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  1. Modern Symphony by Calamar, $16.00
    The Modern Symphony Font Duo is trending and elegant font pair that will bring in your design a unique style and luxury look. This font duo particularly well suited for wedding invitations, cards and feminine branding. Modern Symphony Font Duo includes two beautiful fonts - elegant Script and Serif fonts. Modern Symphony Script includes three full sets of gorgeous uppercase and lowercase letters, numerals, punctuation and a large range of ligatures to perfectly re-create natural calligraphy. And you can check them all in this presentation. Modern Symphony Serif is a classy high contrast font that contains only uppercase characters, numerals and punctuation. You can check your language typing characters in text box above.
  2. Ragtag by In-House International, $15.00
    Ragtag is an adventurous display font that’s fun, graphic and loud. The font features three irreverent, geometric variations for each letterform, plus a few extra goodies like eñes and diacritics so it’s ready to use En Español. Ragtag creates harmonies from the fully interchangeable collection of letters. Each letter is unique and designed so it composes beautifully with all others — but can also stand on its own as an accent piece or as part of a design. Ragtag is inspired by the scattered crew of makers and designers from design studio In-House International--a fully remote creative home based in Austin, TX. The design of Ragtag was led by Alexander Wright and digitized by Rodrigo Fuenzalida.
  3. Marsh Scroll by ArtyType, $29.00
    The concept for ‘Scroll’ came to me fully formed when setting out to design a bold display typeface. The premise for this was to base the letter-forms on a rolled strip of paper. A simple enough idea in principle but one I hadn't seen before. After working out the basic characters I set about completing the full effect I was after. This was achieved by applying a suitably incised line following the curve at each turning point to convey the important three-dimensional aspects of a scroll. Although the phonetic name personifying the font was there as a working title from the outset, I didn't commit to it fully until everything was completely resolved.
  4. Sica Condensed by dooType, $30.00
    The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.
  5. Piercing by Linotype, $29.99
    Piercing is part of a series of typographic experiments from the young Swiss designer Michael Parson. In the Piercing family, which contains three separate weights, Parson has successfully transformed the movements of points and lines into a fabulous display of alphabets. But you can use Piercing as your key to the techno scene: these letters, made up of fine lines terminated by dots, virtually groove with the beat as you set them in text. Like a musical score, they provide a fantastic look just right for your next flyer. Piercing is one of ten experiments in constructed letter design that Parson has included in the Take Type 5 collection from Linotype GmbH."
  6. CamingoMono by Jan Fromm, $45.00
    CamingoMono is a modern monospaced typeface family of seven weights with matching italics, from ExtraLight to Black. Predominantly humanist in character, the typeface also has a technical feel thanks to the fixed proportions, while its semi-condensed width means CamingoMono is a great space saver in long passages of text. The default figures are noticeably lower than the uppercase letters, making them clearly distinguishable from one another. The typeface’s additional features include three different figure sets, slashed zeros and currency symbols, arrows and a handful of stylistic alternates. It is ideal for any technically-flavored text where an individual touch is desired, from advertising to corporate design. With CamingoMono, private and commercial correspondence alike will look neat and credible.
  7. Nur Hidayah by Anomali Creative, $10.00
    Introducing Nur Hidayah Arabic Calligraphic Font this is an Arabic display style font that weaves intellect with imagination in a harmonious flow of letterforms. Nur Hidayah Arabic Calligraphic Font demonstrates a mysterious beauty of Arabic typography which is found to be essential for narrative content titling. The font is also suitable for branding and visual advertising. in the Arabic Language, Nur Hidayah refers to the Holy Enlightment. It also indicates the person who’s allready get a clear bright enlightment in their spiritual journey. The font features a unique writing style with a solid geometric structure which suits titling and creative heading. Nur Hidayah Arabic Calligraphic Font consists of three (3) style; Regular, dotted and Bold.
  8. Dvarlin Staves by Sins, $37.48
    Dvarlin Staves is a collection of 512 rune glyph's divided into six font family's. The three main font's are Root, Caber and Bole, while Remnant, Branch and Blossom are taller versions of the main set. They all come in four weights: Light, Regular, Semibold and Bold. As well as a Italic and a Slant style for the purpose of adjusting letters on a curved line. It also features codex:437 glyph set and an extended array of letters and corner alternatives, including the default runic glyph's. The collection stands at 72 styles that contains a total of 36 864 glyph's. For extra supporters consider gifting some Staves away to a crafty friend.
  9. Aksen by Tokotype, $40.00
    Aksen is a humanist sans-serif typeface that draws influence from Roger Excoffon’s Antique Olive. Its design is formed by the rounded, curving letters found in ancient Greek and Roman inscriptions but is implemented with a contemporary and pragmatic approach. This typeface comes in 56 styles consisting of four widths and seven weights, each with matching italics. Also available in variable font format, Aksen Variable boasts three variable axes: width, weight and italic. These axes open up a plethora of stylistic choices making this typeface highly adaptable. Aksen is a versatile typeface that seamlessly blends contemporary humanistic aesthetics with a touch of historical sophistication, making it a perfect fit for a wide range of design applications.
  10. Meno Text by Lipton Letter Design, $29.00
    Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.
  11. Meno Display by Lipton Letter Design, $29.00
    Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.
  12. Combinado by My Creative Land, $20.00
    Please welcome a new Combinado Font Family that has it all: elegant display sans serif and serif fonts in three weights each; a modern calligraphy script that looks beautiful next to them; a sans serif font designed specifically for the best on-screen reading experience, which comes in two weights (for now! more to come); and the last but not least - Design Elements font that has more than 70 elements to compliment your designs. This font family is very universal and you can use it everywhere: websites, instagram ads, magazines, books, cards and invitation designs, as well as in all possible personal design project that do not fit in any of the listed categories! Enjoy!
  13. Fermo TRF by TipografiaRamis, $20.00
    Taking into consideration some complaints about lack of capital letters and deficiency of heavier weight styles, the Fermo typeface was redesigned to replace the existing font, dated 2002. New Fermo includes two subfamilies—Fermo TRF and Fermo-Uni TRF. Both fonts now consist of three weight styles—light, regular and bold—with significant contrast. During the updating process some minor glyph shape adjustments and changes have been made. Fermo TRF's main distinctions from the previous font are the new capital letters and additional weight (light) style. Fermo-Uni TRF is a unicase font with an additional lightweight style. Fermo is recommended for use as a display font. In large size settings negative tracking is recommended.
  14. Sabler Titling by insigne, $-
    Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper towards the baseline highlight--a feature that adds clear distinction to your design. Originally inspired by a WPA poster, this typeface has been expanded to include three equally elegant proportions. Sabler Titling includes more than 60 free alternative forms, including support for most Latin-based languages. Add a hint of seduction to your work with Sabler’s high-contrast letterforms--ideal for magazines, advertisements and books on fashion, fine arts, and luxury goods of all kinds.
  15. Avenir Next Variable by Linotype, $328.99
    The Avenir Next Variable Set font is a single font file that features three axes: Weight, Width and Italic. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Ultra Light to Heavy. The Width axis provides a range from condensed to regular width. The Italic axis is a switch between upright and italic. Variable fonts act as a complete family of fonts in a single file. The new Variation font feature is supported by a growing number of desktop design applications, and more importantly by all the major web browsers. Variable fonts provide a variety of benefits to web and print designers and developers including flexible, responsive typography.
  16. Fountain Persona by Letterhend, $17.00
    Fountain Persona is a font pack consist of 3 fonts. These fonts were created based on authentic hand writing with natural signature style. It worked well to combine these three fonts into one lettering. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 3 fonts uppercase & lowercase numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
  17. Nimbus Sans Arabic by URW Type Foundry, $35.99
    Nimbus Sans ME is the expansion within the Nimbus Sans family for the Middle East range: Arabic (incl. Farsi) and Hebrew. Volker Schnebel has designed both scripts, which each include five upright and five cursive styles. The design is contemporary and fits the Latin Nimbus Sans. Besides the basis characters, the Arabic also includes the presentation forms: the variations for initial, medial and final letters. The correspondent OTF features are included in the fonts. All three scripts are perfectly combinable. Nimbus Sans is one of the best supported and most favored URW fonts ever. It is available as a Global Font in 4 weights and contains up to 65.000 characters per font.
  18. Takeaway by Fenotype, $35.00
    Takeaway is a hand drawn script family of three weights and ornament set. Takeaway is sketchy but due to its clean features it retains legibility even in small sizes - especially the Light version. Takeaway is packed with OpenType features: Keep Contextual Alternates and Standard ligatures on for smooth flow and for more expressive character try Swash or Titling Alternates in any OpenType savvy program. Takeaway caps work as ALL CAPS - yet there’s also Swash and Titling caps that are more expressive initials. Takeaway is a great organic display type for any project from branding to packaging and from websites to greeting cards. Combine Takeaway Script with Takeaway Extras which is a set of sketchy ornaments, icons and swashes.
  19. Brittes by Eurotypo, $60.00
    Brittes is a fontface inspired in a formally English round hand, also called anglaise or Copperplate script. The calligraphy was the dominant style among 18th-century writing masters, whose copybooks were splendidly printed from models engraved on copper. In the mid-1800's, the Spencerian form of penmanship became a standard. An elegant handwriting was much prized. Today, in our computer age, a fine, beautiful, and legible handwriting brings a warm personal touch to your graphic design and visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals ornaments and tails.
  20. Eclectic Pixel Web by Altered Ego, $45.00
    Eclectic PixelWeb is a collection of three sizes of popular web icons in the pixel aesthetic. With 80+ icons designed for creating e-commerce, navigation, and interface designs. Use it as a starting point in your favorite vector program, or use the icons as is - they are optimized for sizes at 20 point and will work in Flash and other web graphics programs. Shopping carts, directional arrows, buttons galore! It's like a pinata in font format, surprises for everyone! This font includes: a new and search buttons, home, security, email, search, and a host of other icons and images to make designing your next website a breeze!. Available in Mac and PC formats, in TrueType, PostScript and OpenType formats.
  21. Urbanregent by Kenn Munk, $26.00
    The font is largely undesigned, but is bound together by a thick connected band which forms the word-blocks. At the same time, parts of Urbanregent are very designed, glyphs have been re-designed to reflect changes in the way we speak and write. The exclamation mark is louder and more manic, because people tend to write two or three exclamation marks after each other anyway. The full stop is more stopping and the hyphen kicks you on to the next word. Kenn Munk's fonts are generally hard to use - Urbanregent is no exception, but a tip would be to start each word with a capital letter. Because Every Word Is Important.
  22. Prescott by Page Studio Graphics, $25.00
    The three fonts in the Prescott series are re-creations of 19th century favorites with an Old West flavor. The town of Prescott was the capital of Arizona Territory from 1864 until 1912, when Arizona was admitted to the Union, and the capital moved to Phoenix. In 1986 Page Studio Graphics started its digital foundry in Arizona. The fonts are thoroughly pair-kerned, including all accented characters. Auto-kerning should be turned on in your application program. The font packages include both TrueType and PostScript versions, and are available in either PC/Win or Macintosh format. In order to avoid serious problems, be sure not to install the same fonts in both TrueType and PostScript on the same computer.
  23. Alternate Gothic by Linotype, $20.99
    Alternate Gothic was designed by Morris Fuller Benton for American Typefounders Company in 1903. All three weights of Alternate Gothic are bold and narrow. In fact, this face is essentially a condensed version of Benton’s other well-known sans serif types, Franklin Gothic and News Gothic. In the early twentieth century, the modern concept of type “families” had not yet been formed — and though Benton designed these sans serifs to harmonize with each other, the foundry gave them different names. Robust, dark, and coolly competent, Alternate Gothic is a good choice when strong typographic statements must fit into tight spaces. As a modern usage, it is currently the font of YouTube’s homepage logo.
  24. Birthstone by TypeSETit, $80.00
    The Birthstone Family is a set of fonts that are not only diverse but perfectly compatible to interchange styles in a single block of text. There are 3 precious gems: Script, Casual, and Formal. Plus for added luster, there's Bounce (both Medium and Light weights) plus a Titling font— A truncated version that includes caps and ending swashed forms. You won't believe your eyes. All 4 styles are uniquely compatible to one another, but distinctly different. See how easily the fonts may change according to the needs of the look. The Pro version contains the three main styles: Script, Casual and Formal plus the lighter weight version of Bounce. You will also have lots of Opentype feature options.
  25. Mr Dodo by Hipopotam Studio, $24.00
    Mr Dodo is a hand drawn typeface family with eight styles. Four weights with a rounded version for each one. It has uppercase and lowercase characters with up to three alternate glyphs. Each style was drawn separately. We did not interpolate any glyphs to keep an irregular, organic feeling. This way you can combine different styles without worrying that same characters will look like a awkward copy when standing close to each other. It has build in OpenType Contextual Alternates feature that will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t just throw random glyphs.
  26. ITC Blair by ITC, $50.99
    The ITC Blair™ typeface is a revival and reimaging of an early 20th century metal typeface of the same name. Even though only available as single weights of extended and condensed proportions, metal fonts of the face were sold well into the 1950s. In 1997, Jim Spiece resurrected the original extended design for digital imaging and, in the process, added two new weights. Almost 20 years later, he collaborated with Monotype type designers to extend the basic family again. The result was a new suite of three condensed designs and italic complements for all the roman weights. The family also benefits from a large set of alternative glyphs and many OpenType® features.
  27. Mortella Display by FoxType, $12.00
    Mortella Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Mortella Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Three Weights - Bold, ExtraBold and Black. Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. Thank you for taking the time to look into the font.
  28. Gertrud by T4 Foundry, $21.00
    First place in a spelling-bee competition, a Harvard University diploma or the Nobel Peace Prize? You can't go wrong with this classic Swedish calligraphy font, created by veteran designer Bo Berndal. He named Gertrud after his better half, but was also inspired by old handwritten documents: "Gertrud is a calligraphic letter design from the 16th century. I used it when I engrossed diplomas with a flat-nibbed pen in the 1980's. When I got my Mac I generated the typeface in Fontographer." Gertrud (the typeface) comes in three weights, with roman and italic. It is an OpenType creation, for both PC and Mac. Swedish type foundry T4 premieres new fonts every month. Gertrud is our sixth introduction.
  29. ALS Gross Kunst by Art. Lebedev Studio, $63.00
    Gross Kunst is a humanist sans-serif with an open aperture, sharp outlines, and eye-catching details that make this full of character typeface very recognizable. The type family has three fonts based on wide pen strokes. Depending on its purpose the styles differ in expressiveness and the level of ornamentation. Regular style—low-contrast and neutral—is the most natural choice for body-text. The display face is more dynamic and gets higher contrast. It's very legible from a distance and would do its best on navigational and warning signage, plates, and such. Eloquent straight italics will adorn titles, announcements, and pages with ads. This typeface was acknowledged at the international type design competition Modern Cyrillic '99.
  30. Batory by T4 Foundry, $21.00
    Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. “Batory is a monoline reaction to my many calligraphic fonts”, says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.
  31. Caprizant by Laura Worthington, $29.00
    Caprizant is a lively, upright script based on letters inked with a pointed pen. For display settings, titles, and identity work, Caprizant shines with even more energy and elegance. Customize it using one of the 337 swashes, three sets of capitals, and 20 ornaments. Alternates of every letter create a fully connected or unconnected look, plus dozens of ligatures, and contextual alternates provide a convincingly human variation. See what’s included! http://bit.ly/1RGYIl1 *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/
  32. No. Seven by Fenotype, $35.00
    No. Seven is a bold brush style script family of three weights, ornament set and a block capital "small caps" font. No. Seven is equipped with plenty of OpenType features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Discretionary Ligatures, Tabular or OldStyle Lining in any OpenType savvy program or manually select the characters from Glyph Palette. Always keep on Standard Ligatures for the best outcome. Combine No. Seven with No. Seven Ornaments and No. Seven Small Caps to complete your designs. No. Seven is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling. For the best price purchase the complete No. Seven Family.
  33. Sica Expanded by dooType, $30.00
    The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.
  34. Curwen Sans by K-Type, $20.00
    Curwen Sans is a monoline sans-serif dating from the early twentieth century. Though contemporary with Johnston’s Underground and Gill Sans, and emerging from the same artistic milieu, Curwen Sans was created solely for in-house use at the Curwen Press in London so never achieved a wide audience or recognition. The original face was cut only in a Medium weight, but the new digital family consists of four weights, each with an optically corrected Oblique, and all containing a full complement of Latin Extended-A characters. K-Type Curwen Sans comprises three packages: • Basic Family (Regular, Oblique, Bold, and Bold Oblique) • Light (Light and Light Oblique) • Medium (Medium and Medium Oblique)
  35. Last Bastion by Joe Hewitt Design, $10.99
    Last Bastion is a strong, resolute serif typeface. The original inspiration came from the idea of an impenetrable medieval fortress that has stood the test of time and defended generations of hardened soldiers. Large stone towers and fortifications are reflected in the font's bold stems. The sans serif font offers a more modern and clean look, while the Gothic font shows the typeface's darker side. All three fonts include alternates for all letters and numbers in both caps and small caps. Last Bastion lends itself to branding, billboards, signage and industry to name a few. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.
  36. LiebeOrnaments by LiebeFonts, $19.90
    You think swirls, swashes and curls are kitsch? Wait till you've seen our self-confident set of uncomplicated hand-drawn ornaments. If you're looking for the right flourish to spice up your greeting cards or prettify your wedding invitations, look no further! With LiebeOrnaments your designs will look as accurate as if you had spent three weeks in calligraphy boot camp—while maintaining an aura of softness and loveliness. This single font includes an impressive set of almost 200 variations on classical ornaments (many accessible directly with the keyboard). LiebeOrnaments is the perfect companion for our best-selling typeface LiebeErika, which has a cameo appearance on some of the samples shown above.
  37. Hopeless Diamond by Barnbrook Fonts, $50.00
    Hopeless Diamond is a contemporary display typeface inspired by the sculptural muscle of 19th century carved lettering and the radical forms of the B-2 Spirit stealth bomber and the F-117 Nighthawk stealth strike aircraft. The typeface itself contains three different styles, each with an italic and an alternate character set that can be used to generate a number of interesting permutations. The name was taken from the derisive term that test pilots used for Have Blue, a late '70s stealth demonstration aircraft –and early prototype for the F-117— designed and built by Lockheed's Skunkworks division. Due to its unusual shape and departure from received aerodynamic wisdom, Have Blue was referred to as the ‘Hopeless Diamond’.
  38. László by Just My Type, $20.00
    We count three inspirations for the László font family. The upper case was inspired by Yomar Augusto’s amazing font Unity, used on last year’s German World Cup Team jerseys; the lower case from a few letters a poster for a Bauhaus show. The name László is an homage to László Moholy-Nagy, peerless Bauhaus designer and teacher. The László type family is stripped down to the typographic core, lean, clean and definitely machined, at home in either a formal or casual setting, i.e. you can take László anywhere. Inspired by watching the World Cup and the German Team’s jerseys. Very clean, simple, Bauhaus-style design, European and highly legible. Usage recommendations Automobile ads, anywhere a European feel is desired.
  39. Ribera by URW Type Foundry, $39.99
    Ribera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design. Its unique look is well suited for corporate identity, its precise drawing for branding and poster design, the fresh look for advertising and the clear appearance for sign posting. But also editorial design benefits from Ribera. It expresses a modern look in headlines and stays highly legible in small sizes. As part of the URW++ SelecType collection, Ribera meets very high quality standards. The character set includes various OpenType features and a broad language support.
  40. Singolare by Latinotype, $29.00
    Singolare is a contemporary geometric Sans Serif with angular terminals and a great x height. Its main feature is the style difference between the lighter and heavier weights. The more weight it gains, the higher its singularity. With its weights, styles and layers variety, it's perfect for display use and short texts that require a visual impact. Singolare is composed by five weights, from Ultralight to Black. Every weight has its own stencil variation with expressive cuts and four decorative versions: three outline and one inline version, that can work on it’s own or overlapped to the black normal version (changing the colors of each layer) in order to amplify its usage possibilities.
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