The 1885 specimen book of the Palmer and Rey Type Foundry of San Francisco featured the inspiration for this typeface under the name Courier. This version has been thoughtfully designed to use Contextual Alternates to avoid unsightly swash collisions. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

The Slatz Font Family is Vertical. It has a slender, consistent weight that is best used in limited, left to Right, space limitations as to maximize font height. Slatz font variations all have extremely clean edges and even the serif versions are crisply defined with a flat-pointed serif for an added unique character. The designed intent was for a tight kern, however evenly letterspacing these family members give a distinct personality and continues to command the negative space just as in tight kerned examples. The compatible relationship of these font family members, serif to sans serif, and regular to italic is seamless and the overall design coloring of words as sentences is well balanced and extremely legible. The Slatz Family fonts are matching members glyph to glyph yet there is a noticeable difference between the serif and sans serif members. The sans serif works in contemporary and vintage settings. The serif members work particularly well in vintage, period applications. The Bold and Drop versions of Slatz also fit the above descriptions and also work on their own.

With its slightly rough edges, Thumbnail Text works well where lettering is required. Letterforms wiggle a bit here and there but are generally quite uniform. Characters are a bit imprecise - but not showy or bouncy. They appear more adult-looking than childish and are very legible. Put Thumbnail Text to work as drafting notation or on blueprint projects that need to be easily read. It¹s also useful when concept or sketch stage lettering needs to look serious but not highly stylized. You might experiment with it inside cartoon thought balloons or in callouts. This design is based on an old showcard style from the 1940s. It's been dusted off and reissued for modern use. A lowercase has been added for greater functionality. Thumbnail Text Regular is now available in the OpenType Std format. Some additional characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Mayville JNL is a re-drawing of an all-caps Clarendon Wood Type font from the 1800s.

A Bold new re cut of Bodoni, designed with a more contemporary look. Also has matching Italic.

The Quitador™ Sans family is a fresh and distinctive design with roots that go back to the original Quitador typeface. Like its slab serif relative, the Quitador Sans suite of typefaces is large with several weights of roman and italic designs, making it an excellent choice for a wide variety of print and on-screen projects.

An old printer's advertising cut for Red Star Oil Stoves yielded a typeface that was both vintage and somewhat techno at the same time. Originally drawn as a slanted logo, the individual letters had an array of chamfered, angled and flat sides combined with a bold outline. This font is available in both vertical and oblique versions.

The hand lettered title on the 1911 sheet music for “That Railroad Rag” was designed in a block style letter with spurred serifs. This simple typographic layout evokes the imagery of early rail transportation although the song itself is was a ‘modern’ composition of then-popular ragtime music. Railway Station JNL is available in both regular and oblique versions.

Tourette draws inspiration from 19th century French light slab serifs. This area of typography is relatively unexplored in contemporary design. Tourette includes two versions, Normal and Extreme. Normal is simple, delicate and legible, whereas Extreme is full of little flourishes that grant an exquisite, slightly frivolous, feel to the weight. Tourette is a progression of the Expletive Script family.

The 1884 specimen book of San Francisco Palmer and Rey Type Foundry featured this elegant design under the name Oxford. The decorative caps, combined with the centered small caps, have a timeless appeal. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Export Drive is a bold condensed stencil font of the kind traditionally used to mark tea chests, packing cases and other goods in transit. Nowadays of course its applications are universal, although it is particularly well suited to branding or publishing projects which strive for a sense of freshness, urgency and immediacy, or a rugged, rough-and-ready feel.

Media Blackout is a handmade font with rugged good looks. The Media Blackout Family consists of three fonts: Normal, Italic & Marker. Media Blackout Marker takes the handcrafted look one step further by adding heavy hand etched lines for a truly unique look. For an even more handmade look, switch between uppercase and lowercase for a change of etching.

Scrawny is a long-legged beanpole of a font. Quirky, a little retro — and most certainly smile-inducing — Scrawny sports tall and thin characters with high horizontal crossbars to give a feeling of "cute shyness" and "warm fuzziness." Scrawny works great for banners, announcement text, labels, and anything else that requires something with a bit of whimsy.

Home. Dersima is a stencil display typeface that is a homage to past relatives and ancestors of genocide and oppression. The philosophy of the typefaces missing parts symbolizes the dark and confusing history and the struggle for equality of the Alevi Kurds. The objective of this typeface is to live on and make sure they are not forgotten.

Ancient Evil! Nazi Spies! High Adventure! Spandex! As the sun sets and the sky fades from 100Y, 50M to 100Y, Jeff Campbell's Warm and Friendly Display Letterforms are already receding over the far horizon in a Dakota, trailing a long broken red line all the way from Venice to Cairo! This font really does not belong in a museum!

Wrought is a bold geometric display font by Jon Cartagena. It's purpose is to give a rugged, heavy feeling to your designs. Wrought is available in four weights: Thin, Light, Regular, and Bold. Each character is carefully designed to be vertically aligned at the center. This gives Wrought a unique flair, while promoting a harmonious look through each word.

Closer is a highly customizable Swiss Grotesque with overclosed aperture. Being a bit wider than the average grotesque and featuring some humanistic shapes, Closer feels less bland though still relatively neutral. Closer comes in 9 weights (18 styles altogether), features extensive language support including Cyrillic and is highly customizable with 7 stylistic sets to mix and match.

Clinica Pro is a modern take on Swiss grotesques, with a little bit of an added personality. It features 8 weights, italics, 6 sets of figures, small caps and a bunch of ligatures. Still relatively neutral, it lets a brand stand out of the grotesque-crowded environment with support for multiple languages as well as Cyrillic script.

Reading is fun; legible with a playful wiggle, a bit of texture, and a lively set of double-letter ligatures. Reading wants to be read aloud and sounded out - lightened by comic relief and sweetened by a bit of style. The upper case is relatively straight, the lower case - slightly jumbled, and Reading’s numbers have excellent curls.

This loopy offering is patterned after a typeface from the 1888 specimen book from the Central Type Foundry of St. Louis, called simply "Spiral". The ragged contours on the original face have been smoothed out, but it still is an attention-getter. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Saturday Detentions is based on the classic serif "High School" style. However, this version is handmade and a bit rugged here and there - and loose in a legible/organic way. I've added 7 different versions of each letter and they automatically cycle as you type - or you can manually choose the one you prefer from the glyph menu.

Cyber rock Brush Script bold, cool, cursive, design, editorial, grunge, handpaint, handwritten, ink, letter, logo, logotype, magazine, marker, modern, paint, ragged, ROUGH BRUSH, script, sign, style, stylish, swash, tag tagging, textured, trend, trendy, urban, vintage, written handwritten brush script dry brush cursive font with rough and dynamic look. Ideal for quotes, posters, branding, packaging, illustration, social media.

This is a funky hand lettered font that just begs to be used for coffeehouse promo. It is best when used in sizes above 16 points and is even better when used for posters where it can be printed in giant sizes. It was hand drawn in Fractal Designs Painter with lots of little Doo-Dads.

This older, somewhat funkier relative of the classic face, Engravers Roman, made its last appearance in the 1912 ATF Specimen Book. Here, it has been revived to do yeoman-like duty in a new century. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

In the late 60’s, one of the best art publications in the country was Motive magazine, published (amazingly) by the United Methodist Church. Filled to the brim with poetry, essays, line drawing and woodcuts, it also featured some cutting-edge typography. Boxy/Code is based upon my memories of woodcut typography from that great magazine. Since Boxy/Code ’s lowercase consists of the uppercase’s negative spaces, it’s easy to combine the two with Layer Styles in Photoshop in order to achieve the effect I used in one poster above. It also works great if you use a well-known text as a background. This new version is totally redrawn and features all the Latin-accented letters. Uppercase consists of black capitals in boxes; lowercase features the negative spaces of those boxed capitals. Uppercase and lowercase line up exactly for 2-color effects.

Letterpress Stock Cuts JNL is another assemblage of classic cartoons and illustrations re-drawn from vintage source material.

Stencil Project JNL combines a number of themes within the many decorative stencil designs re-drawn from vintage sources.

More vintage cartoons, decorations, embellishments and various letterpress dingbats have been re-drawn and collected in Printers Decorations JNL.

Introducing "Camaro" - a dynamic and high-octane racing display font that embodies speed, excitement, and adrenaline. Camaro showcases a strong and sleek design that mimics the aerodynamic lines of racing cars. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Sandbox was inspired by designs created by the Robert D. DeLittle Foundry in York, England, sometime after 1888. At the time, the fonts were simply grouped under the title #260 in the DeLittle catalog. This new font family was completely redrawn and engineered by Steve Jackaman, and several additional weights were designed to give the family improved flexibility. Sandbox was given its new name because it showcases a playful and bold feel, and contains many fun alternate characters and ligatures. It excels in display, but can still lend a carefree feel to subhead and text sizes.

Jhon Halend is the perfect signature font, featuring a natural and stylish flow that showcases elegant tails at the beginning and end of each letter. It provides a binding element, allowing specific letter combinations to flow seamlessly for a more natural and authentic appearance, making it suitable for various projects that require a natural handwriting touch. To use beginning and ending swashes (tail), you don't need to use software that supports opentype, because we have made it separately so it's very easy to use. Files included: Jhon Halend-Regular Jhon Halend-Tail Feature: Ligature, Stylistic Alternate, Multilingual and PUA encoded.

Build your own board game! This unique font contains lots of bits and pieces to put together your very own custom board game. Print the backgrounds large on cardstock and use the blank die outline to createa custom die! This is a great creativity builder for kids – let them create their own game with their own rules! Alisha Peare of The Bubbly Blonde has come up with a great free synonym/antonym game to showcase some of the ways you can use this font. Download her excellent game for free here: http://www.teacherspayteachers.com/Product/Lost-Leprechaun-AntonymSynonym-Game-Board-FREEBIE

Peppy Pegasus - Quirky Unicorn Theme Font is a charming typeface designed to transport you to the whimsical world of unicorns, pegasus, and rainbows. This font showcases playful, rounded, and soft letterforms that add an element of delight to your designs. It's versatile and can be used on its own or paired with any of its nine enchanting variations. With nine distinct variations inspired by pegasus, horses, horns, wings, rainbows, and magic, Peppy Pegasus is the perfect choice for children's themes, crafting projects, and imaginative designs. It brings a sense of fun, playfulness, and a vibrant, colorful aesthetic to your creations.

Naerya, a modern stylish serif font, effortlessly blends sophistication with contemporary design elements. With its sleek and clean lines, Naerya exudes a sense of timeless elegance, making it an ideal choice for projects that demand a touch of class. The font’s well-crafted serifs add a distinctive flair, striking a perfect balance between tradition and modernity. Naerya’s letterforms showcase a harmonious interplay of curves and straight lines, resulting in a balanced and refined aesthetic. Whether used for editorial design, branding, or digital applications, Naerya stands out as a versatile and visually pleasing serif font that lends a touch of sophistication to any project.

Introducing Browellay Synthya, an expressive, classy, and elegant signature font that will bring joy to your designs! Designed with bolder strokes to make it stand out as a display font. This font is perfect for showcasing your personal touch as it captures the natural beauty of handwriting. Let your creativity shine with Browellay Synthya in projects like posters, flyers, quotes, apparel, logotypes, fashion, branding, motion graphics, invitations, weddings, and much more! Browellay Synthya features: Uppercase letters Lowercase letters Numbers and punctuation marks Symbols Stylistic alternates Ligatures Multilingual support Elevate your designs to new levels of sophistication with Browellay Synthya!

TOMO Radix gracefully merges the enduring charm of mid-century modernism with the captivating allure of pronounced inktraps. Inspired by the clean lines and geometric aesthetics of the Bauhaus movement, as well as the distinctive lowercase forms of Futura, this typeface embodies a harmonious fusion of classic and contemporary design. Featuring seven (7) weights, Radix showcases an extensive collection of spurless characters that delicately embrace and enhance the inktraps, resulting in a visually captivating and balanced composition. Complementing its versatility, the typeface offers alternate glyphs accessible through opentype stylistic sets, further expanding its expressive potential for any design project.

Hi Designers. Everyone will try these soft and sweet typography at least once. All the angles and sharpness are transformed with soft and smooth. Each of these 18 styles has a unique personality and can be combined to showcase the designer's emotion more smoothly. Here is the advantage of being able to stay new without being bored. Of course, it can also be used in typography design for kids. And these soft styles include the following Ligatures. - La, Le, Lo, da, de, do, fi, fl, me, mo, mu, ne, no, nu, ta, te, th, to, tt

After creating an original light bulb symbol from scratch, I incorporated it in all letters and punctuation signs, ensuring a distinct rhythm and creative variation. The result is a highly recognizable font with a unique appearance, which can inspire you as a designer in many imaginative directions. This font is especially fitting for Christmas-themed projects where light installations take center stage. Similarly, if you represent a light bulb company, consider utilizing it in your indoor presentations or social media posts to showcase the playful voice of your brand. After all, everybody needs their light bulb moment.

Designed by Ryul Davidson, this typeface is a special style for designers who prefer a sense of space and differentiation in the layout system. It applies a design concept that continues the modern and contemporary grotesque lineage. And, It adopts a somewhat low x-height system and has a classic and sophisticated balance. As the height of lowercase letters is lowered, more differentiated and rhythmic typography can be realized, and it showcases a wide range of coverage from offline publishing to display areas. The elaborately optimized kerning system is a good choice for designers who prefer more professional logos and editorial designs.