Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Jeff Handwriting Pro is a beautiful typeface that mimics true handwriting closely. Use Jeff Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with many pre-made ligatures and alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.

Skiltmaler is the typeface that refers to the style of decorative arts during the Victorian era 1837 to 1901, the Victorian era was the period in which fly poster typography emerged. The large amount of colour in combination with large font sizes were created from movable metal type. As well as being made from wood, this was used to create the two-coloured typefaces. You would imagine this would be specific to the '3D' styled type seen on the poster to create the drop shadow. Skiltmaler works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design.

Selini Display is a font that incorporates the classic and the modern: “mathematical” curves, classic proportions, thin body, needle-like serifs. It brings the lightness and modernity present in the Didot style, with more classic and wide forms. It is composed of capitals and small capitals, and an extensive set of ligatures, initial and terminal swashes. It came in five widths: condensed, semi condensed, regular, semi expanded and expanded. Selini Display is a thin, elegant and light font ideal, for luxury-related designs, traditional events, fashion magazines and brands and any material that needs a delicate, light and refined touch. Its use is recommended for large sizes and short texts, such as titles, logos, banners and posters.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Stone Handwriting Pro is a beautiful typeface that mimics true handwriting closely. Use Stone Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with many pre-made ligatures and alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Emmi Handwriting Pro is a beautiful typeface that mimics true handwriting closely. Use Emmi Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with many pre-made ligatures and alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.

Made in La Chaux-de-Fonds (Switzerland), Hyper Schlag is born while the designer drinks a beer with friends. One of his fellow beverage partner wears a sweatshirt written in embroidery. The text is quite clumsy, at least this is what he saw. This is how the most spontaneous font ever designed by Bisou is born. Hyper Schlag is thought from ground up to give a strong feeling of friendliness. Clumsy, naive, playful, this handwriting font is best suitable slogans of sweet revolution. It works perfectly with short texts, punk music album covers or underground film festival posters. Be aware that it is not recommended for police stations or administrative office signboard.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Renate Handwriting Pro is a beautiful typeface that mimics true handwriting closely. Use Renate Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with many pre-made ligatures and alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.

Glaire is a beautiful and inspiring combination of script and sans with unique ligatures. Glaire is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, and modern and vintage design. Accessible in Adobe Illustrator, Adobe Photoshop, Coreldraw, and even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support. Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Feel free to follow, like, and share. Thanks so much for checking out my shop!

Birdcage was designed from a very short lettering sample in Rob Roy Kelly's American Wood Type book, from the image I created a complete font plus a regular version with lowercase. In the past banner style fonts would limit you to a monospaced look, so how do you kern a banner font? Well, with today's OpenType font format the solution is simple, draw the kerning pairs together as one character glyph and place them inside the font then use auto substitution to access those characters when needed. Birdcage (OpenType version) includes 249 auto ligature kerning pairs, to use this feature you will need an application that takes advantage of OpenType features such as Adobe CS products.

Straight Fighter is a stencil font that exudes strength, masculinity, and bravery. Inspired by classic war posters, military style, and the punk scene. With the unique stencil cutting and letter shapes, this font features bold lettering that demands attention. It comes equipped with special characters and multilingual support, making it a versatile choice for a variety of design projects. Straight Fighter is particularly suitable for display, headlines, posters, editorials, patches, logotypes, branding, movies, flyers, and short quotes. If you want to convey a powerful message with your design, Straight Fighter is the perfect choice. Here’s what you’ll get : Uppercase Lowercase Numbers Symbols & punctuation Stylistic alternates Multilingual support. Thank you for your support!

Wonderline is a luxury modern calligraphy font with with a touch of handwriting style. This font is perfect for creating signature logos and watermarks for photography studios or wedding invitations. Wonderline includes a full set of elegant hand lettered uppercase and lowercase letters, numerals, a large range of punctuation and 58 beautiful ligatures. All lowercase letters include beginning and ending swashes, giving Wonderline a realistic hand-lettered style. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have questions about our latest font, please provide a short message to us. Thank you Subectype studio

Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. “Batory is a monoline reaction to my many calligraphic fonts”, says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Veneto Handwriting Pro is a beautiful typeface that mimics true handwriting closely. Use Veneto Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with many pre-made ligatures and alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Schneid Handwriting Pro is a beautiful typeface that mimics true handwriting closely. Use Schneid Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with many pre-made ligatures and alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.

Raginy is a sans serif in a stencil style. Made by paying attention to the distinctive elements of each letter, then eliminating the secondary parts and only highlighting the main elements of the letter so that it looks minimalist and elegant. Raginy has sweet characteristics, simple, luxurious, and classy so it is very suitable for displays, logos, logotypes, branding, titles, short quotes, and so on. This sans-stencil font is also equipped with alternates characters to sweeten your design, and also complete with unique ligatures. Add a touch of beauty to your designs with Raginy! What you will get: Uppercase Lowercase Numbers & punctuation Stylistic alternates Ligatures Accented characters Thank you for your visit and support. Ramz.

Cover art for the 1933 sheet music of Harold Arlen and Ted Koehler's "Stormy Weather" (from the musical production "Cotton Club Parade") listed the cast of the show in a condensed hand lettered sans that typified the 1930s and the Art Deco era. This served as the inspiration for Uptown Review JNL; available in both regular and oblique versions. The Cotton Club was a whites-only night club which showcased black acts, and was originally located on 145th Street in Harlem from 1923 to 1935, then existed for a short time in the New York theater district from 1936 to 1940. After the Broadway incarnation of the club closed, its space was taken over by the Latin Quarter.

Maria Martina Schmitt was born in Vienna, Austria in 1950. Since 1998, she has been working as a freelance designer, focusing on cultural collateral, economic publications, illustration, type design, and logo design. Airam blends contemporary legibility with historic blackletter forms, creating a contemporary text face that speaks to the old European past. Airam certainly appears darker than most other contemporary text faces. Airam’s letterforms are slightly broken, too. They display angled joints in lieu of smooth curves. This “broken” aspect actually aids legibility at smaller point sizes. While Airam may not be suitable for setting whole books or newspapers, this font will add a splendid touch to short tracts of small text. Additionally, Airam looks superb in large headlines.

One of the best desserts I have eaten in my life was a treacle tart. I do know that it was in England and I do know that it was delicious. I really don’t know why I was thinking of that, but that pleasant memory did give me a name for this font. I am still learning my new font software, which is a bit of a slow process. The software I used for this font allows me to add several languages, which, hitherto, I couldn’t access. So, in short, this is my most multilingual font ever: it even includes Vietnamese and a bit of Hiragana and Katakana for you to get creative with!

Rotulo is a contrasted sans family which combines the Thick & Thin signpainter's style and some 70s feeling in a huge font family with 90 styles. A visit to an exhibition of Spanish movie posters by Jano was the beginning of Rótulo (Spanish for Sign) project. Classic thick & thin signpainter style was featured in many letterings of those posters, as it was a very common style in 60s and 70s Spanish design. Unfortunately, today very few Contrasted Sans are seen, something that was quite common years ago has fallen into disuse in favor of Helvetic monotony. Rótulo recapture all that personality, with an extense range of weights and widths to be used in striking headlines and short texts.

Blacklist is a high-contrast typography inspired by transitional and contemporary typography. Fonts extend their use by giving weights ranging from thin to black. The natural curve, a swollen and sloping stem, grows in character as the font gains weight. While the thinner weight has lowered contrast and optical correction to create a warm and soft look. Featuring beautiful italics, excellent weight and extensive language support. Blacklist excels in display settings such as headlines, titles, branding projects, Logo design, packaging, magazine headings, advertising, short or long text. Blacklist also comes with two versions of Variable Regular and Italic to make it easier for designers to explore and perfect beautiful designs, unearthing lots of visual tones and hidden secrets.

In the last years our society has change a lot. Nowadays cities and countries are no longer static territories with well-drawn borders and a population perfectly defined. Globalization is a fact and the best consequence of it is the mixture of races, ideas and cultures, and this is exactly what this typography aims to show. Albollón is at once a semi-serif and a semi-sans serif typeface; it is a mixture made with the best parts from both sides. This way is how I understand a healthy society and a healthy design too. Albollón is designed to work in all types of text, both long and shorts, big and small ones.

Named after the steadfast doctor from Albert Camus’ The Plague, Rieux is an even-tempered slab-serif that is confident without being cocky and approachable without being casual. The aesthetic of Rieux is inspired by the industrial age. While the design is not directly derived from typefaces of that era, the shapes of letter-forms are informed by images of over-sized steel machines and the monolithic brick buildings that housed them. Rieux is available in 5 weights and is ideal for uncatalogued, magazines, short publications and company collateral. In addition to supporting Western, Central and Eastern European languages, Rieux includes an array of OpenType features to provide a range of typographic options.

Miss Donna - contemporary, powerful, versatile and casual. Curvy, sassy, fast-talking, and utterly useable, she takes you into the world of movie posters, decor ads, fashion posters and tags, greeting cards and invitations. Her lines are bold, clean and legible. The Miss Donna family comes in four styles: - REGULAR - clean good lines and generous curves - for decor ads, greeting cards, copy - NARROW - slim (more compact), and elegant with contained curves - for greeting cards, invitations, copy - BLACK - bold statement, round, generous curves - for movie posters, fashion posters - BLACK CAPS - especially designed for "all-caps" printed text. Use for headings & subheads. Miss Donna Black Caps contains capitals in two sizes and this gives you the ability to generate text of two types: - a correctly spaced and kerned upper case, OR - a TRUE Small Caps -- as opposed to the false Small Caps produced by a well-known word processing application. In a correctly proportioned Small Caps the stroke width should not be reduced in the same proportion as the letter height is reduced. The stroke width of the small capitals should rather be equal or close to the stroke width of the corresponding upper case characters. Note: When using script fonts it is NOT usually advisable to use text in ALL caps. The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. BUT, Miss Donna will still produce excellent results with all caps if you are using an application that supports kerning. If you are using upper and lower case then it is not necessary to use kerning, although it may make a slight difference on occasion. Miss Donna contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Master of Poster is an all caps OpenType family. Each style has over 450 ligatures.

Franca is a neo-grotesk family in nine weights plus matching italics. The inspiration for the design came through the constant interest in new interpretations of the classic grotesk model and a study of "neutral“ typefaces like Helvetica, Univers or Normal Grotesk. During the studies, additional attention was given to the American representatives of the genre, resulting in the initial impetus for a reinterpretation, combining both paths into one contemporary design. This is reflected in the name, blending together the names of the most popular typefaces of each genres, (Fran)klin and Helveti(ca). Due to its large x-height and plain design, the family is perfectly suited for all kinds of text. Its mid-weights are optimized for usage in long paragraphs, while the bolder weights, due to a short descender and ascender, create a compact and confident look in headlines or short copy. In order to create strong and dynamic italics, the oblique glyph shapes come with a faint calligraphic hint, defined by a higher stroke contrast and a steeper connection between stems and arcs in, for example, h n m and u. This is followed by different standard shapes for a and y, supporting the dynamic movement of the lowercase in general. A wide range of OpenType features such as ligatures, old style figures, fractions, case-sensitive shapes and many more, are available for professional and contemporary typesetting. This is completed with eleven alternative glyph sets, enabling a quick customization of the typeface. The family supports up to 92 languages and comes with 500+ glyphs per font.

Thomas Jefferys (ca. 1710–1771) was the best-known map maker in 18th-century England, chiefly because he won (and hyped) the title “Geographer to King George III.” Jefferys was really more an engraver/publisher than a geographer, since he mostly relied on the cartographic materials of others. Still, his maps of the North American colonies were well known. Geographica is a legible, four-style serif family modeled after the neat hand-lettered place names and peripheral text on Jefferys’s maps. With its long serifs, tall x-height, and robust curves, Geographica somehow combines classic elegance with a whiff of coastline and sea. The italic styles have the slant and warmth of the hand-drawn source materials. And the typeface comes with a slew of distinctive map-based ornaments—including compass wheels and sailing ships. This evocative serif works well in both display situations and long blocks of text, whether on paper or screen. OpenType features include small capitals, numerous ligatures, and two stylistic sets of titling caps. Geographica offers full support for Central and Eastern European languages—more than 1,200 glyphs in all.

Graduate Script is a contemporary calligraphic script. With over 825 glyphs Graduate Script can be dressed up or down, to enliven its style. You can add curls to beginning and end of any lowercase letter, or even in between them. Alternates for both upper and lowercase, as well as ligatures for double letters are included too. OpenType features such as five numeral styles, fractions and both standard and discretionary ligatures, make Graduate Script a well equipped font. Graduate Ornaments has over 300 glyphs and expands the design possibilities of Graduate Script even further. It offers additional ornaments and curls to add to lowercase letters, frames, automated borders that can be accessed by the keyboard and a lot more fun glyphs to work with. On top of that there are catchwords in different styles. Not finding the catchword you’re looking for? Just create your own! A full set of capitals, including roman accented caps, currency, numerals and punctuation is part of Graduate Ornaments. Designed to fit the same frames that are being used for the different catchword-styles, so you can easily integrate custom text with the existing catchwords. A detailed user guide is available in the gallery section.

Imagine words and letters, all caps, cut out of 35mm film. Then imagine Filmstrip BF —a font of film and movie-related catchphrases. They’re all ordered in more or less alphabetical order as seen in a glyph palette, beginning with “A”, which is accessible by typing a number (#) symbol. Numerals zero through nine, however, are mapped to their usual keyboard locations. For a better fit between numbers, be sure to enable the Ligature feature in an OpenType-capable application. All catchwords contained in this font are listed as shown, across the three posters in the slide carousel above. For future reference, you might select and copy all of the glyphs indicated below, paste into your application document, then convert them to Filmstrip BF. This would display all content. #$%&’()*+,./0123456789:;=>?@ABCDEFHIJKLNOPQRSTUVWXYZ[\]^_`abdefghijklmnopqrstuvwxyz{|}~ÄÅÇÉÑÖÜáàâäãåçéèêëíìîïñóòôöõúùûü†°¢£§•ß®©™´¨≠ÆØ∞±≤≥¥∂∑∏πªºæø¿¡¬√≈«»…ÀÃÕŒœ–—“”‘’÷ÿŸ⁄€‹›fifl‡·‚„‰ÂÊÁËÈÍÎÏÌÓÔÒÚÛÙıˆ˜¯˘˙˚¸˝˛ˇÐðŁ¹¼łŠš³¾² When used in a creative way, Filmstrip BF can be successfully incorporated into a variety of projects such as product packaging, logos, posters, signage, headlines and more.

Rifton is a heavy display typeface designed for use in large sizes. It is available as a regular and italic font or as one Variable Font with an italic axis. Installing the Variable Font offers users additional benefits because, in addition to the pre-defined “upright” and “italic” instances, the interpolations between them can be used. That allows you to have slanted text – but just a little less slanted than in the italic. Rifton is an all-caps design, but the letters mapped to the lowercase keyboard do not always have the same forms as the uppercase. That is most visible when it comes to the “s”, which takes a Star-Wars-style form (think of the Star Wars logo). The Rifton fonts also include OpenType features like ligatures – including some exciting discretionary ligatures – and super-wide alternate glyphs for several letters, including “B”, “E”, “F”, “H”, “L”, “N”, “P”, “R”, “T” and “Z”. Rifton is ideal for making a bold statement in headlines, poster designs, or logos. -

Holy Dooley! It’s a new Ainslie! Based on the inspiration from Mt. Ainslie and the Ainslie suburb outside Canberra, the original Ainslie adds geometric simplicity with a hint of aboriginal flair to the project. And now the muses of Ainslie are back at work, lending their structure as the foundation of Ainslie Slab. Like its big brothers, the new Ainslie Slab puts together a great mix of influences from Oz for a great looking typeface with some ace new shoes. Slab’s spiffy new slab serifs complement the classic frame, making the result a ripper Aussie typeface that can be used in a great number of applications. Take a look at the trendy typeface’s alternates in action, too. You can access these in any OpenType-enabled application. Alternates, swashes and alternate titling caps allow you to customize your look and feel. Capital swash alternates, old style figures, and compact caps are included to add a bit more flexibility to your work as well. OpenType enabled applications can take complete benefit of your automatic replacing ligatures and alternates, and this font also presents the glyphs to help a wide array of languages. View all of these in the PDF brochure. And then try them out. Combine it with the original Ainslie and Ainslie Sans for more flexibility. Whether you need a good slab for the copy or you want a clean, upbeat look for your headline, Ainslie Slab offers you a unique touch of the Outback that’s anything but out of touch.

Introducing Octin Vintage, the typeface that combines toughness and style in a delicately textured design. With its versatile 2 styles—sans and serif—and 3 weights—regular, bold, and black—Octin Vintage is the perfect choice for any project that requires a bold, eye-catching headline. Whether you’re creating designs for police, sports, prison, construction, school, or military themes, Octin Vintage delivers the rugged, vintage look that will help your designs stand out. Its timeless appeal is sure to capture the attention of your audience and leave a lasting impression. And it’s not just about looks—Octin Vintage is designed for versatility and ease of use, making it an ideal choice for both experienced designers and beginners. With its finely crafted letterforms and subtle textures, Octin Vintage adds a touch of sophistication and style to any design. So if you’re looking for a typeface that combines toughness, style, and versatility, look no further than Octin Vintage. Try it out today and discover the difference that this delicately textured design can make in your next project Check out the rest of the Octin families: Octin Sports, Octin College, Octin Prison, Octin Stencil & Octin Spraypaint. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Vinea is a family of ten display faces that take us on an enjoyable excursion into the world of the retro-futuristic. Ideal for posters, book covers, and anything that needs the sort of futuristic feel that abounded in designs from the 30s to the fifties. The en faces have been designed with uniform metrics, to facilitate multi-coloured overlay effects.

Compilation Grotesk is a variable font concept that includes 9 sort of adjustable heights inspired principally on Matterhorn Headliners 2. The "height" axis allowes the glyphs expand along the Y-axis upward from the baseline as the values increases from 700 to 1100. Due to it, the system adapts keeping the contrast and the original proportions. Don't stretch it out, just adjust it!

Hand-drawn with calligraphy ink and an antique dip pen, Mignonette is ready for all uses charming and rustic. She's heavy on the bottom and hairline at the top, and includes all sorts of additional numerals, currency figures as well as multi-language support. Mignonette shines in both correspondence and display; she has a particular affinity for offbeat and heartfelt branding.

Creative people tend to mix printing and cursive, i.e. some letters connected, some not. Why? Who knows? Handwriting analysts have a field day with this sort of thing. Have a field day of your own with Dempsey, based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey. It’s fun, assertive and will make you look even more creative.

Calissa Pro is a multilingual, handwritten stylish copperplate calligraphy font, a sort of upgrade to issued earlier this year Calissa font. This file contains over 1800 glyphs and has many open type features including: fancy swashes, alternates, ligatures and lettering - all easily available at the click of a mouse. To make the most of this font an open type aware software is required.

Brushtter is a modern brushed display font, incredibly adaptable to all sorts of urban or street related designs. It is suitable for any branding, product packaging, invitation, quote, label, poster, logo that you wish to create. PUA encoded = Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software.

A typeface to be reckoned with. It's sharp lines and unruly angles are perfect for concert posters, blackmail, and wedding invitations. Keep punk alive and support your local electro goth band by using Death Ray. Available in only uppercase because all messages that merit Death Ray's use must command that sort of attention. And who said type shouldn't be expressive.

Allektra is a humanist sans serif with a modern feel. It is not as whimsical as many of my fonts, but there are many special dingbats for bullets, and so on. It has oldstyle numbers and the small caps versions have lining numbers and small caps numbers. The Fat version is especially interesting and useful.