Haelynn has its own characteristics with the style of monoline. Haelynn is perfect for invitations, signatures, blogs, social media, business cards, and product brands.

Quadrica is a stylish, retro script font. Its unique letterforms make this font perfect for logos, social media posts, packaging, magazine covers, and more.

Introducing Bloena casual handwritten script. Great for magazine layouts, crafting, branding, posters, websites, social media, greeting cards, invitations, mugs, frames, and so much more.

Pandemizing is a decorative font with microbe-like letters and additional medical figures. It reminds you of the importance of healthcare. Supports multiple languages.

Lioness is a stunning script font with a strong character. It is suitable for logo, branding, packaging, apparel, wedding invitations, social media, and more.

Dever’s brute, industrial lines are rounded up in this new typeface from Jeremy Dooley. Dever combines plenty of inspirations. It’s the flair of the Wild West melded with a shout out to the sign painters and package lettering artists of the 1800s. Dever’s big, bold, and handy frame moves through all three of the family’s strapping members. First is the sans. No doubts on what this brother’s like. Dever Sans is as straight-forward as you’ll find in this family with its four separate weights and numerous distressed options. The second of the kin’s a bit of half-breed, you might say. Pointed serifs bring a sharpness to this outfit. Rounding out the family is Dever Wedge, a bit of wild rodeo all its own. This poke’s a quick draw with any of its 107 font, and with it’s auto-replacing alternates, no two repeating characters are alike. You’re guaranteed a great show anytime Dever leaves the chute. The route to Dever was long, with many a switchback. The Wedge variant was designed first, shelved, then developed into Plathorn. But I wanted to return to those brutish forms and decided to round out the family with a sans, serif and plenty of other options. Any of the Dever family have an extended character set including Central and Eastern European languages. The strong faces have specially adapted sub-families, too, so they’re bound and determined to have an outstanding impact at whatever size you use ‘em. It’s a hard ride ahead corralling all those words. Be sure and add these able-bodied boys to your posse today!

One of the most widely used typefaces in the world is actually a legacy of 18th century aesthetics, representing the spirit of late Baroque design, architecture, fashion and society. It has been created and printed for millions of readers around the world for more than two and a half centuries. It influenced many modern typographers. It shaped culture, education, entertainment and science, but also the development of typography itself. As a calligrapher and technical innovator, Baskerville invented new design, papermaking and printing methods, and his typography is very natural and legible to this day. Graphic design today calls for clean and minimalistic solutions, where the use of historical typefaces can achieve a vivid contrast with contemporary elements on the page or screen. Baskerville is undoubtedly the best choice for any kind of publishing house. In keeping with the original inventor’s spirit of excellence, we hereby offer its most advanced digital version. This is not a precise remake of rare Baskerville prints or a restoration of the original punches cut by John Handy, but rather our ideal essence of transitional typography. The old masters were limited by the technology of the time, but today we can dare to have very fine lines, unlimited ligatures, size variations and sophisticated OpenType functions. Drawing, programming, proofing and testing took us many years of development and brought thousands of new letters and dozens of language options. We are convinced that your readers will enjoy this font mainly for reading extensive works, but also for creating corporate identity, orientation systems and cultural posters. Baskerville is perfectly modern in its antiquity, striking in its modesty and timeless in its transiency.

The designer of ITC Medea , Silvio Napoleone said: “I've always had an interest in early letter shapes, particularly how they influenced modern typographic designs. While I was on vacation in Greece, I had a chance to see, first-hand, examples of early letterforms and typography. They really made an impression on me.” The idea of combining the ancient and the modern to create something new was the primary inspiration behind ITC Medea. ITC Medea is essentially a careful blending of the modern sans serif with the elegant forms of the uncial. At first glance, Medea appears to be constructed of geometric shapes. However, closer inspection reveals many calligraphic subtleties. Stroke terminals are flared slightly in characters like the 'e' and 'c.' The top curve of the 'd' is more pronounced than the bottom, and characters like the 'o' are elliptical rather than round. “I gravitated towards the simplicity and legibility of the uncial and half-uncial,” Napoleone recalls. “I thought it would make a great titling font, and I was surprised at how attractive ITC Medea looked in a body text.”

Griggs is a variable type family with six-axis. Available as both static and variable font built to maximize versatility. This is a single variable font that can morph between a wide range of stylistic variations with each of its axes: Weight, Serif, Grade, Stylistic Set 1, Stylistic Set 2 and Slant. Also offer a variable subtle grade axis for slight weight adjustments, to user different preferences. For slant axis will automatically apply stylistic set 2 or set custom values on each axes for more options. A multi-purpose sans serif and serif typeface with high contrast, inktraps, sharp form, clean cuts and playful details, to convey the impression of opulence, elegance with a distinctive look. It comes in 3 distinct individual cuts within the Sans, Flare, and Serif subfamilies. Allows for many variations across its subfamilies, weights and styles. Each typeface contains with a warm personality and contemporary look. With different stylistic sets, you can choose the best-desired result for your design. You can change the feel of your design from more delicate, to bold to its sharpest most style. Griggs family with various styles will be an handy tool for a wide variety of designs. Excellent for text large and small. It’s a brilliant choice for branding, identity design, editorial design, logo design, display and packaging design etc. Typeface Features: * 325 Glyphs * 3 Subfamilies: Sans, Flare, Serif ( Each 8 Styles + Slant ) * 6 Weight: Thin, Light, Regular, Semi Bold, Bold, Black * Complete Collection: 144 Styles + Variable Font * Opentype Features: Stylistic Set 1, Stylistic Set 2 * Latin Language support including * Kerning * Autohinted Thank You.

Steffyray is a fancy Signature font, has slanted and fun characters. It has Opentype features of ligatures, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Steffyray font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Steffyray signature font. Cheers, MaulanaCreative

The convey typefont family merges essential features of classical serifs and sans-serifs and creates a character with a contemporary, open appearance. The elements of an antiqua typeface are formally reduced to a minimum, still supporting the eye in keeping lines and maintaining outstanding reading properties. The font was created as a cooperation project with media theorists and was designed and perfected through analyses, reading tests and the application of media psychological and sociological findings.

Mylestock is a handwritten script font, With fancy slanted and fun characters. It has Opentype features of ligatures, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Mylestock font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Mylestock script font. Cheers, MaulanaCreative

Introducing Twister which has a strong and funny looking design. The font looks like serif but thick so it seems more funny. Twister supports 69 languages ​​that you can use in multilingual designs, and is suitable for use in various media, book covers, posters, typography, promotions and other digital media. Uppercase and lowercase letters. Supports 69 languages, numbers and punctuation. Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word.

Ownttys is a handwritten script font, With fancy slanted and fun characters. It has Opentype features of ligatures, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Ownttys font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Ownttys script font. Cheers, MaulanaCreative

Amberlayton Signature Font, with monoline stroke, condensed and fun characters. It has Opentype features of ligatures, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Amberlayton font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Amberlayton signature font. Cheers, MaulanaCreative

Cashwoots is a handwritten script font, With fancy and fun characters. It has Opentype features of ligatures, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Cashwoots font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Cashwoots handwritten script font. Cheers, MaulanaCreative

Yseult is a ultra-romantic, elegant handwritten font, reminiscent of pre-Raphaelite beauties and classical paintings. It refers to the opera Tristan und Isolde (also spelt as Yseul, Isolda etc.) in three acts by Richard Wagner. The opera was based largely on the romance by Gottfried von Strassburg. Its design was influenced by Genevieve and, less directly, by Silver Dagger. Suggestions for use: - wedding stationery - greeting cards - valentines day media - beauty product media - lingerie tags - women's magazine pages - classical music media - theatre posters The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). (It has all the accented characters used in the major European languages).

Bauhaus is celebrating its centenary in this year. For the Bauhaus's 100th anniversary year, art and design museums and galleries around the world are hosting exhibitions and events. The publication of „Bauhaus Arabic“ font family is my contribution to celebrate this event. Bauhaus Arabic is a sans-serif font family designed by Naghi Naghashian in tree weights. Bauhaus Arabic Light, Bauhaus Arabic Medium and Bauhaus Arabic Bold. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bauhaus Arabic supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Bauhaus Arabic design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bauhaus Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bauhaus Arabic was developed for multiple languages and writing conventions. Bauhaus Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Angela Christmas is a simple and quirky handwritten font. You can use for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

Silverglow is a jolly and sweet handwritten font. It is perfect for product packaging, branding projects, magazines, social media posts, wedding invitations and much more!

Mexa , contemporary of Serif font, Mexa offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Chalkier is a fun & quirky handwritten font. It’s the perfect choice for product packaging, branding project, magazines, social media posts, wedding invitations and much more!

Rachel Karlie – Calligraphy Font is perfect for branding projects, logo, wedding designs, product packaging, product designs, label, invitation, social media posts, advertisements, merchandise and more!

Chorettan is a hand-written script. This is perfect for branding, wedding invitations, cards, social media, or maybe for your logo products, and also websites.

Introducing a vintage font Simply Royal. This typeface has a victorian medieval look. It's an all caps typeface with decorative classic style. Simply royal has three layer fonts for more conenient recoloring. Thank you and have a nice day!

No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William H. Page & Company in 1890.

Mariner is based on hand lettering originally done by Willy Pogany for his illustrated edition of Coleridge's Rime of the Ancient Mariner. It's a variation of classic medieval lettering with decorative elements and alternative versions of almost every character.

Baking Pastry embodies fun, quirkiness and authenticity. This handwritten font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Pareson is stylish and beautiful sans serif font. It will look perfect in photography designs, watermarks, social media posts, advertisements, logos, branding, and various other projects.

Armouk , contemporary of Sans serif font, Armouk offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Amug ,contemporary of Sans serif font, Amug offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Galmoru, contemporary of Sans serif font, Galmoru offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Ventnor is a all caps futuristic sans serif font. It was created to help you designing makes gorgeous logos, posters, blog posts, social media, and more!

Lemon Melon is a cute & fun display font. This font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Lingerhend is a classic handwritten script font. It’s the perfect font for wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

Barox - Modern Font, Serif Display Typeface. Barox offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

This is a radically modernized uncial with many OpenType features and 415 characters: Caps, lower case, small caps, numerators, denominators, accents characters and so on. There are 21 ligatures. It is an experimental look at medieval writing for the 21st century.