Want to live up the hype of your brand? It's all here. The cute elegant Walnut Cream is a beautiful combination of the handcrafted script font and the uppercase display font to beautify your designs. The font features a set of lower and uppercases, numerals, punctuations, multilingual supports, stylistic sets, ligatures and swashes. It is best to apply for various purposes, such as branding, logotypes, promotions, quotes, and more. See the previews above to get some inspiration on how to use them. Happy designing! Thank you for purchasing from Natha Studio. For further details and queries, feel free to contact us.

Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” ("The Time of Abandonment"). The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement. A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs. Mantequilla JNL is available in both regular and oblique versions. For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter.

Garrison is a contemporary sans serif that offers a straightforward interpretation of the English humanist sans, gently blending rigid tones over a warm structure. It’s available in 7 weights and it comes with a duo-italic set; on the one hand the Oblique complements your text as the slanted version of the Regular, and the smooth, flowing italic will make your written piece stand out brightly. This simple and carefully crafted typeface, with traits flirting with geometry, becomes a powerful workhorse. Its versatility makes it ideal for both paragraphs and bigger typesettings, a great choice for branding, signage, editorial, and more.

Hard Race is a racing theme font with sharp and consistent angles combined with a hard and strong style. So it looks very fast and powerful. Hard Race it's perfect for logotype racing product, racing game covers, sports events, automotive posters, automotive magazine covers, branding, product design, labels and other creative project. What’s Included : Standard glyphs Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software. Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Nipok is a single weight display typeface, inspired by the aesthetics of different decades. Rounded terminals and playful intersections from the 60’s and 70’s, joined with straight and compact lines from the 80’s and 90’s. The particular style is given by the alternation of upper and lower case letters, chosen to fill the empty spaces greatly and create harmony. In addition, alternates are included to give you more stylistic options. While by default this font is a semi unicase, the alternative glyphs extend the Ascent and Descent metrics. Multilingual support is available.

Since 2017, I have been improving my font creating skills. In the same year, I went through my father's notes and decided to make a font with his handwriting style. I completed the initial version with a lower number of glyphs in 2018. It supported only basic Latin, Turkish, and Azerbaijani alphabets. On the 15th of January 2021, my dad will turn 60. I am planning to finalize the updated version of the Father font by then. 584 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Romanian, Euro, West European diacritics

Rock and Cola's design is clearly inspired by the sinuous shapes of the world's most famous drink's logo. It however does not pretend to copy it faithfully or to serve as a platform to generate the logo itself. Rock and Cola is a very elegant Script font with great weight and contrast. Its OpenType features include ligatures, swashes, alternative characters, ornaments and accents in order to support many foreign languages. It has huge possibilities for application in logos, titles and short texts by generating in them great impact and recalling. Use Rock and Cola in your projects and enjoy it!

K-haus 205 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 105 , featuring a few different characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.

Fhayu, our newest san serif font, is now available. Fhayu is a gorgeous sans-serif font with powerful curves. This typeface offers a stunning and clean appearance that’s ideal for branding, digital products, and any of your creative projects, regardless of theme. This flexible typeface has a unique and balanced personality, making it ideal for headers and paragraphs alike. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Linotype Dropink, from German designer Christine Voigts, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. A spirited font, Linotype Dropink may remind you of your first attempts with a broad-tipped pen or of schoolwork in days of yore. However, the blots of ink are in this case done on purpose, are indeed the highlight of the font, large and small, round and irregularly sheped. Linotype Dropink is intended exclusively for headlines/display and should be used in point sizes of 18 or larger.

Linked Now is so named because this Typeface has Multiple Discreationary Ligatures that unite two different letters to make a striking shape. Is a powerful grotesque typeface designed to be versatile in a wide range of contexts. Having more than 50 stylish Dsicreationary Ligatures on Uppercase letters and unique Alternate on certain letters makes it seem like they have various shapes, so they are great to use as display fonts. To complete it, Linked Now typeface is equipped with 8 weights from Extralight to black and each includes italic. More than 485 glyphs on each and support most European languages .

Suti is a non-connected sign painters casual script with upper and lower cases. Suti was originally designed in 2010 but it was completely re-drawn in 2016. Casual lettering is a style sign painters use. Every sign painter has more or less their own style to make these letters. The casual alphabets are painted with speed and they don’t need to line perfectly but letters are still clean and easy to read. Suti has smooth and round forms. Friendly and casual looks. It is suitable for logos, titles, package design or where ever you need a fun and sympathetic display font.

Breitkopf Fraktur was designed by Johann Gottlob Immanuel Breitkopf (1719-1794), the well-known type designer and printer of Leipzig. Breitkopf's high reputation is based on a system of printing musical notes which was developed by him. 1793, in the final stage of his life, he designed this beautiful broken script named after himself.Breitkopf Fraktur is classified as broken", something created by the German renaissance. Broken, because all round parts of the lower case characters in such typefaces look broken.Ralph M. Unger redrew and digitized this font exclusively for profonts in 2003. His work is based on artwork taken from old font catalogues."

Gageac is a classic "Didona" font, characterized by an extreme contrast in the thick and thin strokes, by the use of short serifs, and by the vertical stress of the letters. This typeface is slightly condensed, the ascenders were lowered, the thick strokes were exaggerated and enriched with a full set of OpenType features of tails, ligatures, alternates and swashes, giving them an excellent legibility and a very clear and elegant appearance. 
The italic version is a true "italic" so some glyphs were adjusted. Gageac Italic was carefully designed and drawn to be combined with Gageac Regular.

Rapier, designed by Martin Wait for ITC in 1989, is an impulsive, energetic script font with strong ties to the brush and advertisement typefaces of hte 1940s. The zestful capitals contrast with small, narrow lower case letters, lending the font its dynamism and liveliness. Desinger Wait reached the energetic, almost aggressive feel of Rapier with snappy base forms and especially with ascending strokes. For an optimal look it is advisable to set Rapier's forms near to one another, so that the ends of the strokes of one figure touch the beginning of the next. Rapier is best used for headlines and short texts.

Newsprint JNL has its origins in an online auction image of wood type. Only the lower case a-z were shown and the type design included an extra-wide 'g' and 's'. Expanding on this idea but narrowing the 's' a bit, Jeff Levine created a capitals set and all of the necessary additional characters - even adding a generous selection of accented characters not usually found in his display fonts. Regular, oblique, narrow, narrow oblique, wide and wide oblique versions are available. All styles offer crisp, clean lettering for headlines, window signage and other display text applications.

Greater Albion Has been toying with thoughts of a “unicase” typeface for a while. On the other hand we’ve always wondered just what practical use they are. It is also a while since we’ve introduced a ‘handwritten’ design. Therefore, It struck us that one answer was something ‘hand-lettered’. These days many people do write in a sort of informal unicase don’t they? But, at the same time, we wanted it to have a little character. So here it is, a bit calligraphic, with a touch of black-letter and a cunning mix of upper- and lower-case forms Uncia Black!

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

Positronic Toaster is a modern interpretation of the French upright scripts of the nineteenth century. It started off as an attempt to make a stylized script that didn't feel like it belonged on a 1950s chrome appliance. Later on, however, the design grew to embrace the qualities of that style of lettering. The result is something playful and elegant, that is not tied to any particular time period. The distinctive angular loops on the ascenders will join together in words like 'bulb' or 'wallflower' using OpenType contextual alternates. It is suitable for cards, wedding invitations, or any project requiring a fashionable, upscale look.

We are proud to present the futuristic Excelancer font. This font was inspired by passion for space stories. The uniqueness of this font lies in the rare combination of a wibrant style of decorative capital letters and perfectly balanced lowercase charachters that read well in any massive text. Thus, you get a universal font kit with which all the tasks of futuristic design are solved. However, this font will become a decoration not only for fantastic stories, but also for everything related to technology, development, progress and even sports. In short, this is the pure energy of the future!

Linotype Irish Text is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German artist Torsten Weisheit designed this font based on Irish scripts of the 5th century. Characteristic of this style is the mixture of upper case letters in the mostly lower case alphabet and vice versa. The letters look as though written with a broad tipped pen and have triangular serifs, displaying a decorative tendency akin to that of Irish calligraphy. Linotype Irish Text is intended exclusivley for headlines in large point sizes.

North Block is a true sports branding classic. It's timeless shapes and features will give you an instant athletic feel to your project. North Block Regular got chamfered corners for that powerful and edgy visual performance and North Block Soft has rounded corners for a softer, more subtle approach. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more. North Block features a character set with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

True North is a vintage inspired typeface with 16 styles and a monoline script. True North comes with labels, extras and free banners. Extras include wild animals, catchwords, numbers, symbols, tools, maple leaves and trees. True North is a headline font with alternate capitals. Combine all 16 styles with the script, banners, labels and extras and you get a wonderful vintage design. True North Script is a playful, fully-connected monoline script full of ligatures and alternate forms. Its wide range of international characters and alternate use of the power of OpenType automatically creates the feel of hand-lettering.

Introducing "Forenight" - a dynamic and modern sport font designed to capture the spirit of athleticism and energy. With its bold and sleek letterforms, Forenight brings a sense of power and movement to your sports-related designs. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Linotype Scott Mars, from German designer Hellmut Bomm, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Bomm constructed this typeface from a consciously limited repertoire of forms, producing a strictly constructed font with a cool, technical look. Worthy of note are also the exalted numeral forms and the unusual size relation of the lower case and capital letters. Scott Mars is best used for headlines and short to middle length texts in point sizes of 10 or larger.

Goolavin is a Modern Minimal Serif typeface This font exudes a sense of power. It is elegant but strong and confident in appearance. Each letter has been carefully designed to create the best possible impression. It looks stunning on packaging, clothing, and any industry where elegance is needed without sacrificing boldness. that suitable for strong and modern looks on your works. Goolavin is perfect for sport product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Goolavin Font - Ligatures - Multilingual, US Roman, Latin 1 Support

Introducing Wakatobi, our newest font creation that exudes power and beauty through its condensed sans serif display. With a distinctive character and unique form, Wakatobi is a formidable typeface designed to captivate attention. Ideal for magazine spreads, covers, and posters in large print, this massive font is tailored for titles and wide spaces. Specifically crafted for covers and posters, Wakatobi ensures it doesn't go unnoticed, making a bold impact without compromising style or legibility. Whether in large-scale designs or smaller point sizes, Wakatobi stands out, delivering a visual punch that resonates with both impact and elegance.

I raise chickens for eggs and meat. I usually buy fertilised eggs online and place them in my incubator, which says that it is 'fully automatic'. Of course I added that rather random introduction to tell you how I came up with the name for this new font... Fully Automatic is a handmade cartoon font: I used a sharpie pen to draw the glyphs onto rough paper. The result is a wobbly, yet quite clean cartoon font. Fully automatic comes with extensive language support and two sets of alternates for the lower case glyphs that cycle as you type.

Inspired by public fonts in New York in the 1970s. Authority pays tribute to the almost unnoticed but powerful effect type have on our lives. From waiting on a cold morning to catch the 307 to Morton West High School, to the rain and snow worn stencil on a postal box. Public typography is a part of the little spaces in your lives where life actually happens. Government designed fonts were chosen to communicate authority and help grease the gears of the day-to-day grind. Authority beckons back to these days with it's mildly condensed feel, squared corners and weight presence.

Blingston Brush. is a textured brush font, a contemporary approach to design, with handcrafted and natural underlines and also has alternatives & binders that make your designs more attractive. Suitable for use in title design. Such as clothes, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters, and others. Blingston Brush. equipped with Standard Characters upper and lower case, Punctuation, Numbers. And some glyph variations of OpenType features like Standard Ligatures and Stylistic Sets. Includes multiple multilingual support If you have any questions, feel free to message me :) Thank you so much for watching and enjoying it!

Zim is a bold, earthy font, named for the Great Zimbambwe ruins (a World Heritage site). Its solid silhouette represents the timelessness of this ancient structure. The font is very readable, and its bold, rugged shape make it ideal for display purposes, for posters and headlines. Fully professional, it contains a complete set of 255 characters — Upper and Lower case, all numerals, punctuation, symbols and accented characters. It is suitable for layout work in all major European languages — Spanish, Portuguese, German, French, Swedish and Italian (to name a few). The characters are spaced for readability and have been carefully kerned.

Leenyx is a geometric display font family and works best in display applications, such as posters, signage, logos and label. The Leenyx family comes in 2 versions: Leenyx AX and Leenyx BX. Leenyx AX has lines of even width and no serifs. Leenyx BX has lines of even width with slight curve on the ends of the strokes. Each Leenyx font version has two weights: regular and bold, each available in italic, making a total of eight styles for. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Edda Glaser’s digitized handwriting is a beautiful script containing many ligatures and alternates. The first lines were drawn in 2012 – however, there are now over 850 glyphs! The elegant and light typeface combines both connected and separate characters, in this way gaining a dynamic flow. The Open Type Features allow you to choose glyph alternates for the beginning and end of words. The script also contains lots of numbers as old-style and titling figures as well as sub- and superscript figures.  The many alternates and swash uppercase letters let you create a versatile look which suits designing magazine and other print media.

Aforo Display is a decorative font suitable for logos, headlines, packaging, signs, posters, postcards, labels, publishing, page design... The basis of the construction of the Aforo Display typeface is a slab serif font intertwined in four horizontal bars similar to the marquee letters of the old cinema/theatres. Hence its name: Aforo in Spanish is the capacity of spectators of a theater. The horizontal bars partially penetrate each character giving a sense of depth and the right and lower strokes are widened to simulate volume. It comes with four special characters to add start and end arrows, two versions for each element.

Huffer is a chunky and irregular sans-serif font (with a few serifs) that simulates the look of letters crudely cut out of paper. The basic letters were originally inspired by an early 1970s instructional filmstrip dealing with the dangers of glue sniffing. Further inspiration came from other sources of 1960s display lettering. The lower case is almost as tall as the upper case allowing for a mix and match between cases to achieve a more lively display effect. Huffer Pro includes ligatures as well as Cyrillic and Central European character sets with a total of over 500 glyphs.

Anavio is named in honor of the ancient Roman name of an English Derbyshire town. Anavio is a classically inspired family of Roman faces, emphasizing simplicity of form and elegance. Regular and Bold weights are offered, along with condensed forms. Anavio is offered in both upper and lower case and small capitals faces. Its simple lines are immediately legible, lending it to both text and display uses. A range of ligatures, both standard and discretionary, are included as are stylistic alternates and two styles of numerals. Use Anavio to lend that indefinable air of elegance to your next project.

Dramatico is a script font family inspired by vintage handwritten postcards and notes. Perfect for any design that needs a vintage calligraphy look, Dramatico was handmade using a real dip pen and ink. Use it in signatures and logos, notes and quotes, social media posts, and branding and packaging. Dramatico includes: Ligatures for a more natural text Swashes for most of the lower-case letters A set of ornaments to decorate your text A set of extras (lines, scribbles, arrows, splatters, etc) to add a grungier look to your vintage designs Bonus! Underlined and Strikethrough versions of the script font

Pricing Labels JNL gives you a set of digital price gun labels in fifty-one of the most common store departments, plus an untitled title label on the lower case ‘z’ key. Additionally, numbers for creating prices are on the standard keystrokes (for dollar amounts), and smaller numbers/underscores (for cents amounts) are on the shift key groupings for the number keys. The dollar and cents sign are on the left and right brackets, the decimal point is on the period key and the words “each” and “for” [set sideways] are on the greater and lesser keys.

Reywak is an impactful new font that merges the clean look of sans-serif fonts with the powerful symbolism of Arabic characters. Its readability makes it the perfect choice for headlines and long reads, while the unique allure of its arabesque design lends itself beautifully to posters and greetings. Reywak: use it to make your content a cut above the rest. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Joyful Script comes with upper and lowercase characters, punctuation glyphs, numerals, web font, and supports international languages. Stylistic sets for several key lower case characters are also available. Perfect for logo marks, typographic quotes over photos, book covers, and packaging design. Note: To access all the alternate letters for this font you will need software with a glyphs panel - such as Adobe Photoshop CC 2015, Adobe Illustrator, Adobe Indesign, etc. The subset of Joyful Script Regular in this kit supports the following languages: Albanian, Basque, Breton, Chamorro, Dutch, English, Finnish, Frisian, Galician, German, Italian, Malagasy, Portuguese, Spanish, Swedish