Magr is a modern and powerful sans font designed to elevate your sports team and athletic designs. With its sleek and dynamic appeal, Magr brings a professional touch to your projects, leaving a lasting impression. Unlock your creativity with Magr's six styles and twelve fonts, including both upright and italic options. Stand out from the crowd and make a bold statement with this versatile font that complements your sports-themed materials.

‘Landsdowne Commercial’ is a development of one of our designer’s earlier public domain releases, ‘Landsdowne’. All glyphs have been completely redrawn and refined. An extensive range of stylistic alternates and ligatures have been added, as well as a completely new bold face and several forms of numerals. Landsdowne commercial is ideal for period-inspired design work, such as posters and book covers as well for clear elegant communications.

Vallenta is a bold script font that is simple and unique looking. This customizable font will look great on a variety of design ideas such as Christmas themes, valentine's, posters, invitations, weddings, branding projects, social media posts, magazines, book covers, and more! This will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all glyphs and sweeps easily.

Pikolo font family is inspired by vintage woodblock printing. It is a bold and playful slightly rounded display typeface, perfect for headings, logos and so much more! The font comes with full upper & lower case characters, numbers, symbols and includes the most common stylistic ligatures. Multilingual support, languages include: Dutch, Danish, Norwegian, Finish, Swedish, Icelandic, Estonian, Latvian, Lithuanian, German, Hungarian, French, Portuguese, Spanish, Italian, Bosnian, Croatian, Czech, Slovak.

TinmanPro is a mildly stressed humanist sans serif type based on the University of California Oldstyle type designed by Frederick Goudy. The design captures the warmth and friendly character of Goudy�s original in a monotone sans. Broad Latin support along with small caps, fraction support and other typographic niceties are included in the ten font family. Weight range includes Regular, Medium, DemiBold, Bold and ExtraBold with matching italics for each.

Our Luckiest Guy Pro was inspired by hand-lettering by vintage 1950’s advertisements. The uber-bold unicase letterforms exude charm and light-heartedness, while the SmallCaps and extensive figure sets expand the range of usability and appeal. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Retroguard is a typeface that was inspired by classic movies and frequently makes people nostalgic for the height of cinema. This typeface is distinguished by its strong, dramatic letterforms, which frequently evoke the early 20th-century Art Deco and Art Nouveau movements. Images that enhance boldness and drama, including black-and-white photos, antique movie posters, or pictures of film reels, are frequently used in conjunction with this font.

Named by the german word for bustling around, to scurry or swarming the Wusel has a very active appearance. It's completely handmade and doodely because of all the crisscrossing lines, which forms big, bold, sanserif letters. These are very good to read wether they're big or small. Just a very playful, fun and simple font to use for headlines, tags and all kind of things which need al little attention.

The sans serif Angro was designed in the weights light and bold by Erwin Koch. The figures are based on the form of a rectangle which along with the high xheight and short ascenders and descenders gives the forms a static character. Lines of text in Angro are very compact and close set. Due to the reserved ascenders and descenders Angro can be set with very close line spacing.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. The bold version has rounded ball shapes at top and bottom of stems as well as at horizontal strokes. The pointed version has pointed shapes at top and bottom of stems as well as at horizontal strokes. Lowercase was not originally designed for these fonts. These new versions include caps, figures and accented caps.

Souses — original fontfamily, which are made by hand. Universal typefaces formula of 10 fonts: Thin, Light, Regular, Bold, Black and Italics. Souses ideal for use in themes: ecology, village, natural, handmade & toys. Handmade style of the fonts — an advantage that will create loyalty to your products & company. Scope: animation, packaging, logotypes, movie titles, children's products, ecology, cafes, menus, posters, interiors, outdoor advertising. Optimized for the websites, mobile applications and printing materials.

Art Party is a hand-drawn font suitable for headlines of all kinds when you want a handmade look. Prissy Pots owner Erin Solomon drew the playful letters, which include regular and bold versions. Each face also offers an entirely separate set of upper and lowercase letters accessible in your applications' glyphs palettes. With contextual alternates turned on, these extra letters show up automatically, yielding a more natural, random look.

Everglow Script is retro signage font, bold and clean. There are so many variations on each character. Include Opentype stylistic alternates, standard ligatures and multilingual support. You are able to create so many different typographical layouts easily and quickly. Make sure you use OpenType savvy program and simply open Glyph Palette to access all of the glyphs. This font is suitable for t-shirts, signage, logos, branding, packaging etc.

EKUHOT Racing Font is a font that is designed with a precise shape and has many alternate variations and various ligature styles that make every word beautiful when written, make this font for various titles and text in your special projects so that your project looks beautiful. dignified character, bold and sporty. This font is perfect for headlines as well as others, what are you waiting for, use this font now.

Inspired by a vision of the future that's been left in the past, Delphium is a continuation of the cutting edge design language of the 90s, most notably led by the typographic work of The Designers Republic. Designed to embody the pulsing rhythm of electronic music at the turn of the century, Delphium is a bold, highly legible display font that lends itself to impactful contemporary visual communications.

Introducing a new script font with a bold and clear style. Yes you can use this font in your projects and make it even more classy. It can be applied to logos, video previews, crafts, apparel products, packaging, photographer watermarks, and any of your other awesome projects. for an overview you can see some of the previews above. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Alternate -Ligature -Swash Thanks.

Bring a little tropical island vibe to your next project with Kuloko (Hawaiian for 'Inline')! Kuloko features offset handwritten characters with a bold marker like aesthetic, which gives the font a nice tropical tiki appearance. Kuloko's funky look is sure to capture attention in headlines on websites, social media graphics, logos, branding and so much more! Also included is a handwritten inline version of Kuloko for greater design variety!

Ramdone is a retro bold script which will bring you back to 60s feel. This typeface has the extrude version so you can create your retro effect font in ease. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Honest Punch is a bold and strong quotable font that you can use for any purposes. This font is very suitable for tagline and branding. With readability and clear looks, this font is perfect for quote. Honest Punch contains unique lowercase and uppercase that you can use at the same times in a word that will make your design more attractive. This font also contains ligature, underline, and support multilingual.

Sheet music for the song "Today I Feel So Happy" from the 1932 motion picture "Sunshine Susie" provided both the visual model and the name for Sunshine Susie JNL, available in both regular and oblique versions. The lettering is a bold Art Deco thick-and-thin design, and comes not from the song's title, but the hand lettered name of the movie as it appeared on the cover the song folio.

Elido (Odile in reverse) is the sans counterpart to the Odile type. Together they form a sans/serif superfamily with a wide range of variations for editorial use. Elido follows Odile’s proportions and matches the weight and typographic color of its serif twin. Elido is a sans with classical proportions. A slight geometric hint and open counters convey an airy feel. Elido’s family structure and relations within echo the conceptual approach of Odile. The arched stroke low off the stem reveals a script characteristic most pronounced in the Elido Upright Italic. This particular interpretation is gradually diminished in the Italic and becomes even less emphasized in the Regular. Six balanced weights, from an elegant Light to a pronounced Black, are in tune with three display solutions and a set of beautiful Ornaments. These variants allow for a diverse and multifaceted typography for the discerning type user. Sans serif initials amount to a rare finding. The charming monolinear Elido Initials come in two flavors, elaborate and rational, designed to hold their own in editorial and headline sizes. This type design boasts an extensive character set, many OpenType features including roman and italic Small Caps, five sets of numerals, beautiful ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant glyph “s” for the Upright Italic. These distinct qualities with its versatile and sincere traits make Elido an excellent choice for text and display use.

WrenchedLetters is a novelty font in which characters are composed of wrenches and bolts. It is caps only, but the characters on the lower-case keys differ from those on the upper-case keys. It has a large set of accented characters. It is not often that one needs a typeface made of wrenches and bolts, but if one does, there is a font for that. For related, tool-based typefaces, see Screwged, NailsNStaples, and Hammered.

Handsome in its own way, More versatile than one could say. Four alternates to each letter, Because in this family Spontaneity do matter. (And just in case someone wonders, Yes, there are alternates for numbers!) Seven cuts the family holds. Six of them Are for saying with words. And the very last, (Before someone asks) Holds some very cool dingbats. ​Books, app​s​, ​mags, To just name a few, ​Now go with Somehand And try something new​ :)​

Protura Sans Serif Masculine - 9 Font Weights With Italics Introducing Protura Sans Serif Masculine, a versatile and powerful font family designed to make a bold statement in your creative projects. With nine distinct font weights and accompanying italics, Protura offers unmatched flexibility for all your design needs. Key Features: Nine Font Weights: Protura Sans Serif Masculine boasts an extensive range of weights, from Light to Ultra Bold. Whether you're crafting a subtle headline or a powerful logo, you'll find the perfect weight to convey your message. Italics Included: In addition to the standard weights, Protura also provides elegant italic versions for each weight. These italics add a touch of sophistication to your typography, making it ideal for editorial work and branding projects. Masculine Aesthetic: Protura's design exudes strength and masculinity, making it an excellent choice for projects aimed at a bold and assertive audience. Its clean lines and sharp edges give your text a contemporary and impactful look. Versatile Usage: This font family is highly adaptable, suitable for a wide range of design applications, including branding, packaging, editorial design, posters, websites, and more. It's a true workhorse font that performs well in various contexts. Legibility: Protura prioritizes legibility without compromising on style. Its well-crafted letterforms ensure that your text remains clear and readable, even at small sizes. OpenType Features: Take advantage of OpenType features such as ligatures and alternate characters to add subtle design nuances and improve overall visual appeal. Multilingual Support: Protura Sans Serif Masculine supports a multitude of languages, making it a globally accessible font choice for your projects. Applications: Branding: Create impactful logos and brand identities that leave a lasting impression. Editorial Design: Enhance the readability and visual appeal of magazines, newspapers, and books. Web Design: Craft modern and engaging websites that resonate with your target audience. Packaging: Design packaging that stands out on the shelf and communicates product quality. Posters and Flyers: Grab attention with bold and stylish promotional materials. Unleash the power of Protura Sans Serif Masculine to elevate your design projects with a masculine, contemporary, and highly versatile typographic solution. With its extensive weight range and italics, this font family empowers you to create impactful and visually stunning designs.

Tapa is a classical old roman typeface family which has been cut with sharp serif; Its stems, proportions, serif and elegant angles, may induce into a new view of the "Old roman faces" by our contemporary digital age. The kerning pairs were carefully controlled to ensure a good readability and nice page tone contrast. The Tapa font family is completed with true italics (without compression). And enriched with a full set of OpenType features containing ligatures, discretional ligatures, old style numerals and swashed letters.

Article to appear on the font family page: According to the Catholic faith, a well known náhuatl story called "Nican Mopohua" (translated as "Here it's narrate") about the Marianas apparitions on the Tepeyac's hill, to the north of the actual Mexico City. After four apparitions, La Virgen de Guadalupe (LVG) told Juan Diego (JD) that he must introduce himself to the first Bishop of Mexico. JD took in his "ayate" some roses (that aren't natives to Mexico's barren territories) and when he dropped them in front of the bishop, the image of LVG appeared in front of him with indigenous features. I’ve worked a lot in this font that appears to came out of nowhere, just like the image of LVG itself, the fact is that I started first sketching some flowers, because I wanted to do something related to this mexican story, so, taking some features from this flowers I started sketching some letters, for example “r” and “i” and the counter forms for some letters like “a” and “o” (that I didn’t use by the way) and the punctuation marks, all inspired by this leaf forms. Lighter weight coming soon! Hope you like it. Any comments: rodrigonabo@gmail.com

Akoyster is a fusion of cyberpunk visual culture & contemporary calligraphy with broad nib pen. It's ideal for eyecatching bald statements. Enjoy wiered shapes and create new future.

Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003). During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted. These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms. The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics. Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.

Van Wyck JNL was inspired by some old printing found in a catalog.

FP Stage was inspired by old Victorian theater posters and corresponding typographic designs.

Eingraviert is based on old books capitals, with a wood type engraving style

This fun font will get you singing that old favorite song ... It's fun.

an art deco font based on brazilian Rio's lettering old publish lettering style

A fancy version of an old Bruce's Typefoundry wood type : the 515 type...

Liam, an oldstyle easy to use typeface, excelent to emulate old printed books...

The idea was to find common intersections between the humanistic and the neo-grotesque model of sans. This variable font offers everything from the world of sans serif in one place – a broad range of weights, adjustable contrast, and a lot of alternative glyphs. As a bonus, you can choose the “cold” or “warm” impact of the text. The Cosan Cold variant has closed apertures and minimal tension in the manner of Helvetica, and the Cosan Warm is open, more dynamic, and airy. Cosan is very suitable for a parallel bilingual setting, as both types are equivalent in their proportions and text color. Like Yin and Yang, each has a piece of the other in him. The Warm version is not totally dynamic, nor is the Cold version totally rigid.

In March 2011, the Society of Typographic Aficionados began organizing a collaborative project that would unite the typographic and design communities. The goal of Font Aid V: Made for Japan was to raise funds to expedite relief efforts after the devastating earthquake and tsunami in Japan. Nearly 300 contributors from 45 countries sent in over 500 glyphs in a single week. Behind the scenes, volunteers Neil Summerour, Silas Dilworth, Delve Withrington, and Grant Hutchinson were up to their elbows in Adobe Illustrator and Fontlab assembling the typeface. The sheer number of submissions coupled with the complexity of some of the designs caused unforeseen delays in completing the typeface. The team not only managed the immense influx of submissions, it also had several technical hurdles and multiple content reviews to mitigate before the final font could be produced. Several months after the project was initiated, Font Aid V: Made for Japan was finally ready for distribution. With the help of Sogo Japan, all proceeds from sales of this typeface will be delivered directly to organizations in Japan, such as Second Hand and AMDA International (Association of Medical Doctors of Asia). Sogo Japan strives to help circumvent regular international charity channels and the inefficiencies associated with them. Thanks to everyone who participated and helped us spread the word about the Font Aid V: Made for Japan project. In particular, we would like to acknowledge the following individuals and groups for their participation and involvement: Jonathan Abbott, Rui Abreu, Frank Adebiaye, Tim Ahrens, Anonymous, Eero Antturi, Leonardo Aranda, Hector Carrillo Aspano, Danielle Atnip, Alejandro Cabrera Avila, Christophe Badani, Joanne Gyo Young Bae, Ben Balvanz, Cynthia Bataille, Priyanka Batra, Donald Beekman, Hannes Beer, David Berlow, Kevin Beronilla, Fabian Bertschinger, Nicole Bittner, Bart Blubaugh, Dathan Boardman, Andrew Boardman, Joel Vilas Boas, Konstantin Boldovskiy, Scott Boms, Michael Browers, Vickie Burns, Matt Burvill, Daniele Capo, Seymour Caprice, Mauro Caramella, Matevž Čas, Eli Castellanos, Sarah Castillo, Tom Censani, Pinar Ceyhan, Ivette Chacon, Hin-Ching Chan, Sarah Charalambides, Karen Charatan, Sinde Cheung, Todd Childers, Justin Chodzko, Felipe Coca, Antonio Coelho, Jefferson Cortinove, Alan Lima Coutinho, Nick Cox, Nick Curtis, Girish Dalvi, Christopher DeCaro, Thomas C Dempsey, Matt Desmond, Chank Diesel, Anum Durvesh, Suzie Eland, Engy Elboreini, Craig Eliason, Emi Eliason, James Elliott, Grace Engels, Exljbris, Hillary Fayle, Carol Fillip, Jeff Fisher, Scott Fisk, John Foley, Stuart Ford, Mathias Forslund, Brock French, Anina Frischknecht, Eric Frisino, Chiyo Fujimori, Kaela Gallo, Ayesha Garrett, Harald Geisler, Alfonso Gómez-Arzola, Adriana Esteve González, Richard Gregory, James Grieshaber, Grupoingenio, Kemie Guaida, Carlos Fabián Camargo Guerrero, Rachel Han, Erin Harris, Stefan Hattenbach, Magnus Hearn, Marissa Heiken, Georg Herold-Wildfellner, Jamie Homer, Ed Hoskin, Dav[id Hubner], Jonathan Hughes, Rian Hughes, Grant Hutchinson, Xerxes Irani, Masayuki Izumi, Jan Janeček, Hyun Kyung Jang, Julien Janiszewski, Dušan Jelesijevic, Cal Jepps, Meghan Jossick, Evamaria Judkins, July Twenty Fourth, Erica Jung, William K, Claes Källarsson, Kapitza, Asutosh Kar, Arno Kathollnig, Sami Kaunisvirta, Hajime Kawakami, Scott Kaye, Richard Kegler, Anna Keroullé, Bizhan Khodabandeh, Lara Assouad Khoury, Ilona Kincses, Becky King, Sean King, Megan Kirby, Max Kisman, Keith Kitz, Romy Klessen, Akira Kobayashi, Kokin, Kozyndan & Silas Dilworth, Atushi Kunimune, Andreas Kuschner, John Langdon, Ray Larabie, Jess Latham, Kelly D Lawrence, Matic Leban, Chien-Hao Lee, Bryan Levay, Enrico Limcaco, Andreas Lindholm, Andrew Loschiavo, Chris Lozos, Ian Lynam, John Lyttle, Gustavo Machado, Jonathan Mak, Ricardo Marcin, Jeannie Mecorney, Steve Mehallo, Cristina Melo, Martin Mendelsberg, The Midnight Umbrella Studio, Goro Mihok, Ojasvi Mohanty, Ahmed Mohtadi, Alixe Monteil, Veronica Monterosso, Dani Montesinos, Masanobu Moriyama, Misa Moriyama, Pedro Moura, John Moy Jr, Marc Marius Mueller, Shoko Mugikura, Joachim Müller-Lancé, Diane Myers, John Nahmias, Yoshihisa Nakai, Hiroshi Nakayama, Reiko Nara, Nathoo, Titus Nemeth, Nathanael Ng, Ngoc Ngo, Antoninus Niemiec, James Ockelford, Kunihiko Okano, Naotatsu Okuda, Toshi Omagari, Onikeiji, Ozlem Ozkal, Jason Pagura, Hrant Papazian, Brian Jongseong Park, John Passafiume, Patrick Griffin, Alejandro Paul, Vian Peanu, Dylan Pech, Rebecca Penmore, Peter Brugger, Jean François Porchez, Carolyn Porter, Andrew Pothecary, James Puckett, Rachel Hernández Pumarejo, James Random, Liam Roberts, Tom Rogers, David Jonathan Ross, Sumio Sakai, Sana, Stuart Sandler, Rafael Saraiva, Riccardo Sartori, Ai Sasaki, Yee Wen Sat, Agnes Schlenke, Giovanna Scolaro, Roland Scriver, Alessandro Segalini, Shawn Semmes, Jane Sheppard, Josh Sherwood, Paulo Silva, Mark Simonson, Luis Siquot, Greg Smith, Owen Song, James L. Stirling, Nina Stössinger, Tanya Turipamwe Stroh, Kevin Strzelczyk, Neil Summerour, Superfried, Shiho Takahashi, Shuji Takahashi, Yusuke Takeda, Naoyuki Takeshita, Bruno Tenan, Chung-Deh Tien, Tom, Ryoichi Tsunekawa, Alex Tye, Matthew Tyndall, TypoVar, Virginia Valdez, Beatriz Valerio, Tom Varisco, Brayden Varr, Catarina Vaz, Andy Veale, Yvette Claudia Velez, Marie-Anne Verougstraete, Abbie Vickress, Ray Villarreal, Pat Vining, Courtney Waite, Hoyle Wang, Viola Wang, Jim Ward, Grace Watling, Terrance Weinzierl, Robert Weiss, Stuart Weston, Kevin Wijaya, Dave Williams, Beau Williamson, Delve Withrington, Katherine Wood, Neil Woodyatt, Jesvin Yeo, Yokokaku, Kazuhi Yoshikawa, YouWorkForThem, Matt Yow, Charlton Yu, Yuriko, Ron Za, Jayson Zaleski, Víctor Zúñiga

A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period and activating the OT feature Ordinals you get an old-style number sign.