The Sideshadow family has 4 weights, Regular, Bold, Light and Half Light (which is intermediate between Regular and Light). The distinguishing feature of the font (you don't actually need me to explain this, do you?) is the partial shadow to the side of the main character, giving it a distinct and eye-grabbing look. The zip files contain both OTF and TTF versions of the font - install one version only.

Syakira Script has a romantic and modern calligraphic style, and is ready to give your design a fresh and fabulous Style. Syakira Script comes as a single font file packed full of great features and cuteness. Perfect for weddings, branding and romantic invitations and also suitable for various purposes such as digital lettering, headings, logos, wedding invitations, t-shirts, letterheads, signage and much more! Thank You, Sulthan Studio

Idiot Boy was inspired and named after a design by Huw Morgan from the book Typographics 1. Idiot Boy is built from The Type Fetish’s distressed collection of fonts, including a few that have never been released. The OpenType version contains eight alternative glyphs for each character within the single font file. The TrueType version offers nine different fonts, each with a unique variation of the character in its character set.

Bestari is the perfect font for all your classical and minimalism designs. The main font file is equipped with ordinary characters. Everything is made with the natural handdrawing. So you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.

Introducing Dino Moose is a playful font and will be perfect for book, titlebranding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature 3 font files Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com if you have any questions Hope you enjoy it.

The Kairos™ family from Terrance Weinzierl is that rare form of typeface that successfully melds design distinction and ease of use. While based on 19th century Grecian wood type forms, it performs admirably in a variety of applications, both in print and on screen. Kairos Variables are font files which are featuring two axis and have a preset instance from Thin to Black and Condensed to Extended

Embrace the nostalgic charm of pixelated games with its versatile 6 Styles: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic. Whether you're crafting captivating logos, designing captivating posters, NANO PIX is your ultimate toolkit. Features: Nano Pix Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Multilingual Support Instructions (Access special characters, even in Cricut Design) Simple Installations Enjoy Designing! Dharmas Studio

Introducing Rockingham! A handwritten font designed with balance to create a stunning typeface. It's the perfect choice for personal branding & logo projects, product packaging, handwritten quotes, editorial design, and more. What's Included: Rockingham comes with a single font file that includes uppercase, lowercase, numbers, punctuation, and multilingual support. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Serona - Beautiful Duo with Ornaments We are so exited to present Serona, a combination of sans serif fonts and signature styles complemented by beautiful ornaments, Serona with Modern Elegant Style is perfect for branding, logos, invitations, Magazine and more. Serona Features: Multilingual Ligatures Alternates Swashes PUA encoded Files Included: Serona Regular Serona Italic Serona Signature Serona Signature Slanted Serona Ornaments We are ecstatic if our fonts can help your project.

Sunydate is a beautiful handwriting font. Its casual charm makes it appear wonderfully down-to-earth, readable, and, ultimately, incredibly versatile. Sunydate will look outstanding in any context. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multilanguage Support . Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Say hello to HEARTBEAR! A new handwritten bold script font with a simple and classy style! Really befit to all your design project,like invitation card,product logo,quotes, business card, food brand logo and much more. Heartbear coming with open type features like stylistic set 01and stylistic alternates and support PUA Encoded font files for use with software that doesn't support OpenType features such as Silhouette, Inkscape, etc

Quicks sweet love is a very versatile font. perfect for magazine images, to wedding invitations, to branding, poster design, and more. Adding beautiful ligatures and alternatives to make your typography truly unique. Files included: Numerals & Punctuation Stylistic Alternates & Ligatures PUA Encoded Characters Thanks so much for looking, I really hope you enjoy it and please don't hesitate to drop me a message if you have any issues or queries :)

Soul Leo ist a special Version of my font „Soul“ (soul ultra black). For a long Time i want to make a Font like this. Before FL6 that was impossible. I know it is a big File Size for a Font with all the Graphics but i need a Font like this for a LadyProjekt. And so i did it myself. I hope you like it as i do!

Say hello to Smile Power! You can use this font for psychedelic theme design or any purpose you want. Smile Power will fit on headline, logotype, tittle, poster, and so on. It will be nice to mix and match with simple sans serif. You also will get psychedelic graphics inside the file as alternates. The combination of psychedelic letter and psychedelic icon will make your design on point!

Qasengi is a bridge to the cultural wonders of Japan and Southeast Asia in a captivating typographic form. With a strong Japanese theme, this font is the perfect companion for any project that calls for a distinctly Japanese and Southeast Asian touch. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Brushin is an handwritten display font inspired by the straightforward rigidness of Grotesque sans-serif fonts. It features two stylistic sets for every glyphs in font so it gives you the choice to not repeat the same glyph design in big titles and/or small statements. The font was designed on paper with a brush and then scanned, vectorised through Photoshop and finally compiled in Glyphs as and OTF font file.

Hoyle is a dynamic high-quality serif typeface. Drawn and created by Måns Grebäck between 2019 and 2020, this classic design makes use of the fact that timelessness is the best manner to achieve modernity; the letters are of such composition that they will always be simultaneously contemporary and traditional. Hoyle is a family containing five weights: Thin, Light, Medium, Bold and Black. Each weight is also provided as Italic, resulting in 10 unique styles. The weights are harmonic and created to balance perfectly agaist each other. Try the included Variable Font! A format where you can set any weight manually, and any slant, resulting in more than 5000 variations. More info: https://www.mansgreback.com/variable-fonts This slab serif typeface is also filled with OpenType features such as ligatures, alternates, oldstyle, superscript, subscript, fractional and alternate numbers. It has a very extensive lingual support, covering European Latin, Vietnamese, Zulu and many more scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Delwyn is a Serif font family, which has a condensed and explicit character with 10 variants, namely; Thin, Light, Extra Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black and Extra Black. Delwyn gives a clear and elegant look to logos, quotes, headings, wedding invitation, t-shirt, letterhead, lable, news, posters, badges, magazines, films. etc. Delwyn is a versatile typography filled with the character you want. with Marston you work.Marston has standard styles, Stylistic Alternates and ligatures. and includes upper and lower case letters, numbers and punctuation marks. Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map

Hidrogent is a sans Serif font family, which has a condensed and explicit character with 6 variants, namely; Hidrogent Extra Light Ultra Condensed Hidrogent Regular Ultra Condensed Hidrogent Medium Ultra Condensed Hidrogent Extra Bold Ultra Condensed Hidrogent Black Ultra Condensed Hidrogent Extra Black Ultra Condensed Hidrogent gives a clear and elegant look to logos, quotes, headings, wedding invitation, t-shirt, letterhead, lable, news, posters, badges, magazines, films. etc. Hidrogent is a versatile typography filled with the character you want. with Marston you work. Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map.

Roller Poster is named after Alfred Roller. In 1902, Roller created a poster to advertise the 16th exhibit of Austrian Artists and Sculptures Association, representing the Vienna Secession movement. The exhibit was to take place in Vienna during January & February 1903. The location is not mentioned because everyone in Vienna knew it would be held at the exhibit hall in the Secession Building at Friedrichstraþe 12, a few blocks south of the Opernring, near the Naschmarkt. Designed by Joseph Maria Olbrich in 1897, the buiilding has been restored and stands today as one finest of the many fine examples of Art Nouveau architecture in Vienna (see vienna_secession_bldg.jpg). Because of its dome, it is called “the golden cabbage.” The poster itself is unique. The word “secession” is in one type style and takes up two-thirds of the elongated poster. At the bottom of the poster are the details in a different lettering style. It is this second style at the bottom that is the basis for the font Roller Poster. In keeping with our regular naming conventions, we were going to call it Roller Gezeichnete (hand-drawn), but the wonderful play on both words and the shape of the three S’s in secession was too compelling. In November 1965 there was an exhibit of Jugendstil and Expressionist art at the University of California. Alfred Roller’s Secession Poster was part of that exhibit. Wes Wilson was designing promotional material at Contact Printing in San Francisco. Among their clients was a rock promoter named Bill Graham, staging dance-concerts at Fillmore Auditorium. Wilson saw the catalog from the UC exhibit and Roller’s lettering. Wilson adapted Roller’s letter forms to his own fluid style. The result was the poster for the August 12-13, 1966 Jefferson Airplane/Grateful Dead concert at Fillmore put on by Graham (BG23-1). Wilson continued to use Roller’s letter forms on most of the posters he did for Graham through May 1967, when he stopped working for Graham. The posters were extremely successful and the lettering style along with Roller’s letter forms were picked up by other artists, including Bonnie MacLean, Clifford Charles Seeley, James Gardner, and others. The Secession poster and the Fillmore posters have inspired a number of fonts in addition to ours. Among them are JONAH BLACK (& WHITE) by Rececca Alaccari, LOVE SOLID by Leslie Carbarga and MOJO by Jim Parkinson. Each is different and yet each clearly shows its bloodlines. Our font differs in two ways: 1) the general differences in the interpretation of the letter forms and 2) the modification of the basic letter form to incorporate the diacriticals within the implied frame of the letter, after the manner of the original design by Roller. We borrowed Carbarga’s solution to the slashed O and used it, in a modified form, for other characters as well to accomplish the same purpose. We recommend that you buy ours and at least one of the other three. According to Alaccari, a version called URBAN was released by Franklin Lettering in the 70’s (and is shown on page 51 of The Solotype Catalog). For comparison of our font to original design, see image files roller_poster_2s.jpg of original poster and roller_poster_2sx.jpg showing reconstruction using our font for the lower portion (recontructed area indicated by blue bar). Please note the consistency of character width. In the lower case, 23 of the basic 26 letters are 1/2 EM Square wide. The ‘i’ is an eighth narrower, while the ‘m’& ‘w’ are one quarter wider. All the Upper Case letters are 1/8 EM wider than the lower case. This is to make it easier to fill a geometrical shape like a rectangle, allowing you to capture a little of the flavor of Wes Wilson’s Fillmore West poster using only a word processor. We have also included a number of shapes for use as spacers and endcaps. If you have a drawing program that allows you to edit an ‘envelope’ around the letters to distort their shape, you can really get creative. I used Corel Draw for the gallary images, but there are other programs that can accomplish the same thing. The image file “roller_poster_keys.jpg” shows the complete character set with the keystrokes required for each character (see “HiH_Font_readme.txt” for instruction on inserting the non-keyboard characters). The file “roller_poster_widths.jpg” shows the exact width of each character in EM units (based on 1000 units per EM square). You will notice that the font is set wide for readability. However, most programs will allow you to tighten up on the character spacing after the manner of Roller & Wilson. In MS Word, for example, go to the FORMAT menu > FONT > CHARACTER SPACING. Go to the second Drop-Down Menu, labeled ‘Spacing’ and select "condensed' and then set the amount that you want to condense ‘by’ (key on the little arrows); two points (2.0) is a godd place to start. Let your motto be EXPLORE & EXPERIMENT. Art Nouveau has always been one of my favorite movements in art -- I grew up in a home with a couple of Mucha prints hanging on the living room wall. Perhaps because of that and because I lived through the sixties, I have enjoyed researching and designing this font more than any other I have worked on. Let’s face it (pardon the pun), Roller Poster is a FUN font. You owe it to yourself to have fun using it.

The April 8, 1932 issue of The Film Daily ran an ad for a film entitled "The Sin of Lena Rivers". Hand lettered in a block style of chamfered characters, it is reminiscent of the 1920s, but still carries a touch of Art Deco influences with the thinner and extended horizontal strokes of the E, F and H. This retro sans serif design is now available digitally as Evil Ways JNL in both regular and oblique versions.

Quta is a sans serif typeface produced by FoDa foundry, that meets all the needs of professionals who search a family of clean geometric font, very well suited for headlines, newspaper and many purposes. With a basic character set in Five weights with their italics. Quta covers many features like: -Five main weights (Light, Regular, Medium, Bold and Extra Bold) -Matching italics for all weights. -language support for many Latin-based scripts -Ligatures and many other OpenType features.

Zoltana is a lively decorative typeface family designed for elaborate titling or text layouts, with an elaborate form and filled with delicate details, this font aims to grab attention and fill the viewer with a sense of wonder. Thanks to an extensive glyph palette, this single typeface offers a range of letterforms through alternate letters, small capitals, ligatures or swash letters and includes a selection of typographic fleurons that can be used in the layouts or individually.

Wendor Misra fire display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Wendor Misra font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Wendor Misra fire display font. Cheers, Maulana Creative

At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.

ATF Agency Gothic was designed by Morris Fuller Benton in 1932 as a lone titling typeface. In 1990, David Berlow saw potential in the squared forms of the narrow, monotone capitals. He designed a lowercase and added a bold to produce Font Bureau Agency, an immediately popular hit. Sensing its potential to be than just a useful condensed face, Font Bureau developed Agency into a major series offering five weights in five widths; FB 1990-95

Chift is a quite narrow serif font for both body text and headlines in periodicals, where economy of space is needed. The type family consists of ten faces: five styles of low contrast for body text sizes and five styles of high contrast, including Hairline and Black, for display purposes. One of the main features of the typeface is its professionally-designed Cyrillic, which won one of the special prizes at Modern Cyrillic 2009 competition in Text category.

Ben Harris' illustrated cover for the sheet music of "I Found A Million Dollar Baby (in a Five and Ten Cent Store)" from 1931's "Billy Rose's Crazy Quilt" lists the show's stars and other credits in a pen lettered monoline design with rounded terminals. This early Art Deco type style has now become the digital font Variety Store JNL (a reference to the Five and Ten Cent stores alluded to in the song title from the sheet music).

Rackem PB started as a digitization of a film typeface known as "Eightball" by LetterGraphics, not to be confused with Eightball that was released by other film type companies of a totally different look. This crazy typestyle had all the flavor it needed to make regular appearances in 70's sticker body modification ads for Chevrolet cars and trucks side panels. Loaded with hooptie appeal, it's something you really need to take for a ride to appreciate its novelty.

"Saint Petersburg" fonts were created to look as close to a natural handwritten script as possible by including over 20 ligatures. With built-in OpenType features, this script comes to life as if you are writing it yourself. It's highly recommended to use it in OpenType capable software - there are plenty out there nowadays as technology catches up with design. Other than Photoshop, Illustrator and Indesign, many standard simple programs now come with Opentype capabilities - even the most basic ones such as Apple’s TextEdit, Pages, Keynote, iBooks Author, etc. Even Word has found ways to incorporate it. Your download will receive 4 font files, designed to work as perfect companions or simply as strong standalone typefaces. WHAT'S INCLUDED : 1. Saint Petersburg • A clean, free-flowing script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Saint Petersburg Alt • This is a second version of Saint Petersburg Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. 3. Saint Petersburg Slant • The Slant Version of the point 1. 4. Saint Petersburg Slant Alt • The Slant Version of the point 2. I surveyed mostly common letter combinations and made 20 Discretionary ligatures with following letter combos: aa bb ee ff ll ss tt at et it ot sl st rt ut att ett itt ott utt (in Saint Petersburg & Slant Version) aa bb ee ff ll ss tt at et it ot sl st rt ut att ett itt ott utt (in Saint Petersburg Alt & Slant Version) By using these ligatures, you can give realistic handlettered style, escaping font "pattern" effect.

It’s like hiring your own professional sign painter with a solid repertoire of styles; each one is distinctive, yet clearly by the same hand. No variants were created on the computer – each weight and version was individually hand-lettered. Ed’s Market lets you evoke the warm, inviting vibe of classic 20th-century grocery posters and showcard lettering right from your type menu. Smart programming ensures that digital perfection doesn't trump human charm: each display face features three variations of each letter, to ensure a natural hand-painted look when characters repeat. Ed’s Market includes three script styles, each with more than 100 alternate characters and swash forms. Seven display faces feature three variations of each letter, to ensure a natural hand-painted look when characters repeat. Design Elements offer expandable arrows, rules and ribbons; along with badges, swashes, scribbles, clouds and snipes. See what’s included! http://bit.ly/1Mzurs3 *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Refresh was inspired and partly based on handwritten text from advertisements for a popular cola-based soft drink from the 1950s. I designed the missing characters in the handwriting style of the original. The Refresh family comes in three styles: - Lite- possibly the most elegant of the three styles -- use at larger sizes for greater legibility; - Med -of intermediate weight - more legible than Lite; - Blak - for bolder statements and best readabilty. Refresh, with its three styles, is ideal for any display work needing a feminine, handwritten effect. Use it for product branding, book covers, invitations, greeting cards where you're looking for charm and movement. Refresh has not been designed to be used with capital letters placed next to one another: it is not advisable to use text in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Refresh contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Starx is a variable display typeface with angular lines, offering a futuristic and dynamic aesthetic. It consists of three axes: angular, rounded, and slanted. The bold version embodies a strong and high-tech expression, while the italic and rounded versions convey a dynamic, sporty, and futuristic impact.

Hand-made slab serif. It’s cute, it’s versatile. It has a decorated version called Quijiboquail and a non-decorated version just called Quijibo. Each comes in three weights, plus italic. Each has 3,000+ kerning pairs. Go to http://facebook.com/frostfoundry to share this and see more!

Fluence is a calligraphic typeface designed by dooType. With generous proportions, rounded forms and outstanding endings, Fluence is the right choice for those seeking personality and rhythm. Available in three different weights, contains 15 ligatures, 26 swashes and multilingual support to over 30 languages. Enjoy it.

Digdope is a fun and natural font like a handwritten sans font, so you will get a more realistic feel. Digdope is a layered font available in three styles, REGULAR/NORMAL, OUTLINE &, SHADOW. Perfect for branding, logos, posters, quotes, headlines, movie titles, book titles, and other designs.

The Tape Back family comes in three weights. Each are monoline in weight and have a modern yet slightly quirky appearance. It is informal but has some stability with its linear forms. The slant backwards makes it unique, and it displays well even for body text.