Sadigu san serif is a unique font family that can help you stand out from the rest. Every style in this impressive collection is made to help you get the most out of your designs: advertising, posting, and many other creative projects are all made easy with this beautiful typeface. This font can be easily optimized for any project or client thanks to its many OpenType features and 18 different styles. With our newest font family, you’ll be able to create stunning looks in minutes. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Bumsy, A new carefully crafted Heavy Sans Serif Typeface. It’s Versatile, Fun, Cute and Beauty feel that you get in Bumsy. Bumsy Created with the happy and fun feeling, so the looks it represent how we feel. Bumsy comes with 3 width : Condensed, Narrow and Regular. if you want more width, you can also use the Variable Width. Bumsy also comes with beautiful swashes, Every glyphs for alternates are curated for the best and possible without eliminate characteristic of this fonts. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, Food Menus, and etc. It shows that Bumsy clearly can accommodate various design style.

Say hello to Giecella Kids font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful Includes: Giecella Kids (OTF, TTF, WOFF) Bonus (Cute Background) Features: Character Set Numerals and Punctuation (OpenType Standard) I hope you can enjoy the font :)

Say hello to Komica Brought font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful. Features: Uppercase and Lowercase Numerals and Punctuation (OpenType Standard) Accents (Multilingual characters) PUA Encode I hope you can enjoy the font :) Regards Figuree Studio

DESCRIPTION With Skill I wanted to create something wild. Something that splashed the letters with life. To do this, I knew I'd have to break the barrier between analog and digital, so I took my best brush and started to play. Throughout the years as a type-designer I've met and become fan of many calligraphers. My belief that only a good calligrapher can make good typography (1) has become even stronger. I'm now absolutely sure that only practice improves the skill, especially in this field. So, with this in mind, I started a font which was a challenge for me because sometimes the gap between paper and screen can be gigantic. Skill is another of my attemps (2) to capture the spirit of the pointed brush, its expressiveness, the passions and fears of the artist. This font is about freedom. Freedom everywhere. Movement, velocity, passion. To achieve this, many alternates and ligatures per glyph were designed. Use it on magazines, posters, book covers, music albums, t-shirts, skates, tattoos. NOTES (1) This is mostly referred to script fonts, though text fonts made by designers with a deep calligraphic background have at least to me, an extra charm. (2) See my fonts Live and Indie. TIPS Thanks to Open-Type, the font gives the user the chance to play and get many wonderful results: In example, using the font with “discretionary ligatures” activated will give more life to the written word. Some letters will jump of the base, while others will ligate or not with the following (typical of gestural calligraphy). Adobe Illustrator is recommended. STYLES Skill is the most complete style. It has all the alternates and ligatures that can be seen in the posters and more! Skill Standard is a variant with no decorative glyphs. It has the basic alphabet and some ligatures for better legibility.

A very bold, rounded sans font with Open and Outline versions

Contra Sans is the slab serif version of my Contra family.

Kruede is a sans serif family with an artsy informal feel.

A sans serif typeface, designed to speak very happy and friendly.

Backstage is a bold sans serif stencil with subtly rounded corners.

Drawn in Illustrator, this plain sans serif was created in 2004.

Sans serif, bold, display font, useful for brochures and display advertising.

Designed by Rodrigo Salas, ToreTtO is a display sans font family.

A plain sans serif that would be good for everyday use.

I felt an urge to create a font that used the bars seen in an equalizer; Sound Board is that font. If you're going to use it, you will need to put the size up much more then a normal font, this font is very skinny and tall.

Mandarin Duck is a very playful typeface where its design was inspired by the rare duck seen in New York once every year. The delicate tail of this duck creates the edges of the characters. It is bold and fun, a perfect typeface for children books and larger texts.

Ever seen a zombie starfish? No? Well, neither have I. But this font actually comes close! Zombie Starfish, despite its name, is quite a happy cartoon font. It comes in three styles (regular, eroded and dots), plus accompanying italics. Use it for book covers, seafood restaurants or packaging.

Pinsher, is a font inspired by Signs Painting, This font is based on retro hand-painted paper signs primarily seen in grocery stores from the 1940s through today. With additional shadow font you will be able to create the beautiful combination and bring retro touch to your artworks!

Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights – thin, light, regular, bold, extra bold and black, along with corresponding italics. Both Capital families are equipped with a full set of Cyrillic characters, making them a versatile choice for multinational use. All Capital fonts come with the following Open Type features: Small Caps, Old Style Figures, Fractions, Numero-sign & Ligatures.  Features specific for Gothic roman versions only are Circle Numerals, Titling alternate for the R character and Arrows. The Gothic italics have a Titling alternates feature where the true italic forms are omitted and replaced with simpler stroke endings. Both Capital gothic and Serif families are true workhorse fonts that can carry out almost any typographic task. Combine them both for the best results – multi-pack available for a no-brainer price.

Donnerstag is an extended slab serif and a new companion to insigne's Montag, Dienstag and Mittwoch typefaces. Donnerstag conveys power and personality with its strong slab letterforms and ball terminals. Donnerstag's seven different weights give it a great deal of versatility, from its beefy and masculine black weight to the delicate and feminine hairline. Because of Donnerstag's width, this typeface is best used for logotypes, headlines or short blocks of text. Donnerstag includes many useful OpenType features, including a set of upright italic swash alternates, ligatures, small caps, fractions and old style figures, alternates for the ball terminals and simplified characters for titling. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages. For complementary companions, be sure to check out the rest of the typeface super family, also available from insigne.

Solaris is a sans serif or a grotesque as we still call it where I come from. (it is an old term which means strange compared with Roman which was the normal font) The face is an open sans, which means that the round signs take the air into the form, minuscule d is drawn kind of backwards like in Gill Sans, which sets off on minuskel a. Here is the Regular version, with a slightly difference between stems and hairlines.

Campton is an unconventional typeface based on the first steps of the newly born sans serif genre in the early twentieth century. Its character draws inspiration from Gill Sans and Johnston Sans while combining it with contemporary elements. The result is a modern and unorthodox family that is perfectly suited for graphic design application ranging from editorial and corporate design to web and interaction design. Campton comes in nine weights with matching italics and is equipped with a wide range of opentype features.

Mecha Corps futuristic sans serif font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Mecha Corps futuristic sans serif font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Mecha Corps futuristic sans serif font. Cheers, Maulana Creative

Phobia Panic horror sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Phobia Panic horror sans serif font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Phobia Panic horror sans serif font. Cheers, Maulana Creative

Bondie – Condensed Sans Serif is an Elegant Condensed sans serif with solid font files. it is based on the compact solid font, by combining a variety of styles. Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography

Nowie Vremena is a sequel to a previously released Vremena Grotesk, a sans serif typeface, inspired by Arial’s apalling combination of grubby tidiness. The sequel travels back in time and explores Arial’s elder brothers and some 19th century sans serifs, through initial concept of hectic neutrality.

Qubicles Sans is a modern sans serif font designed with calligraphy style for a wide range of need. The font is suitable for any branding project like logo, t-shirt printing, sporting design, and many more. It will look assertive in a wide range of contexts.

Trade Journal JNL and its oblique counterpart are derived from a classic grotesk sans face from the 1800s. Despite the 'Grotesk' style name, the font design is actually quite pleasing to the eye and a nice alternative to many of the sterile sans serif faces of today.

Vintage Museum - Vintage Sans Display Font. Vintage Museum is inspired by the classic font style and elegant sans. Vintage Museum font makes for more good display, classic and retro lively. Vintage Museum has a surprise from alternate that will make your work even more beautiful. Vintage Museum is perfect for a professional touch which makes it even more unique and classic. But Vintage Museum is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

The geometrical drawing of Fenomen Slab follows the guidelines set by our other font family Fenomen Sans. It is a perfect companion of Fenomen Sans, as well as being a standalone font family capable of delivering its own expression and aesthetics. The set contains four width proportions – Normal, SemiCondensed, Condensed and ExtraCondensed in eight weights ranging from Hairline to Black. Every font of the family contains four types of numerals, small caps, ligatures and contextual alternates. The typeface was developed between the years 2014–2017 and was subjected to a series of tests for the fluent legibility of all fonts even in extreme conditions. Narrow fonts provide this set with the maximum use including newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces great creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

Nourishe is our our brand new minimalist font, made with the combination of duo-line. A sans serif font which is suitable for branding and editorial design. As we know, sans-serif nowadays becomes a part of the new trending of graphic design in typography. Nourishe is a great choice to make your design more elegant with minimalist strokes and feminine curves. This font family has OpenType features like some alternates to gives you an option. Also complete with some swashes that you can apply to get more beautiful looks. Nourishe has 2 styles : - Inline: Suitable for headline in a poster, flyer or label. the empty space in every stroke give the attractive-typographic taste - Normal: Recommended for an editorial like sub-headline, quotes, and body text. Nourishe includes : - Uppercase - Lowercase - Symbols - Numerals - Punctuation - Multilingual accents - Stylistic Alternates - Swashes Well, thank you for visiting and hope you like it!

Kiosk is a prominent display typeface pair. It is a sturdy condensed sans serif and an eloquent brush script. In addition there are textured “print” versions of them both. Kiosk fonts work as a pair or as themselves. Sans is great for sturdy headlines, menu titles, packaging or any such, the bigger the better. Script is great as a logotype, used for quotes, magazines, packaging and branding. Textured versions are the same fonts with a rugged outline and with a “stamp” texture inside the letters. Kiosk Script is equipped with several OpenType features. It has Contextual Alternates and Standard Ligatures that are automatically help to keep the connections smooth. They’re both automatically on. In addition it has Swash, Stylistic and Titling Alternates and even more alternates for some characters. The font is PUA encoded and you can access alternate characters from OpenType controls or manually from Character or Glyphs window.

Is your branding missing something that makes people going WOW? Have you thought about how you can add that touch of magic to your branding and projects? What if we told you that we have solution to maximize your designs? Cloudy Arolse - A Sans Serif Font Family This font is more than just another sans serif font. Cloudy Arolse is a package that will delight you. With elegance, passion, and dreamy look you’ll be sure to boost your sales and make best impressions. This font become more special with many weights option. You will get so many alternatives to maximize your design. Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Our font always includes Multilingual Options to make your branding globally acceptable. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Rhd Studio

Kaglia is a font duo package contain a hand drawn bold script and sans serif which looks great to be paired especially for vintage and adventure theme! This font duo is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Kaglia Script Regular and Rough Kaglia Sans Regular and Rough uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Organika is a hand drawn type family of six fonts. It includes upright and italic brush script, sans and serif fonts. Because of the uneven edges, loose forms and bouncing letters Organika has an organic, friendly and casual feeling. The script has lots of alternates that gives you possibility to build your text almost like handwriting with all the charming imperfections and variations that a real handwriting has. If you enable Discretionary Ligatures OpenType feature (dlig) it replaces automatically lower case letters with an alternate when the letter is repeated. So there are never two letters next to each other that are just the same. The script also has a few neat underlines to choose from to give your design the final touch. With the Organika sans and serif fonts you can add some variety and contrast to your design with the matching casual hand written feeling.

A high lower-case x-height geometric sans with open counters, Regulator Nova is extremely legible at text sizes and in extended settings while the range of weights also make it suitable for headlines. The stoke terminals are all cut at close to 90 degrees, lending a sharp precision to the characters. Alternate versions of the g, j, r, w, K, R, W, # and ampersand are available in both upright and italic, and can be toggled on and off in the Opentype panel or the Glyphs palette. Clean, elegant and legible, Regulator Nova has a classical proportions based on a circumscribed circle and square, and shares structural similarities to early sans serifs such as Rudolf Koch’s Kabel, while adopting more British forms for the M and R. Regulator Nova is an extension and reworking of Regulator, now with extra weights, reweighed italics, Opentype-savvy alternates and a full European character set.

Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands. Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters. Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses. This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from the 1950s and early 1960s.

FF Good is a straight-sided sans serif in the American Gothic tradition, designed by Warsaw-based Łukasz Dziedzic. Despite having something of an “old-fashioned” heritage, FF Good feels new. Many customers agree: the sturdy, legible forms of FF Good have been put to good use in the Polish-language magazine ‘Komputer Swiat,’ the German and Russian edition of the celebrity tabloid OK!, and the new corporate design for the Associated Press. Although initially released as a family of modest size, the typeface was fully overhauled in 2010, increasing it from nine styles to 30 styles, with an additional 30-style sibling for larger sizes, FF Good Headline. In 2014, the type system underwent additional expansion to become FontFont’s largest family ever with an incredible 196 total styles. This includes seven weights ranging from Light to Ultra, and an astonishing seven widths from Compressed to Extended for both FF Good and FF Good Headline, all with companion italics and small caps in both roman and italic. With its subtle weight and width graduation, it is the perfect companion for interface, editorial, and web designers. This allows the typographer to pick the style best suited to their layout. As a contemporary competitor to classic American Gothic style typefaces—like Franklin Gothic, News Gothic, or Trade Gothic—it was necessary that an expanded FF Good also offers customers both Text and Display versions. The base FF Good fonts are mastered for text use, while FF Good Headline aims for maximum compactness. Its low cap height together with trimmed ascenders and descenders give punch to headlines and larger-sized copy in publications such as newspapers, magazines, and blogs. There is even more good news about FF Good: it has something of a serif companion. Łukasz Dziedzic built FF Good to work together with FF More, creating in a powerhouse superfamily that is versatile in both its function and aesthetic.

Hamptons BF is a beautiful, elegant sans serif with dramatic individuality. A font that steps out in Art Deco style. As a design movement Art Deco came into prominence during the 1920s and 30s when forms were typically sleek, symmetrical, geometric or highly stylized. Today the influence of this enduring style can be clearly seen in architecture, industrial design, fashion, art, graphic design, and yes, even type design. Art Deco style exemplifies luxury, glamour and modernity. I believe Hamptons BF captures something of that retro look in a nod to the past without ever looking dated, all the while retaining a contemporary flair. Named after the well-known New York resorts synonymous with style and elegance, this gothic or sans serif type is based upon University Roman, an early 1970s serif design which in turn was influenced by yet another serif design called Forum Flair (late 1960s); and that in turn owes its pedigree to the late 1930s’ Stunt Roman, which is the original source of inspiration for all of these. Quite a family tree! There’s dynamic interplay between certain wide, full-round letters such as C, D, G, O, P, Q, R, S and narrow ones like A, E, F, H, K, L, M, N, U, etc. This contrast repeats throughout certain lower case letters and serves to create a unique look of distinction. Light and Regular weights communicate a romantic, feminine appeal while the Bold offers a complementary emphasis. The font is somewhat versatile as in addition to its primary purpose for display, Hamptons BF also succeeds in settings containing short blocks of large text. It’s right at home in a variety of typographic environments: branding, packaging, signage logos, magazine headlines, invitations, menus, trendy cafes and more. Among the included OpenType features are Stylistic Alternates, Automatic Ligatures and Fractions. There is extended language support for Western, Central and Eastern Europe and Turkish.