Street Air is a unique display font with a graffiti-like appearance, with three style font, Regular, outline, and Shadow style. Use this font for any crafting project, apparel design, logotype, advertising, wall decoration, and pretty much anything that requires a personalized look. Take your designs to the next level with this stunning font!

Ames’ Shaded is one of three display typefaces designed to complement the Ames’ Roman and Ames’ Text typeface families. Ames’ Shaded has that semi-industrial feel that somehow is evoked by diagonal cross-hatching. Delightful for use on its own of with the families mentioned. A delightful introduction to the Ames’ ‘Super’ typeface family.

Crank up the intensity with HYPERWAVE! An energetic set of brush fonts with a sharp attitude. With THREE sets of each letter, each equipped with distinctive fast brush strokes, HYPERWAVE is ready and raring to make a big statement on your logo designs, brand imagery, handwritten quotes, product packaging, merchandise, music projects & social media posts.

This svelte type family, whose name translates as "Blonde Goddess", is ideal for creating loquacious headlines in tight spaces, as well as dense informational blocks such as movie credits. Available in three weights. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Branca Poster is a heavy font with triangular serifs and with three versions of horizontal contrast. It was inspired by the Romantic fonts of vertical axis, with small openings and pronounced contrasts. Specially designed for posters, it has a wider characters map, with some Ligatures, Stylistic Alternates and Swashes, providing greater versatility to the user.

Say hello to Komix Eighties font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful. It comes With three awesome styles. Features: - Character Set A-Z (All-caps) - Numerals and Punctuation (OpenType Standard) - Accents (Multilingual characters) - PUA Encode I hope you can enjoy the font :)

Forty-six snowflake designs from the Snowflake Assortment font were three-dimensionally rotated to various viewing angles other than perpendicular (which is how they are viewed in the Snowflake Assortment). Holding the modifier keys, Shift, Option, Shift + Option, and typing the same character will access different views of the same leaf. Font contains 180 characters.

Umbra was designed by R. Hunter Middleton for the Ludlow Corporation in 1935. This is a three-dimensional typeface, unique in that the main character shape is defined only by its shadow. It was originally designed to be a second-color drop-shadow for the typeface Tempo, but stands alone as an unusual display face.

KNOPA This is a fun and playful font family, which will perfectly fit into children's projects or funny modern designs and logos, with it you can make playful designs by changing styles and combining them with each other. This font has three weights ( light, regular, and bold ) and an outline style for each weight.

Forty-six leaf designs from the Leaf Assortment font were three-dimensionally rotated to various viewing angles other than perpendicular (which is how they are viewed in the Leaf Assortment). Holding the modifier keys, Shift, Option, Shift + Option, and typing the same character will access different views of the same leaf. Font contains 180 characters

Mumos is a block type font. Is a font of thirteen units of height with straight terminations in which there is complete absence of curves. Although very basic is a dynamic typography with many possibilities thanks to its three styles, including open space, which facilitates the work with fillers without having to vectorize the glyphs.

A design revelation inspirited by perpetual classics—establishing a graceful, aesthetic, and dynamic font. Introducing a vintage galvanized look typeface named Emherican. Comes with three font pairing combinations, extras ornaments, ligatures, and +60 stylistic alternates—makes it ideal and perfect for creating a design piece inspired by letterheads, posters, signage, charters, labels, packaging, logotypes, etc.

Griffiths is a clean italic serif designed to be stylized and combined with a dynamic calligraphic font that is angled at twenty-three degrees. Griffiths is equipped with multilingual support and a set of OpenType features such as alternates and ligatures. Font Pairings : Bethany Elingston Including : 2 Weights Alternatives & Ligatures OpenType support Multilingual PUA encoded.

Umbra was designed by R. Hunter Middleton for the Ludlow Corporation in 1935. This is a three-dimensional typeface, unique in that the main character shape is defined only by its shadow. It was originally designed to be a second-color drop-shadow for the typeface Tempo, but stands alone as an unusual display face.

Gangrena is a display font family, based on a old lettersets and style of UK punk posters from 80’s. It is characterized by a huge amount of automatic alternates, cycling in a random way trough the text. Each letter has three versions. To complement the font Gangrena has a set of six different brushes.

A fun and fresh font that encapsulates both summer and winter with its tall, hand rendered style. A versatile style,the family works well for all kinds or projects from window displays to music albums The Sun and Rain family consists of three weights, light, regular and bold. The weights cover diacritic, Greek and Cyrillic.

Arya is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.

DF-Stromboli doesn’t look like it but in fact it is a script typeface. It was written with a coffee spoon, acting like a broad pen, in the ashes of the Stromboli volcano right on top of a scanner. This typeface evokes orientation and fear, the dichotomy of Stromboli’s personification. A tribute to il faro del mediterraneo: the mediterranean lighthouse.

In August 1930, Jan Tschichold described a new typeface, that is "producable by everybody without further knowledge" in the publication Börsenblatt für den Deutschen Buchhandel. Sebastian Nagel has extended the original drawing to 7 weights (black, extrabold, bold, semibold, regular, semilight and light), with full coverage of the Latin 1 character set. All fonts also include small caps and alternate characters.

The typeface was designed at the Polygraphmash type design bureau in 1951-53 by Lev Malanov, Elena Tsaregorodtseva et al. Based on Cyrillic version of Excelsior, 1931, of Mergenthaler Linotype, by Chauncey H. Griffith. Excelcior Cyrillic was developed in 1936 in Moscow by Professor Michael Shchelkunov, Nikolay Kudryashev et al. A low-contrast text face of the Ionic – "Legibility" group.

Fanchy Created from our explorations inspired by retro 70s style and pop culture visual designs such as comics, cartoons, and old posters. Strong bold character with groovy style makes us feel the retro vibe and brings us to the 70s. Fanchy Comes with beautiful characters and curves consisting of 6 sets of styles. Contains 2 regular and italic styles, 2 shadow styles and 2 outline styles. This font is best used for headings, logotypes, quotes, apparel designs, posters, flyers, packaging, book covers, and much more.

TpLlum is a typeface designed by TwoPoints for a festival in Barcelona called ‘Montjuïc de Nit’. Llum means light in Catalan. In the Montjuïc de Nit project the font was used in white over a dark grey background, letting the light of a backlit poster shine through. For this purpose the typeface had to be very bright, which was made possible by its heavy cut.

Brahma V2 is here. The new version has been three years in the making. It has multiple new updates and improvements based on user feedback. The focus for this version has been improved readability while maintaining the unique, modern identity of Brahma type family that has received so much love since V1 was launched in Dec 2020. Brahma is a modern geometric sans-serif font family with weights ranging from Thin (100) to Black (900). Features: Available in 9 weights Over 550 glyphs supporting extended Latin Ideal for display texts: Titles, Logos and Headlines etc. Perfect for branding and rebranding Supports OpenTypes features like Ligatures and Stylistic Alternates Tabular Numerals included Symbols for 10 major currencies including Bitcoin provided in all weights Description: The name comes from Brahmā who is known as the god of creation. And manifesting the same spirit, the Brahma font family focuses on modern creativity. Every character effortlessly integrates with current design standards and interfaces. The fonts are professional yet have a hint of informal personality in them. This makes Brahma perfect for use in modern apps and websites. Brahma is built for the designing and marketing squads. It has a trendy geometric characteristic which is ideal for any branding and rebranding. Brahma has lot of OpenType features (like ligatures and tabular numerals) and the Extended Latin character set supports over a hundred languages. Start Creating!

Kadigan: (noun) A placeholder word. A kadigan can be used to substitute for any other noun: persons (John Doe, Acme Company), places (Anytown, 123 Main Street) or things (whatchamacallit, thingamajig). Just like kadigans can be used in nearly any situation, the members of the Kadigan font family can be used in nearly any design! These sans-serif beauties are clear and easy to use, but they also have a little bit of wiggle in their strokes and weights, for a fun hand-lettered look! The three members of the family: - Kadigan Light: An all-purpose lightweight stroke, with sharp corners. - Kadigan: A nice mid-weight stroke, with slightly rounded corners. - Kadigan Heavy: A thick, chonky stroke with pillowy rounded corners. And each member of the family is packed with features, including: - All of the basic stuff you expect from every font; - 340+ extended Latin characters; - Cyrillic character set; - Greek character set; - Those character sets? Support over 110 languages! - 52 double-letter ligatures for variety (That's right, EVERY letter. I'm looking at you, savvy revved trekkers!); - A full set of small caps (including Cyrillic & Greek); - And more! (Seriously, it was hard to stop.) So whether your work is in English, Español, български, ελληνικά, Türkçe, or over a hundred other languages, this cute and fun sans-serif may be just what you've been looking for!

Helgis Black is a hand crafted font, inspired by album covers of progressive and psychedelic rock bands of 70's. It is perfectly suited for covers (books, albums), posters and games.

Allaina is a stylish and elegant Serif family consisting of three styles, Regular, Medium and Bold with matching italics. It has many alternates and some unique attractive ligatures. This pretty serif family could be used for fashion, label packaging or elegant vintage style lettering. Combining standard letters with alternative letters wil give you beautiful and unique words.

Following from the continued popularity of the original MB Deco, here is Nuovo Deco, its new and improved big brother. Nuovo Deco comes in three weights, Light, Regular and Bold. A full character set of Caps and lower case letters, alternate characters, plus some very nice Ligatures to give some added art deco style and a much wider scope.

Melancholy is designed to be a rough and blotchy typeface that replicates ink from a typewriter. The letters themselves are meant to be imperfect with a nice flow. The typeface can act as a more natural sans-serif, and provide relief from reading normal perfect sans-serif typefaces. Melancholy comes in three different styles; regular, delusional and glitch.

Introducing vintage label font named Happy Trip. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font familty has six styles: Regular, Aged, Texture, Outline and three colorful styles. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Qwatick is a decorative serifed family with three weights, each with an italic style. It is squarish and has small serifs. The bold style has high contrast and the regular style remains readable even at small point sizes. The family originated as a reworking of the odd display font Quidic, moving it toward normality and greater legibility.

Formosa is the old, colonial name for Taiwan. Formosa means beautiful in Portuguese and I think this handwritten typeface has a certain beauty itself. It comes in three styles, all of which make extensive use of ligatures, to give the font an authentic, handwritten feel. Like most of my fonts, Formosa comes with Babylonian language support.

Cyritech is stylish futuristic geometric tech Three Fonts' Family designed for such areas as hi-tech, future, sport, space, army, games and many others. The feature of this font that it has serifs of triangle shape, that allows organic letters' connection, which makes it interesting and unique. Multilingual support (Latin extended). It is designed for header and text both.

Paragon is a display Roman family of nine faces, combining elements of formality and fun. It embodies a high degree of contrast between near hairline horizontal strokes and bold vertical strokes. The family is offered in three widths and in regular, small capitals and title faces. Use Paragon to lend impact to your next design project.