Decorative, extra bold font ResotYc with which you can work in three ways: with Uppercase, with lowercase as Unicase and with mixed uppercase & lowercase for best result. Automatic contextual alternates and ligatures built into the font compensate for whitespace area differences. Geometric strokes and simplicity makes ResotYc Uppercase excellent for headers, banners or advertising slogans and MixedCase is perfect for fun headlines and outstanding logos.

Tabby is display font inspired by connection about human and cat. It has 3 font style, It's super easy to use 3D effect with Tabby family font. Three style Font: Regular, Display & Shadow Tabby perfectly match for any product like book cover, t-shirt, branding, promotion, social media post, quotes, crafting, photography and more. What's included: - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Afiga is a is humanist sans-serif a modern type family inspired form British typography of the early 20th century, Simple and fresh typeface for visual identities, book covers, magazines, and advertisement. Afiga typeface consists of 7 style plus “true italic” set. All of the styles together have over 700 characters, supports more than 50 languages – in Latin based languages Afiga supports OpenType features for fine typography, including Alternate characters, old style figures, Tabular Numbers, proportional figures, ligatures, superscript and subscript figures and support for fractions.

Supra Rounded is the newest addition to my big SUPRA-family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an extended character set of over 700 glyphs and extensive kerning. It supports more than 40 Central- and Eastern-European as well as many Western languages (except Greek and Cyrillic). Ligatures, different figures, fractions, currency symbols and small caps can be found in all cuts.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

The Arial® Nova family takes Arial back to its roots. Character spacing has been adjusted and a number of subtle modifications were made to the design to return the shapes and proportions to those of the original 1982 design created for IBM's then new high-speed laser printers. Although these first Arial fonts, called "Sonora Sans" by IBM, were low-resolution bitmaps, it was apparent that the design could also be an important high-resolution digital typeface, and Arial was redrawn for Monotype's imagesetters in the late 1980s. In the process Arial evolved from its original design loosing some of its earlier personality. The restored Arial Nova family is made up of three weights of roman design of standard proportions and three weights of condensed - all with complementary italic designs. The Arial Nova family is also compatible with the fonts that Microsoft® provides in the Windows® 10 operating system.

Fontanely is three unique blend Fonts. like dance letters, smooth, clean and simple. Fontanely are three Fonts perfect for weddings, events, invitations, companion cards, menu headers, displays, logos, blog sliders, packaging, greeting cards, etc. Fontanely includes alternate glyphs and beautiful swirls in fonts including style sets, Ligatures etc. The Open Type feature can be accessed using intelligent Open Type programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Features: Basic Latin A-Z and a-z Numbers & Punctuation Style Sets & Fasteners PUA Encode (Custom Encoded Fonts) If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Version, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows). Using Windows Character Map with Adobe Photoshop ( PS)

Just before the end of 2020 all schools in Holland closed for the second time, because of an increase in the number of COVID 19 cases. This means that my wife and I have to educate our three kids at home. The kids are great and take their tasks seriously, but it is difficult, as all three of them require different educational levels. I am sure you parents understand. Trying to get some work done is virtually impossible, so my wife and I made a schedule and we live by ‘on duty’ and ‘off duty’ days. I was thinking of this when I created this font (obviously on an ‘off duty’ day). Home Education is a handwritten scribble font. It was made with a Sharpie pen (possibly used by one of my kids, because I noticed tiny ink stains on my wooden dining table…). It comes with all the diacritics you can hope for and lovely double letter ligatures for you to play with.

The 10th Regiment of Foot is a British military unit raised more than three centuries ago—and perhaps most famous in the U.S. for seeing action on American soil during the Revolutionary War in the Battle of Lexington and Concord and the Battle of Bunker Hill. Military Scribe is modeled after the compact, utilitarian script on the mid- to late-1770s muster rolls of the Tenth of Foot. I incorporated the work of at least three separate scribes, merging their neat old penmanship into a legible disconnected cursive. Perhaps the most versatile of all our vintage handwriting fonts, Military Scribe might faithfully reproduce antique letters, labels, lists, or just about any document of the period. OpenType features include multiple stylistic sets, scores of historical, contextual, and discretionary ligatures (including nine terminal “d”s) lining and old-style figures, ink blots, cross-outs, and full support for Central and Eastern European alphabets—more than 1,000 glyphs in all.

This is the one and only Neil Bold, designed by Wayne Stettler in 1966 and originally published as a Typositor typeface. An award-winner and instant celebrity upon its release, Neil Bold became synonymous with magnified modernism for a whole generation. It was a jazz record packaging favorite, especially at Blue Note records, and made regular appearances on science fiction book covers during the last stretch of the genre's golden age. This digital version greatly expands on the film type one. New small caps and biform styles were added to the authentically revived main face (for a set of three fonts), and language support has been extended to include all Latin-based tongues. Neil Bold Pro, the OpenType version, comes in a single font that combines all three fonts into a single file, with programmed features for small caps, stylistic alternates (for biform shapes), a few extra alternates, class-based kerning, and additional language support for Cyrillic and Greek scripts.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Audrey is an elegant monolinear Script and Sans font family. Audrey is great for designing headlines, packaging or as a logotype online or offline. Audrey has three weights of Script and Sans and a set of Ornaments. The weights go following: Regular is twice and Bold is three times as wide as Thin so if you want to have an Ornament example with same stroke width as Script you can set the Script in 36pt Regular and Ornament 72pt Thin -and they’ll have exactly the same width. Audrey Script is packed with OpenTtype features: Keep Standard Ligatures on for smooth connections and try Swash, Stylistic or Titling Alternas for more showier letters or seek for even more alternates from the Glyph Palette. Script also has Lining numerals as default and Old Style numerals as an OpenType alternates. Audrey is a close relative to widely popular Cosmopolitan released earlier by Fenotype. Compared to Cosmopolitan Audrey has more geometric forms and bigger lowercase characters with larger x-height.

Marlin Soft is a rounded corner version of our Marlin Geo font family and like its parent font also includes two sets of italics. The standard italic is set at twelve degrees and the slant version set at six degrees, the slant version is perfect for signage and headlines where you may want the look of an italic but are limited on horizontal space. Marlin Soft includes many alternates which may be accessed using opentype aware applications, with over three hundred alternates to choose from your creative possibilities are great. Whether you're looking for a round dot or a square dot Marlin Soft is one font family that delivers both set up as two separate fonts so you may change a whole page of text at one time. Your projects are sure to look nice and cozy with the warm feeling Marlin Soft will bring to your product label or page design. Three free sample basic fonts are available which are fully functional minus the alternates.

The all-caps display face Sandwich was inspired by historic, hand lettered sans serif alphabets with slightly sloping terminals, as found in showcard lettering and on billboards. Besides a number of alternate glyphs located in the lowercase area of the font, the typeface features about forty 'ligatures'. These are not ligatures in the traditional sense of the word, but short two- or three-letter combinations — mostly prepositions, conjunctions, articles and so on — in different languages, which are positioned vertically, not horizontally. Since the number of such pre-fabricated ligatures in a font is limited and cannot possibly cover all the desired combinations, a special algorithm programmed into the OpenType font permits the user to compose any two- or three-letter words, provided no accented characters are used. This is why Sandwich includes five versions of each letter. Using the full possibilities offered by the OpenType format, the automatic vertical aligning of glyphs is based on a combination of optional ligatures, style sets, and modified kerning.

Canadian designer Patrick Griffin made P22 Counter as an exercise in exploring the limits of counter-space and interchangeability between extremely geometric and standard calligraphic forms. Within a field of solid stems and horizontal strokes, parallel lines and curves play the role of counterparts to define square and round shapes, making what’s revealed just as interesting as what’s withheld. Each of the three basic Counter fonts stakes its own aesthetic territory, from clean basic minimalism, through the nostalgia of exuberantly pixel-based design, and on to calligraphic-cum-typographic, all within clear and precise geometric parameters. Counter Pro comes with that entire range included in a single font, giving its user the ability to move freely in a visual space and counter-space that can be defined by more than 1450 glyphs. While all the fonts come with extended Latin language support, P22 Counter Pro includes all three fonts in one font, many alternates, swashes and ending forms that are not available in the basic fonts.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Gladly is based on an earlier Scholtz Font - Margaux, which appeared as a simple oblique font. Gladly has grown from the original, into a multi-styled, comprehensive typeface with 17 styles in all. Gladly Regular’s elegant, svelte profile has been blended into three widths, Narrow, Regular and wide, each with its own oblique version. Gladly Ornate comprises seven styles with flowing, ornamental, curvy-swashed upper case characters, reminiscent of Illuminated Script, and beautiful features such as fancy Opentype word-endings. Gladly Wisp is a delicate outline version with flowing swashes. Gladly Rococo, in three widths, has a 3-D outline feature, particularly reminiscent of Art Nouveau posters. The Gladly collection lends itself to the design, packaging and advertising of everything with a romantic feel - weddings, greetings, cosmetics, lingerie, book covers, and too many more to mention! The set of fonts has all the features usually included in a fully professional typeface. Language support includes all European character sets.

Veranda Poster was derived from a European art supply manufacturer’s logotype done in the Vienna (Wien) Austria style. This distinctive classic style was used by artists such as Julius Klinger and Willy Willrab in the 1920s. Two new faces have been added to the original version - Veranda Poster Small Caps and Veranda Poster Alternates. Here is an extensive collection of capital and small cap alternates plus a wide selection of figures for almost any use. The contemporary alternate additions have a slightly Russian flavor. The combination of all three styles makes for striking logo and display settings. All three styles are now available in the OpenType Std format. Some additional characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Probeta is an exclusive Sans Serif typeface family, condensed in proportion into three styles: Regular, Italic & Small Caps. Each family consists of 7 weights (Extra Light, Light, Regular, Medium, Semi Bold, Bold and Extra Bold). Plus three bonus fonts: Circle, Cube & arrows • Includes a bonnus font with the purchase of each style! After defining all the proportions of the new typeface, and starting from the drawing of the lowercase letter «o», in an exercise of minimalist construction, I have built all the characters, contributing with this technique, morphological coherence and a balanced reading. I have put special interest in defining the width of each character, depending on the relationship with others, then the configuration of the metrics and the exhaustive definition of Kerning, provide maximum readability in paragraph texts and titles. The use in graphic design, editorial or advertising guarantees originality and difference. Very versatile fonts for billboards, video games, movie titles, logos, publications, etc. They include the symbol of Bitcoin and other Cryptocurrencies.

Introducing Flatline, an elegant, modern sans serif font family. Meticulously drawn with high contrast between thick and thin strokes with the goal of making even the simplest sans serif letters look sensual, elegant, and warm. It’s perfect for headlines, editorial uses, and advertising projects. Makes beautiful luxe logos and wedding invitations, too. Flatline includes six styles (three weights each in both roman and italic), each of which includes nearly 500 glyphs. OpenType features include 20 standard and discretionary ligatures, a small number of character variants, three figure sets, four ampersand styles, and multilingual support (including multiple currency symbols). The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (You can also access most of these features in Microsoft Word and other similar programs, but you'll need to get comfortable with the advanced tab of Word's font menu.) Find inspiration (and sneak peeks at my next font-in-progress) on: Instagram: http://instagram.com/julieatupupcreative My website: http://upupcreative.com

Palatino Sans Informal was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman Zapf’s original Palatino idea. Palatino, which was born as a metal typeface in 1950, proved to be one of the 20th Century’s most popular designs. Not only is Palatino Sans Informal a completely new typeface, it is also a completely new interpretation of the entire sans serif genre. Its letterforms are curved, rounded, and soft, not hard and industrial. In comparison with Palatino Sans, Palatino Sans Informal offers eccentricities that are somewhat artistic and more individual looking. The fonts in the Palatino Sans Informal family include several OpenType features, such as an extended character set covering all Latin-based European languages, old style figures, small caps, fractions, ordinals, ligatures, alternates, and ornaments. Palatino Sans Informal can be mixed well with Palatino and Palatino Sans.

Linotype Franosch™ is a three weight display typeface designed by artist/graphic designer Max Franosch. Around the time of making the initial sketches, Franosch was looking a lot at Arabic newspaper and magazine headlines. He was drawn to their bold and very graphic" type. A common feature was the "floating" dots which added a rhythmic quality to the text. This came to influence the use of dots in Linotype Franosch™. Apart from this influence, Linotype Franosch also has a very clean and futuristic feel to it, due mainly to the highly geometric nature of the characters and the uniform stroke weight. More about the usability of this typeface can be seen at the Font of the Week of Linotype Franosch. Linotype Franosch is perfect for party flyers, headlines, and internet banner ads. All three faces in the Linotype Franosch family are part of the Take Type 4 collection from Linotype."

The Roos family is a digitization and expansion of the last typeface designed by Sjoerd Hendrik De Roos, called De Roos Romein (and Cursief). It was designed and produced during the years of the second World War, and unveiled in the summer of 1947 to celebrate De Roos's 70th birthday. In 1948, the first fonts produced were used for a special edition of the Dutch Constitution on which Juliana took the oath during her inauguration as the Queen of the Netherlands. To this day this typeface is widely regarded as De Roos's best design, with one of the most beautiful italics ever drawn. In contrast with all his previous roman faces, which were based on the Jenson model, De Roos's last type recalls the letter forms of the Renaissance, specifically those of Claude Garamont from around 1530, but with a much refined and elegant treatment, with stems sloping towards the ascending, slightly cupped serifs, a tall and distinguished lowercase, and an economic width that really shines in the spectacular italic, which harmonizes extremely well with its roman partner. The Roos family contains romans, italics and small caps in regular, semibold and display weights, as well as a magnificent set of initial caps. All the fonts contain extended language support, surpassing the usual Western Latin codepages to include characters for Central and Eastern European languages, as well as Baltic, Celtic/Welsh, Esperanto, Maltese, and Turkish.

This cute bunting style font includes extras like a cupcake, anchor, and a fleur de lis. Use the ( ) { } [ ] to make end pieces and join them with the underscore __.

RMU Gloria is a family of two stylish fin-de-siècle fonts, formerly released by the Gursch Foundry, Berlin, which additionally were spiced with elements for frame making.

Basically my inspiration to create this font was located in the designs of old-school tattoo associated with wildlife Rockabilly and 70’s and 80’s. This font is perfectly applicable to typesetting for headlines, posters and art designs.

Based on the handwriting of the eminent Dutch typographer Alexander Verberne, Julius de Goede's Xander typeface manages to be both sophisticated and whimsical. This monoline connecting script dances across the page with the grace of a ballerina. An accomplished graphic designer and writer of more than 20 books on calligraphy, de Goede's lettering skills are evident in this careful translation of casual handwriting into a lighthearted, affable typeface family. Like a warm breeze on a spring day, Xander is fresh and welcome.

The BD Roylac typeface has its roots in some lowercase glyphs drawn by Jacques Loison in 1972. Some of these characters are included in the use of stylistic alternates. Filed under a retro-futuristic design the font separates two filled shapes by a thin and curvy line; sometimes following to the path leaning readability and sometimes interfere with it. The font is dedicated to the BD fanboy Monsieur «Eric de Broche des Combes» aka «Roy La Combe» to his fiftieth anniversary.

Swing Band JNL is a casual, playful type design inspired by the title lettering from "Hi-De-Ho", a 1930s all-black cast film starring legendary bandleader Cab Calloway.

It’s a mixture of digital exactness and analog freedom. With over 130 Opentype features, the font can change its look from strict to charming twirly. GELI offers many different ways to highlight words, which gives the font a personal character. It is a powerfull corporate font with a wide range to play with. Tobias Gutmann designed the Font in 2009/10 in the Typoclub which is part of the Hochschule der Künste Bern.

Introducing Beauty Ballerina, the top choice for those looking for a typeface that exudes beauty and grace. Every exquisite detail of this typeface mirrors the strength, passion, and elegance innate to each ballerina, making it an embodiment of the beauty and grace that ballet dancers exude. Featuring an extensive collection of over 360+ quick-access ligatures and alternatives, it allows everyone to delve deeper into their imagination and reshape their creations with luxury.

Introducing Thitheri – the font that's here to infuse your creative projects with a delightful '70s retro charm! Thitheri also includes a unique set of 26 special alternates. These alternates provide you with even more creative freedom and versatility for your projects.

Nigo is a stylish font It has both modern and retro look - clear, modern and fun, Perfect for make any project like header, quote, layout magazine and other. Even better if you use it on 60s and 70s design project

A groovy, bold typeface that transports you back to the 70s and 80s. Its sleek curves and sharp angles evoke the spirit of neon signs and vintage design. Get ready to captivate with this striking font that exudes nostalgic coolness.

Inspired by Fashion magazine adverts from the 70'sand 80's. modern and minimal look, Fashion Mode Font brings a luxurious and clean style to websites, modern logos, branding identity, social media quotes, wedding stationery, and whatever your heart dreams up!