Mancino is an all caps family of 4 fonts, inspired by hand painted signs and advertising. Uppercase and "lowercases" are slightly different, for a more natural look. You can also turn on discretionary ligatures to replace the second letter of any pair (EE, LL, OO) by its other variant.

Storefront is what the prolific and talented American sign painters of the 1920s and 1930s would have created if they had access to the advanced lettering and type technologies we have today. Rooted in an incomplete Alf Becker alphabet sample, Storefront is my usual overdose on alternates and swashes, my eternal attempt at giving typesetting that ever-elusive handmade impression. Though the main shapes, especially the majuscules, are almost a standard recitation of the natural evolution of nineteenth century scripts, the additional variants available within the font provide a leap in time to what sign makers and packagers are doing today. I can honestly say that Storefront’s influences are probably less historic and more in line with my recent travels and frequent supermarket visits. It’s difficult to avoid current visual culture when you're constantly bombarded with it. Not that I try. I certainly welcome the overflow. I'm probably addicted to it by now. With a very cool aesthetic, plenty of alternates and swashes, extended Latin language support, Storefront is over a thousand glyphs for your branding, packaging, and sign making pleasure.

Kanona JNL is modeled from one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Thanks to a wealth of source material provided by Tod Swormstedt of ST Media (and who is also the curator of the American Sign Museum in Cincinnati, Ohio), Jeff Levine has been redrawing many of these alphabets and presenting them in digital form. The original variations in letter widths from Becker’s hand-painted alphabet have been left intact.

Michaelangelo. da Vinci. Bellini. Rafael. Masters of Italian art whose names have dwarfed those of many other great Italian artists. Yet relics from these other artists remain, though often unnoticed because of their practical nature. These unknowns are the Italian Masters of vernacular sign painting, and insigne now gives a nod to their work with its new sans serif, Gineso. Based on its inspiration, Gineso was created for posters, headlines and logotypes. (It does well in apps, too, though the sign painters probably weren’t thinking about that at the time.) Aesthetically remedied, yet still with an uncut charm, Gineso’s condensed qualities make it especially nice for signs and titling where horizontal space is at a premium. The tight, narrow forms of its geometric design leave you with a robust flavor that will remind you of mamma’s spaghetti. But don’t worry; the font’s ample counters ensure your audience won’t be reading through a bowl of pasta. These condensed forms look great on their own or when their seven different weights and matching italics are utilized together. With the included OpenType features, fractions and superior/inferior positions are also available to broaden your palette. Even more, this font is ready for complex, professional typography with OpenType features like alternate letters and a large character set including Central and Eastern European Languages. So when you find yourself (or your project) in a tight space, stir in Gineso to get the right taste for your copy. It may just make all the difference.

Qi is a display sans-serif inspired, in part, by the art deco typefaces sometimes seen on old signs along rural American backroads. Unlike these signs, Qi is new, fresh, a little bit quirky, and not at all in need of repair or a fresh coat of paint. The family is comprised of six distinct fonts with more on the way. With an entire set of Central and Western European (and, of course, American) glyphs, plus a bunch of alternates and ligatures, Qi could be the perfect display face for your next sign, poster, newsletter, headline or, well, most anything else. Hey, the lowercase alone makes these fonts well worth the price.

This font is based on the handwriting of Norwegian painter Edvard Munch. Using his many letters, drafts, notes- and sketchbooks as reference, this font characterizes the elegant yet sometimes quite irregular writing style Munch had. To resemble naturalistic writing and remain as authentic as possible, a combination of extended ligatures and alternates has been included, as well as Swash characters (accessible via open-type). Additionally, several of Munch's paintings and woodcuts are embedded as extras.

Raindec is a handcrafted script typeface, a font inspired by sign paintings, branding, t-shirts, flyers, and more, with a variety of interesting characters. You can really make Raindec feel personalized for your client's projects. Raindec script fonts can be used for magazines, clothing designs, logos, titles, flyers and more.

Inspired by a hand painted sign from Lanesboro, MN. Borough is an OpenType font that contains four variations of every character in its extended character set. Using Contextual Alternatives in OpenType savvy applications will allow the font to rotate through the variations to give a more random look to the text.

Flodyswift is an esthetic typeface with ligatures also complete multilingual glyphs. Flodyswift come with Regular style, it will make this typeface can be used in all design projects and works perfectly for pairing with script typeface or handmade fonts, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Try Flodyswift, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support And Special Ligatures

Tugafy is a Decorative display font with ligatures also complete multilingual glyphs. Tugafy come with Regular style, it will make this typeface can be used in all design projects and works perfectly for pairing with script typeface or handmade fonts, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Try Tugafy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support And Special Ligatures Pairing with Dalgond Script

Introducing new layered font family it's call Chester , inspired from combine old postcard stamp and rustic sign painting with have unique decorative shapes. This is collection of type with a layered type system, many possibilities combination and options with 5 font system that can be layered to create different effect ( Basic , Inline, Inner dot, Gradient Inline, Shadow outline & Drop Shade ). You can use this font for various purposes.such as logo, product packaging, labeling, logo, classic shop, badges, quote, sign ,movie title, t-shirt, posters, lable, greetingcard, letterhead, book cover, any artwork.

While searching online for vintage type inspirations, an image was spotted of an old letterhead for a steel manufacturing company. The hand lettering of the word 'Ludlum' only offered D,L,M and E as visual examples, but from this Jeff Levine has designed Eckhardt Dualine JNL - a Deco-flavored dual-line type font. As with a number of other releases that emulate hand-lettering or sign painting, Jeff has named this font in honor of his good friend, the late Albert Eckhardt, Jr.; who ran Allied Signs in Miami from 1959 until his passing.

Klagia is a font inspired by the advertising media back in 1970. The glory of printing and handpainted signs and visuals. Emphasizing the bold, loud, yet poppin' and modern retro vibes that will be stylish in any era. It makes Klagia a font that you need to have in your design arsenal. Contains a bunch of Ligatures and Stylistic Alternates to give a distinctive vibe in every message conveyed using Klagia font. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more.

Ostbahnhof is a headline font inspired by both german blackletter and hand-painted signs. The 4 weights can be combined together to achieve a fancy letterpress effect, where slightly rounded corners are not proportional to the font size. Not sure what I'm talking about? Have a look at the examples. youtube video

A vintage photo (circa 1950s) taken outside one of the movie houses owned at the time by Miami-based Wometco Theaters showed a small hand lettered sign with the word “Wometco” painted in a stylized Art Deco alphabet. This inspired Theater Lobby JNL, which is available in both regular and oblique versions.

Fastbrag was inspired by the vintage sign painting culture in the early 1900s. We talk about visuals from the building-sized messages, billboards, storefronts, windows, doors, and menus. A shot to deliver the heritage and historical vibes of storytelling, and branding. To give a strong persona and character to your graphic design projects.

Inside the pages of an untitled sign painting textbook (circa 1902) was an example of the classic chamfered sans serif alphabets used by tradesmen of the time. This version was wider than most, and perfect for a digital version called Wide Chamfer JNL, which is available in both regular and oblique versions.

»Typewalk 1915« is a vintage and slightly quirky Grotesque branded by history. It is a homage to European sign painter and lettering traditions of the early 20th century. »Typewalk 1915« also speaks in the proto-rational and graphical language of the »Werkbund Objectivity« which was used around 1915. »Typewalk 1915« works great for cultural, editorial and branding purposes. Speaking with its unique voice, it is well-prepared and versatile for all sorts of web and print projects. »Typewalk 1915« has 11 distinct weights from thin to heavy in upright and italic. »Typewalk Mono 1915« is its fitting Monospaced Version.

Typewalk Mono 1915, the vintage typewriter grotesque that is branded by history. It is a tribute to the European sign painter and lettering tradition of the early 20th century. Typewalk Mono 1915 also speaks in the proto-rational and graphical language of the Werkbund Objectivity which was used around 1915. It works great for cultural, editorial and branding purposes. It is versatile in small printing sizes and works great on the web. Speaking with its unique voice. Typewalk Mono 1915 is the debut release by Sven Fuchs and was designed between 2012 and 2016. It has 8 distinctive weights from thin to bold.

Casual Face is a display variable font with a natural handwritten feeling. The font supports Latin and Cyrillic uppercase characters, numerals, and the main set of punctuation and symbols. The character of the font is based on the classic sign-painter casual script. The font’s option variability is upright and slanted letters up to 17 degrees. This enables the designer to define the gradient himself and be free to create designs suitable for advertising, packaging, and events. The font is perfect for headlines and personal products with casual characters and the mood conveyed is warm, and relaxed.

A few bold caps drawn by Albert Du Bois for the 1906 Henderson Sign Painter book started me in the direction of looking at how sign painters approached slabs after the industrial revolution. The usual happened from there. My exercise in the early lettering roots of what eventually became the definition of geometric typography ended up having a life of its own. The majuscules led to minuscules, one idiosyncratic bold weight led to six more, and uprights led to italics. What was kind-of-interesting in the early twentieth century persuaded me to make it interesting enough a century later. This of course meant alternates, swashes, the standard baggage that keeps calling my name. Henderson Slab is a family of seven weights plus italics, all full of open features and extended Latin language support. Part of this family’s appeal is its coverage of nearly the entire of the slab serif through the last 100 years — the basis is the manual, humanist origins, the swashed forms come right out of the phototypesetting era, and the alternates and mostly modern constructs of contemporary ideas. The result is a set with the ability to function in modern spaces, from corporate to editorial, in text or display, while both winking and nodding at the roots of what is now considered a geometric endeavor. (Basic version do not include alternates, swashes, etc).

Calgary Script was mostly inspired by a brush script on a Welcome To Calgary sign in, you guessed it, Calgary. Though now, after it's finished, I can easily tell the influence is evident of all the books on American sign painting I have absorbed over the years. The overall effect of the font is similar to something that Fonzied itself, big hair and leather jackets and all, out of the early 1980s, but the feeling really dates back to a few decades earlier. Heady caps and free-flowing lowercase make for a speedy, determined, and instinctively organized buffalo herd of a typeface. This is a packaging font with a true supermarket sign spin, with OpenType features including ligatures, alternates, and ordinals specifically made to follow numbers.

Inspired by Argentina and its culture, Alejandro Paul’s Candy Script captures the country’s spirit. It comes from the tradition of window sign painting, but its thick hand-brushed characters, with alternates for almost every upper and lowercase letter, have a personality all their own. Tons of OpenType alternates included, over 1150 characters in all.

Riley is an elegant brush Script with its roots in the 1950s American sign painting. Riley has Stylistic Alternates for every lowercase standard character and it’s equipped with Contextual Alternates and Ligatures that keep the flow and connections smooth. Riley is great for headlines and posters or as a logotype with an elegant touch.

In the early days of printing everything had to be worked out from scratch. This set of lettering is based on section headings used by the Printer Lucas Brandis (no known relation), the first printer to operate in the city of Lübeck around 1473. They remind me of a medieval version of the spray paint graffiti so often seen on the sides of trains. A bit on the crude side, but also and importantly extremely noticeable. So whether you use it for creating old styled printing or some wild modern eye grabbing text item, its robust and sturdy shapes will be certain to grab the eye.

The 1957 French publication “La Letra Dans La Peinture et la Publicite” (“The Letter tn the Painting and Advertising”) had an illustration of split-serif letters and numbers with a decidedly Western feel. This is now available as Horse Thief JNL in both regular and oblique versions.

Subletter Script is a casual script typeface with stylish style, clean, and great movement this typeface and allow you to make lettering and logotype quickly and easily. This typeface is inspired by brush lettering and sign painting that has strong styles and classy for using on project such as Logotype, Letterhead, Poster, Apparel Design, Label and etc.

Cyber rock Brush Script bold, cool, cursive, design, editorial, grunge, handpaint, handwritten, ink, letter, logo, logotype, magazine, marker, modern, paint, ragged, ROUGH BRUSH, script, sign, style, stylish, swash, tag tagging, textured, trend, trendy, urban, vintage, written handwritten brush script dry brush cursive font with rough and dynamic look. Ideal for quotes, posters, branding, packaging, illustration, social media.

Tarquin is a All-Caps sanserif typeface, inspired by the beautiful hand-painted sign. It has a strong personality, high contrast stem, and widely opened counter to improve the readibility as it designed for display purposes. It's available in 3 different style, REGULAR, STENCIL, and SHADOW designed for display purpose design Crafted beautifully and carefully with hand.

Original Foundry: TypeType Original name: TT Marks The typeface Pinatas Marks is made in the style of the traditional American sign painting, which is the traditional art of painting on buildings, billboards and signage for the purpose of announcing or advertising of products, services, and activities. Font family Pinatas Marks consists of 32 fonts and has 8 different weights: Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Black. Pinatas Marks is looking great on all the modern information media, ranging from small labels to entire text blocks.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. In 2003 we photographed a sign with the word GLACES painted on a refrigerator, on which, over the years, we have speculated on how to manage the concept of double vertical modulation. This model has been expanded and the original idea has been developed in three variants that oscillate between monolinear and high contrast. In order to increase its versatility, the character set includes small caps.

Canvas was inspired by the textural qualities of painting and drawing letters on, of course, rough canvas. Canvas will give your artwork a rough, painterly feel, yet Canvas is readable and clear. Canvas will add a bit of the texture of fabric to all of your paper arts.

Journeyman is an all caps layered display typeface in the sign painter tradition. It has normal width caps in lowercase position and a wider caps in uppercase position. Letters in lowercase position are slightly more rounded than those in uppercase position thus providing two styles. Journeyman supports languages with latin characters and ligatures as well as Greek and Cyrillic. The normal front layer is Line while Silhouette is usually put at the back for a three dimensional effect. Other layer arrangements are possible. The type works well for shop displays, poster work, menus, signage and other purposes where you want the type to have impact.

Stuffed Shirt JNL acquires its name from a term popularized during the years when the Art Deco period flourished. The Great Depression further widened the gap between the 'haves' and the 'have nots'. Occasionally, some of those that 'had' (and some who pretended they did) came off as standoffish, egotistical and pompously arrogant. Such individuals were referred to as a "stuffed shirt"; a blowhard who thought he was better than others. In this case, Stuffed Shirt JNL is no more than a dual-line adaptation of Playwright JNL, itself an interpretation of the classic Broadway type design in a way that emulates the hand lettering of old-time sign painters.

This font has been on my drawing board since the late eighties. It was based on drawings provided to me by an old sign-painter family friend and we used it extensively as a caps-only font in the early 90s on a cellphone ad campaign. It loves to be tight set and stacked and provides real grunt when you need it. Small caps have been added and have been weight and proportion adjusted so as to complement the caps. At Type Associates we believe that a font is not complete until the spacing is optimal. Carmel is another example of quality through extensive experience, testing, adjusting and refining.

LTC Ornaments Three combines ornaments previously released as "Printers Vine Leaves C", "Printers Fleurons C" and "Water Garden Ornaments Round" plus additional Lanston ornaments for a total of over 70 printers ornaments for single accentuation or combined for border creation.

Rockets Battle is my hand drawn brush font, and makes with original brush paint, by using high resolution brush stroke images with incredible definition. Its look natural. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts. This font contain of Uppercase, Lowercase, Number, Symbol, Punctuation, also support multilingual and already PUA encoded.

Howdy is a modern French Clarendon revival typeface inspired by late 19th-century woodblock type and sign painting. Its ties to the American West evoke a distinctive western and retro flair. It was designed with flexibility in mind. Intended for use as a display type, its reverse contrast forms make an impact from tall or wide headlines and anything in between.