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  1. Conference by ITC, $29.99
    Conference is a bold, playful sans serif, which was designed in 1978 by Martin Wait. Conference's letters are very curvaceous; many of them bulge lovingly outward from their centers. This typeface offers a different feeling than is available from most contemporary sans serif display faces; Conference is lively, without sacrificing readability. The type should be set in large, display sizes, where the eye can better appreciate its loving forms.
  2. Adobe Kannada by Adobe, $29.00
    The Adobe Kannada typeface was designed by Erin McLaughlin, with Brahmic script expert Fiona Ross consulting on the design. This type family was designed to harmonize with Adobe?s other Brahmic fonts, both in terms of apparent size and style, to ensure that this suite of typeface families can be typeset together as a system. The primary intended usage ? for printed outputs, particularly continuous text settings ? guided the design direction.
  3. African Shield by Scholtz Fonts, $19.00
    African Shield is named for the cow-hide shields used by Zulu warriors. The shield was an essential part of the weaponry of the Zulu Nation. In the days of the great King Shaka, every Zulu warrior was armed with a shield, one or more throwing assegais (type of spear) and a stabbing spear. The high-contrast design of the shield has inspired a font that translates into exciting graphic designs.
  4. Dalcora by Linotype, $29.99
    Dalcora was designed by Erwin Koch in 1989 in a single weight. The most distinguishing characteristic of this font is its unusual proportions. Text fonts are usually designed with more delicate horizontal strokes as the verticals, but Dalcora is exactly the opposite. Its slight slant to the right and the round forms of the letters make the font dynamic and cheerful. Dalcora is intended exclusively for headlines in larger point sizes.
  5. Jungle Fever Shaded NF by Nick's Fonts, $10.00
    Here’s a different take on my face Jungle Fever, patterned after Neuland Black, originally designed by Rudolph Koch for Gebr. Klingspor in 1923. A “sunrise” shading pattern has been employed to add visual impact and warmth to headlines. Best used in sizes of 48 point and above. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.
  6. Akrux by Harvester Type, $20.00
    Akrux is a futuristic variable wide font. It is inspired by forms that are close to futurism, stars and space. Everything related to space, movies, cartoons, art, books, spaceships. Ideas came from everywhere. The font is suitable for headlines, posters, logos, large typography, magazines, everything related to cars and anything that can be futuristic and meaningful. It has great language support, and Cyrillic is planned in the future.
  7. Selina by ParaType, $30.00
    A universal text type was designed by Natalia Vasilyeva for ParaType in 2007. The type family is consist of 8 styles. Also corresponding decorative italic with calligraphic swash capitals was developed. The type has low contrast characters and narrow proportion. It is rather space-saved but very legible even in small sizes. For use in text and display typography. The upgraded version with extended character set was released in 2010.
  8. Graffick by Graffiti Fonts, $12.99
    Graffick is a mechanical style created by merging a little traditional type design & typography with a little basic graffiti lettering theory. Extra ascenders and descenders have been added to many of the capital letters to add a more varied & specialized appearance. This layered type system provides for the easy creation of outline/fill effects with regular, italic, wide and outline styles as well as baseline & caps-height alignment options.
  9. Roveron by Asenbayu, $15.00
    Roveron is a futuristic wide display font that has a unique geometric shape. Roveron is inspired by space explorers with a strong contemporary feel. The Roveron features a highly expanded alternative style as well as a discretionary ligature. You can use this font in a modern and sophisticated design. This font is perfect for various projects such as: logos and brand identity, headlines, posters, signs and many more.
  10. Diskus by Linotype, $29.99
    Fonts based on handwritten forms enjoyed a revival in popularity in the 1930s. Diskus was designed by Martin Wilke in 1938 and exhibits many traits of modern script and brush typefaces. The informal and energetic Diskus is a script and brush font for daily use and the capitals can be used as initials mixed with other fonts. Diskus is particularly good for titles or texts in middle to larger point sizes.
  11. HT Espresso by Dharma Type, $19.99
    The biggest feature of HT Espresso is a mixture of straight line and curve.It is like a cup of espresso with a bite-sized piece of chocolate. You can connect all the letters with thin line and It would attract notice. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!
  12. Rosengarten by Typogama, $19.00
    Rosengarten is a condensed, bold typeface inspired by the work of Lucien Bernhard and the Plakatstil mouvement. With bold, rounded serifs, this typeface was created for use in headlines and larger point sizes. A complimentary sans serif style was integrated as a secondary weight with accompanying italics to allow a combination of styles to be set in layouts. This typeface includes an extended Latin and Cyrillic language support.
  13. HU Specialmovie KR by Heummdesign, $25.00
    HU SpecialmovieKR is a retro, wide square typeface, characterized by streamlined, narrow stroke ends such as 'ㄴ,ㅅ,ㅈ'. The first consonants are designed to be large with full modules to improve readability. The grapheme 'ㅇ', which is the face of the font, is in the form of a square in harmony with straight lines and curves, expressing a solid and simple feeling overall. HU SpecialmovieKR includes Korean.
  14. Bertie by ITC, $29.99
    Bertie was designed by Alan Meeks in 1986, an ornamented typeface with a light and elegant look. Such typefaces were at their peak in the middle of the 19th century, when they were created for the advertisements of booming industries. The sophisticated Bertie is based on forms of the transitional period and is best used in headlines with point sizes of 18 or larger to highlight its unique details.
  15. Frank Ruhl MF by Masterfont, $59.00
    The most popular Hebrew typeface, designed in 1908 by Raphael Frank and Otto Rühl. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme
  16. Hydrargyrum by Type Minds, $15.00
    Hydrargyrum is the Latin form of a Greek word meaning "liquid silver" - mercury. The Hydrargyrum typefaces are designed with characteristics both of a metal and a liquid. The basic shapes of the letters are generally rigid and rectangular (particularly in style C), but the forms are enhanced by fluid curves and gently rounded corners. Hydrargyrum is not recommended for use at small sizes or in lengthy passages of text. It performs best in display-sized settings. Hydrargyrum consists of three styles, each in medium and semibold weights with matching obliques. The A style features solid, standard letterforms including the two-story a and g. Style B substitutes the a, g, M, and N (and related glyphs including numero and trademark symbols) for alternate shapes. The third subfamily takes the rectangular theme to an extreme, eliminating as many slanted strokes as possible from the letterforms. This makes some C-style letters ambiguous with one another, such as the U's and V's. As such, the C style is best used carefully even at larger sizes. The Hydrargyrum fonts are style linked within each style subfamily with, for example, Hydrargyrum A Medium as the regular style, Hydrargyrum A Medium Oblique as the italic, Hydrargyrum A SemiBold as the bold option, etc.
  17. Leader Kids by Awan Senja, $14.00
    Leader Kids is a fun and unique display font. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!
  18. Latok by Juraj Chrastina, $29.00
    Latok is a fat geometric display family with an original vibrant feel for poster and editorial usage. You can choose Latok Small with wider gaps or Latok Large according to the size of the text.
  19. Bucks by Stereo Type Haus, $20.00
    The idea was to create a legible font based on graffiti (wide tip marker) hand styles. Special attention to tight spacing, stylish caps & alternate drips bring an authentic street aesthetic into any layout or signage.
  20. Beauty Rose by Nissa Nana, $25.00
    Beauty Rose is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project.
  21. Granola by Wilton Foundry, $29.00
    Granola a completely hand-drawn font, when you need more than a regular sans serif to express random granularity. When used in smaller sizes from 14pt down, it works extremely well for book text too.
  22. EyeEye Mate by Dingbatcave, $15.00
    The ultimate "Eye-conic" dingbat with over 40 pairs of eyeballs (either left-right or up-down facing. Great for web design, some pairs even come with a third eye for that special "in" site.
  23. Maron Rose by Balevgraph Studio, $12.00
    Maron Rose is a luxurious and stylish serif font. It will elevate a wide range of crafting ideas, from cards, to branding, labels, logos and much more. Maron Rose Features: Multilingual Ligatures Alternates PUA encoded
  24. Circus Peanut by Elemeno, $25.00
    With a rounded shape and a burlap texture, what else could we call this font? Circus Peanut is oblique and comes equipped with its own drop shadow. It's meant to be used at large sizes.
  25. Instant Hero by PizzaDude.dk, $15.00
    A scribbled kids handwriting kinda font without overdoing it, which makes it super legible, even at very small sizes. I have added 5 different versions of each letter, and they automatically changes as you type!
  26. Zurdo by Haiku Monkey, $10.00
    Zurdo is a handwriting font with a unique, left-handed flavor. It can be used large for display purposes, and it also scales down to small sizes beautifully. Put some singular character into your designs!
  27. Scriba by ITC, $29.99
    Scriba is the work of British designer Martin Wait, an informal, all caps open typeface embellished with an unusual shadow effect. With its strong, casual appearance, Scriba is excellent for use in large display sizes.
  28. Gleaming Christmas by Seemly Fonts, $12.00
    Introducing Gleaming Christmas, a handcrafted font that exudes sweetness and friendliness. Its natural and one-of-a-kind style is a perfect match for a wide variety of design projects, letting your imagination run free.
  29. Trivia Serif 10 by Storm Type Foundry, $41.00
    It’s an extension to the Trivia font system. Serif 10 has been meticulously adapted for sizes of about 10 points, to be used for all kinds of literature: magazines, newspapers, books, including large scientific volumes.
  30. Clef by Solfege, $26.00
    Clef is a display typeface with clean contours and gently cut-off edges. With its simplicity, this font would suit well with a wide variety of projects, including book covers, art exhibitions and design websites.
  31. Big Tales by Typefactory, $14.00
    Big Tales is a monoline script font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.
  32. Comtype by Octopi, $7.00
    Ridiculously wide, mathematical and angular, and yet, looks good in vast blocks of text. Comtype is a cross and exaggeration between vintage computer text and old-school typewriter text. Five weights for your typesetting pleasure.
  33. Liony by Tkachev, $20.00
    Liony is a pixel font with four font styles. Liony is an experiment to convert the script-style calligraphy into bitmap format. It looks great in display sizes and also works well when used smaller.
  34. Corelia by Hurufatfont, $24.00
    Corelia; It has a compact, lean, industrial and neutral body structure. Text and Display versions provide a very wide usage area. Ideal for modern brand designs. It includes rich OpenType features with custom number styles.
  35. Wally by Autographis, $39.50
    Wally is an elegant hand-drawn script that has a very even flow and is readable down to very small sizes. Since it has a similar design it can be mixed with Novita and Novido.
  36. Vivala Pix by Johannes Hoffmann, $5.00
    The pixel font is designed based on a 25 grid. Ideal for headlines, but also easy to read in smaller font sizes. The font supports 219 languages and is equipped with a large symbol set.
  37. GHEA Tamara by Edik Ghabuzyan, $30.00
    This SemiBold Italic original Display font GHEA Tamara includes Basic Latin, Latin 1 Supplement, Latin extended A, Cyrillic, Armenian. May be used in titles, posters, labels, etc. The font looks very nice in large sizes.
  38. Tkachevica by Tkachev, $15.00
    Tkachevica is a decorative face with four font styles. Tkachevica is an experiment to convert the script-style calligraphy into bitmap format. It looks great in display sizes and also works well when used smaller.
  39. DinoTracks by Ingrimayne Type, $9.00
    DinoTracks is a novelty or letterbox font in which the letters are formed with dinosaur footprints. It is readable at small point sizes, but then one cannot see that the letters are made from footprints
  40. Dead Bear by Sakha Design, $12.00
    Dead Bear is a cool and creepy display font. It is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch.
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