The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

For more than 70 years the 10-foot tall letters displaying the word FOSHAY have illuminated the Foshay Tower in the Minneapolis skyline. However, the typestyle has never been made into a font before. This new modern font family, dubbed Fosho Book, is optimized for book print usage as well as functioning as big bold display type on screen. The Fosho fonts are available in three styles: Outlines, Dotted Bulb Inlines and Composite with both. You can use the three styles in overlapping colors for dramatic chromatic effects.

The Three Degrees had a song called 'Dirty Ol' Man'; Christina Aguilera danced around to the tune of 'Dirrrty' and my three kids leave everything that way after they have finished their meals, so I guess I really had no other option than to call this font: Dirrrty. Dirrrty is a brush font I painted in one go. It is quite dynamic, with some serious grunge in it. Dirrrty is all caps, but upper and lower case differ and can be interchanged. Comes with with a truly disgusting amount of diacritics.

"Great Squater" is a graffiti font with two layers: solid and shadow. By using both of these layers in your design, you can create a three-dimensional (3D) effect on your text. Fonts like this are often used in street art, posters, or other designs that aim to add depth and dimension to their typography. With "Great Squater," you have the flexibility to make your text appear more dynamic and three-dimensional by using different layers. This allows you to customize the text's appearance to fit your design concept.

Compagnon is a friend, a partner. This handmade display font will come in super handy when you are working on that book cover, or the packaging of a product. It will shine on posters and websites and it will keep you warm at night. I guess that last bit is an exaggeration… Compagnon comes in three distinct styles: a ‘regular’ version, which is a bit rough around the edges, a ‘dirty’ version, with a juicy eroded look and a polka dot version. All three have their accompanying italics.

Urban Maxim" is a graffiti font that features three different layers: solid, shadow, and inner shadow. By using this combination of layers in your design, you can create a three-dimensional (3D) effect on your text. Fonts like this are often used in street art, posters, or other designs that aim to add depth and dimension to their typography. With "Urban Maxim," you have the flexibility to create text that looks distinct and more pronounced by using the various layers. This allows you to customize the appearance of your text to fit your design aesthetics.

Introducing "Korge", a captivating and versatile retro bold slab serif font that seamlessly marries vintage aesthetics with modern functionality. With its bold design, serif form, and a trio of regular, rounded, and extruded versions, Korge offers a wealth of creative possibilities for your design ventures. Korge is a font that transports your projects back to the golden eras of design. Its bold and distinct serifs evoke a sense of nostalgia, lending your creations a classic and enduring appeal. Korge provides not one, but three distinct styles to choose from. The regular version exudes a commanding presence, while the rounded variant softens the edges for a more approachable feel. The extruded version adds depth and dimension, giving your text a 3D, eye-catching quality. Korge is a font that speaks the language of design across borders. With its multi-language support and PUA encoding, it ensures your message resonates with audiences from diverse linguistic backgrounds. From logo design to branding, packaging, posters, and beyond, Korge adapts seamlessly to a wide array of design projects. Its bold slab serifs demand attention, making sure your message is delivered with both authority and style. Korge invites you to embark on a journey of creative exploration. Craft memorable headlines, iconic logos, or striking signage – this font is your canvas for pushing the boundaries of design. With Korge, the possibilities are limitless. Its vintage-inspired bold slab serif design, multi-language support, and versatile styles make it the ideal choice for designers seeking to infuse their projects with timeless charm and contemporary appeal. Get ready to bring your visions to life with Korge, where classic meets cutting-edge. ——— Korge features: A full set of Uppercase & Lowercase letters Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +237 Total Glyphs Rounded Style + Regular Style Extruded Style Korge Includes: Korge Regular Korge Regular Extruded Left Korge Regular Extruded Right Korge Regular Extruded Left Italic Korge Regular Extruded Right Italic Korge Rounded Korge Rounded Extruded Left Korge Rounded Extruded Right Italic Korge Rounded Extruded Left Korge Rounded Extruded Right Italic

It's been a while... more than three months we developed our brand new font. We call them "Meastro". Fun fact though, we want to call it "Maestro", but you know... we were afraid of the copyright thing. Meastro Script is a fun, bold, luscious, retro display script font. We crafted this font very carefully and make them very smoothly attach to each other. Especially, on the script version. You can see every character's tail beautifully connected one to another without using ligatures' help. This font takes full advantage of the Open Type format with several automatic ligatures that occur as you type for your preferred design. Moreover, the manual stylistic alternates allow you to choose the letters you prefer. Alternates occur automatically as you type in supported programs when you have "Ligatures" or "Stylistic Alternates" turned on. Meastro is Created with a ton of stylistic alternates, swashes, and ligatures, and also comes with layerable fonts to recreate the effect without uncomfortable overlaps of the extruded shadow effect. On this pro pack, you will also get the Meastro Display font! On this font you will meet the unique blocky and squared design, making your design feel classic and retro-like. Combine them and “boom”, you will be the “Maestro” of the vintage design! This retro typeface is perfect for logotypes, t-shirts, vintage badges, retro quotes, branding, packaging, posters, signboards, social media needs, etc. ——— Meastro features: A full set of uppercase and lowercase characters Layered Style Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +553 Total Glyphs (Script) +235 Total Glyphs (Display) +238 Stylistic Alternates +30 Ligatures +69 Swashes and more (Shiny and Graffiti Spray Effect Included!) ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010, or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or a software program such as Pop Char (for Windows and Mac).

Wolverhampton is a new Neo-Victorian face from Greater Albion Typefounders. It's something of an example of starting with a small idea and running with it. This family of three typefaces (Regular, Small Capitals and Capitals) was inspired by a line of lettering seen on a late 19th Century enamel advertisement made by Chromo of Wolverhampton (hence the family name). The family grew, topsy-like, from a recreation of these initial fifteen capital letterforms to the three complete typefaces offered here. The three typefaces are ideal for advertising and poster work with a Victorian, Edwardian, or 'Steam-punk' theme. They would also be eminently suitable for signage inspired by the same eras or (as we've seen a number of our other typeface families prove very popular) for book covers of period related novels and historical works. Finally, these slender elegant display faces are just plain fun!

ALERT: Comicraft's Mad Font Scientist John Roshell and Lead Lab Assistant Drewes McFarling have applied an Unstoppable Force to our Immovable Font ULTIMATUM, successfully splitting it into a family of three fonts! Here’s the secret formula: ULTIMATUM MASS retains the dynamic details of the original with flat, angled corners; ULTIMATUM FORCE cooperates with your demands for a vertical slice of the action; and ULTIMATUM VELOCITY got tired of waiting for a compromise and cut across its horizontals. The complete family features three styles of eight weights for a total of 24 fonts, each with support for 221 languages including Western & Central Europe, Vietnamese & Cyrillic. Three Variable Fonts provide precise control of Weight & Italic slant. ULTIMATUM MASS FORCE VELOCITY is ideal for high performance car & truck branding, sports uniforms, video game graphics, college & university apparel, and any time you want to convey industrial strength and technological innovation.

Linex Sweet was designed by Albert Boton in the late 1990s. It's a smallish family of three weights; the middle weight has an italic companion face. With its soft corners and slightly quirky head-serifs, Linex Sweet is a friendly design that sees much use. Several years later, Boton began sketching a new design, based on the original Linex Sweet but with a little more authority and grace. Linex Sans is the result. A mix of crisp angles and soft shapes, this new addition to the extended Linex family is both inviting and elegant. The subtle calligraphic overtones distinguish the design from more traditional sans serif designs. A three-weight family with a complementary italic for the Regular weight, Linex Sans is a versatile communications tool in both text and display sizes. It offers that mix of sophistication and joie de vivre that characterizes the designs of Albert Boton. Boton began his professional career as a carpenter. Fortunately for designers and typographers, he quickly turned from pounding nails to hammering out graphic design and constructing great letterforms as a profession. In his long career, he has created hundreds of distinctive, highly useful and award-winning designs. And even though he is now retired from active business, Boton continues to create fresh, new typeface designs. Add Linex Sans to the list.

Bloque is a heavy slab font family which contains six fonts. It has three layers for both roman and italic styles, including an inline and a shadow versions to make different color combinations

Roz is clean geometric sans round by one side and sharp on the other side. It has three weights and corresponding italics. Roz is ideal for package design, headlines and other typographic mediums.

The Samba family was inspired by the lettering art of J. Carlos, a Brazilian illustrator during the early 20th century. Turned into a workable series of fonts by the contemporary Brazilian designers Tony and Caio de Marco, Samba is especially recommended for use in logos, flyers, posters, and tattoos! This family offers the user a chance to mix three different styles of lettering into one coherent design, which can be very useful in solving certain design problems. While the regular Samba face is made up of mono-line letters, the style of Samba bold offers much more of a thick to thin contrast. The Samba Expert set displays lavish swash endings, which were inspired by Brazilian metal work. The Samba family was one of the winners selected during the 2003 International Type Design Contest, sponsored by Linotype GmbH.

Schema is a family of hand-drawn architectural lettering designed by Ethan Dunham. Schema comes in three weights, light, regular and bold. This font works well both in mixed case and upper case settings.

Corpus Typewriter is an authentic typewriter font, sampled from a real vintage typewriter. Each letter and number has three alternative characters, giving you a large variety of options to get an authentic, vintage look.

Windevere is a family of display faces designed for easily readible headings and titles that convey a sense of speed and motion. The family includes three faces: Windevere Regular, Windevere Bold and Windevere Rounded.

Based on retro vinyl records in the middle of 20th century. There are three other fonts designed by in the same concept. -Word From Radio -African Elephant Trunk -Moon Star Soul -Rebel Train Goes

Realite font is suitable for creating minimalistic logos, wordmarks, titles, taglines. Each letter of the font has two or three alternates. You can mix default characters and alternate characters to get the best combination.

Font with hexagonal dots for texts, names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for posters, t-shirts and other surfaces. Also good for the three-dimensional inscriptions.

Tonal is a fat typeface, geometrical in its peculiar way. Available in three styles, it's a unicase alphabet and offers an alternative glyph for each letter, providing flexibility to your designs. Use it big!

Inspired by the former hot-metal fonts of Imprimatur, Gmuender Antiqua Pro is a fresh designed versatile and multilingual serif font family. All five styles contain three different forms of numbers and small caps.

Hyperizo is a futuristic style font in three weights. It's the perfect font for logo, game, packaging, poster, web use, etc. The family contains a set of 231 characters, supporting multilingual and OpenType features.

Font with hexagonal dots for texts, names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for posters, t-shirts and other surfaces. Also good for the three-dimensional inscriptions.

Font with hexagonal dots for texts, names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for posters, t-shirts and other surfaces. Also good for the three-dimensional inscriptions.

Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows the 60-pt design.

Tertius, with its high ascenders and clubbed serifs, is a modern interpretation of the classic Carolingian style (7th - 9th centuries AD). There was no capital form in the Carolinian hand and Roman square capitals were originally used with it. The Carolingian hand began, after a while, to develop more cursive tendencies as people looked for a way to speed up the writing process. I have “capitalized” on this trend and have devised an appropriate and dramatic set of flowing capitals for this family. With its elegant swashes and bold letter shapes, Tertius embodies the romance of medieval life, of knights, castles, and chivalry. Tertius comes in four styles:- -- Regular: with elegant, smoothly penned characters; -- Crenellated: written with a scratchy pen over rough parchment -- many drops of ink and blotches have been left on the parchment (“Crenellated” means battlements -- the rough protrusions on the top of castle walls); and -- Romantic: the capitals have been loosely overwritten generating a contemporary version of illuminated capitals. -- Illuminated: richly decorated illuminated capitals for use with Tertius Regular (28 characters) All fonts have been carefully crafted, letterspaced and kerned and contain full character sets of 237 characters.

Volume is a 3D font, with interlocked characters, inspired by vintage wooden block capitals! Superimposed weights bring light and shadow on the structure and allows many coloured combinations. Cubo est une fonte en volume dont les lettres s'imbriquent, inspirée d'anciens caractère d'imprimerie en bois. Les diiférentes graisses se superposent, créant des effets d'ombre et de lumière, et facilitant la colorisation des caractères.

Karacho is a ‘fat style’ geometric display typeface with two counter-styles, a stylistic set of lowercase letters, and multilayer options: the font design is separated in three layers for building individually colored font variants.

The design of this typeface was influenced by the typefaces left by Firmin-Didot. There are three weights, and all weights can be used in large font sizes to create a gorgeous and attractive impression.

TG Hagia is contemporary serif font inspired by Modern Culture. This font is highly recommended for use as display and body text. Tg Hagia is available in three widths namely regular, semi-bold and bold.

Solking is an Arabic typeface of a three weights : Sharp, Curved and Rounded . the main focus is on blending traditional and modern rules in the formulation and design of the Kufi type in new style .