Montern Vintage font is a vintage decorative typeface which is inspired by lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for packaging, headline, logotype, apparel, branding, advertising etc. How to access alternate / ornament ? : https://hanscostudio.com/tutorial/ Enjoy!

Black Letter typefaces always have an association with Christmas in the modern psyche. Albion’s Black Holly reinforces that association with an ornamentation of hooky-sprigs throughout all its letter forms. This is a design best used at large point sizes, but ideal for Christmas Mastheads, banners and signs.

The movable letters used on temporary road signs in the U.K. inspired this utilitarian typeface. Also included in the font are numerous other carriageway symbols and emblems. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Ansley - A Lovely Script Font by erlosDESIGN Ansley is a romantic, elegant and flowing modern calligraphy font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. This font is perfect for invitation, wedding decoration, signs, logos, quotes and more!

Signboard JNL is based on die-cut cardboard display lettering once made by the Duro Decal Company (now Duro Art Industries) of Chicago, Illinois. Available in various sizes, these letters and numbers could be affixed to a number of different surfaces to make affordable signs, displays and show cards.

A smooth contemplative Antiqua with aspiring to the sky ascenders, inspired by the Quietism philosophy. Clarity of the mind is achieved by bringing the body into a state of calm and contemplation, and this is reflected in the design – the quiet horizontal serifs (body) are opposed to the peaky soaring ascenders (mind). The design also features four optical size subfamilies with different x-height and contrast, oldstyle diagonal stress, oldstyle figures by default, smooth details and slightly dark texture. Video about the Quietism typeface concept: https://www.youtube.com/watch?v=gBqkROHMEAc Scripts: Latin, Greek, Cyrillic. Languages: 480+. The complete list of supported languages: michaelrafailyk.com/quietism The promo images used illustration of Ola Rafailyk, paintings of Pieter Bruegel the Elder and Tom Roberts, photos of Boys in Bristol Photography and Ken Cheung from Pexels, and photo of Rodin's The Thinker at the Musée Rodin.

Star bright tonight! Deniart’s StarCrystals typeface is an original design featuring 62 unique snowflake symbols. These geometric starburst snow crystals are sure to add elegance to all your winter designs. This font comes with a PDF guide to put all these special characters right to your fingertips! TIP: pair this one up with our SnowChrystals typeface for an even greater winter snow experience - a virtual snow storm of crystals for all your decorative needs.

Introducing Hallo White - Inspired by snowflakes on calligraphy, Hallo white perfect for winter events, making calligraphy merry christmas with snowflakes around it. Two style Font: Calligraphy & Display Hallo White is perfect for winter sale design, branding, logo, invitation, stationery, wedding, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Hallo White.otf - Hallo White Display.otf - Ligatures - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Arial is one of the most widely used designs of the last 30 years. Drawn in 1982 by Robin Nicholas and Patricia Saunders for use in an early IBM® laser printer, Arial has become a staple for textual content. While it is widely believed that Arial's design was based on Helvetica, it is more accurate to consider Monotype Grotesque as its ancestor.

Bill Rigney, an old job printer in my home town, established his shop in 1896, closed it in 1900 to take a steady job, stored the equipment in a large shed, and reopened for business upon his retirement in 1950. What a find! A bonanza of old type! We became good friends and upon his death I bought the type. Bless you Bill.

Cast Shadow JNL uses the same wood type as found in Trade Printer JNL and adds to it a cast shadow in right or left versions for a bold and unique look. Both fonts have limited character sets and should be used in point sizes larger than normally chosen to compensate for the visual discrepancy due to the cast shadow's effects.

DeVinne Ornamental is a display typeface from the famous Parisian typefoundry Deberny & Peignot, developed around 1900. Its style has become synonymous with the Art Noveau period, which was raging internationally when DeVinne Ornamental's letters were first drawn. The typeface is named after the renowned American printer Theodore Low DeVinne (1828-1914). Optimal uses for DeVinne Ornamental include headlines in magazines and newsletters.

LECO 1983 is a headline display OpenType typeface with its three styles: LECO 1983: regular LECO 1983 Blind: without interiors of signs LECO 1983 Negative: in its inverse form. The inspiration for creating this font came from the label on a 1983 bottle of Lečo. The characteristic feature of this font is an embedded diacritic. The monolinear character of drawings is dominant. This font is drawn as capital letter type for both: upper case and lower case letters. It contains alternatives of some signs (e, f, g, m, n, y) and (& and a glyph No) but it consists several interesting alternatives (ligatures) of pairs as (in, on, of, by) as well. This font is best used on strong posters or as a headline display typeface.

Cinematica was specially designed for film credits in communication pieces. Due to its space saving qualities, geometric elegance of its shapes, and eight wights; it allows a wide range of uses. Its geometry makes Cinematica able to harmonize and unify any text, incorporating the necessary signs for composition in English, Spanish, Italian, French, German and Portuguese. The Regular weight also incorporates statements that usually appear in film credits (such as "directed by", "produced by", etc.) that have been programmed as predetermined ligatures and can be accessed by typing a short sequence of signs to avoid typing the full phrase. To make the most of the alternatives proposed, use applications that support Open Type. Take a look at the User Guide.

Eckhardt Signwork JNL was inspired by visual images collected by two great nostalgia sites: www.forgotten-ny.com and www.norelevance.com. The vintage signage photographed and saved for posterity on both sites reflect an age when hand-crafted work was the rule, rather than the exception [as is today]. Although somewhat limited in scope, this font can best be used for retro or nostalgic embellishments in ads or design work. There's also a generous amount of blank panels to insert your own copy for special projects. As with previous typefaces in this series, the font is named in honor of the late Al Eckhardt, owner of Allied Signs in Miami, Florida - a talented sign man and Jeff Levine's good friend for 18 years.

The Joseph Struhl Company of Long Island, NY pioneered the use of cling vinyl in the field of reusable signs. Along with sets of die-cut letters and numbers, one of their main products for many years was a set of letters and numbers silk screened onto vinyl panels for larger window displays. Cling Vinyl JNL is Jeff Levine's tribute to this sign kit and its innovative contribution to retail marketing. The font comes in two styles: Cling Vinyl JNL has white characters on a black background and Cling Vinyl Clear JNL has black characters on an open (clear) background. For those wanting a "panel" space between words, there are two different width ones on the < and > keys. Please note: limited character set.

The Ale symbol fonts designed by Alessio Leonardi supply a large range of different characters. The two "Ale Ornaments" fonts contain a large set of different spirals, which can be used on tapestries, or as placeholders in presentations. The four separate "Ale Signs" fonts contain a set of daily glyphs, like male and female, smoking and non-smoking, danger, ying and yang, arrows and mathematical signs. The "Ale Transport" font is a large collection of funny pictures for the various kinds of transportation available over air, land and water. Here you can see Alessio's Italian design joy, which he has presented in many ways. Have fun in discovering the various pictures such as the submarine on the railway, or the airplane with a "Do it again" banner.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

The redefinition of a classic In the 1920s the Viennese government decided to standardize the street signs across the city. A typeface was especially constructed for the purpose. It was available in a Heavy and a Bold Condensed version, to support short street names as well as longer ones. As the years went by, the typeface was adopted and redrawn by several enamel factories. These adaptations lead to variations on the design, and to the fact that there isn’t a Viennese street sign font but 16 – in part severely – different versions. Henriette is not a digitization of any of those versions; rather, it is influenced by all of them. The italic versions are completely original and designed to accompany the Roman.

Arcus OpenType is a geometrically constructed font. The grounding principle is the round curve. The homogeneous character of this font is guaranteed by using this principle not only in drawings of particular letters but in the shaping of diacritical signs, too. The scope of the typeface weight is from Extra Light to Extra Bold while the complete font family includes 6 weights and their respective, well turned italics. This font contains a wide range of alternative signs, small capitals, lining and oldstyle numerals, fractions, superiors, inferiors, ligatures and discretionary ligatures; all this is within the frame of OpenType functions. This font type is not made for the typography of extensive texts. Best it can be used for headline display typeface or in creating logotypes and corporate identities.

Point of Sale JNL is a specialty font for producing retro-style price cards, tags, stickers, labels and similar items. Within this design are a large set of numerals and two smaller sets of numerals. Both of the smaller sets are centered against the larger ones with one set also having underscores. In addition, there are a number of price card designs provided for those who want a truly nostalgic feel to their price marks. The layout of Point of Sale JNL breaks down as follows: A through J = 1 through zero in large numbers K = a decimal point L = dollar sign M = cents sign N through Z = various price cards a through j = small centered numbers k through t = small numbers with underscores

This family was inspired by the pure Garamond pattern set of fonts used by Egenolff and Berner, German printers in Frankfurt, at the end of the sixteenth century. All the experts said it was the best and most complete set of the time. The italic style used with it was Granjon’s, as in 1543 Humane Jenson. A few fleurons from the same printers have been added. It can be used variously for web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, various sorts of presentations, as a very elegant and legible font... This font supports very large sizes as easily as small sizes, remaining very smart, elegant and fine. Its original cap height is about five millimeters. Decorated letters like 1512 Initials, 1550 Arabesques, 1565 Venetian, 1584 Rinceau from GLC Foundry, can be used with this family without anachronism.

These are curly designs arranged into fanciful snowflakes, evoking 1960’s psychedelia as well as Victorian romanticism. An excellent choice for any winter holiday material.

Architype Ingenieur was inspired by Wim Crouwel’s late 1950s exhibition catalogues and posters, for which he had created a few geometrically constructed, simplified letterforms. In the 1960 Venice Biennale Dutch entry poster, he drew grid-based letters with 45-degree angles for ‘olanda’, the style influenced by his boyhood fascination with naval lettering. A subtle variation appeared in the Stedelijk Museum catalogue for painter Jean Brusselmans. Several dot matrix versions followed. The themes and systems in these early letterforms are encapsulated in this new four weight family Architype Ingenieur.

Inspired by the look of elegant, hand-painted calligraphy using a pointed brush.

A font from the tube: an individual handwriting with a slightly wet character. In this case, the “pen” was a tube of black paint. It’s easy to see that you can’t really write “beautifully” with it. Nevertheless, the “Tube Script” is a beautiful, personal handwriting whose clumsy origins are not at all obvious in small font sizes. But if it’s big enough, then all the peculiarities of the paint container misused as a writing implement become apparent. Sometimes the line is very thin and delicate, sometimes it’s just a thick blob meant to represent a letter, depending on how hard the tube was squeezed. A few spills are inevitable. These coincidences of painterly writing are what make this font so appealing. This creates organic forms, random effects, breaks, streaks, where the writer normally determines the form. As such, this font is a great match for anything organic, picturesque, handmade, personal, or even random, unpredictable, or just plain natural. Hundreds of ligatures make the letters appear in a different form each time depending on it’s combination. And more than a hundred alternate characters can be selected using the corresponding OpenType features, thus enabling even more variety in the typeface. This creates the typically restless, extremely varied impression of a really individual script – almost as if it were really handwritten.

Introducing, Naville Sans, the all caps font family. This family has 6 weights - extra light, light, reguler, medium, semibold and bold. The clean and simplicity look of the font suitable for wide range of graphic needs especially for headline, title, sign board, information board, billboard and for UI/UX design.

Hello! Introducing a layered display font — Maggie's Luck. It's a vintage style bold typeface with layered feature. Maggie's Luck Font has five "fonts-layers" for more convenient recoloring. This font has a multilingual support (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

Kanban is the work of British designer Ed Bugg, an all capital, oriental style typeface. Kanban was the word used for shop signs in old Japan and the letter forms mimic the square look of Japanese and Chinese calligraphy. Kanban is the ideal display solution wherever an oriental appearance is needed.

Mister Hand was created in 1998 from a found object. Chank scanned it in, cleaned it up a little and voila! It's a retro version of the American Sign Language finger spelling alphabet. Uppercase is only the hand shapes, lowercase has the hand shape with the corresponding letter beside it.

Fonts can be both functional and attractive, but there's no rule against them being fun. Misdirection JNL is an assortment of 52 outrageous road signs - perfect for protests against government inefficiency or used on novelty note pads... as attention-getting spot art for ads or for whatever your imagination can deliver...

A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period and activating the OT feature Ordinals you get an old-style number sign.

The Symbol PS font contains Times New Roman Greek capitals and lowercase, figures and basic punctuation together with a collection of mathematical signs and general purpose Pi characters. Use the Symbol PS font for setting mathematical and scientific work and as a complement to the symbols found in standard fonts.

Here's a simple little retro font that got its inspiration from a food vending truck pictured in a local newspaper's online article. Fun and retro, Food Vendor JNL evokes simpler times. The font is a basic character set, with a blank diamond on the equal sign keystroke for spacing or embellishment.

Weglly Hauston is a modern sans serif font with a unique ligature and aletrnate style. A simple serif with special impression. Combaine with high contrast and slat style perfect for feminine logo signs, fashion heads & editorial designs, branding projects, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more.

Space Show and tell. This font is the no-nonsense choice in your design of clear and big display typography for many types of media – infographics, websites, menu cards, posters, web banners, logo, signs etc. The font has ligatures, unique alternates, hybrid and oldstyle numerals – and specially designed subscripts and superscripts.

Checkout is a fat, slightly cursive, poster font. It was modeled after 'clearance sale' signs and a 1950 Mexican movie poster for Los Olvidados (directed by Luis Buñuel). Checkout can be used for headlines, posters and, of course, for your clearance sale! Comes with a hard-to-beat amount of diacritics.

A bit of experimentation with the Art Deco-flavored Sign Card JNL brings forth a hybrid alphabet where Art Deco meets Western. The result is Kalvesta JNL. This font's unusual character shapes defy and yet redefine the notion of the classic Western alphabet. The name is from a town in Kansas.

The Chubbly family started life as an alphabet for an illustrated children's book. These big, chubby and friendly letterforms are easy to read and have a sense of fun about them. They're ideal where simple eye-catching geometric letterforms are required, for posters, signs and advertising with a sense of fun.

MV Boli™ was first introduced with Windows XP to support Thaana script, which is used for the Dhivehi language of the Maldives. Thaana font is similar to the Arabic script and is written right to left. Thaana font uses vowel signs and spaces between words. Character Set: Latin-1, Thaana