Raniscript started out as an idea for a bold and strongly structured ronde style script with some contemporary touches. As I tinkered with various forms it took on a life of its own. Having an old world feel, it makes me visualize faded shop signs from India written in English. The name comes from a series of colorful vintage matchbook designs advertising the Flying Rani. You'll find Raniscript ideal for packaging, book titles, brochures or anything requiring a robust display treatment. It comes fully loaded for OpenType savvy applications. Three full sets of caps are included. By clicking the Titling button in Illustrator you can type using an all caps set that includes ligatures, case sensitive punctuation and language coverage. Other features include oldstyle figures, Central European language support, fractions, contextual letter substitution, swash characters, and ornaments.

Copperplate was the classic nineteenth century engraver's typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this light cut in three variations, light, sans and rounded! Enjoy! Gert Wiescher

Ancyra is a transitional serif family designed with current usage areas and requirements in mind. Efforts were made to provide the most effective harmony within each character and with the characters they are associated with. For customizing the usage areas and providing an impressive and fluent reading experience; it is designed in three different optical weights as title, subtitle and body text. Sharp and soft terminals used together (such as v, w, y, s, c, k) have an extraordinary effect, especially in italic styles. Contextual alternatives are designed to be compatible with the letters after the letters "c, e, t" in the text and create a cursive effect. Ancyra is perfect for use in newspapers, magazines, e-books, packaging design and fashion industry, branding of quality products and services. Ancyra has a versatile usage area with its optical weights.

Averes Title Roman is a high contrast sans titling typeface available in three weights. It features an array of stylistic discretionary ligatures with corresponding accented variants supporting numerous languages. Features include: Discretionary ligature feature Romanian s accent language feature Dutch IJ language feature Polish kreska language feature Slashed zero Ordinals feature Language: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Congo Swahili, Cornish, Danish, Embu, English, Esperanto, Faroese, Filipino, French, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Vunjo, Welsh, Zulu *Requires an application with OpenType and/or Unicode support.

Introducing Merimount - Your Ultimate Layered Overlay Font Elevate your design game with Merimount, a versatile and innovative layered overlay font that allows you to create stunning typographic masterpieces effortlessly. With three unique styles—Merimount Regular, Merimount One, and Merimount Two—this font opens up a world of creative possibilities. What sets Merimount apart is its layered design, enabling you to stack the fonts for a dynamic and dramatic effect. Experiment with different combinations and take advantage of the blending mode feature to achieve the perfect look for your project. Whether you're going for a bold and impactful design or a subtle and sophisticated feel, Merimount has you covered. Ideal for a wide range of design projects, from posters to branding, Merimount adds a touch of creativity and flair. Unlock the full potential of your designs with this must-have layered overlay font. Uppercase

Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the "oldstyle" of the Italian renaissance, its contrast reveals a clear underlying modern influence. In a typical Italian artistic fashion, Paganini manages to be a superb text face while having enough priceless ornamental moments to make it great in display uses as well: Check out the splayed M, the wide-tailed g, the flowing tail on the y, the high-armed k, etcetera. While the original metal version was limited to five basic fonts, this digital expansion includes small caps in the three main upright weights, plenty of alternate forms in all fonts, a super-seductive Open font, and an expanded language support covering the majority of Latin-based languages.

BLOCK CAPITALS is a square, geometric, small caps display face that avoids fashionable foibles and exudes the neutral, unpretentious functionality of time-honoured block lettering. The family has three widths (Narrow, Normal and Wide), and the Bold weights are loosely based on well-used squared nets – 3x5, 4x5 and 5x5. However, the typeface escapes its grid origins whenever necessary with slightly modulated stroke weights, sensitive spacing and careful kerning. The aim is to retain the strength and simplicity of strictly geometric characters while introducing barely perceptible refinements that add elegance and usability. That said, letters and numbers line up horizontally without overlapping the capline or baseline, even the tail of the Q does not descend below the Baseline. Diacritics are modesty proportioned, accented characters extending no farther than necessary, allowing the leading on multiple lines of text to be kept to a minimum.

Zest is an informal brush script drawn with quick, thick brush strokes. While it is based on everyday handwriting, the expansive and easy flow of the script hides the care that has been given to the crafting of each character. In style it harks back to the hey-day of American lettering and calligraphy, yet it has a looseness that is thoroughly modern. Zest comes in three styles: -- Zest-Medium, which is medium-weighted and appropriate to a wide range of applications; -- Zest-Drama, in which the contrast between the the thicker and thinner parts of a brushstroke has been dramatically enhanced; and -- Zest Bezel, in which the brush strokes have been given a contemporary, square-cut appearance. Zest is ideal for invitations to stylish but relaxed events, for advertisements that are intended to create a special ambiance, for posters and for announcements.

Slinky Chic, svelte and slinky, FS Sophie was inspired by and designed in partnership with ATTIK UK. With clean lines, simple, elegant curves and dynamic forms, it brings a feminine sophistication to text and headlines in publishing and advertising. Kinky FS Sophie’s engaging simplicity arises from its construction, using a modular set of core, rounded shapes and straight strokes, drawn and then repeated to create letterforms. An extra technical detail of occasional, short 45-degree diagonals adds a distinctive little kink to Sophie’s cool exterior. Alchemy By some kind of typographic alchemy, the combination of simple curves and lines with unexpected twists to the shapes of characters creates an unusually spirited and lively design in all three weights and their italic sets. Born for the spotlight, FS Sophie is a natural for big headlines, pull quotes and other high-profile text elements.

Dimitrina was created with a simple premise: Can there exist a typeface which features a minimum of sharp angles? And a readable typeface, as well? With these strict rules in mind, the development started. At first the typeface looked more like a script, and some characters ( M G or R, to name a few) still hold traces of a handwritten style which spices the overall taste of Dimitrina. Since the first draft every character was redrawn, and edited several times, for the purpose of making the typeface readable, and distinct at the same time. Estimate for yourself if our goals are achieved, while you observe the three weights which are available exclusively in MyFonts. All of them feature a full set of characters plus cyrillic support. You can also try the regular weight which is offered free.

Roughcast is a kind of outside plaster, composed of cement and pebbles. It’s not the best looking plaster and it is estimated that in the UK, a roughcast outer reduces the value of a house by 5%. I am in the middle of renovating our old farm, but I won’t cover it in roughcast! Roughcast font is actually quite an attractive brush font. I made it with a brush I found hiding underneath my stove (where it had been for a while). I cleaned it and used it to make a couple of fonts, including Roughcast. Roughcast is best used for packaging, book covers and posters.

I am pleased to introduce Brixton Pro, a sophisticated yet approachable typeface that combines the elegance of a suit with the comfort of sneakers. This typeface is designed to make a bold statement while remaining friendly, inviting, and playful. The Brixton Pro collection includes both a serif and a sans-serif typeface (with oblique, and condensed styles available in 4 weights each) that work harmoniously together, providing versatility and flexibility for a wide range of design purposes. These fonts are particularly well-suited for marketing, branding, packaging, and other designs that aim to capture attention and stand out, whether in corporate or non-corporate contexts.

I love going to flea markets and second-hand stores; in fact a lot of the furniture in our home is second hand (or pre-loved, a euphemism I find rather peculiar). I personally believe that buying used products is a good way to help this planet, as no new stuff needs to be made and the old stuff gets a second life. Fleabitten is a ‘western style’ serif font. You could use it to pimp the posters for your line dance festival, but hey, be creative! I am sure you’ll find some good use for this very nice pre-loved font. Yes, pre-loved: I loved it first!

I really like Wales; I like the culture, the people and the language. I also like the Welsh legends, especially the ones about King Arthur and Merlin. I am reading a book about Arthur right now, so when I was working on this font, I wanted to give it a Welsh name. Caerphilly is a town in Southern Wales and is home to an immense 13th century castle (Castell Caerffili). Caerphilly font is based on a 16th century manuscript. I kept the glyphs rough, to give it ‘ye olde’ look. Comes with a hoard of diacritics, a bunch of double letter ligatures and some alternate glyphs as well.

The new Foundry Gridnik typeface family features an expressive range of 10 weights – from Light to Extra Bold, each with accompanying Italics. Foundry Gridnik was developed from the single weight monospaced 'typewriter’ face, originally created by Dutch designer Wim Crouwel in the 1960s. Crouwel's devotion to grids and systems led to his affectionate nickname of ‘Mr Gridnik’, and this inspired the new typeface family name. Foundry Gridnik’s distinct geometric design has been described as ‘the thinking man’s Courier’. Crouwel said, ‘I am a functionalist troubled by aesthetics’, and although Gridnik is based on logic, rationality and strict adherence to the grid, it also has a human dimension that sets it apart.

I am not sure if there is such a thing as a Sunday Fish. But anyway, now you have a font with that name! My idea of a Sunday Fish is a lazy, goofy and kinda laid back one. One you'd like to play around with, and a friend for life - not that kind of fish that ends up on your plate! :) Sunday Fish has massive language support and 4 different versions of each lowercase letter, and these automatically cycle as you type! It comes in 4 different layered versions, which works well together - just play around with the layers and your favourite colours!

Bestlady is a romantic textured brush font suitable perfectly for invitations, brand projects, logos, greeting cards, news, product packaging, posters blogs, everything including personal charm etc. This font is alternates all lowercase,also have equipped with 69 ligatures unique and beautiful: zz yy ww vv uu tt tl th st ss sh rr qq pp oz oy ow ov ou ot os or op oo on om ol ok oj oi og of od oc ob nt nn nl ng mm lt ll lh kk is ii id hh gg ff et el ee cl ck ch cc bl bb aw at ap an am al ah af ab aa

I created this font to capture the innocence and playfulness of doodle lettering that is created in schools everywhere. Typographic rules are non-existent and the characters are sometimes oddly and incorrectly shaped but that's exactly what gives it charm. What really got me started was Napoleon Dynamite, his drawings and "typography". This font does not mimic what you see in the movie at all, but it attempts to capture the same spirit of high school "doodle typography". My favorite line: "I am pretty much the best artist I know". The font was named after Boondoggle keychains, the other craft most scholars acquire at some point in their school careers.

Pristinia Duo is a powerful fancy and impactful bold mono-lined script font that comes in with a clean all-caps sans serif font that makes a great harmonious pair. The monolined script comes in with a large number of ligatures providing you with several options for your designs. Pristinia Duo is supporting western, southern, southern american and south eastern european. Pristinia Duo is perfect for branding, web headings, logos, quotes, movie titles and more... Promote your next project today with this great duo and set your message apart from others. I am eager and elated to see what you can do with Pristinia Duo!

I recently bought a small, portable speaker. I can now listen to music when I am making fonts! Output Volume is a name I came up with after reading the quick start guide that came with the speaker. Output Volume is a 100% handmade display font - it was based on a protest sign, but after a few glyphs it started to morph into something unique. I created 2 sets of contextual alternates (including the most used accented glyphs), that will cycle as you type. I also added some discretionary ligatures, to get an even more random effect. Output Volume comes with a vast array of accented letters, including Vietnamese.

Food Truck package is a wonderful set of fonts. During my recent trip to Japan, I stumbled upon a food truck / street food festival in Nara. Besides drinking the best cup of coffee ever (seriously, it was THAT good!), I got the idea of creating a font package based on the various handwritten signs I saw at the festival. Food Truck package consists of a fat headline font, a couple of outlined fonts, a great chalkboard font, a rather messy script font and a whole bunch of food-related doodles. I am sure you will come up with some great ideas to put these babies to use! Enjoy!

Ok, so many of you are now probably wondering if I am a teenager. Nope. But I was once, and I had alot of pent up angst like alot of other teens, and maybe this typeface is my outlet for what is left of those teenage days of mine. Take it as you will, but Young Itch is a bold, scratchy, handdrawn typestyle, with that feel of grunge and pent up anger. The typeface comes with its own persona, but I bet it would work itself well into a wide array of designs. Ventilate your current or past teen angst with Young Itch today!

The other day, I was cooking a curry and I suddenly realised that we, as a family, eat a lot of meat. At home we do like meat, but given the state our world is in right now, we cannot continue eating meat like there is no tomorrow. As a result, I am hunting the internet right now for good vegetarian recipes (if you have one you’d like to share, then please contact me!). Tournedos is a beefy font family: a chunky all caps set of fonts - and a leaner set to counter and complement this rather heavy dish. And do eat your greens!

I created the brush font named "BrushType Standard" in my unique brush style. I made it for ad designers. I believe this is the only one brush font in the world, so using it will enable them to get easily satisfied on their work. Brush handwriting in Japan has a long and proud Tradition and History. I tried to interject this feeling of Tradition into my font designs for you to comprehend its true meaning. I trust I have succeeded to convey my feelings to you. In addition, I can say each letter of the "BrushType Standard" is truly art. I am a pioneer of Brush Art.

Wasty Pudding was made by drawing a lot of letters, over and over again - and not caring so much about the looks, but focusing more on the speed of drawing, because I wanted a font that represented the way I write, when I am taking notes for myself. It’s not pretty, but it’s legible and scribbeliciously beautiful! :) Anyway, I think the purpose of this font is massive amounts of text. Song lyrics, novels, stories, diaries, manuscripts, books, etc. I bet you can fool someone with them thinking that this is not a font, because I have added 6 different versions of each lowercase letter!!!

I am thrilled to unveil my latest creation, the Elio & Oliver font family. Inspired by the timeless elegance and undeniable allure of Italy, this sans serif typeface captures the essence of sophistication and refinement. Named after the main protagonists of the beloved novel "Call Me by Your Name," Elio & Oliver is a testament to the power of passion, beauty, and the transcendent experiences that shape our lives. Just like their story, this font aims to evoke emotions and create a lasting impression. With nine meticulously crafted weights ranging from the delicate Ultra Light to the bold intensity of Black, Elio & Oliver offers a spectrum of possibilities. Each weight is thoughtfully designed to ensure versatility and harmonious visual aesthetics across various design projects. Intricate and purposeful, the font pack boasts over 30 ligatures that seamlessly combine letters, elevating the fluidity and legibility of your typography. These ligatures add an extra touch of sophistication to your designs, making them truly stand out. Recognizing the importance of language diversity, Elio & Oliver is equipped with full language support, enabling you to effortlessly communicate your message to a global audience. From English to Italian, French to Spanish, and beyond, this font embraces the richness and cultural nuances of different languages. Whether you're working on editorial layouts, branding projects, or digital interfaces, Elio & Oliver will infuse your designs with an air of refined elegance. It is the embodiment of style and grace, effortlessly capturing attention and leaving a lasting impression on viewers. Step into the world of Elio & Oliver, where every letter tells a story and every curve is a testament to the power of design. It's time to elevate your creative projects and evoke the spirit of Italian chicness with this exquisite typeface. Discover Elio & Oliver and let your designs speak the language of timeless elegance. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Elio & Oliver - Elegant Sans Serif Includes: Elio & Oliver Font Family - 9 Font Weights - From Ultra Light to Black Elio & Oliver Variable Font Over 30 ligatures and alternate letters Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer as well for Canva Happy creating everyone!

Quidic is an unusual display typeface. The upper-case letters are strongly vertical, condensed, and bold. Used by themselves, they make headlines and titles that stand out. The lower case letters do not have serifs similar to those on the upper-case letters, but rather have the serif shapes one expects from an italic style. The lower-case is also quite short compared to the upper-case letters. The italic styles of the family are unusual because the lower-case letters keep their shapes and the upper-case letters and numbers change. The family has three styles that differ more by width rather than by weight. Although some Bauhaus fonts have several letter shapes that are similar, there is no other typeface quite like Quidic. The family can be used for many things, but not for text. For a "normalized" version of this typeface, see Qwatick.

Unlike its predecessor, Andes Neue contains a larger character set of 759 glyphs which support 219 Latin-based languages from 212 countries. The font comes in 4 variants that provide a wide stylistic range. Andes Neue is the most similar to the original Andes design. The Alt1 character set bears some similarity to the old Andes's (yet cleaner); Alt2 uses the alternates in the font as default glyphs; and Alt3 is a mixture of the other three variants that offers a balanced set of characters. Andes Neue also includes new accents and glyphs for a wider language support, and a set of small caps (in each variant). All of these features give the font a strong personality that helps make text look more appealing. Andes Neue varied weights work well with both short and mid-length text sections, providing a wide range of choices for any design project.

Here is a decorative condensed antique design that is sure to fit a variety of contemporary situations. The Bruce Type Foundry (later acquired by V. B. Munson) developed this wonderfully shaded Tuscan in the 1880s - or possibly earlier. It was known back then as Style No. 1050 and carried a pronounced three-dimensional look with a thin hairline at the bottom and right of each stroke. It is best to use Frisco Antique in large display sizes because it is easy to lose these delicate hairlines. A lowercase and several alternate characters have been provided for your convenience. Frisco Antique Display is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

The inspiration source for MFC Whitworth Monogram is an alphabet set from a vintage embroidery alphabets book, Alphabets Broderies No. 238 by N. Alexandre & Cie. What began as 26 referenced capital letters has been expanded to three sets of alphabets within a single typeface. True to the original reference, the Capitals are the stylized cursive capital letters in all their gorgeousness. The lowercase encapsulates the capital letters intertwined within rectangular frame. By enabling Stylistic Alternates and typing any lowercase letter, you get each letter encapsulated and intertwined within an oval frame. A handful of decorative forms are placed in the 0-6 numeral slots. Originally intended to adorn handkerchiefs and other linens, this digital revival opens it up to a whole new realm of possibilities. This is one of many monogram designs from the late 1800's to early 1900’s that is loaded with panache and intricate detailing.

Sporty and brawly, Magnesit Dark creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. Very tall x-height, wide language support and minimalistic yet playful appearance, make it suitable on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit and Magnesit Stencil families, so you can mix and match to achieve exactly the effect you need. Magnesit Dark works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect. Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Velino is one of our most complete type families. The serif version comes in two packages with three widths: Velino, Velino Condensed, and Velino Compressed. The display package contains high-contrast typefaces, with a modern flair—very feminine but with plenty of character, specially designed for fine print in big text sizes. The text package was designed for any running text. Its proportions and colors make it ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a slab serif typeface with only one weight and its respective italic, but with plenty of muscle, for every time some extra strength is needed, such as setting very big text, magazine covers or newspapers’ special sections. Finally, we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Boutiera is an upright and soft vintage script with a modern twist. Its main characteristics are bouncy baseline, round forms and bumpy stems. These qualities gives Boutiera its casual, friendly and handmade looks. It has three weights to give contrast and options to your typographic elements and designs. Boutiera has two sets of Upper cases; Slightly swashy and more basic one. The more basic set can be used in all caps. Boutiera has positional alternate characters; Initial forms to letters like r, s, x and z. And final forms to all lower cases. Those final forms have a shortened upstroke to give more balanced and harmonized look. You can use these easily by enabling Contextual Aternates from OpenType menu. It also has alternate versions of letters t and s. You can use Boutiera on logos, packages, on titles or wherever you need a friendly and lively font.

Corner C is a part of Corner type family. This subfamily is designed with rounded shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal ( Corner B ), curvature (Corner C), or inversion curvature ( Corner D ), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

Campeche is an expressive yet functional typeface family. Seeking to express its beauty, it twists the conventions of classic typography when necessary. Campeche finds its inspiration in the grotesque typefaces of the late 19th century coupled with a typical Latin American playful sense that gives it a modern freshness. The initial form arises from the idea of expanding Seriguela, evolving along the way, becoming its own system with a unique personality. Campeche is designed for today's requirements. It is available in two styles and three widths, from condensed to extended, with 9 weights each, totaling 54 fonts, in addition to the variable version. Campeche is a comprehensive typographic system that provides versatility for almost any use. It can be used for packaging, editorial, branding... etc. The mix of widths and between the normal and display versions can generate complex graphic parts or systems with different levels of hierarchy, without losing unity.

Inspired by pointed pen calligraphy and modulated sans serif typefaces used for advertising in the 1920´s, Bologna is a high contrasted sans serif with a modern and fashionable look. Bologna comes in three weights: Regular, Bold and Black. The Regular and Bold weights are, despite of their high contrast, also build for body texts. Whereas Bologna Black, with a more expressive look and sharp angles, is specially designed for large and striking headlines, packaging or identities. Overview: 3 weights - Regular, Bold, Black Regular/Bold: 657 Glyphs Black: 871 Glyphs Lining, tabular and old style figures Ligatures: fl, fi, ff, ffi ffl, Unicase Letters: a, e, m, n, r Alternative Guillemets Case Sensitive Arrows Bologna Black: hairline accents and interpunctations Fractions Extended Language Support Stylistic Sets: ss01 = Alternative Guillemets / Alternative y ss02 = Unicase glyphs ss03 = Numerals in circle ss04 = Numerals in black circle ss05 = Hairline Accents and Interpunctations (Bologna Black)

Velino is the most recent of our Premium Typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed and Velino Compressed. The Display package contains high contrast typefaces, with a modern flair, very feminine but with plenty of character, specially designed for fine print in big text sizes. The Text package was designed for any running text. It’s proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a Slab Serif typeface with only one weight and it’s respective italic, but with plenty of muscle, for every time some extra strength is needed, like setting very big text, magazine covers or newspaper’s special sections. Finally we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Hand-drawn by an architectural renderer's daughter, Plinth is an craftsman-inspired font that leaves a strong and lasting impression. Both capital and lowercase letters have been designed for impacting display, but are also easily read in large blocks of text. Plinth includes multi-language support as well as a variety of OpenType features including decorative alternate caps, double-letter ligatures, complete fractions, currency figures, and 4 stylistic sets. Set One replaces commonly used titles (Mr., Mrs., Miss, Ms., and Dr.) with complementary hand-drawn versions. Set Two replaces 8 commonly used prepositions (and, the, to, to the, or, of, for and at) with complementary wordforms. Set Three seats counting contractions (1st, 2nd, 3rd, etc.) in their proper superscript place. And Set Four provides a fancy alternate of both ampersand and asterisk. Plinth is perfect for the designer, architect or orderly list-maker in all of us.