The laboriously hand drawn letters of the BoxyBlocks font family are something reminiscent of the letters and decorative elements which adorned our childhood artworks, posters, pencil cases and workbooks. The BoxyBlocks font family consists of three fonts; BoxyBlocks, BoxyBlocks Nero and BoxyBlocks Original. BoxyBlocks and BoxyBlocks Nero can be used together to fill in the sides of BoxyBlocks' letters, by layering BoxyBlocks above a differently coloured BoxyBlocks Nero in your image editor of choice.

Quida Rough is a textured display family with three styles; Regular, Italic and Script. The personality of the design comes the rough, worn outlines and concave vertical shapes, which are consistent through all styles. This makes them work together seamlessly. Quida Rough Script is packed with opentype goodness such as swash caps, stylistic alternates, ligatures and ending forms for lowercase letters. All styles have an extended language support for most European languages.

Mercury Script is an action packed type family of three weights. Click on Swash, Contextual or Stylistic alternates in any Open type savvy application for plenty of extra grooviness and combine with Mercury Ornaments for superb results. Turn on Small Caps to activate a complete set of block capitals designed to go with the font. Mercury Script is based loosely on hand lettering found in a vintage lingerie advertisement, only containing the words “light control”.

Manas is the name of the epic of the Kyrgyz Turks. The font family is also designed with serifs to reflect the characteristics of the epic from which it is named. This typeface, which is a serif, consists of three families: ▪ Manas: Font family containing Latin letters ▪ Manas Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Manas World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets

Bobik is a display type family with three faces – sans, serif and slab. The family was drawn initially on basic principles described in Jean Alessandrini’s Codex 80 and then further developed, including adding a lowercase and ligatures. With a clean sans, robust slab and dramatic serif, Bobik has a contemporary European feel and is ideal for headlines, editorial and short copy. Each face contains upper and lowercase plus West, Central and East European language support.

Troia Font Family comes in three weights; normal and italic. In addition, with rounded corners, each weight has its own smoother version. Thanks to its large letters and added spaces between the letters, this font can be used to get perfect results and create great works such as web typography, banners, logos, texts, t-shirts and printings, and also presentations. Troia's eye-pleasing and nice-looking style makes writing much more pleasant.

Ancient Olympian god of the sea, brother of Zeus; Poseidon is the bearer of a trident, the three pronged spear of tunny fishers and is drawn along by monstrous sea creatures-half horse, half serpent. Around him travels an entire retinue of dolphines, nereids, seals and different spirits of the sea. Likewise, the Poseidon font family is accompanied by the waved serifs and flourishes that enable its character to retell these ancient Greek myths.

The typeface was baptized as "Caldense" in order to honor the city of Caldas da Rainha, a small city in Portugal, the typography's birth place. It has three weights, Regular, Demi Bold and Bold and it is a sans serif and grotesque. Each character was based on a grid and was built in modules, having round edges and straight finishes. The font can be used in titles and normal text while being easy to read.

From the mid -17th century, new commercial writing styles emerged which clear showed the influence of pen-crafted calligraphy. A traditional pen-formed flowing script as the “Citix” font, may be suitable for commemorative letters, invitations cards and the most elegant visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals, ornaments and tails.

FourJuly contains three patriotic fonts that might be fun to use in July. They are also very hard to read, but perhaps not as hard as the somewhat similar letters in the fonts of FlagDay. FourJuly A has square, blocky letters with star interiors. FourJuly G and FourJuly H add diagonal stripes. FourJuly G and FourJuly H can be layered on top of FourJuly A to create bicolored letters. See the example here.

Uniqloves – Modern Sans, comes with three types of typefaces, Regular, Bold, and Hollow. This font is very suitable to be applied in various aspects of design, and your branding. It’s perfect for logos, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Multilingual Support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Raleigh was produced in 1977 by Robert Norton based on Carl Dair’s Cartier typeface which was designed for the 1967 Montreal World's Fair. It was renamed after Dair’s death. Adrian Williams added three weights for a display series, and Robert Norton developed the text versions. A contemporary old style serif with calligraphic features. For use both in text and display typography. Cyrillic version was developed at ParaType in 2001 by Vladimir Yefimov.

Enjoy Forest font is a retro serif and bold display font. You will get three types of fonts in this pack, Regular, Outline and Shadow version. Use this display font to add that special retro touch to any design idea you can think of! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

The inspiration source for Viper Monogram is the 1934 Book of American Types by American Type Founders. Found in that specimen book, was a sophisticated two-color monogram design called Hollywood Combination Initials, which was available in limited size metal castings. This wonderful monogram style is now digitally recreated, revived, and updated for modern use! Viper Monogram supports one and two letter monograms, but due to its super condensed style works best for three letter monograms. The default typing style for Viper Monogram is an all horizontal all caps setup which can be used for headlines and titling. Type in Capitals for an outline effect, lowercase for a solid effect. By enabling OpenType Contextual Alternates, you can type diagonal top-aligned monograms up to three letters. By typing in all lowercase, and layer a copy of the lowercase with Stylistic Alternates enabled, you can create a two-color effect. Viper Monogram is available in Pro format Opentype fonts only due its unique setup. Download and view the MFC Viper Monogram Guidebook if you would like to learn a little more.

Eurostile® is one of the most important designs from the Italian font designer Aldo Novarese. It was originally produced in 1962 by the Nebiolo foundry as a more complete version of the earlier Microgramma, a caps-only font designed by Novarese and A. Butti. Eurostile reflects the flavor and spirit of the 1950s and 1960s. It has big, squarish shapes with rounded corners that look like television sets from that era. Eurostile has sustained the ability to give text a dynamic, technological aura. It works well for headlines and small bodies of text. The Eurostile font family has 11 weights, from roman to bold and condensed to extended. In 2009 Linotype released a revised version in the Platinum Collection under the name , with three weights in all three different styles. And additionaly there are now new weights for the Eurostile family as , and ."

After the success of our best-selling Mr Black, we decided to once more use my grandfather’s dry transfer lettering sheets. My grandfather was a Polish military cartographer and he left us some used-up sheets. The letters didn't transfer so well but we liked the way they were damaged. Mr Tiger has upper- and lowercase characters with up to four alternate glyphs. First three variations are only slightly damaged but the fourth one is usually more distorted. All of the glyphs have a very high resolution so they can be used in a large scale and they will still look great. One of the best things in Mr Tiger is the OpenType Contextual Alternates feature. It will automatically set alternate glyphs depending on frequency of appearance of the same character. The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.

SuperLine Typeface. A striking modern display font in three styles. SuperLine is a modern, all caps display font. Specifically developed for contemporary design styles and applications, it is supplied in three styles; regular, lined and outline. Although it can be used at smaller sizes, it has been designed primarily for use at larger scales. Perfect for branding projects, striking posters and as a unique display font for web or app development, you can make a statement with SuperLine. Extensions shape backgrounds are included. Designed to compliment the angles in the SuperLine typeface, these shapes are perfect for using as masks, image overlays or solid color background fills. They are supplied in Illustrator (ai and eps) vector format. Whats Include: Meticulously designed All uppercase display Comes in 3 styles, Regular, Lined and Outlined Allows for a vast range visual styles Webfont kit included (created via fontsquirrel) Licensed for Personal or Commercial use (OFL) Vector Extensions included (In Illustrator vector format) As ever, drop me a message if you have any questions.

Magneton is a brush script typeface that contains three weights and two slant angles. Three weights simulates the pressure of the brush pen; light is written with a gentle pressure and the bold one with more pressure. Two slant angles gives Magneton two natures; the more casual one and the more dynamic one. So with this script you have lots of options to choose from. You can adjust the look and feel just like when writing with a real brush pen! Magneton has lots of alternates and swash characters. It has two sets (and more) of upper case letters. The more basic one and the more flamboyant one. It also has lots and lots of lower case alternates: two styles of end swashes, underlines, a few different ascender and descer swashes and much more. Please explore the images and glyhp set to get the idea. I hope you like what you see and use Magneton in logos, lettering compositions, t-shirts etc. there are lots of opportunities with this one. Thank you and please enjoy!

Light the fire and get your spells ready for Halloween with this witchy font, Arkhania. This display family offers three different styles from which you can pick the one that best describes the atmosphere and mood of your composition: Striped, fun and wicked, Regular, a more strong and classical look, and Hollow, old styled and classy. All three typefaces inspired by the Triple Moon Goddess and its phases: Maiden, Mother, & Crone. Arkhania family features: 423 glyphs 3 styles 84 icons, drawings, swashes and flags Standard ligatures Alternate characters Contextual alternates Swashes more... In addition, there is Arkhania Sigils, a style filled with swashes, icons, drawings and symbols. Play with them, combine a few, choose from different beginnings and endings and create your own swashes, underlines and frames. You can also find flags and boxes along with common connectors. Tips for a clean and modern look: Combine this typeface with a sans serif, light or thin font, like Aeonian (Aeonian Light was used for these images), and let Arkhania cast a spell on the viewer.

Gainsborough - a clean-cut display pack. Gainsborough is a display combo pack of three styles and extra swooshes. Gainsborough fonts are straightforward with characteristic clarity. All the three fonts are designed to play together. Gainsborough is very easy to use. Gainsborough Pen is a clear script inspired by handwriting with pigment pen but polished clean to be legible and inviting. It’s equipped with Contextual Alternates and Standard Ligatures for smooth flow and connections between letters. In addition there’s Stylistic and Swash Alternates for standard characters. Gainsborough Sans is a sturdy street-sans ready for action. It’s has zero contrast and angular geometric shapes. It’s great for bold headlines. Gainsborough Serif follows pretty much the same proportions but with the serifs and a little bit of contrast and round shapes. Try combining Gainsborough Swooshes with Gainsborough Pen - type one character with Swooshes in the end of a word typed with Pen and you’ll have an ending swash reaching below the word. There’s different shapes and length swooshes + a couple of center balanced ornaments.

Escalope is a hand-drawn font with a quirky and unique personality: low midline, unicase, all-caps, matching icons, textures, and the playful Stylistic Sets. 'Escalope Soft' has smooth outlines and sharp terminals. 'Escalope Crust One' is relatively clean but rugged, with an ink stamp outcome. 'Escalope Crust Two' is harsh in texture, with large coarse grains in its jagged outlines. 'Escalope Crust Three' is rather heavy-built, stout, defined, and less grainy. This type family has three alternating alphabets that slightly differ from one another. Thanks to the Contextual Alternates, the alphabets are automatically replaced, in turn, repeatedly to avoid the same letterforms and textures appearing next to each other. Stylistic Sets are also available. SS01 has underlined characters, SS02 has double-underlined characters, and SS03 has a mixture of graphic ornaments. These Sets can be used separately or combined. If the Contextual Alternates are running, the Stylistic Sets will alternate automatically. Escalope includes a set of 150 icons consistent with the four styles of the typeface. They share weight, texture, and font characteristics for a perfect match.

☞ Bona Nova is a collective revival project of Bona typeface designed in 1971 by the author of polish banknotes Andrzej Heidrich. Besides giving the project a digital font form the aim was to expand the base character set: preparation of small caps, designing the alternative glyphs and multiple opentype features. Working together with the author we designed two new text versions: regular and bold – to give the family a form of a classic script triad. ☞ It is accompanied by three title versions and three contour styles under the name of Bona Sforza. All styles contains over 1200 glyphs. ☞ Bona Nova is an unprecedented typographic adventure for our team. We hope that our work will allow the cultural heritage of Bona and the work of Andrzeja Heidricha to gain new followers and fans. This project connected three generations of graphic designers who graduated the same school – the Academy of Fine Arts in Warsaw. ☞ Bona Nova isn’t only a typeface. We have also prepared a book about the project (including an interview with Andrzej Heidrich, my text about the digitalisation and a font specimen). The Bona Nova release party was a big exhibition (over 1000 guests). I’ve invited 26 graphic designers to prepare their own initials of Bona Nova – they were presented as posters on exhibition too. LINKS Bona Nova WEB Bona Nova FP Bona-Nova-(FREE-FONT) Bona Nova Book BONA NOVA IN THE MEDIA Typeroom Typography Guru Slanted Designalley Stgu Typografie Info Wikipedia Bona Nova is a non-profit project, all founds that we raise we reinvest to develop the Bona Nova project (new styles, Cyrillic & Greek, extend character set).

Meet the successor of our bestselling design kit 'Chameleon': Perron. The concept of designing multiple contrasting designs under the same name was first introduced by Fontforecast in TyfoonSans and TyfoonScript. Two font families that were designed to complement each other. And that's exactly what this new release does. With the three designs in Perron, which means 'platform' in dutch, you will be able to take your design projects where ever you want them to go. This flexible kit consists of 7 fonts in three basic designs, and when combined Perron No1, No2 and No3 reïnforce each others charm. This offers great potential for creating lively layouts for many different projects, e.g. invites, menu's, magazines, brochures, packaging, greeting cards, T-shirts, etc. Perron No1 is a serif display font with large and small Caps. This font requires an Opentype savvy application to reach its full potential. Turn on contextual alternates and beginning and ending characters are replaced by their alternative versions, as you type. Stylistic sets and swashes offer even more variations. Perron No1 comes in two versions: No1 and No1 Shade. They can be used separate or layered for a colorful or shaded effect (if your application allows you to stack text frames). Perron No2 is a charming handwritten font, with slightly rough contours, that was added for an extra personal touch. It comes in regular and Italic. Perron No3 is a clean, tall and very skinny font family. It has large and small Caps and comes in three weights: Light, Regular and Bold. Because of its clean appearance No3 adds a modern touch to the design kit.

Turia is a casual script font with a lot of OpenType features, which let you create your own design logo or lettering artwork.  This font contain 768 glyphs: discretional and standard ligatures, stylistic and contextual alternates, small caps, titling, swashes, old style figures, ornaments and support CE languages. The Turia font has been thought especially for an expressive and dynamic design. Its glyphs are carefully drawn without loosing readability for use in a large text.  This font could be used in a advertising, booklets, children books, labels, packaging, logotypes, cards or whatever your imagination wants to fly.

Remora Camilla is a display script and unique sans font pair with a charming retro personality. They also have strong and bold characteristics. This font will be an appealing asset to your fonts’ library, as they have the potential to enhance any design project. Remora Camilla is perfect for headings, covers, posters, logos, quotes, product packaging, merchandise, social media and much more! Combine them to make your creation more spectacular! Feature : - A lot of Alternates ( With a Total of 700+ Glyphs ) - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Baghadeer, from the hand of Stephen Rapp, is an upright connecting script brimming with personality. With its exuberant capitals, dashing crossover strokes, and rhythmic pulse; it retains the active spirit most associated with slanted scripts, but with the grounded presence of an upright. Baghadeer contains 780 glyphs featuring a plethora of swashes, ligatures, and alternate letters to individualize the look of your project. There is also a set of small caps and ornamental flourishes to add some finishing touches. It contains feature programming to make typesetting seamless and has all the language coverage you'd expect in a pro font.

Margo is a playful font duo that includes a signature script and a hand-drawn serif – already matched up and ready to be used together for your next design! You can see how Better Homes and Gardens used Margo throughout their October 2019 issue. FEATURES: Margo Script includes: • 108 ligatures, which will help make your text look even more hand-written • Alternate letters to help avoid duplicating letters in your words • Foreign language accents & characters for the international designer Margo Serif includes: • Alternate letters (the lowercase letters function as alternates of each uppercase letter!) • Foreign language accents & characters

Belfast Grotesk™ 9 weights, 18 uprights and Oblique. Each typeface contains over 700+ glyphs with latin extensive Western, Central and Eastern European language support, Free updates and feature additions. Belfast Grotesk™ influenced by the grotesk typefaces developed in the early 20th century. Attempts to follow the best traditions of Grotesk typefaces. A good amount of contrast between the stroke thickness of each weight. Belfast Grotesk™ was developed with unique glyphs to offer best flexibility. a good legibility in short texts. OPENTYPE FEATURES Including tabular figures, alternate characters, ligatures, fractions, case-sensitive forms, superscripts, subscripts etc.

Peter started as a sketch in the static sans-serif tradition of Helvetica®. Then slight references to the calligraphic origin of type were added, giving it a more distinct character. This neo-grotesque sans has rational and clear basic letterforms, while in its details it unfolds attributes of humanist type. As a neo-grotesque sans it claims a very modest design, yet being a bit wider than its relatives and offering the warmth of humanist drafts. The early sketch grew to a type family of 18 fonts and now supports 700+ glyphs with pro opentype features.

Ballasticus is a controversial bold grotesque for logos, big headlines, posters, signage, gyms, and bodybuilders. The outer contour of the beech is rounded, while the inner space is square. The font contains two barbell icons that can be immediately inserted into your company logo. The character of Ballasticus is honest, stable, open, grounded like a weight. Ballasticus contains extended Latin, Cyrillic, ligatures, barbell and peace sign, as well as alternatives for some letters, the total number of glyphs is more than 700. It contains OpenType functions: liga, numr, dnom, calt, ss01. The font is also case sensitive, has fractions, currency signs, and arrows.

Gezart is a modern sans serif with geometric touch in 32 weights - 16 uprights and its matching italics. The weights are ranging from Hair to Heavy, with one of them (Extra Thin) is for free of charge. Each weight of Gezart contains more than 700 glyphs. The family is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, old-style figures, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The Gezart font family is ideally suited for branding & layout design, posters, body text, web, editorial design, and more.

Base Neue is the reincarnation of the basic typography (adaptation) of modern civilization. InkTrap is applied and many variations that can be used for this typeface, from very narrow media to extra-large publications. Weights from thin to black and then there are widths from Super Condensed to Super Expanded, which of course are all used in various media, from heading or titles to body text. Base Neue provides a total of 108 styles consisting of 782 glyphs per style. 95 different languages are supported, and it also has access to alternative letters and interesting ligatures.

Introducing Menthox Typeface The Menthox font is designed with a script font concept that has a decorative stencil style. Strong characters with stencil styles make Menthox fonts look different and unique from other script fonts. A script typeface like "Menthox" is very easy to apply to any design, especially those with dynamic, relaxed, and retro fashion concepts, besides that this font is very easy to use in both design and non-design programs because all glyps in the Menthox font are supported by Unicode. (PUA). The "Menthox"contains 700 glyphs with many unique and interesting alternative options.

Humber is a rational sans serif typeface designed with a large X-height to provide clarity at both text and display sizes – with subtle features that really shine at larger sizes. Inspired by 20th century typefaces and modern European designs, Humber is suitable for a wide range of projects and audiences looking for a typeface that feels professional – without being overly familiar. Featuring seven weights and matching italics, discretionary ligatures, lining, old-style, and tabular figures, and conditional kerning for accented characters, Humber is truly versatile. With over 738 glyphs, Humber supports over 339 latin-based languages.

Mexiland is a display script and serif font duo with a unique vintage aesthetic. it has charming retro characteristics, but still maintains a timeless and universal appeal. Mexiland is perfect use for a logotype, typography design, product packaging, quotes, t-shirt design, label poster, headings, letterhead, cutting sticker, hot stamping, signage, and anything that need vintage vibe. Combine them to give your designs an extraordinary look! Feature : - A lot of Alternates ( With a Total of 700+ Glyphs ) - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Introducing Arshila Typeface the Modern Serif Bykineks, designed by Dede Kurniawan, the newest typeface family with 54 font styles! With over 700 glyph options and a multilingual, Cyrillic, Greek writing system, this typeface offers a complete typography. easily adaptable to designs in the fashion industry such as magazines, logotypes, wedding invitations, label tags, posters, and many more. gives you a modern, professional and unique style. with various features such as ligatures, alternative characters, numerator, and denominator. You can create a completely unique design that is sure to stand out from the rest. Get creative with arshila typeface, and bring your designs to life!

Petulante is a striking and creative hand-drawn face with a scribbled feel. It's an all-caps font and brings two options for each letter and numeral for a more organic and natural look. There are yet a few ornaments to add an extra something here and there. Petulante is ideal for book covers, packaging, apparel, album art, posters, or any situation where you want a stylish and uncommon hand-crafted look. And let's not forget to mention the broad language coverage: Petulante speaks more than 208 languages, including Russian and Greek. Yes, just take it everywhere!

Interweave is a square display face with rounded corners, inspired by beefy fonts from the 60s and 70s such as Bullion and Deutsch Black. An alternating criss-cross effect is borrowed from Hunyady Gothic, the opposing lowercase a, e and s providing a basket weave or parquet floor appearance.