The Fluze Fonts This is the 21st font release from CozyFonts Foundry, a California Font Foundry established in 2011 with it’s first Official Release in 2012 with the Aladdin Bold Family. Inspirations for the design of this font family, by California Graphic Designer/Illustrator/Font Designer Tom Nikosey, is based on the wacky, weird & quirky films that have graced the screen with their offbeat styles and characters. Movies that come to mind are Mary Poppins, Beetlejuice, Wizard of Oz, Edward Scissorhands, Alice in Wonderland, Little Shop of Horrors, Addams Family, Labyrinth, Ghostbusters, etc. The absurd, the sublime, the animated, the scary, and the illustrated are all descriptors to define the possibilities Of the many uses and applications of Fluze and Flute Outline as presented in a sampling of the posters here. The intentional crooked hand drawn’ glyphs and extras lend their personalities to create this effect. Whether in black, white & grays or psychedelic color combos, Fluze can be comical, frightening and Downright irreverent. This font works as main titles, end titles, branding, signage, numeric displays and even logotypes and monograms. Have fun and let your inner cartoonist inspire.

The origins of Bembo go back to one of the most famous printers of the Italian Renaissance, Aldus Manutius. In 1496, he used a new roman typeface to print the book de Aetna, a travelogue by the popular writer Pietro Bembo. This type was designed by Francesco Griffo, a prolific punchcutter who was one of the first to depart from the heavier pen-drawn look of humanist calligraphy to develop the more stylized look we associate with roman types today. In 1929, Stanley Morison and the design staff at the Monotype Corporation used Griffo's roman as the model for a revival type design named Bembo. They made a number of changes to the fifteenth-century letters to make the font more adaptable to machine composition. The italic is based on letters cut by the Renaissance scribe Giovanni Tagliente. Because of their quiet presence and graceful stability, the lighter weights of Bembo are popular for book typography. The heavier weights impart a look of conservative dependability to advertising and packaging projects. With 31 weights, including small caps, Old style figures, expert characters, and an alternate cap R, Bembo makes an excellent all-purpose font family.

Intellecta in partnership with Monocracy Types (Paulo W) presents “Renouveau”. Renouveau : taste the feeling of vintage typography. Inspired by the old letters at classic Victorian Era into the first decades of the XX century. This is a multi use typeface with over 600 glyphs which comes with wide variation of letters, accessible via OpenType features. A display typography in addition to your design arsenal. Suits for any project : labels, t-shirt design, typographic quotes, posters, packaging, wedding invitations, headlines, logo and branding, web, magazine covers, editorial design, print posters, signage, window shop design. It works beautifully for branding and advertising. Using the many ornamental forms and alternates you can create realistic headers. This display font has all standard character letters such as capital letters and lowercase letters, currency figures, numerals, punctuation. As well a complete multi-lingual support, to another languase systems from Europe and Asia countries. Althought a victorian style typeface, we keep simple the shape of the letters, to avoid the extravaganza from that epoch. You will get special capital letters and lowercases when you activate the alternate features or can choose alternatively manually on your software feature, like adobe illustrator, corel and others.

Opa-locka JNL is named for a city in Miami-Dade County, Florida and is based on an Art Nouveau-era bit of hand lettering found on vintage sheet music. Legendary aviation pioneer Glenn Curtiss (who successfully developed the city of Miami Springs and the city of Hialeah with James Bright) began the development of Opa-locka around 1925 as a planned community with a "1001 Arabian Nights" theme. Plans for this exclusive community included a country club and a small private airfield, but the hurricane of 1926 derailed Curtiss' original vision of the city. Opa-locka gradually took shape as a residential area for middle-class families, but the closing of a long-established Marine base, changing demographics and a reputation for being a hot-spot for crime, drug abuse and corruption tarnished this once-grand community (which boasts the largest collection of Moorish Revival architecture in the Western hemisphere). Old-time Miamians bristle when the city's name (an abbreviation of a Seminole place name, spelled Opa-tisha-wocka-locka) is mis-spelled as "Opa-Locka", "Opa Locka" or "Opalocka". The correct name is hyphenated, and the second part is in lower case.

VAG Rounded Next brings a classic 1970s typeface up to date, keeping all of its easy going, approachable personality but adding some much-needed versatility and language support. Originally commissioned by Volkswagen, VAG Rounded remained in use by the company until the early 90s and has also been used by Apple, Skype and Myspace. Its enduring appeal lies in its appealingly rounded terminals, and its immediate, informal tone of voice. “When you look at the Volkswagen Beetle it has these curves that are timeless and legendary,” says Steve Matteson, who led the creation of VAG Rounded Next. “I think that's what stands out in this design – that friendly aesthetic, and the simple line and circle.” This new version offers 700 glyphs with pan European language support (including Greek and Cyrllic), as well as 10 weights of upright and italic styles. New display weights Shine and Rough – which create “chocolate popsicle” and “rust” effects – are begging to be used in branding, packaging and editorial projects, while the lighter weights are well suited for text. VAG Rounded Next Variables are font files which are featuring one axis and have a preset instance from Thin to Black.

Introducing Seginoly - Your Groovy Retro Font for the Ultimate Vintage Vibe! Seginoly is the font that's turning heads in the design world, capturing the essence of retro coolness that's all the rage right now. Each letter in Seginoly is a work of art, inspired by the iconic styles of the past and carefully crafted to exude retro vibes that are currently in high demand. With Seginoly, you have the power to transform your designs into eye-catching, retro masterpieces. Whether you're working on a funky poster, a nostalgic logo, or a retro-inspired website, this font adds that extra touch of vintage authenticity that's currently a hit in design trends. Here's what you get: Seginoly Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Get ready to transcend to a world of magic, laughter, and butterflies. Your branding will spark delight and engage everyone who sees it! Introducing The Daylight - A Calligraphy Font. A beautifully handcrafted calligraphy font that’ll make your guests sing and elevate your projects! Every swash, stroke, and curve was created to entice happiness and elegance. The ideal font for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. The Daylight includes gorgeous swashes and ligatures that give the font even more flair! What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

A little-known design by Futura designer Paul Renner gets a long overdue update by Linda Hintz and Toshi Omagari, in this reliable and impactful industrial sans serif. Neue Plak offers more weights and widths than the original 1928 design, extending its use for branding, editorial, logos and UIs. The pair based their updated and extended version on the original Plak wood type, uncovering lost details and incorporating them as alternates – including the choice between open or strikethrough counters. Neue Plak's outwardly stubborn personality is counteracted by unexpected details, which make for an unusual juxtaposition of severe and playful. “It felt like we should pay Paul Renner more tribute,” says Hintz, who spent time researching the typeface in Hamburg's Museum der Arbeit. “The forms themselves are partly quirky, partly really fun, but with a German stiffness that makes for a strange mix.” Neue Plak offers 60 weights, including a new text version that pairs well with the display weights, and allows the design to function in print and digital environments, and for a wide range of uses. Neue Plak Text Variables are font files which are featuring one axis and have a preset instance from Thin to Black.

Northills Font This pair was inspired by the great lettering poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Northills font has 215 character set Northills is very good looking in labels, retro logo design, product packaging, invitations, advertising and others. Rough lettering is always have a good retro vibes and give your design authentic and good looking, it’s perfect for branding or even poster design. If you looking for rough retro font for your logo or even lettering design, this font is a great choice to make your design authentic and good looking This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Introducing our latest retro font design: Orelia Display font, a modern take on classic mid-century typography. Our simple retro font is designed to be humble yet eye-catching, with clean lines and simple shapes that evoke a sense of nostalgia while remaining relevant and contemporary. This font is perfect for projects that require a touch of retro charm without overwhelming the design. Its understated appearance makes it ideal for minimalist designs, logos, and branding, while the bold letterforms ensure that it still catches the eye. Crafted with care and attention to detail, our simple retro font is available in a variety of weights and styles, allowing you to customize your design and make it truly unique. Whether you're creating a retro-themed website, designing a product with a vintage twist, or simply want to add a touch of nostalgia to your work, our simple retro font is the perfect choice. With its timeless appeal and modern design, our simple retro font is sure to become a go-to choice for designers and creatives who appreciate the beauty of simplicity. Purchase now and add a touch of retro charm to your next project!

Chalky Spritely and full of personality, FS Sammy is a hand-drawn font with a chalky texture, available in one weight only. Give Sammy a run in branding, packaging or billboard advertising for a fresh, informal, honest personality. Calligraphic Too many script fonts have a rushed and thrown-together feel about them. It’s a deceptively complex feat to achieve forms that hold together neatly in text yet still have the breezy, natural air of real handwriting. That’s FS Sammy: considered and crafted. Pencil FS Sammy was originally drawn for a drinks manufacturer by Fontsmith’s calligrapher, Sehmi Satwinder, who made handwritten impressions with a large soft pencil on textured watercolour paper. The digital interpretation of Sehmi’s letters was pushed to its limits and, after a lot of experimentation, a balanced alphabet was achieved. Texture and spirit FS Sammy’s success and uniqueness within the script font category is down to its versatility. In the large text of billboard advertising or headlines, all of its texture comes to life, and small, on menus or booklets, it conveys all of the spirit and personality of a considered piece of handwriting.

Veronika is a semi-serif text face, available in three styles: Regular, Italic, and Bold. All three faces are available in OpenType format, with both lining and old-style figures. Grüger, a German artist and designer, first began the design of her typeface by writing out its letterforms with a wooden stylus. She wanted to create a new semi serif face that had uniform stroke widths, but still maintained some aspects of calligraphy. Veronika achieves this; the terminals that begin the first strokes of most letters are round and bulbous, as if the writing instrument added extra emphasis on that spot. This adds a dynamic, movement-like quality to texts designed with Veronika. Aside from some sans serif-ness, Veronika appears similar to old style typefaces from the renaissance: classical inscriptions inspired the proportions of the capital letters, and the lower case letters stem from Carolinian minuscule. These proportions allow Veronika to function very well in text and at small sizes. However, only when you design larger headlines, logos, or other elements with Veronika, will you notice all of its special qualities, like its weight distribution and stroke characteristics.

Primot is an upright script heavily influenced by italian gelaterias . After releasing 3 sans serifs , we were looking for an opportunity to design a display type with less constraints for legibility and expression. We started playing with brush lettering and looking into vintage scripts from different eras. Some cool things that made it into Primot were some unusual vertical connections and the sweet brush flairs in the letter endings. From that point on, we set out to create a beautiful looking vertical script – something we don’t see that often – in which each word set could would make a nice piece of graphic design (think logos, video game titles, shop windows etc.). We also made it smart by including hand-lettering inspired features such as initial and final forms for letters, contextual alternates and swashes. The result is a versatile 900+ glyphs display typeface, suitable for a wide range of applications. We hope you have as much fun with it as we had designing it! And while we’re here, you may like that it also pairs beautifully with our sturdy sans-serif family Motiva Sans .

Praxis™ was designed in 1976 by Gerard Unger for the German technology corporation Dr.-Ing Rudolf Hell. Praxis is the sans serif counterpart to Demos, another early digital type designed by Unger, who is an accomplished Dutch typographer and teacher. Praxis and Demos share important characteristics, such as open counters, a tall x-height, and blunt stroke terminations. Both faces have very little thick/thin variation, which facilitates smooth linear enlargement and reduction. And like Demos, Praxis is a flexible and legible typeface that works well in small point sizes and on low-quality paper (office documents, newsletters, newspapers, etc.). The word "Praxis" comes from Greek, and means "a practical application." In the late 1990s, Demos and Praxis, along with Univers 57, were selected as the official typefaces of the German Government. More info. In 1990, Linotype AG merged with Dr.-Ing Rudolf Hell GmbH, forming the Linotype-Hell AG (today Linotype GmbH). Since then, Linotype has been the official source of all fonts that were originally designed for the Hell Corporation. Linotype has also improved the typefaces using new technologies, including OpenType."

Brigent Display - a Retro Font look with simple, clean and visual elegance with smooth curves and beautiful ligatures, A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, homeware designs, product packaging, mugs, quotes, posters, and more. It can also be more expressive and fun, thanks to the many alternatives and binders that combine harmoniously in this font and make it more interesting and versatile. Try to change alternatives, binders and you will get many options for your project which will make it bold & beautiful. Features: • Full set of uppercase, lowercase • Ligatures • Alternative • A wide variety of numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded WHAT IS INCLUDED: • Brigent Display – Regular This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! I can't wait to see what you do with Brigent Display! Feel free to use the #Masa Type and #Brigent Display font tags to show what you've done Thank You.

Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s Privat design from 1966 is now resurrected and heavily extended to be used by computer users everywhere. The original design was revived, and two whole new fonts were added to it - one with very unique swash caps and alternates, and one with many many ligatures and letter-combination ornaments. Quiller is a cross between brush calligraphy and very casual fast handwriting. It even has a slight Arabic simulation to it. Given such traits, the addition of a swash font and a multitude of ligatures comes in very handy to keep the natural flow of the font and maintain the elegance of its spirit. Those who like the auto-magic of OpenType’s intelligent substitution should like the fact that the OTF version is a single font with all the bells and whistles ready to go in the swash and discretionary ligatures features. If you use the latest versions of Adobe programs, the OTF version of Quiller is highly recommended.

In August of 2009, I was commissioned by Zoo York, a New York City based skateboard company, to visit Buenos Aires to study and document street typography. As soon as my taxi driver took the bustling street Entre Ríos, it was clear that the city and I were going to be good friends. Many of the independently owned businesses on Entre Ríos are adorned with handmade signage. These signs are painted in a style called Fileteado which is a century-old Argentinian type of lettering and floral ornamentation. Nowadays, Fileteado is still a prominent part of the city’s landscape, coloring the façades of restaurants, bars and coffee shops. Calaveras and Diablitos are two new typefaces that were inspired by Fileteado. Stylistically, the fonts are a return to a rhythmic and playful sensibility reminiscent of Vitrina and Cuba, two fonts that I designed in 1996. Along with dynamism and dance, these new fonts incorporate a rigor and functionality essential to labelling any font a ‘workhorse.’ The names Calaveras and Diablitos, came from the name of a song by the infamous Buenos Aires rock band, Los Fabulosos Cadillacs. —Pablo A. Medina

Pantographia Collection is a Intellecta digitization, in facsimile style, without artistical interpretation of any kind, of the work of Edmund Fry (monumental book), Pantographia , a work on languages containing over 200 alphabets. We just are collecting in digital way these alphabets. Each alphabet has a short pdf description (see in the gallery). For example, in the pdf brochure of the "Saracen One" font, according to Edmund Fry, "This characters, according to Theseus Ambrosius, was used by the Saracens at the time of their conquests. Claude Duret, p. 475." Ambrosius, Theseus: Introductio in Chaldaicam lingua, Syriaca, atque Armenicam, [et] dece*. - 1539. Theseus Ambrosius or AMBROGIO, was an Italian orientalist, which born in 1469, and died in 1539 - He wrote his Introduction to the Chaldean, Syrian, Armenian, and ten other tongues, with the alphabetical characters of about forty different languages, 4to." The Pantographia font have only the original characters showed in Fry's book. There are instructions in the PDF files to get them. These fonts have no philological (or linguistic) academic pretentions. They are digitized and faithful versions of the original, like first published at Fry's book.

Respace - is a strong neoclassical serif font family with high contrast, cool, unique style and appearance with alternative fonts, Ligature and multilingual support. This font idea has a variety of references, from vintage to classic to the modern era, making it the perfect typeface for an understated, modern, and sophisticated look. all forms of beautiful and luxurious binders are suitable for brands and designs. The multitude of options for changing styles and ligatures make this Respace serif font incredibly versatile for your branding, magazine design, logo design, headlines, posters, packaging, cards, or wedding invitations. Space includes two styles (Standard / Bold) which each include 245 glyphs. OpenType features include 59 collection ligatures and a small number of character variants, and multilingual support (including multiple currency symbols). Features: • 2 Font weight • Uppercase & Lowercase • Alternative & Ligature Styles • Numbers & Punctuation • Characters with accents • Supports Multiple Languages This type of family has been the work of real love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you do with Respace! Feel free to use the #Dora Typefoundry tag and the # Respace Serif font to show what you've been up to!

It is a tough task to create a visual identity without using a characteristic, multipurpose font to represent your brand in order to look different, yet unexaggerating. For that reason, let us welcome Tailpen, the perfect balance of simplicity, charm, and boldness to live up your brand identity. Tailpen is a display font in simple, inclined square letter shapes to show charming, real, attractive nuances. It is greatly legible due to the simple shapes in high contrasts with which you can apply this font for various text sizes. It also gives you a clipart as a bonus and you can make use of the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Tailpen fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

VLNL Beatbox is a solid tech heavy straight stencil-face with a lot of character. It was originally designed as a logo for dj Markus Schultz back in 2004, who rejected it. His management couldn't read it, or thought people wouldn’t be able to read it. But Chef Donald DBXL found the concept interesting enough to finish it and has used it in many projects since. It was the identity font for the Battle of Amsterdam, a talent showcase in beat boxing and other skills. Beatboxing is a style of hiphop music (beats) made with the mouth and a microphone. A box is a handy container to store stuff. Like food, or fonts. We use a lot of boxes at the VetteLetters office. VLNL Beatbox is best deployed big, like in logos or headlines. Or flyers, album covers, posters and signage. As a display and headline typeface it’s got a lot of character. We could definitely see it painted on the side of a tank, or an airplane. It’s heavy, but not at all dangerous. Use it without risk. VLNL Beatbox comes in two variations; Regular and Small (smallcaps)

Introducing Troback - A Vintage Display Font Step into a realm of timeless elegance with Troback, a meticulously crafted vintage display font that pays homage to the design aesthetics of the past. With its distinctive retro charm, Troback encapsulates the spirit of a bygone era, where every letter tells a story. Inspired by the ornate typography of vintage signage, Troback is a masterful blend of boldness and sophistication. Its characters are imbued with intricate details, from the delicate serifs that harken back to a more refined age, to the captivating curves that dance along the baseline with a sense of purpose. This font conjures nostalgia with every stroke, summoning memories of old cigar box labels, antique shop signage, and classic posters that once adorned bustling city streets. Troback isn't just a font; it's a journey through history, a bridge between the craftsmanship of yesterday and the creativity of today. Ideal for branding that craves a touch of vintage authenticity, for designs seeking to recapture the allure of a vintage era, Troback stands as a testament to the enduring power of timeless typography. Let your words resonate with the elegance of a bygone time - let them speak through Troback.

Canilari is a post-modern type family inspired by Diaguita pottery and contemporary serif typefaces. The Diaguita culture—developed from 10th century A.D. until 16th century A.D.—settled in the area of the present-day north Chile and northwest Argentina. Surviving cultural expressions of the Diaguita people are reduced to just a few pieces of beautifully decorated pottery of high technical quality. Canilari itself is a scream of identity with an incomparable tone that borrows elements from native America and proudly show them to the world. The intense and consistent personality of Canilari makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines. Canilari is well-suited for publishing: newspapers, magazines, books, etc. Its flashy look and angular shapes also make it an excellent choice for posters, logotypes, and advertising. The family consists of 2 sets: one standard and one pro, each in 4 weights plus italics. Canilari also includes a set of ornaments and illuminated caps. Together, the Std set (369 characters) and Pro (710 characters) support 219 different languages. This typeface was selected at the Bienal Tipos Latinos 2014.

Ravensara Sans — fashionable, high-contrast humanist sans. Ravensara family was born from the idea of taking the concept of Didone to weight extremes. Ravensara Sans is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold and Black. Depending on weight, Ravensara Sans, like the other members of this font family, show quite different behavior. Heavy weights function above all as display fonts and work particularly great in all-caps. Medium weights of Ravensara Sans represent humanist grotesque, descended from the pages of fashion magazines. Thin weight perfectly complements the others if you need an especially wide choice of weights. Also, all the weights work great in all-caps. Ravensara Sans is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Serif and Ravensara Stencil. If you need to achieve classic Haute Couture look — Ravensara Sans is a great choice. It’s a perfect choice for fashion logos, headlines, short texts, magazines, due to its simplicity looks great in oversize typography, branding, identity, website design, album art, covers, posters, advertising, etc. Ravensara Sans extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Bonfires is an elegant font in beautiful handwriting styles interconnected to each other to create smooth, continuous flows. The letters are shaped in curvy, smooth pen lines and the low letter contrasts can express smooth nuances. Details of this font are crucial as each curve and connection must look equal and proportional to create visually balanced, solid displays. Furthermore, its smooth, connected texts are able to let readers’ eyes stay warm and comfortable. In addition, you may enjoy the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Bonfires fits best for any design projects requiring casual, personal displays such as greeting cards, merchandise designs, and any casual-related designs. In web designs, this script font is perfectly applicable for blogs and sites to show intimate and personal nuances to the contents. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

In August of 2009, I was commissioned by Zoo York, a New York City based skateboard company, to visit Buenos Aires to study and document street typography. As soon as my taxi driver took the bustling street Entre Ríos, it was clear that the city and I were going to be good friends. Many of the independently owned businesses on Entre Ríos are adorned with handmade signage. These signs are painted in a style called Fileteado which is a century-old Argentinian type of lettering and floral ornamentation. Nowadays, Fileteado is still a prominent part of the city’s landscape, coloring the façades of restaurants, bars and coffee shops. Calaveras and Diablitos are two new typefaces that were inspired by Fileteado. Stylistically, the fonts are a return to a rhythmic and playful sensibility reminiscent of Vitrina and Cuba, two fonts that I designed in 1996. Along with dynamism and dance, these new fonts incorporate a rigor and functionality essential to labelling any font a ‘workhorse.’ The names Calaveras and Diablitos, came from the name of a song by the infamous Buenos Aires rock band, Los Fabulosos Cadillacs. —Pablo A. Medina

Meet Pawl, an affordable 48-font squarish sans family with a little grotesque in him! Oh, you may think you’ve got him pegged at first glance, but he’ll surprise you with his versatility. AND he's just been totally refurbished from top to bottom and boy, did he need it! Pawl lives in the same visual landscape as fantastic modular superfamilies like Eurostile, Agency, Geogrotesque, Barlow, and even the great American Gothics. Unlike those faces, though, he's nimble enough to switch between looks effortlessly. Pawl is energetic, aggressive, strident, and structural. Depending on how you use him, his voice can be retro, futuristic, industrial, or sleek. He can be sober or splashy, techy or oldschool. Use his alternate characters and stylistic sets to create looks ranging from Streamline Moderne to Futurism to Brutalism to Swiss. He works from small paragraphs all the way up to monumental signage. This guy is smart and useful, with a lotta looks! How many times have you needed multiple weights, styles, and widths for your hierarchy, but standard type families were either shockingly expensive or couldn't deliver? Pawl delivers. Give him a shot!

Garbata was designed in 2020 by Francesco Canovaro, looking for an approach to sans serif design that ignored the over-exploited grotesque and modernist models. It takes its skeleton from old style typefaces like Windsor or Cooper, keeping the quirky sloped shapes of some letters and adding to the historical smooth shapes a flat brush calligraphic sensibility. The result of these different historical influences is a humble yet distinctive sans serif typeface, developed in a wide range of weights, with finely-tuned differences between the medium, text-oriented cuts (with wider tracking and more regular design) and the more extreme, display-oriented weights. This play on subtlety allows Garbata to be surprising in all uses: humble and readable when set in body text, it shows all its elegant, whimsical qualities in logo design and display use. Equipped with all advanced OpenType features you expect from a production typeface, Garbata comes with an extended character set covering over two hundred languages with latin and Cyrillic glyphs. Designed with an Italian sensibility mixing craftsmanship and artistry, Garbata is ready to help you make your designs timeless, elegant and unusual.

Neue Frutiger Tamil was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 5 weights from Light to Bold to support the Tamil script. The typographic forms of Neue Frutiger Tamil are familiar and friendly. The Tamil shows traces of elements that is reminiscent of the calligraphic influences found in the 20th-century designs. Reflecting the modern typographic needs of the Tamil script, this type family is in the upright style. These two factors ensure that the two scripts, Tamil, and Latin pair elegantly. The result, Neue Frutiger Tamil, is an eclectic contemporary type family that bridges the past and the present. Neue Frutiger Tamil embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Bugisha Display - a sans serif look with simple, clean and visual elegance with smooth curves and beautiful ligatures, A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, homeware designs, product packaging, mugs, quotes, posters, and more. It can also be more expressive and fun, thanks to the many alternatives and binders that combine harmoniously in this font and make it more interesting and versatile. Try to change alternatives, binders and you will get many options for your project which will make it bold & beautiful. Features: • Full set of uppercase, lowercase • Ligatures • Alternative • A wide variety of numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded WHAT IS INCLUDED: • Bugisha Display– Regular This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! I can't wait to see what you do with Bugisha Display! Feel free to use the #Masa Type and #Bugisha Display font tags to show what you've done Thank You.

Stanger - a sans serif look with simple, clean and visual elegance with smooth curves and beautiful ligatures, A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, homeware designs, product packaging, mugs, quotes, posters, and more. It can also be more expressive and fun, thanks to the many alternatives and binders that combine harmoniously in this font and make it more interesting and versatile. Try to change alternatives, binders and you will get many options for your project which will make it bold & beautiful. Features: • Full set of uppercase, lowercase • Ligatures • Alternative • A wide variety of numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded WHAT IS INCLUDED: • Stanger – Regular • Stanger – Italic This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! I can't wait to see what you do with Stanger Display! Feel free to use the #Dora Typefoundry and #Stanger Display font tags to show what you've done visit my Instagram : https://www.instagram.com/doratypefoundry/ Thank you!

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Introducing, Gibson Serif is a serif typeface crafted with elegance and luxury, exuding femininity and glamor but also a side of beauty with plenty of alternatives and ties to help you create endless variations for your creative needs. Its striking contrasts and subtle details, along with luxurious strokes and voluptuous curves, create a beautiful and powerful statement for any typographic composition, blending glamor with contemporary aesthetics. Gibson Serif elegant serifs really help you create unlimited variations for your creative needs in creating your project titles: such as fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books , websites, etc. Feature • Full set of uppercase, lowercase • 51 Ligatures • 165 Alternatives • Numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded WHAT IS INCLUDED • Gibson Serif – Regular • Gibson Serif – Italic This type of family has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with the Gibson Serif! Feel free to use the #Black Studio tag and the #Gibson Serif font to show what you've been up to, I really hope you enjoy it! Thank you!

Hi Designer, Here again to complete your script font collection..! Carista Calligraphy is a classic font, I made it with my relaxed hand. Designing a classic font but has a modern element to it, which makes it perfect for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classic, formal or fancy. Try Carista Calligraphy, enjoy the wealth of OpenType features and let its elegant fun and joy make you happy and boost your creativity! You can use this font very easily. Includes multilingual support and binders There are many features in it. Contains a full set of lowercase and uppercase letters, punctuation, numbers, and multilingual support. This font also includes several ligatures and alternative Stylistic Set styles for those of you who have software capable of working with OpenType (Corel Draw/Photoshop/Ilustrator/InDesign). If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all of the alternative glyphs using Font Book (Mac) or Character Map (Windows) Thank you for the purchase!

LunchBox is a uniquely hand-drawn typeface that gives infinite customizable options and a fully authentic look. Using Lunchbox’s OpenType features gives access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well. Stylistic alternatives give an extra hand-drawn flourish, loop and slight variation, also with 4 different styles per letter. Discretionary ligatures pertain to both regular all caps Lunchbox as well as stylistic alternatives. It takes special letters and gives a unique interaction with the characters around them, giving your design a unique and personalized look. Swashes also have four style variations to both the regular and stylistic alternatives, as well as lowercase letters with ascenders and descenders. All of these options are available in Light, Regular and Bold and can be purchased with Lunchbox Ornaments for an extra element. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want. Enjoy!

Dx Slight a new fresh & modern Sans with a Ultra Condensed style. The font it’s look good in posters, it is ideally suited for setting titles. However, the font has gained wide popularity among designers, and now you can find Dx Slight on the covers of magazines, on restaurant signs and on the main pages of websites. Dx Slight Display Typeface is the part of a strong and modern display family. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular sans and the distinctive letter shapes show their strength in logo design and impressive editorial use. Dx Slight comes with elegant style, strength, and contrasts, with features an extended Latin character set of 366 glyphs covering over 88 languages. It has been designed as a variable font to give lots of options and access to unique type looks, however, it also includes nine weights, three axis H-height and Slant to give just as much access to creativity to those without access to variable supporting software. Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Start good day for new font! present to you, Aminah! Aminah is a retro serif font that brings a classic and charming vintage touch to your designs. This font combines elegant serif elements with a stylish retro feel, creating a unique and eye-catching combination. Aminah is suitable for use in a variety of retro design projects, such as posters, greeting cards, logo designs, and brand displays that want to convey a vintage, classic yet modern feel. With Aminah, you'll have an elegant, stylish, and full of character retro serif font with a large selection of ligatures to bring that special touch to each of your designs. This font will be the perfect choice for designers who want to explore design inspiration from the classic retro era but still trendy. What did you get? Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. I really hope you'll get pleasure using Aminah font and it will be perfect addition to your font collection! If you have some questions, please write me a letter! Shakira Studio

Features: Over 1200 gyphs in 14 styles; True form of italics; Humanist character and proportions; Extended Latin, Extended Cyrillic & Greek scripts; For more than 130 languages Moderate contrast; Perfect for text, headlines and web; Coverage of many OpenType features Ligatures, Small Caps, Case sensitive forms, OldStyle figures, Tabular figures, Fractions Named after a star and inspired by the cosmos, Alkes traveled a long way from a graduation project to a published multiscript serif type family. Designed with the intention of harmonising between three scripts - Latin, Cyrillic and Greek, the contemporary, yet well defined humanist serif combines the best out of the digital and analog worlds. Featuring a generous x-height, wide letter spacing, large open counters and angled stress contrast, Alkes is highly effective for editorials and publishing, where long texts and legibility are the key forces. Its attractive details, calligraphic structure and asymmetrical serifs shine through in the larger sizes and make Alkes suitable for headlines. Alkes has a pull with editorial designers, graphic designers and publishers who aim for a clear structure, hierarchy and coherent non-Latin scripts for both print and on-screen environments, in order to achieve otherworldly designs

Want to have a more unique design? Raina is a new way to show uniqueness and freedom in your design. Raina is one of the sans serif font combinations with the display font. Unlike the other solid, firm displays of sans serif font, Raina expresses more artistic, unique displays as a result of the display font’s character combinations. Its differing letter shapes from ordinary alphabets create uniqueness for this font because each letter has no straight lines, but indentations or cavities instead, and no tiny lines or hooks as a sans serif font character. With the unique shape of this font, use this font on bigger screens for a legibility reason. This font has included outstanding features to take your creativity and ideas to the next level. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Raina fits for various design projects, such as posters, banners, logos, book covers, quotes. , headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Feel free to contact us if you require more information when you are experiencing a problem. Thank you. Happy designing.

Introducing, The Lastone is a serif typeface crafted with elegance and luxury, exuding femininity and glamor but also a side of beauty with plenty of alternatives and ties to help you create endless variations for your creative needs. Its striking contrasts and subtle details, along with luxurious strokes and voluptuous curves, create a beautiful and powerful statement for any typographic composition, blending glamor with contemporary aesthetics. The Lastone elegant serifs really help you create unlimited variations for your creative needs in creating your project titles: such as fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. Feature • Full set of uppercase, lowercase • 111 Ligatures • 28 Alternatives • Numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded WHAT IS INCLUDED • The Lastone – Regular • The Lastone – Italic This type of family has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with The Lastone! Feel free to use the #Black Studio tag and the #The Lastone font to show what you've been up to, I really hope you enjoy it! Thank you!