The Stomp Family is a set of three different fonts, Swirl, Flowers and Circles which are designed to be used with Stomp Black to create dual colored type for bright and exciting images. Metrics and Kerning information for the four faces are identical so that they overlay perfectly. Stomp Black is also very usable on its own for bold, high impact type.

A breath of fresh air! Seasalt typeface was designed to emulate natural-looking handwritten notes. Opentype ligatures are included to make the typeface appear more realistic and last but not least, it includes a doodles font - arrows, scribbles and scrawls to help your designs pop! The typeface comes in three different variants to suit the look you are after : Upright, Regular and Slanted.

Bridgewater is a hand-drawn, brush font with contextual alternates to help with flow and readability. Each letter and number has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Frusta is an earnest family of slab-serifs softened by tapered serifs and slightly squared curves that give it a warmth often absent in other slabs. Monoline and with a geometric foundation, this three-weight family includes true italics that can be their own headline face. The airy, yet sturdy construction makes this perfect for small text, infographics, and headlines of all sizes.

Hennepin derives from a bridge, a street and a county that share the same name in Minneapolis, MN. It is a serif font comprised of three agile weights: regular, light, and extra light. The character set contains typical OpenType features in addition to small caps, and old style numbers, but most importantly, it embraces stylistic alternatives that unite and complete this font.

CCS Noken is a sleek and versatile sans-serif display typeface family that comes in three weights with ligatures and alternate letters. Its extended width makes it perfect for creating attention-grabbing typography, whether you're designing for print or digital media. CCS Noken is an excellent choice for designers looking to add sophistication and style to their designs with bold and unique typography.

f-line is a special handwriting monoline font face, with one constant line from glyph to glyph and variable width. It was drawn for the designer’s thesis in 2010 and expanded until 2021 with a lot of open type features. It’s built up with three glyph sets to let the glyphs rotate automatically, and amongst other type features initial forms are available.

The Redikut Letter Company of Hawthorne, California specialized in die-cut cardboard display letters used by sign makers to achieve a three-dimensional effect on show card and display work. A set of these letters purchased by Jeff Levine brought back memories of classic movie houses with their fancy display and lobby cards, and thus was created "Aisle Seats JNL".

Introducing Lumiere Rosie – A Gorgeous modern sans serif with ton of stylistic alternates to choose. Its bold clean and simple. Works wonderfully on its own for logos, headlines, posters, packaging and many more! And with Three different weights to choose, your option to create more unique and versatile design is a lot wider. Have fun and create more. Your Imagination only your limit!

Cabriolet is a connected geometric script re-interpretation inspired by old chromo emblems of Chevy truck Apache of 1960. With three weight variables, it can be used in logos, games and graphic related to cars, automotive, American, Detroit, Art Deco, 1940, 1950, 1960, vintage, retro, classic and old machines. Can be expandable using underscore for connect words or expanding between letters space.

Originally commissioned by magazine publisher IPC, Rogue has proved to be one of the most popular Device releases. Now extended and updated as Rogue Nova, it sports additional weights, East European language support and reengineered spacing and kerning. It is now a versatile 30-font family, with five weights and three widths, all with italics. Powerful and authoritative, sharp-edged and contemporary.

Suilly la Tour is an elegant calligraphic and legible font. With his three character sets, Suilly la Tour uses OpenType features (liga, init, fina, isol) especially in second set. Suilly la Tour is available in two versions : -Ot with full OpenType features for OpenType friendly applications. -Office for usual word processors. In every case, use it for cards, invitations, menus, packaging, announcements, jackets...

Paquita was my first foray into the turbulent world of typography. Created in full in about three hours drawing directly into the program, technically speaking was a disaster. Once achieved the highest levels of misery I decided to get serious and after a lot of studies and tweaks, is now in its Pro version on sale in this prestigious store.

La Paz is a typeface created to emulate handwriting. It consists of three different alphabets which are interleaved to provide variations in height, weight and inclination, typical of handwriting. In addition it has tens of ligatures, ornaments and opentype programming that help to recreate human gestures. It's ideal for use in small sizes for designs with a warm imprint and with manual gestures.

NeuAltisch is a calligraphic version of a modernized, more rounded Fraktur. Blackletter fonts of this sort are useful for decorative purposes in certificates, invitations, labeling, and advertising. The family has two weights, plus three versions that are shadowed or striped. The shadowed versions have been deconstructed so that they and their derived font can be used in layers to add color.

Imperia is derived from my Classic font Imperium – the Roman Original from the Trajan column. I pushed Imperia a lot further, adding two versions of swings. To make the family more usable I threw in my own version of lowercase letters for free; Roman did not have lowercase letters of that kind! The other three cuts – A, B, and C –have classic smallcaps.

The Speakons are made out of 500 icons in three different styles. They change automatically into icons by typing the right words through its OpenType feature. It was specially designed to break down our language barriers. To be understood internationally. It’s also perfect if you just need a huge icon family. Give it a try! You don’t want to miss it.

The Voyager is a sans serif display font with a retro look. With over 100 ligatures, small caps, and swashes, The Voyager is perfect for logotype design, magazine layouts, in titles and short texts. It includes: Three weights: Light, Regular and Bold & Italics 100+ ligatures for both the lowercase characters and the caps Small caps Swashes A set of frames

Bouncer is an all-caps font family with automatic interlocks. With soft and rounded look and over 150 automatic ligatures and three weights Bouncer is a flexible and easy to use font. It's very suitable for anything from a Jazz poster to a restaurant menu. To access the ligatures you only need to write in CAPS in any OpenType-supporting application.

Hellrose is a scratches hand drawn font contains 50+ ligatures with three alternative. Hellrose is great for branding, posters, logos, invitation, writing and headings. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Ligature Thanks so much for checking out my shop and feel free to drop us a message any time and follow my shop for upcoming updates. Hope you enjoy it.

Aquatronik is a decorative display face with a somewhat retro-futuristic flair. It brings alternate glyphs for some letters and numerals and has extended language coverage, speaking more than 200 languages. The family includes three widths, for added versatility. Aquatronik is an excellent pick for eye-catching designs, including posters, book covers, album art, editorial, apparel, and many more. Have fun!

Stone skipping creates water ripples. This font expands by the same principle. A small, narrow base growing to the top, right, bottom and left until it reaches the shores. In this case: from the mean line to the baseline and caps height with a max. of three lines. WBP Ripples is a beautiful, friendly looking and playful display font for everyday use.

Is This the End has three different ornamental endpieces ready to use in end chapters, final pages in books, magazines and several artistic representations. Each endpiece may be used in different languages like German, Bulgarian, Croatian, Danish, Spanish, Finnish, French, Dutch, Italian, Norwegian, Polish, English and Portuguese. Intellecta Design researched these endpieces from the very rare Richard Gans type catalogue from 1882.

Way back in 1996, three student letterers went into the forest looking for the mysterious fonts used to letter Spawn: Blood & Shadows. They never returned. A year later, these fonts were found. And now, over 20 years later, we've updated Wiccan with separate Regular & Bold Special weights, Central Europe & Cyrillic characters, automatically cycling alternate letters and fan-favorite Crossbar I Technology!

Antipasto is a geometric sans serif font designed by Cosimo Lorenzo Pancini. The original family of three weights has been revised and expanded in 2017 with Antipasto Pro that now includes cyrillic and greek characters, open type features (small caps and old style numerals), six new weights from the hairline to the extrabold and an icons set in 8 weights.

Baltasar is a handwritten, brush script with ligatures and contextual alternates to help with flow and readability. Every lowercase letter has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The Flounder is a simple and clean condensed all-caps sans serif font. It is a close relative of the Floz, but has rounded edges and a wider range of glyphs. Furthermore it is equipped with a bunch of ligatures, as well as alternates for the letters j, w, q and z. It comes in three weights with their respective italics.

Nanquim is a versatile font, available in three sketchy options. At display sizes the line art is very eye-catching. At smaller sizes it turns out like textured faces. Always with a pleasant handmade feel. Nanquim characters were hand drawn with pen and India ink on film, like we use to do when preparing artwork for screenprint. Hope you enjoy!

London Court is a family of three 'Tudor Revival' display faces, inspired by an inscription seen underneath a clock in a splendid Tudor revival arcade in Perth, Western Australia. The resulting typeface designs are similarly 'Tudor Revival' or if you prefer 'Tudorbethan'- Roman with Blackletter details. Ideal for creating headings and posters which have an 'Olde-Worlde' feel with modern legibility.

Allison Tessa is gorgeous signature font and sans serif font with three variation regular, rough and stamp, as well as swashes. Allison Tessa perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. If you need anything else or you require an upgraded license please contact dedukvic@gmail.com

Small caps art deco font inspired by the golden age of Hollywood and childhood trips to the Majestic Cinema. Two styles, each with three weights. Picture House One is sharp and crisp, Picture House Two has a slightly 'Out of Focus' look to it. Both come with extended language support and oldstyle numbers, giving a lot of scope for may uses.

Jeremy is a handwritten, brush script with ligatures and contextual alternates to help with flow and readability. Every lowercase letter has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Retro Volt Inspired by 70s-80s Design Era. Retro Volt offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Retro Cool , Inspired by 60s - 70s Design Era. Retro Cool offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Add a touch of elegance to your work with La Paloma Script - A clean, modern, hand-written typeface with over 170 Ligatures and Decorative End Characters to add a dash of luxury to any project. And if you're looking for a lovely logo font, you just found it! La Paloma was designed with Branding in mind! But don't stop there, use this chic type in headlines & titles, signage, greeting cards, invitations & more!

The Saxo family is based on the typefaces of the twenties and thirties, where through the Art Deco and Futurism were built the foundations of the modern movement. Designed from basic geometric shapes (triangle, circle and square). This font transmits his solid character and modern spirit, through 470 glyphs, including Opentype features like ligatures, stylistic alternates and borders based on the geometry of the typeface. All Saxo fonts come with CE languages support.

profonts Concerto and profonts Sonata are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. Concerto's upper cases are more complex, swashier than those in Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate. Both fonts contain about 370 glyphs covering the complete Latin set for Western and Eastern Europe.

Need a perfect typeface for your post-apocalyptic shooting game? A documentary about suffragettes? Your vintage themed coffeeshop? PiS Lietz Berlham! Boom! Just as his straighter brother LIETZ Lindham, Lietz Berlham evokes the spirit of the 1920s and 30s. Hand-drawn and rough, it is perfect for large scale use in all things retro, but legibility is given also in smaller sizes. It features over 370 glyphs, ligatures and special characters. Have fun!

profonts Sonata and profonts Concerto are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. profonts Concerto's upper cases are more complex, swashier than those in profonts Sonata. One is a perfect complement to the other, and that is why they are offered together at special rate. Both fonts contain about 370 glyphs covering the complete Latin set for Western and Eastern Europe.

Dexa Round is the round cornered version of the Dexa Pro superfamily. It has 18 fonts with thin to black weights, along with their true italic counterparts. With more than 770 glyphs per font, It supports all the Latin languages as well as the Cyrillic ones. OpenType features: small caps, caps to small caps, alternates, old style figures, tabular lining, old style tabular lining, language localizations, ligatures, superscript, subscript, numerators, denominators, fractions, historical forms.