The Atrament font family was originally conceived in 2003 as the corporate display type family for Suitcase Type Foundry. Its original source of inspiration is the front cover of the Devetsil - Revolucni slovn’k almanac (1922), designed by Karel Teige. The lettering on this cover is a condensed sans serif with rounded stroke terminals. Atrament is significantly broader than the model and its characters are better balanced, reflecting the evolution of semi-condensed sans serifs throughout the 1960s. The horizontal strokes of both lower and upper case are less stressed than the vertical stems. Noteworthy are the unusual tiny gaps in the apex and vertex of letters with diagonal strokes, designed to prevent ink from spreading and smudging the letter shapes. This detail is one of the main features of the font's character. The general feel of the italics closely matches the strictly vertical, parallel character of the regular cut. When converting the family to OpenType the alternate character shapes from the Alternator weights were incorporated in the regular cut, which allows the user to switch selected characters from one shape to another within the same font. A number of glyphs and accents were corrected, and all the glyphs missing in the Suitcase Standard character set were added, along with the relevant kerning pairs. The individual weights of Atrament Std thus contain accented upper and lower case, small caps, alternate glyphs for most European languages, nine types of numerals, superscript characters, caps glyph versions, and much more. Its narrow proportions make Atrament the perfect choice whenever economy of space is a must. It is however not very well suited for setting long texts. Ideal for headlines and display use, it is perfect for situations where the text needs to make a great impact in a little space.

Iza and Paulo W (Intellecta Design) are proud to announce Bradstone-Parker script Script. A free interpretation of the golden age writing style from American classical penmanship. Inspired in Zaner and his contemporaries Bradstone-Parker has evocative (sometimes exaggerated) ligature forms and voluptuous forms. This enhanced OpenType version is a complete solution for producing documents and artworks with a evocative and voluptuous style of calligraphic script: - many stylistic alternates for each letter (upper- and lowercase), accessed with the glyph palette; - ornaments and tails (“rasgos”) in the typical style from the XIX to the first decades of the XX century writing style, all accessed with the glyph palette using the Ornaments feature; - an extensive set of ligatures (100s of contextual alternates ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; - a tour-de-force kerning work: over 4600 kerning paris soft adjusted handly. In non-OpenType-savvy applications it works well as an unusual and beautiful script style font. Because of its high number of alternate letters and combinations (almost 700 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. You can get an idea of the power of this font looking at the “Bradstone-Parker Script Guide”, a pdf brochure in the Gallery section. Take a special look at the Bradstone-Parker Words (ready words). Bradstone-Parker Script has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

Mantika Book expands the Mantika super family: a contemporary serif font with a soft, yet robust character and a classic lookMantika Book, an Antiqua, is the third member of the Mantika super family, which consists of the Mantika Sans and Mantika Informal. Designer Jürgen Weltin has gone back to the roots of his font, which he had originally derived from a Renaissance Antiqua. These origins are recognizable in the first member of the Mantika family, Mantika Sans, in the form of carefully suggested line use and a contrast in the weights that recalls the Antiqua. This solid sans serif, optimized for use in text, also has a particularly energetic and dynamically designed italic. Mantika Informal also brings to mind a cursive font at first glance; ultimately, however, it is not easily categorized. Its light, organic shapes combine the informally flowing style of cursive handwriting with the open and airy form and contrast of a humanist sans serif. The shapes in the serif Mantika Book are also based on the Renaissance Antiqua, just like the other members of the Mantika super family. However, the contrast in the weights is somewhat stronger than is conventional for this genre, and the serifs are characteristically asymmetrical, with slanted ends. Lightly grooved stems with an implied curvature in the lower-case letters as well as dots whose shape flirts with a fountain pen lend the Mantika Book a dynamic and particularly friendly character. Details like the open "g" or the contoured foot of the "k" emphasize this dynamism. The letters of Mantika Book have the same large x-height as the other members of the super family, but are equipped with somewhat longer ascenders and descenders.

Introducing Super Ground Typeface : Expand Your Design Horizons A wide sans serif font designed to amplify your design impact. Its spacious letterforms provide a canvas for bold ideas, from captivating headlines to eye-catching logos. Embrace the power of width and redefine your designs

The cross appears globally even reaching the remote corners of the earth. Primitive man used it as an emblem as did many following civilizations. Associated with reverence and spiritual power, the cross is represented in many forms. Cross Ornaments contains a total of 106 ornaments.

This all cap, bold, sans serif font features one face that slants backward ("Back") and one that slants forward ("Forth"). Use in combination to create headlines and designs that call for a sense of speed, motion and power. Uppercase and lowercase letters are the same.

Atomicaboy is a geometric script font. Re-interpretation inspired by atomic age power tool lettering and chromed emblems of 50's. The Atomicaboy script make full use of modern technology. Just turn on automatic ligatures and watch how each letter pair always connect perfectly.

New Slang is thin and spidery, a lightweight font that has more in common with a scrawl or etched graffiti, perfect for a nicely weighted ransom note or cry for help. Upper case, lower cases and various other glyphs (euro), I hope you like it.

Crocante is an energetic and good-humored display font. Although being an all caps alphabet, it counts two versions for each letter, easily accessed through keyboard upper and lower keys. These slightly different letterforms will bring spontaneity and vitality to your designs. Crunching noises guaranteed!

Crimson Skyline is a thin brush font. I used a pencil and Chinese ink to paint the letters. Crimson Skyline comes with double letter ligatures for the lower case letters. And the name? Well, it just has a nice ring to it. That’s all!

Albany, from Monotype Imaging, is a typeface family whose fonts have the same metrics as Arial. However, in contrast to Arial or Helvetica, Albany's letterforms are more open, with more generous apertures and counters. Also, punctuation is not square, as in Arial, but round

Moderrat Sans Serif Font Family. Features with 7 fonts. The Modern design of typeface will make your design more powerful. The font is suitable for any project like web, signage, corporate as well as for editorial design and many others. Featured : Multilingual Support PUA encoded

Teethee is a font family dedicated to oral hygiene. The characters are made from toothbrushes, toothpaste and toothpaste tubes, and teeth. Both fonts in the family are caps only, but most letters on the lower-case keys differ from those on the upper case keys.

Abwyn is a sparkly Art Deco construction. The little diamonds in the vertical strokes add a lightness that is very pleasing to the eye in display sizes: Lower case numbers, Euro, ballot box in the section slot. It was just designed for fun & celebration.

Ed Benguiat drew the PL Bernhardt font which was released in 1970. PL Bernhardt was modeled after a 1930/1931 design by Lucian Bernhard. All terminals on non-vertical strokes are diagonal so that lower and uppercase X looks as though they are dancing.

Flame rider. It is a layered font in a vintage biker style. Suitable for illustrations for T-shirts, alcohol labels, logos and corporate identity. The font has 8 font styles: upper and lower case letters, numbers, punctuation marks and multilingual characters for each style.

Lavaman was created by Chank Diesel in 1995 as a custom font for the Cartoon Network's Space Ghost Coast to Coast web site. This font represents the printed voice of the talk show's surly backstage engineer, who is a man made of molten lava.

Bold modern sport font with rounded corners in consistent angles. A strong and unique style instantly adds power of movement to your creative projects. It's perfect for logotypes, headlines, game covers, sports events, posters, magazine covers, branding, product design, labels, and other suitable projects.

This font was a product of self-initiated project I started a while back. It started and finished as a project that I was working on while procrastinating at school, for fun; however, I spent enough time to not give it out for free.

Meet Auntie Lee - a hand drawn and playful sans serif! An upper-case-only font with upper-case-variants on the lower-case letters. With three happy versions - regular, outline & thin - you just can't go wrong! Don't forget to pay Uncle Lee a visit!

Summer Glow is a psychedelic modern vintage display typeface with reverse contrast. It comes with unique lower and uppercase plus numbers, punctuation & multilingual letters. You can use it as a logo, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, and wedding invitation.

Donut Derby is a playful, hand lettered caps font. It's got smooth lines, a heavy weight, and cute curves. Mix lower and upper cases for a more authentically hand-lettered look. Includes 5 ampersand alternates, because I like to have lots of options for ampersands. :)

This is a powerful graphic rough sans-serif typeface with four different styles. Two linear, one with an aged texture and one basic, for your experiments. It makes a bold impression, feels like a strong simple typeface. Looks great in short inscriptions, headlines, posters.

Kayla Sans is a sans-serif display font and works best in display applications, such as headline, magazine, posters, product branding, corporate branding, signage, logos and titles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Mr Stickman is a happy clappy kind of font, inspired by an older font of mine called Oranjerie. Oranjerie is an all caps typeface, but Mr Stickman comes with lower case letters - AND - a Stickman Action Figures pack! What more could you possibly want?

King’s Valley is an elegant serif typeface with plenty of features. It’s equipped with Standard Ligatures and Swash, Stylistic and Titling Alternates for more showy designs. Access the alternates from OpenType panel in any OpenType savvy program, or seek them from Glyphs / Character -window.

Coptek is the work of David Quay and gets its name from the high tech look imposed on the design of copperplate script. The capitals are initials which fit well with a lower case alphabet whose letters join in the style of true handwriting.

Some years ago I was walking along a street on the eastside of Manhattan and stopped in front of an old building that housed a power station. Lotsa Lotta is my version of the concrete letters displayed over the entrance that spoke the buildings purpose.

QAMASSAN is a Bohemian Vintage Typeface. It's retro, bold, and playful. Perfect if you need a dose of fun in your project. QAMASSAN fits perfectly into those nostalgic moodboards and vintage logos. It come with a unique lower and uppercase plus numbers, punctuation & multilingual letters.

Wickenburg is a rough and tumble grunge slab typeface that has taken a lickin' but keeps on coming back for more. It is a powerful heavyweight serif that makes a strong design statement. Pick up this bad boy and take him for a ride!

Aniara is a playful, happy and intergalactic font. Arriving in three different weights, Light, Regular and Bold. + the antagonist; the dark version without the space/counter. Aniara comes with laser shrinked upper case letters. It attacks with a alternative upper and lower case glyph. PoFF!!

Golf was originally designed by Henry Reinhard Möller in 1935 for Schriftguss KG. Coen Hofmann redrew the capitals and then added lower case letter and Cyrillic alphabets by himself. This digital version of the original typeface is best used in sizes above 24 points.

This condensed type is based on Roman calligraphy and (through having several alternates on both upper and lower case, plus some non-standard ligatures) your text may look like it’s written or handmade. You can combine this font with Ecstasy, also available on MyFonts.

Titles hand lettered for articles appearing in the November, 1938 issue of Hollywood Magazine were done in a condensed Art Deco stencil style in just lower case. This novelty type design is now available as Deco Display Stencil JNL in both regular and oblique versions.

The Matesih is an amazing handwritten font. This font will make your design more beautiful and powerful, and is suitable for any design such as branding, quotes and more. It includes: -Accents (Multilingual Characters) -PUA encoded -Numerals and Punctuation (OpenType Standard) -Many alternate characters

Search Party is a handwritten font, made with a Sharpie pen. It is a little wild, a little uneven, but legible and perfectly suited to be used in your designs. Comes with extensive language support and a set of alternates for the lower case letters.

Pecorino Script is a lower-case script font with an authentic, handwritten feel. It's perfect for: logos, branding, wedding invitations, greeting cards, quotes, textiles, posters, magazines, social media, planners, prints, and more. FEATURES: Stylistic end swashes to add personality Initial characters Multilingual accents + support

BearButteT is a square-serifed typeface. The bold version was developed first as a display typeface, and the rest of the family followed. A fifth member of the family includes swash caps on the upper-case keys and small caps on the lower-case keys.

Roller Girl is a bubbly ligature filled 70's inspired retro font. Roller Girl has easy going curves and a laid back aesthetic. It has a ton of ligatures in both upper and lower case that can help you create unique designs that stand out.

Welcome to the spooky world of Hypestone, the creepy and fun display font that's perfect for horror and Halloween styles. With its strong and captivating characters, Hypestone exudes an air of mystery, horror, and fear that will send shivers down your spine. But don't worry, we've added a playful twist with alternates and ligatures, making the glyphs organically spooky and delightfully creepy.