It's legible, it's handmade and it has a lot of personality...with a twist of organic freshness it is guaranteed to make that next project of yours stand out!

Roquero is an amazing, sport styled, display font and will make your design more beautiful and powerful. This font is suitable for any design like branding, quotes and more

Easter Discover a joyful and casual handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Derivation is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

TOMO Catcher is a sweet and friendly handwritten font. The extra narrow style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

This vintage, iconic typeface of original Czech letter-founding has been faithfully revised, extended and newly rendered in 2012. The majority of Vojtěch Preissig’s type faces have been, from their very creation, subject to controversial evaluations which might perhaps fill more pages than have been set in these type faces so far. The considerable technological backwardness of Czech typography between the world wars intensified the author’s creative effort even more. He had been devoting thought to his Antikva type face from 1912 onwards and dozens of hardly perceptible nuances of the same design have been preserved in his drawings. It was his only book type face, but it shows no signs of any hard struggle in creating it. Its extraordinary vividness and elegance are really surprising. It may be still indebted to the forms of Art Nouveau, which was withering away at that time, but its proportions, colour and expression inspire other Czech type designers. Preissig’s Antikva, Menhart’s Figural (and also Růžička’s Fairfield) and Týfa’s Antikva represent a clear line of development, very far away from the soft aesthetics of Tusar, Dyrynk or Brunner. The co-author of the modification for computer composition is Otakar Karlas. Without his experience the work would remain only a shadow of Preissig’s design. Our aim was to produce a large family of type faces for the setting of both books and jobbing works. The digital transcription of Preissig’s Antikva came into existence from summer till winter 1998. The direct model for this type face is the most successful, two-cicero (24 pt.) design dating from 1925. The designs of other sizes (12 pt., 14 pt., 16 pt. and then 36 pt. and 49 pt.) lack vividness and are the source of the widespread mistaken belief that Preissig’s Antikva consists of straight lines. That is, unfortunately, how even Muzika and Menhart describe it. Neither is it a Cubist type face as many of the semi-educated think today. Special attention had to be paid to italics. It is apparent that their design is not as perfect as that of Preissig’s Antikva. In contradistinction to the original we have deleted almost all lower serifs in the lower-case letters, enlarged the angle of inclination and completely redesigned the letters a, e, g, s, k, x, ... All crotches have been lightened by marked incisions. In other words, none of the italic letters corresponds to Preissig’s model. The signs which were missing have been supplemented with regard to the overall character of the alphabet. Preissig did not deal with bold designs, but the crystal-clear logic of his “chopping-off” of the round strokes enabled us to complete the type face family without any greater doubts. An excessively fragile type face, however, cannot be used for setting in smaller sizes; that is why we have prepared a separate family of text designs which has shortened ascenders, normal accents, slightly thickened strokes, and is, in general, optically more quiet and robust. We recommend it for sizes under 12 points. By contrast, the elegance of the basic design will be appreciated most in the sizes used for headlines and posters. Preissig’s Antikva is suitable not only for art books and festive prints, but also for poetry and shorter texts.

More Or Less was made with a permanent marker pen on thin Japanese paper. It is a handwritten note-style font with an uneven baseline and zippy glyphs. Comes with bells & whistles and a whole bunch of diacritics.

Lilard - Elegant Serif Font Lilard - Elegant Serif Font is a beautiful typeface that exudes sophistication and grace. The font was designed with the idea of creating a classic and elegant look, while still maintaining a modern and clean feel. The result is a font that is versatile and can be used for a variety of projects such as branding, logos, packaging, photography, and more. The design of Lilard font is inspired by the timeless and elegant look of serif fonts, but with a contemporary twist. The designer wanted to create a font that would stand out and be memorable, while also being easy to read and understand. The elegant curves and sharp serifs make Lilard a perfect choice for projects that require a touch of elegance and sophistication. Lilard font is best used for projects that require an elegant and refined look. This font is perfect for use in wedding invitations, business cards, and other high-end print materials. The font works well when paired with other sans-serif fonts, which helps to create a modern and clean feel. Lilard font comes with a variety of features that make it stand out from other fonts. The font includes uppercase and lowercase letters, as well as opentype features such as alternates and ligatures. Additionally, the font includes numbers, punctuation, and symbols, making it a versatile choice for a variety of projects. The font also supports multiple languages, making it a great choice for international projects. If you're looking for a font that is elegant, sophisticated, and versatile, Lilard - Elegant Serif Font is the perfect choice. Its unique design and features make it an ideal choice for a variety of projects. Use this font to add a touch of elegance and refinement to your designs and make them stand out. In summary, Lilard - Elegant Serif Font is a beautiful and elegant font that is perfect for high-end projects. Its unique design, features, and versatility make it a great choice for a variety of projects, including branding, logos, packaging, photography, and more. With its opentype features, multiple language support, and easy-to-use formats, Lilard is sure to become a go-to font for designers looking for an elegant and refined look.

Homa is a sans-serif sigle weight font designed by Naghi Naghashian. It is extremely legible even in very small size. This font is The contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Homa supports Arabic, Persian ( Farsi) and Urdu. It also includes proportional and tabular numerals for the supported languages. Homa design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Homa’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Homa was developed for multiple languages and writing conventions. Homa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Homayoon is a sans-serif sigle weight font designed by Naghi Naghashian. It is extremely legible even in very small size. This font is The contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Homayoon supports Arabic, Persian (Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Homayoon design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Homayoon’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Homayoon was developed for multiple languages and writing conventions. Homayoon supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Dara is a sans-serif sigle weight font designed by Naghi Naghashian. It is extremely legible even in very small size. This font is The contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Dara supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Dara design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Dara’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Dara was developed for multiple languages and writing conventions. Dara supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Harimau means Tiger in Bahasa Indonesia. It is a very easy to read, playful font, which makes it ideal for children's books and posters. Harimau comes with extensive language support.

Flixuble is a mess! It was made involving an inky pen and sandpaper! Comes with more than 60 ligatures in order to make the font look more like handmade letters!

Cardhonie is a cute and elegant handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile.

Okay Berry is a connected script with naturally beautiful handwritten style. Okay Berry is extended, containing is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

The Beast is a modern display font, featuring ligature and alternate will make your design look stunning. This font will work perfect for logo, poster, business card and cover design.

Summer Ink is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Al Seg45 is a very dense alphanumeric display with 45 segments. Thirty-two inner segments, the outer segments have been split as well, making twelve segments, and a central dot.

Almond Cake is a sweet and stylish handwritten font. Its natural and unique style makes it incredibly fitting for a large pool of designs. The only limit is your imagination!

Glorius is a fashionable sophisticated signature-style script with its own unique curves and an elegant inky flow. Its elegant, classy, and modern look will make your designs look lovely.

Jumping Unicorn is a sweet and friendly display font. Its natural and cute style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Say hello to Love Twins font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful. outline and solid style inside.

Eraser Carved is based on an alphabet set that was hand carved from pencil erasers. A combination of upper and lower case letters makes this a fun and quirky alphabet.

Countless Blessings is a fun and casual handwritten font. Defined by all-round characters and a flexible style, this font will make each of your designs look readable and trend

Grotley is designed with a sweet shape, supported by several weights, making the equipment very supportive for all design needs or projects that look premium. let's start designing. Be happy

Waterlord is made to support the work of designers who are used to making work with contemporary styles. This font is great for various design styles, modern or old school.

Christmas Time is a flowing and festive handwritten font. With a retro style and a warm feel, this font will make each of your holiday cards and designs look outstanding!

Berona font family is a variable geometric sans serif with a modern display purpose. The dynamic sharp edges makes it ideal to be used in a medium and big scale.

Cadenza is a bold condensed display font that combines flair with functionality, elegance with utility. Its weight and readability make it ideal for newspaper and magazine headlines, titling and signage.

Dino Blue is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Xandercode is a bold and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out! with spalsh vector bonus inside.

Delighted Panda is a sweet and simple handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Clattery is a simple monoline script font. It features an incredibly classy style, while still keeping a friendly feel. Clattery is the perfect font for making original and outstanding designs.

ALL CAPS font with lovely traces after the brushstrokes. With contextual alternates, which makes sure that your text varies between 5 different versions of each letter - and they cycle automatically!

Solid and elegant font family will stand out in headlines, signage, packaging and much more. The choice of 7 weights makes it super versatile to use in your next design.

Karl is a hand drawn font that comes in four different variations + four oblique versions. You can combine the different styles of the family to make variations to your design.

Sketchura offers a gritty twist on a classic font style -Futura- It was completely hand sketched which makes the font an organic centerpiece to any of your grungy design applications.

Chillight is a serif typeface that is unique and has character, having a narrow, sharp width and ends. making it effective when used at large sizes for logotypes or headlines.

Nippon is a handdrawn cartoon font with an oriental touch. I based it on my earlier typeface, Morganhand, making it more angular, and added some calligraphic impression in the glyphs.