio Costa, by Lucilla Bonavita, printed at Pisa in March 2016 by Fabrizio Serra Editore for whom the type was specially designed. The types are now offered for general sale. Each style (roman, small capitals, italic, semi-bold, bold) contains Cyrillic and ‘polytonic’ Greek letters and letters for many European languages (Czech, Hungarian, Icelandic, Lettish, Polish, Romanian, Serbian, Ukrainian, Welsh etc.), non-kerning fs, long ſ, ligatures and fractions. Alternative forms are supplied in ‘B’ versions of each style. A set of swash letters and sets of superiors, inferiors, fractions and phonetic letters are also offered. Two ‘Special’ fonts (roman and italic) containing special accents, letters for transliteration, Vietnamese letters, mathematics signs and symbols, arrows, commercial signs, pictograms, figures in circles, scansion marks, braces & benzene rings and the Rafaeli-Meruba Hebrew letters, as well as Latin, Cyrillic and Greek letters, are included in the Fabrizio family.

The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute's standard no. DIN 1451, published in 1931. It contained several models of standard alphabets for mechanically engraved lettering, hand-lettering, lettering stencils and printing types. These were to be used in the areas of signage, traffic signs, wayfinding, lettering on technical drawings and technical documentation. Rooted in earlier designs for Germany's railway companies, the alphabets were based on geometric shapes in order to be easily reproducible using compass and ruler. In post-1945 West Germany, the DIN alphabets were widely used, for instance on most road signs. They became available as fonts that were appreciated by designers for their industrial, somewhat quirky and “non-typographic” look and feel. From the 1990s onwards, more refined versions became available for use in book and magazine typography. DIN Next is a typographically corrected and expanded version of this quintessential 20th-century design. DIN Next Rounded is its softer, friendlier version.

When you need a handpainted sign, this is the one to use. Manual Marquee is inspired by handpainted signs, retro ticket stubs, coffee shop menu boards, and flea market price tags. The font has multilingual support, including not just basic letters and punctuation but also a whole slew of accented glyphs to accommodate all languages. It’s a clean handwritten sans serif that teeters the line between clean technical digital and rough handpainted letterforms. Whether you want a more rough and authentic look, or a cleaner and more polished one, Manual Marquee has got you covered. Plus, it’s easy to use in any design software, making it the perfect choice for both professional designers and hobbyists alike. So why settle for a plain and generic font when you can add a touch of personality and vintage charm to your designs with Manual Marquee. Get your hands on this one-of-a-kind font today and elevate your designs to the next level! Manual Marquee includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>:;'”,.\|/?{}“”‘’-–—_ ‚„©®™‹›«»°¹²³¡¿₱¢€£¥¶§†´`ˆˇ˜¨˙˚˘¯˝˛¸- ÁÀÂÄȦÃÅĂĀĄÆĆĈČĊÇÐĐÉÈÊËĖĒĘḞǴĜǦḠĠĤȞḦḢIÍÌÎÏĪĮĴḰǨŁḾṀŃÑŇ ÓÒÔÖÕŌŐØŒṔṖŔŘṘŚŜŠŞȘŤṪȚÚÙÛÜŨŮŬŪŰŲẂẀŴẄẆÝŶŸŹẐŽŻƵ áàâäȧãåăāąæćĉčċçðđéèêëėēęḟǵĝǧḡġĥȟḧḣıíìîïīįĵḱǩłḿṁńñň óòôöõōőøœṕṗŕřṙśŝšşșťṫțúùûüũůŭūűųẃẁŵẅẇýŷÿźẑžżƶ

Habana Deco ML was inspired by a hand-lettered sign on the stucco exterior of a small pharmacy in modern-day city of Havana, Cuba. It, in turn, was based on the fat-faced Art Deco lettering of the late 20s and early 30s, especially the Futurismo posters out of Italy, as well as alphabets designed in The Netherlands, France, USA and even the Soviet Union. There are 24 stylistic alternate glyphs (SALT), many inspired by a variety of these sources, including a couple from the sign in the front of the Congress Hotel in South Beach, Miami. The others features of the Habana Deco include 363 glyphs, 184 kerning pairs (KERN), 14 ornaments and shapes (ORNM) and 15 discretionary ligatures (DLIG). This is a font with which you can have fun. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Sapore is a script font family, mostly monoline, inspired by the elegant handmade signs in the beautiful city of Venice, Italy, where I work and live. Many of these signs were made at the beginning of the 20th century by skillful craftsmen and artists, carrying that distinct vintage Italian flavour, and this is why I named the font Sapore, which means precisely flavour (also, one of the signs is from a pastry shop that makes the most delicious things). The design takes this retro vibe into the 21st century, making it up-to-date and fresh, while keeping it authentic. It is a script font, but I added some stand alone capitals that you can use in all caps words and texts effortlessly, as the open type code is taking care of using the right set of letters at the right time, I could have made two separate fonts, but I wanted to give you the best value I could and ease of use. Make sure contextual alternates are always on! There are also swashes, alternate styles, stylistic sets, small caps, 2 figure sets and decorative elements, all accessible through open type. I think the font is particularly suited for display use, as in logos, packaging design, branding, but it is readable enough for small text blocks. You can access the non-linking caps by clicking on the discretionary ligatures button. You can access the loopy caps by clicking on the titling alternates button. The main version has straight terminals but I included a round version and a calligraphic one, called “classico”. Hope you like it!

An old printer's advertising cut for Red Star Oil Stoves yielded a typeface that was both vintage and somewhat techno at the same time. Originally drawn as a slanted logo, the individual letters had an array of chamfered, angled and flat sides combined with a bold outline. This font is available in both vertical and oblique versions.

Yoshida Soft is the cheeky partner in crime to Yoshida Sans. Based on the original sans, we've gone heavy with the curves to create a unique font that again comes in 2 widths and 8 weights and which has a multitude of uses from branding to posters to digital applications. Have fun with this big softy.

Freud is a sans family of 9 weights ranging from hairline to extra bold (also available as a 5 styles Economy Pack). It’s a legible face with straightforward geometry spiced with lovely humanist terminals. Some strokes are cut at an angle to enhance its identity. Freud provides a strong partner both for screen and print projects.

Introducing, Grand Scoth - The Essential Duo Font Collection Grand Scoth is the perfect and essential combination of a duo of fonts including , round sans and authentic signature. This font duo also supports multilingual, numeric and symbol. You can use this font for any purpose. The best part is, you don't have to look for a partner Thank you....

Shamilove is a very beautiful and romantic font. This font is very easy to use with a heart-shaped swash, so it will add to the beauty of this font. This font is perfect for Valentine's, to express your feelings to your partner, weddings, birthdays, quotes, product promotions, social media updates, your business promotions, and more.

No, I did not have a splinter in my hand when I came up with the name for this font. It sounded right, so I used it! Splinterhand is a script font made with an almost dried out marker pen. It comes with a whole bunch of diacritics and it can be used for just about anything.

Observant is your true partner when you want something with a handwritten attitude. Works great with invitations, greeting cards, presentations and alike. Each letter has got 7 different versions, which automatically cycles as you type. This is a neat trick to make your text look more random, and avoid repeating letters. Comes with extensive language support!

"Christmas Holiday Monogram" is a beautiful and natural monogram font. This font is equipped with a floral decorative monogram, so it is very suitable for Christmas, Valentine's, winter, wedding invitations, weddings, engagements and others. Equipped with uppercase letters, lowercase letters, numerals, punctuations, monograms and multilingual support.

This script font was inspired by the “Ronde” French script. It was in use from 1700s to 1900s (until 1960s in special circumstances) for registers, legal documents and texts, certificates, labels and other documents that must be particularly legible. Today in France, it is still being used for menus, advertising, and labels. The present version is a late 19th Century pattern. This font supports very strong enlargements as well as small sizes. When printed, it remains perfectly legible and elegant from 9/11 pts even if using an ordinary inkjet printer.

Aldus was designed by Hermann Zapf and appeared with the font foundry D. Stempel AG in Frankfurt am Main in 1954. Zapf named this font after the famous Venetian printer Aldus Manutius, whose work is among the most important of the Renaissance period as well as Zapf’s inspiration for Aldus. Linotype Aldus was introduced by Linotype Library as a text font lighter than Palatino. Zapf’s goal with his Palatino and Aldus was to create a new form of Old Face typeface. This font gives text the feeling of elegance which was typical of the Renaissance.

Designed for the newspaper technology of the 1980s, Clarion uses many of the findings made in the preparation of Monotype Nimrod, from which it is derived. The Clarion font family differs from Nimrod in its detailing, which is more akin to that of the Ionics, a style which influenced most designers of contemporary newspaper faces. The large x-height and sturdy construction of the characters make Clarion well suited for use on laser printers as well as being an excellent choice for setting newspapers, journals, newsletters and circulars.

Griffo Classico™ was produced by Franko Luin in 1993. It is a revival inspired by the types cut by Francesco Griffo for the Venetian printer Aldus Manutius at the end of the fifteenth century. The roman is based on the type Griffo cut in 1496 for Bembo's de Aetna," and the italic on a type he cut in 1501 for an edition of Virgil. Griffo did not make separate italic caps, so Luin designed his own for Griffo Classico. This is a serviceable family with five weights, including small caps.

ITC Cushing has a long history. The typeface was originally designed by J. Stearns Cushing, a Boston-based book printer, and famous American type designer Frederic Goudy expanded it to include an italic weight. Under a special license from the American Type Founders, Vincent Pacella modified the design for ITC and added some additional weights. ITC Cushing is slightly condensed with large, bracketed serifs. Pacella changed the capital letters to better complement the lower case and replaced the sloping serifs of the italics to linear type serifs to produce ITC Cushing.

This family was inspired mainly (Normal and Italic style ) by a Didot pattern font used in Rennes (France, Britanny) by Cousin-Danelle, printers, for Antiquités historiques et monumentales ‡ visiter de Montfort ‡ Corseul, par Dinan... Saint Malo... etc. an historic guidebook for a journey through a part of (French) Brittany in 1820, and many other books. The present version contains 1820 Modern Normal and Italic, 1820 Modern Large Normal and 1820 Modern Narrow Normal, each style with small caps. This font may be used together with 1906 French News and/or 1906 Titrage.

Outrage is highly disfigured to the verge of illegibility. The base font is Fiendstar Bold Condensed and the distress pattern is derived from a series of semi-abstract paintings. The result screams.

Shining Monday is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors. What's Include: Hello Angel Thank You, Subectype