Dalglish is a serif family with clean curves that gives the typeface a refined touch that give any headline an elegant appearance, with both modern and vintage curves. Dalglish represents luxury, glamour, exuberance, and faith in social and technological progress. Dalglish is inspired by the art deco design style and poster design at France in the 19th Century. Dalglish has pretty alternatives glyphs choice in the pack as well. Beside those alternatives, the pack also includes three different stylistic alternatives which are Regular, Italic, Bold annd multilingual support.

Kopik is a modern hand-drawn script inspired by the 1960's architectural handwriting style practised by draftsmen. Originated using a Copic 1.0 Multiliner pen, then traced digitally using a stylus and tablet to help reduce imperfections. The result is a simple, readable, monolinear typeface with a marker pen quality suitable for a wide range of written applications. Details include 440 characters, three weights with matching italics, alternative a, g, and y four numerals variations. Opentype features inferiors, superiors, fractions and language support covering Western, South and Central Europe.

Hi, I'm Migaela. I'm optimistic, inspiring and expressive typeface. My friend told me I'm cheerful, positive and charming. My designer made me with three optional style, Regular, Overlap and Smooth (rounded), each with oblique version. It has unique stylistic and ornament. Don't you see that lowercase I with snow flake. It's so cute isn't it. Before I forget, kindly look my ligature, I know you like it. Buy me know, let me works together in your Christmas project, Holiday card, New Years event, and of course your next Valentine project.

British type designer Neville Brody created this display FontFont in 1994. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Dirty One provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular oldstyle and tabular lining figures. This FontFont is a member of the FF Dirty super family, which also includes FF Dirty Four, FF Dirty Seven, FF Dirty Six, and FF Dirty Three.

Are you ready to delve into the rich depths of history? Are you ready to make your branding bold? Are you looking for a statement font that exudes prominence, style, and adventure? Introducing Fenway - A Clean Script Font. This clean script font can be used for a host of different content needs and projects. Use it to make your headings stand out, enhance your logos, style up your business cards, elevate your website and social media, and bring class, style, and history across all your channels. Get ready to captivate, engage, and inspire your audience and clients with Fenway. What you’ll get: - Multilingual & Ligature Support - Full sets of Punctuation and Numerals Compatible with: - Adobe Suite - Microsoft Office - KeyNote - Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Thud is a family of seven weights with roman and true italics. Weights are done with parabolic formula by Luc(as) de Groot for each weight to be optically in between the next weight. Made for headlines, but kerned well enough for larger amounts of text.

Created by veteran Sign Painter, Bruce Bowers and Lettering Artist, Charles Borges de Oliveira. Mocha Script boasts over 243 characters which includes alternates, ligatures and special end characters which allows the Designer to create a magnitude of variations of letters to produce unique hand lettered words. Enjoy!

A 1930s casual Art Deco type style with as much influence in 1970s graphic design as in its day was found within the pages of the 1930s French publication L'Art du Tracé Rationnel de la Lettre. Discotheque JNL is available in both regular and oblique versions.

Initially, letterform was inspired by the gothic style of Romance decorative letters in transitional art in the Middle Ages. The conservative type in the Gothic era, especially in decorative romance, has led to the Victorian style being embedded in several forms as accents related but not forced to be combined. Rounded serif seems conventional combined with historically relevant letterform to create a harmonious blend. The art nouveau style also inspires this typeface. Approach to architectural ornamentation from 1880 to 1915, adopting the dynamic lines and curves typical of the civilization of the time. Continue time travel; we also present a more modern form influenced by the digitalization of art nouveau derivatives, familiarly called the psychedelic style. Paying homage to predecessors, we presented The Onamura font in a Japanese Ukiyo-e style that influenced the fine arts movement that broke old conservative art in Europe. We designed this font carefully with the information about the Middle Ages, Ukiyo-E, & Art Nouveau that greatly influenced art worldwide. In this font family, there are collaboration vibes. Both are the basis of the phenomenal blend of idealism between western and Japanese artists. Consisting of 10 fonts in 10 weights, it features an extended charset of over 850 glyphs, covering multilingual support, including Western European, Central European, and Southeastern European. Complete with advanced open type features like stylistic alternates, discretionary ligatures, ordinals, small caps, fractions, and case-sensitive forms. The elegant and refined details seen in this font provide a new aesthetic input, satisfy contemporary style, and give a range of choices for luxury typographic projects. This font is perfectly suited for high-impact headlines. Advance open-type features are stunning on logos, branding, magazines, website, etc. Supports languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Welsh, Western Frisian, Wolof, Xhosa, Zulu

Mogguine Asturias is a modern serif with a lot of styles. A high-contrast version of the famous Didot look that has been synonymous with fashion for decades. This font has over 100 glyphs with multilingual fonts included. This font is modern and nostalgic and is perfect for logos, mastheads, and quotes. It pairs beautifully with minimal sans serif or light script fonts. Features: All caps Stylistic Alternates & Ligatures Numerals & Punctuation Accented characters Multiple Languages Supported PUA Encoded HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Follow my shop for upcoming updates including additional glyphs and language support. And please message me if you want your language included or If there are any features or glyph requests, feel free to send me a message, I would like to update it.

Meets Glaw, A new carefully crafted Fonts from Ilham Herry to bring a new heavy look of Psychedelic Theme. The Ideas of this fonts are from 70s, Psychedelic, Funk, Hippie, Party, Music and Etc. Even though it’s a specific theme for this fonts. It doesn’t ruled out the possibility of creating a new style or themes. Glaw Created with a 3 Weight on the traditional OTF, Condensed, Regular and Expanded. Not Just that, If your software are support for Variable Fonts like Adobe Illustrator or Photoshop, The Weight are going to 100 Weight!. Glaw Best used for a Large Text such as Headline, Poster, Branding, Logos, Concert, Branding and Any other use that needs a Heavy looks for the Title. Our creation on the display to give you a reference what it looks like on your project. It shows that how Glaw will look on your design style.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

My daily challenge is how to get my kids out of bed, feed them breakfast, get them to dress, wash and pack their school bags and drop them off at school before the bell rings. The rest of the day, the challenge is to renovate our house, get my work done, pick up the kids from school (plus all of their friends, who want to come and play) and cook dinner. Of course, the word ‘challenge’ was misused by the internet. Not too long ago, there seemed to be and endless stream of crazy challenges that ended up hurting or even killing a few people. Daily Challenge font is none of the above: it is a clean cut, 100% handmade, all caps font. The only challenge here is how to adapt your design so it fits this font perfectly… ;-)

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

In Egyptian mythology, Seshat was the Ancient Egyptian goddess of wisdom, knowledge, and writing. She was seen as a scribe and record keeper, and her name means she who scrivens, and is credited with inventing writing. Miss Seshat font is a fun, charming and expressive handwritten font with 900 glyphs. They have many advantages of the OpenType futures to choose from: stylistic alternates, contextual alternates, and a full set of standard and discretionary ligatures, Swatches, Beginnings and endings, as a rich set of 120 ornaments, connectors and catch words. Miss Seshat Pro version supports all diacritics for CE languages. They've been specially thought to obtain endless possibilities of composition and to help to make each creation unique and interesting. Miss Seshat font can be used in packaging design, children books, advertising, logotypes, greeting cards, web sites and much more.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces. Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

The Astronef Super borrows from the charm of retro-futuristic universes. Without concessions, and even radical, the Astronef Super, declined in three styles, pushes the weight limits as far as possible systematically while preserving a unique design. Using the Astronef Super in large size is a real pleasure, it is a very identifiable typeface family, recognizable immediately. Undeniably, choosing the Astronef Super in your designs is not insignificant. This typeface used in large sizes will strengthen your graphic identities. Background The Astronef Super could be considered as the “Spin-off” of the Astronef currently being designed, that will offer an important variation of styles. Of course the Astronef, is wiser in his drawing, it places himself in the tradition of the Univers more than the Helvetica. Genesis and the creative process The idea for an Astronef Super comes from an excerpt from a 60s TV show which shows a logo in the background with a very bold S and this super thin in the middle. The Astronef is already modular in its design. The brief then becomes simple for the Super: accentuate the strongest weights of the Astronef by minimizing the counterform that will remain constant for the three styles. It is the mass effect that maintains the overall cohesion of the Astronef Super family.

Mono-Spec is a monospaced family of sans-serif type. At least in default settings, all characters across the typeface share a common width. That fixed setting is condensed, and the aesthetic style of Mono-Spec’s letterforms is very industrial. A sister family, called Mono-Spec Stencil, is also available. Its design strays away from the mechanical nature of Mono-Spec, and it channels the spirit of resistance and street culture. Mono-Spec ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s five static OpenType font files instead. Those weights run from Light through Bold. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Mono-Spec Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Whatever format you choose, the Mono-Spec fonts are equipped with several OpenType features. The most striking of these can be activated via a Stylistic Set. That will replace several letters – like “B”, “E”, “F”, “H”, and “I” with double-width alternates. Those alternates take up as much space as two characters placed next to each other otherwise word. The effect of Mono-Spec’s double-width alternates is striking, and their use strikes a strong chord in any display typography applying them.

Every face tells a story but this font is 77 stories high (1,046 feet with antenna included)! A lofty companion to Empire State Gothic , Empire State Deco is a tall, stately font containing four different styles, sometimes contradictory, united by the desire to be modern. Those familiar with the Exposition Internationale des Arts Décoratifs et Industriels Modernes will notice a post-postmodernism combined with the fine craftsmanship and rich materials for which those awfully nice chaps at Comicraft are known. During its Art Deco heyday, Comicraft represented luxury, glamour, exuberance, and faith in social and technological progress -- this new font recaptures those halcyon days in letter form.

This font, was created -- inspired from the original manuscript of the French revolutionary song “La Marseillaise”, becoming later the French national anthem, composed in one night (1792 April 25th) by the 32 year old French captain, Rouget de Lisle. It is a “Pro” font containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish diacritics. The numerous alternates and ligatures make the font look as close as possible to the real historic hand. Using an OTF software, the features allow variations of each character without anything to do but to select contextual alternates and standard ligatures and/or stylistic alternates options.

BACUTE Display Sans Typeface offers a captivating blend of contemporary design and readability, ensuring your projects stand out with finesse and clarity. Features: Three Unique Styles: Enjoy the versatility of BACUTE's three styles - Light, Regular, and Bold. Each style adds its distinctive visual appeal to complement various design aesthetics. Special Alternates: Unleash your creativity with alternative characters and glyphs that infuse uniqueness into your designs, allowing for personalized expressions. Complete Character Set: BACUTE includes uppercase and lowercase letters, numerals, punctuation, and a range of essential glyphs for comprehensive design flexibility. Cross-Platform Compatibility: Seamlessly use BACUTE across both PC and Mac platforms, effortlessly integrating with leading design software like Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and Microsoft Word. Effortless Installation: Experience hassle-free installation, granting instant access to the font's capabilities without the necessity of additional design software. Multilingual Support: BACUTE ensures inclusivity by supporting a variety of special characters, catering to multiple languages, including ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡. BACUTE adapts flawlessly to an extensive range of design projects, including Logos, Posters, Product Labels, Cartoons, Comics, Editorial Designs, Website/Blog Elements, Social Media Posts, Packaging Designs, Social Media Subtitle And more! Dive into the boundless potential that BACUTE Display Sans Typeface offers. Its modern aesthetic, coupled with a multitude of features, positions it as an invaluable asset for designers seeking to make an impactful impression without compromising readability. Embrace BACUTE to elevate your projects and captivate your audience with its distinctive charm!

Introducing Montire – Strong Serif Font Robust Masculinity Let’s delve into the world of Montire, a font that embodies robust masculinity. With its bold and powerful appearance, it unquestionably demands attention and respect. Industrial Edge Montire carries an industrial edge that imparts a rugged, mechanical quality to your designs. It’s the ideal choice for projects seeking an edgy and forceful statement. Powerful Typography Montire’s typography wields an inherent strength that elevates your message to a bolder and more impactful level, making it suitable for a wide range of design projects. Uncompromising Strength When it comes to strength, Montire doesn’t compromise. Its bold serifs and sturdy lines exude unwavering power, ensuring that your content leaves an indelible mark. In Conclusion In summary, Montire – Strong Serif Font is your solution for designs that demand robust, masculine, and industrial aesthetics. It’s the font that elevates your message, making it strong, impactful, and impossible to overlook. Whether it’s for branding, posters, or any design endeavor, Montire guarantees that your content carries the unmistakable stamp of strength and unwavering confidence.

Inspired by a trip to Costa Rica and named after its famous beach town, Nosara is a layered vector font that's perfect for projects that require a realistic, hand-painted desert-island look. It comes in three styles: Regular, Outline, and Fill. The styles can be layered to create authentic-looking hand-painted letters and icons—in vector! You can create outlines from this font in order to customize to your heart's desire. Millions of bespoke combinations are possible. This typeface was made by hand, meaning each letter was painted with real paint and digitized, not created on an iPad, which is why this font looks great and has a warm natural quality even at large sizes. Nosara is perfect for packaging, parties, signage, and even looks great in long-form text! Nosara Xtra is a set of pictograms, also in 3 styles that can be layered for the same effect, evoking the imagery and happy vibes of a sunny tropical vacation.

The objective of this font was to try and find out how far back in the designer's life this obsession with letters began. The challenge was to draw, from memory only, two sets of caps that recall older Looney Tunes and Merrie Melodies lettering. The experiment was a success, which means that the designer's got it bad since he was, like, four! The Marvin set includes three stylistic variations (Regular, Round and Shadow), with extensive multi-script language support covering Western, Central and Eastern European languages, as well as Cyrillic, Greek and Vietnamese. A few extra alternates and interlocking ligatures are also included, all adding up to over 650 characters in each font. And here we are. Marvin is a great cartoon font that can help you build your very own Illudium Q-36 Space Modulator, so you can trigger that earth-shattering kaboom. Then you're on your way to claim this planet in the name of Mars. Isn't it lovely, mm?

No frills. No fluff. Still friendly. Keep your look clean and simple with the utilitarian but gentle Ultine. This font with a slightly extended geometric architecture gets straight to the point without pushing your reader away with too firm an approach. Ultine covers a large set of multi-Latin languages. It includes a wide range of other OpenType features, too, including ligatures and contextual alternates. Moreover, small caps of Utline and titling alternates are available for deepening your design capabilities with this basic face. The Ultine family consists of 42 fonts with three different widths and italics counterparts for every style. The design is well suited for graphic design and any use of the screen. It can easily operate as a webfont, as text for banner ads and for branding as well as editorial design. And just to show you how simple and friendly the font can be, the regular weight is free, so you can use it to your heart's content.

Do we have a volunteer from the audience! Yes, you young lady, step into the ring, there's no need to be afraid! What's your name? Hypnotique? How appropriate! Now, don't turn away, look into my eyes, look into my eyes, the eyes, the eyes, not around the eyes, don't look around my eyes, look into my eyes, aaaannnndd you're under. And on the menu of mesmerism tonight is a waking dream of letterforms that will keep you on the threshold of consciousness and yet illuminate your every hypnagogic hallucination! Now that we have your focused attention and reduced your peripheral awareness you have an enhanced capacity for response to the suggestion that you should not only purchase this font, but our entire library of fonts. On the count of three you will wake up and you will think of nothing else but acquiring all the tools all good graphic designers should have in their font library. And all we had to do was snap our fingers.

Bolton is an ambitious font pack with three weights of script and serif and a pack of extras. Both script and serif fonts are designed with geometric shapes and same soft corners to fit together. Bolton Print is the same family with rough outline and wear-off texture. Bolton is a strong pack for creating catchy headlines and logotypes. With the whole family you can easily create a whole identity for your project. Bolton is great for branding, packaging and posters or any other kind of display use. Bolton Script has very high x-height that create very solid word shapes. Scripts are equipped with Standard Ligatures and Contextual Alternates to keep the flow. If you need flashier letters there’s a Swash Alternate for every basic character. Bolton can be purchased as a clean or textured family pack or for the best price as the complete family pack containing all versions of the font.

Welcome to the world of Chayno, where handwritten style meets fun casualness. Are you looking for a sleek yet casual and playful look for your various visual projects? Chayno is the perfect choice. With three different variants, including Regular, Outline, and Shadow, Chayno gives you the flexibility to deliver effects that suit your design needs. You can create a clean, professional look or add a fun, playful touch to your project. Chayno also features creative ligatures and alternate characters, allowing you to explore a variety of fun letter variations. Not only that, this font supports multiple languages, ensuring your message can be received by audiences all over the world. With Chayno, every word becomes more than just text - it becomes an expression and an experience. Let's make your messages attractive and uplifting together with these cheerful fonts. Chayno - turns words into fun adventures. Immediately use this font to bring joy to all your projects!

Brighten is the new family font composed of Brighten Regular and Regular Italic, Brighten Round and Round Italic. With the total number of 606 glyphs, Brighten is the perfect blend of elegant and casual. Brighten is equipped with plenty of OpenType features. Uppercase letters can alternate between at least two or three different forms and lowercase letters have leastways four choices more to avoid repetition. These effects include start and end forms of lowercase letters, which are automatically substituted in at beginnings or ends of words. To activate the optional glyphs,  you may click on Swash, Contextual, Standard Ligatures, Stylistic or Discretionary Ligatures buttons in any OpenType savvy program or manually choose the characters from Glyph Palette. Also, there’s some ornaments designed to support the font (access the ornaments through the Glyph Palette). The Brighten family font might be the choice to use on creating headlines, logos & posters for branding and packaging purposes.

“Due Giorni”, two days in italian language, express a measurement of time, it can be little or a lot, depending on who or what it is used for. “Due Giorni” is a script font very expressive, fresh, agile and dynamic, hand-drawn with connected forms on slanted angle of 23º This font contain 542 glyphs with plenty OpenType features: Standard and discretionary ligatures, stylistic alternates, swashes, Old style figures, small caps, case sensitives and ornaments. It come also, with three kind of capitals: Roman Capitals, Small Caps (different proportions) and Swashes. Roman Capitals are inspired on the beautiful inscription found in the Augustorium’s house in Ercolano, Naples.those letters have been carefully drawn and sculpted. Swashed Cursive Capitals are similar to 18th century penmanship. “Due Giorni” is a versatile font that may give you the chance to create original logos and headlines, specially by many stylistic sets, ligatures and alternates that can be combined with them.

Future Tense is a modern type style that is perfect for logos, film, video games, packaging, signs, and more. Charles Borges de Oliveira & Vassil Kateliev's attention to letter forms insures extreme legibility without sacrificing this modern style. The 160 alternate letters will keep your designs looking fresh and different. A unique feature included in Future Tense is the small caps have their own set of small caps. This allows 3 different looks for each letter. What’s included in Future Tense: 160 alternate letters makes designing eye catching logos rewarding! The alternates are included in the small caps and second small caps as well. Future Tense is a titling face that contains small caps as well as a second set of small caps. Multilingual: support for over 200 languages. Over 2,500 glyphs make up Future Tense. PUA encoded. Take your designs to the next level with Future Tense. Please note: artwork is not included with font purchase. The images above show how Future Tense can be used in a design setting. Future Tense was designed and created by Charles Borges de Oliveira and Vassil Kateliev. This font is dedicated to Warrel Dane.

Thorfin is a sharp serif typeface. Drawn and created between 2020 to 2022, this modern lettering has a distinct personality while maintaining a regularity of a body text. Thorfin gives any project a smart character with its geometric shapes and crisp edges. The Thorfin family consist of 14 fonts, such as Thin, Light, Regular, Medium, Bold, Black and Italic. Also includes a variable font! Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. More info about Variable Fonts: https://mansgreback.com/variable-fonts The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The Generic Typeface Collection is a series of sans-serif typefaces inspired by the craftsmanship of graphic design, typesetting, and printing in the analogue era – before Adobe, Macintosh computers and desktop publishing – when dinosaurs ruled the earth. With the use of various typesetting apparatuses or dry transfer type, photo copiers, and shooting layouts and paste-ups to film, the printed results was not as exact, precise and predictable as it is today. When examining old prints, it is difficult not to like the way that characters in over- or underexposed film have a special type of vibe to them that is often sadly lost in today’s pursuit of total perfection. Encouraged by this, I saw a need for a collection of typefaces that are non-clinical and non-conformist, and some that are coarse, rough and distorted – errors that might come from poor exposure when put on film, enlargements from small point texts, or maybe quality loss from successive generations of photocopies. Or all of the above. This is an attempt to incorporate spirit and personality into a set of typefaces without losing distinction. You might call it a homage to non-perfection. I call it human. The Generic Typeface Collection consists of 11 fonts divided into four series. The three standard series – the Formal Release series, the Coarse Copy series, and the Rough Display series – all contain three fonts each. The Extra Splendor series contains a couple of shadow fonts for that little extra sparkle. Formal Release – Handcrafted & Clean The Formal Release series features sans-serif typefaces for everyday use. They are handcrafted and clean, human and uncomplicated. The Formal Release series contains three typefaces that add tons of personality to any text. G10 FR ‘Slim’ – a slightly under-exposed and clean typeface in a regular weight (228 glyphs - 1 alternate) G20 FR ‘Classic’ – a properly exposed clean typeface in a bold weight (228 glyphs - 1 alternate) G30 FR ‘Bulky’ – a heavily over-exposed clean typeface in an ultra weight (228 glyphs - 1 alternate) Coarse Copy – Dirty & Rough The Coarse Copy series features non-conformist typefaces that are worn and rough, maybe after going through that bad copier a few times too much. The Coarse Copy series contains three sans-serif typefaces that add tons of spirit to any text without compromising too much on legibility. Try them on in poster-sizes and everyone will know that you mean business. G40 CC ‘Slender’ – an under-exposed coarse typeface in a regular weight (228 glyphs - 1 alternate) G50 CC ‘Typic’ – a properly exposed coarse typeface in a bold weight (228 glyphs - 1 alternate) G60 CC ‘Huge’ – a heavily over-exposed coarse typeface in an ultra weight (228 glyphs - 1 alternate) Rough Display – Faded & Decorative The Rough Display series features attention-seeking decorative typefaces in three feature-packed fonts. Faded and gritty like the image distortion and degradation from successive generations of photocopies, they are eye-catching typefaces intended to stand out in bigger point sizes. Use these typefaces for signage, headlines and similar situations were a strong typographic statement is desired. We have packed no less than 1,334 alternate characters and 212 discretionary ligatures into this series for a greater chance of not having characters that look exactly the same more than once. G70 RD ‘Slinky’ – an under-exposed rough and decorative typeface in a regular weight (741 glyphs – 448 alternates – 66 discretionary ligatures) G80 RD ‘Standard’ – a properly-exposed rough and decorative typeface in a bold weight (748 glyphs – 448 alternates – 73 discretionary ligatures) G90 RD ‘Swollen’ – a heavily over-exposed rough and decorative typeface in an ultra weight (748 glyphs – 448 alternates – 73 discretionary ligatures) Extra Splendor – Sparkling & Extraordinary The Extra Splendor series features two shadow typefaces for that little extra sparkle. One clean shadow to be used with G20 FR ‘Classic’, and one rough shadow to be used with G80 RD ‘Standard’. Having the shadows separate from the main typeface adds another layer of expressiveness in that you can try out color combinations for that extra splendor. Tips for matching (applies to both the base font and the shadow font): Set the kerning to Metric, not optical. Increase tracking to accommodate for the shadows extra width. G25 ES ‘Classic Shadow’ – a clean shadow to be used with G20 FR ‘Classic’ (228 glyphs – 1 alternate) G85 ES ‘Standard Shadow’ – a rough shadow to be used with 80 RD ‘Standard’ (227 glyphs) OpenType features – alternate characters and discretionary ligatures – can be accessed by using OpenType friendly professional design applications, such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop.

Abdo Rajab is the second version of the font FS Rajab which was designed by the type designer Abdulsamiea Rajab Salem for Future Soft company fonts. It is a leading company in Arabization field and producing the Arabic and Islamic programs beside the children programs. This font appeared between 1998 and 2000. In this version there were a lot of adjustments to keep the font in its spirit and uniformity between the various characters. Also added some new characters, which gave him another beautiful addition to be used in both title and text designs. Three weights (Regular, light and bold) have been created. Then the font was converted to OpenType to support Arabic, Persian and Urdu to be compatible with the various operation systems and modern software. The combination of modern Kufi and Naskh styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Ever since we started publishing on MyFonts in 2009, we've received requests for a typeface to complement our popular dingbat fonts. So here it is: LiebeErika. Friendly and polite, rather thin, extra narrow, and of course‚ carefully hand-crafted. LiebeErika’s casual and warm style is perfectly suited for invitations and personal correspondence. It’s even in the name: German phrase, Liebe Erika‚ translates to, Dear Erika, the beginning of a personal letter. But LiebeErika is not limited to English or to the German character set. It supports many other languages, too! LiebeErika comes with a stunning variety of ligatures and alternative forms available through OpenType features. (Please make sure your software supports OpenType if you wish to use the advanced features.) The font contains over 500 glyphs, so it’s actually two or three fonts in one. If you like this font, you may want to look at LiebeOrnaments, our perfectly matching set of swashes and curls to complement LiebeErika. By the way: LiebeErika gets along great with our wide range of illustrative fonts such as LiebeCook, LiebeFish, and LiebeTweet.

Albireo Soft in a softer version of Albireo, released by Cory Maylett Design in 2019. The svelte sans-serif letterforms and rounded terminals give Albireo Soft a highly legible and informal look that's perfect for packaging, headlines, logos, brochures, digital use and anywhere else that needs a friendly condensed typeface. With a combination of seven weights in each of the three condensed widths, Albireo Soft will do the job when you need to squeeze many words into a limited amount of space. The fonts include the entire set of glyphs needed for all Western and Central European Latin-based alphabets. Meticulously crafted to ensure each glyph conforms to the highest possible quality standards, Albireo Rounded won't let you down. You may buy one font at a time or save money by purchasing packages consisting of the seven fonts in each width. Save even more by purchasing the entire Albireo Soft collection and, in addition to the 21 separate fonts, you'll receive a variable font that covers all the weights, widths and everything in between.

Abdo Salem is the second version of the font FS_Salem which was designed by the type designer Abdulsamie Rajab Salem for Future Soft company fonts. It is a leading company in Arabization field and producing the Arabic and Islamic programs beside the children programs. This font appeared between 1998 and 2000. In this version there were a lot of adjustments to keep the font in its spirit and uniformity between the various characters. Also added some new characters, which gave him another beautiful addition to be used in both title and text designs. Three weights (Light, bold and black) have been created. Then the font was converted to OpenType to support Arabic, Persian and Urdu to be compatible with the various operation systems and modern software. The combination of modern Kufi and Naskh styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Good Slient Night is handmade fresh typeface, created with brush and ink. contemporary approach to design hand-painted natural and also a combination of delicate script with an irregular baseline. Suitable for use in watercolor design or as a hand brushed bold letters. Such as Novel tittle, Apparel, Invitations, Quotes, Books tittle, Stationery Design, Branding, Logos, Greeting Card, T-shirt, Packaging design, Poster and more. Good Slient Night includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures and alternative character. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ If you need help or advice, please contact me by e-mail. Thank you.!