Get inspired with Fester Behance presentation After several years of iterations, our brand new sans family of 16 styles is ready to take over with vector excellence! Fester is a semi-condensed Grotesque developed to beam big messages across the galaxy with a clear, bold voice. Emerging as if from the future, this low-contrast sans warps slick lines and sharp terminals into unexpected geometric shapes for extra flair. Ranging from Thin to Heavy, the typeface is loaded with 8 weights + italics, one variable style, over 760 glyphs, and Extended Latin + Cyrillic for flawless work at hyper-speed. Fester syncs with designs that feature big type, sharp layouts, interfaces, outlines, and raster images to help decipher any cutting-edge idea and make a memorable first contact. Family overview: 8 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 760 glyphs Variable Font 1 free font - Fester-ExraLight 130+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates Slashed Zero

Gin And Tonic is a classical serif typeface family. In a cocktail of soft arches and sharp corners, this traditional type has a multifaceted flavor, just like a well-balanced drink. Inspired by turn-of-the-century quality produce, Gin And Tonic is a genuine victorian typeface, that brings class and authenticity to any graphic project. The type of lettering that could be seen in an old-west saloon. This serif font is provided in eight styles: Thin, Regular, Bold and Thin Italic, Regular Italic, Bold Italic. As well as the Outlined style and its complementary Outline Italic. Write in CAPS for decorative conjunction words. Example: Gin AND Juice, Bird OF Prey (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

»XPress« is a very distinct, expressive, typical new Sans. »XPress« is my new Sans-Serif that impresses – especially in small sizes – with its outstanding readability. Seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. »XPress« got its bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. »XPress« ist eine individuelle, expressive, typische neue Sans. »XPress« ist meine neue Serifenlose die – speziell in kleinen Schriftgraden – durch aussergewöhnliche Lesbarkeit auffällt. Sieben präzise aufeinander abgestimmte Schnitte von »Thin« bis »Heavy« und dazu passende Kursive machen die Schriftfamilie vielseitig einsatzfähig. »XPress« orientiert sich bewusst an den grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar.

Emoli is a strong font family with a laid-back style. Inspired by the strong bending of iron, a unique character can be felt through controlled letterforms and blunt finishes. Each font in this family is standalone, and strong and cute. Emoli consists of ten fonts Emoli-Thin & Emoli-Thin Italic, with the thinnest complexion looks luxurious in high appearance. Emoli-Light and Emoli-Light Italic looks elegant combined with the weight of the Emoli Font family. Regular and italic emojis, the basis of emollient fonts, balance shapes, and letter uniqueness are found in this weight. Emoli Bold and Emoly Bold Italic will gently emphasize a strong character. Emoli Extra Bold and Emoli Extra Bold Italic, the thickest weights that will facilitate legibility and strong attitude. FEATURES 10 weights / Italics / Lines / Numbers & Signs Font family Emoli works well on applications, brands, logos, magazines, films. Different weights give you the full range to explore a variety of applications, while illustrated fonts give a modern, relaxed and powerful feel to any project.

The font HEXA is inspired by the Hexagon. The HEXA fonts are dynamically and uniquely designed typefaces based on the grid systems of the hexagon that extends infinitely. From this image, we have created the HEXA font. Hexa is Latin-based and a completely crafted font that consists of 3 typefaces. Each typeface contains 190 sets of characters. This font family is in all-caps fonts, and we provide different styles of uppercase and lowercase glyphs with the exception of letters c, ç, and comma/ single low-9 quotation mark. In lowercase glyphs, we emphasize the image, character, and identities of Hexa. The font family includes regular, black, and thin. We created the witty expression with Hexa’s regular identity; thin emphasizes the lines; black fills in the blanks. Hexa is a monospaced fonts. So kerning is not applied. We recommend using our fonts for big-sized uses. This typeface is a display font and looks more attractive in larger formats than on main texts. Features: -190 characters -Monospaced fonts -All-caps fonts (different styles provide uppercase and lowercase)

Embrace the captivating elegance of LaRuja, a modern serif font that seamlessly blends feminine grace with unwavering strength. Its distinctively high contrast between horizontal and vertical lines creates a dynamic interplay of elegance and structure, making it a versatile choice for a wide range of applications. LaRuja's gracefully tapered terminals and subtly curved arches exude a sense of refined femininity, while its sturdy serifs and well-defined letterforms project an unyielding strength. This unique balance of characteristics makes LaRuja the ideal choice for projects that demand both beauty and substance. LaRuja's extensive language support, encompassing over 90 languages, makes it a global font that can be effortlessly adapted to diverse cultural contexts. From fashion magazines and branding materials to websites and marketing campaigns, LaRuja seamlessly conveys your message across borders. LaRuja's comprehensive weight system, ranging from Thin to Black, enables you to tailor the font's appearance to suit the specific needs of your project. The lighter weights, such as Thin and Light, exude elegance and sophistication, while the heavier weights, such as Semibold and Black, project authority and impact. Happy creating everyone!

If you are into the vintage feel, you will love this one. This is as vintage as it probably gets. There are probably only a handful of places in the world where schools still use blackboards and chalk – they’ve given way to their white board and marker counterparts for decades now. White boards are definitely more practical and less messy when compared to chalk, but then if you are creatively inclined you will agree that a little bit of mess is worth it if you are going to get the effects that you desired! Well, we can give you the effects minus the mess with our chalk hand lettering fonts! As the name suggests, this font gives you that distinctly unique chalk on slate feel, and if you are wondering what’s distinct about it; writing on slate or blackboard was a slow process which required deliberated and concentrated efforts resulting in a handwriting which was usually quite different to a person’s handwriting on paper. Typography of chalk on slate was an everyday event in the classrooms of yesterday, and today we hardly ever get to see one of these if it all. Writing on a black board with chalk was quite an interesting achievement in its own right, if you ended up with anything legible and if your writing remained focused and ‘in-line’! But of course like everything else, his took time to master and when you did get it right, chalk hand lettering was quite an enjoyable experience! For semi-permanent designs, say for example an eventful day at school; students of the day would create beautiful typography on the boards, and add a solidarity to it sometimes by shading one side of the lettering – usual y the right side towards which the lettering leaned. This is the effect our chalk hands lettering shaded variation gives you. You could get this font individually, but we strongly advise you check out the “chalk hand lettering pack” font. It includes the simple “chalk hand lettering” (minus the shading effect) and also a “chalk hand elements” bag of tricks. The elements is a collection of graphic art which resemble shapes and designs that used to be added to chalk art, to beautify the typography. If you enjoyed seeing the effects of our Chalk Hands font, and the shaded variant – you are simply going to go gaga over Chalk Hand Elements! The chalk hand font of course enables you to make typographic art similar to the effect of chalks on slates and black boards. This was quite the art form in the days gone by! The shaded variation added a bit of solidarity and the technique was commonly used to make semi-permanent designs say for example a welcome note when somebody important was to visit. Classic chalk hand designs, especially the semi permanent ones often had little pieces of art to help beautify the creation as a whole. It could simply be symmetrical graphics appearing before and after the title and headings, maybe just an interesting shape to fill in an empty area on the board, and such…our Chalk Hand Elements offers you a ton of such graphics. The two chalk hand variations and the elements are all included in the Chalk Hand Family, and this is strongly recommended if you want to make designs that are truly reminiscent of the days of chalk on slate.

If you want to write something sincere and genuine but not too formal then this is the font for you. It is based on real handwriting, not some artificial calligraphy made to be either too haphazard or spiky or have loads of elegant flourishes but an ordinary person's writing, and designed to look as natural and as close to the original lettering as possible. Like any person's writing it is individual and distinctive, but so easy going on the eye those differences sit comfortably with you. It is friendly and open with easy to read glyphs both as lowercase and uppercase. The letters are relatively wide with clearly shaped distinct outlines. This font may be ideal for projects where you expect a wide readership with different reading abilities from young to old. When you are using this font a slightly bigger point size usually gives a better result so for a standard letter or similar you should size up to 15 points or more. Maree has been individually crafted to the smallest detail. To create a realistic handwriting font that looks relatively simple but works in a wide variety of languages requires a complexity and attention to detail most fonts will never require. This font in any ordinary business environment would never have been made, the effort required to make it too great, the length of time too long. There have been no shortcuts in this font, no automatic scanning or tracing, no automatic generation, no class kerning. Not only is each glyph individual but the width of letters, the height, the accents and the positions of the accents are all different. Even the line weight of the letters is designed to have natural variation but yet similar enough that the font appears as though it were written effortlessly in the same pen. And in order to keep the spacing consistent even though the letters have different widths, heights, lengths of descenders and so on, there are a vast number of kerning pairs, letter to letter, number to number, letter to number... All kerning has been individually assessed with an eye to proportionality taking in character shape, size and weight. For instance if you write a telephone number the numbers all sit close together but if you write a number before a letter such as in a UK post code or before a unit of measurement an extra little bit of space has been added which makes the number more distinct and therefore readable. That space is so natural to the eye that you don’t even know it is there. However even in the spacing allowance has been made for the fact it can’t be too perfect because when you write by hand the spacing is inconsistent. There have to be some letters which are too close or far apart otherwise the font would look artificial. For similar reasons if you are going to print out this font for a letter, etc, check the print version before you make any letter spacing changes because with the zoom functions in modern applications that uneven spacing and lettering can seem more pronounced than it actually is. When this font is printed out you will find it is surprisingly neat. This font is what it is, simple clear handwriting. You will not go wow. But if you want something unique and different and looks good on the page you won’t be disappointed. This font is not a work of art but it is a work of love. This font has a soul. How many fonts can you say that about?

Inheriting the beauty and style of old type classics from this genre, Jeles is blended with very elegant modern approach featuring soft corners, round slab serifs and tasty ball terminals. Jeles is designed mostly for display use and it is highly recommended to get the whole family if you want to get the best result. It is designed in two styles Condensed and Normal. The Condensed version is developed in two weights each coming with corresponding italics. While the Normal styles are three ranging from Regular, Bold and Black. The total of 7 separate fonts inside the family are quite enough if you look for diversity and flexibility at one place. You could use the uprights for more serious and strong headlines while the Italics work perfectly for more fresh and live subheads. Of course editorial design is only one of the many directions where Jeles family could be used successfully as we all know typefaces with so visible contrast between thin and thick and combined with classic elegance, could be easily used in every design of cosmetic industry, fashion, food, jewelry, etc. Try to design a stylish boutique shop signboard and you will surely discover its beauty and potential. Easy-to-read, it is good for print design, revealing its authentic letterpress-like character as well as perfect for screen use note that the thin strokes and serifs are not that thin to vanish on a low resolution monitor. Professionally designed, they are solid enough yet very elegant and even gentle making Jeles a desired family design of attractive web banners, web sites, apps and e-books.

When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.

The Nov. 26, 1921 issue of “The Moving Picture World” carried an ad for the dramatic film “For Your Daughter’s Sake” (originally tilted “The Common Sin” and produced in 1920). Hand lettered in an Art Nouveau sans serif style, the ad copy inspired Movie Drama JNL, which is available in both regular and oblique versions.

Burstwick is a sans-serif typeface inspired by modern workhorse typefaces and designed for everyday use. It has unique personality but doesn’t suffer in more practical situations, and is very flexible: there are six weights, ranging from thin to bold, and matching oblique italicis. Lifting elements from grotesque, geometric, and humanist styles, and putting legibility at the forefront, each weight is drawn with higher contrast and subtle asymmetrical features to enhance individuality and aid in readability, particularly at body sizes on websites. These features are intended as an alternative to rigid geometric lines, bringing a natural feeling to glyphs, resulting is a friendly, but professional choice for any organisation or designer. The foundation of the design is a large X-height, which further aids in differentiating lowercase characters from one another. This allows Burstwuck to feel open, airy, and really shine when used in single-family type hierachies, particulalry in headlines and larger text. Through its 630 glyphs, Burstwick supports many Latin languages, with thorough kerning for accented character combinations, making it an ideal choice for organisations considering multilingual users, and the perfect addition to any designer’s toolbox. In addition to accented characters, a large number of special characters and alternatives have been included to increase choice and flexibility. Among these are expand currency symbols, oldstyle figures, math operators, and symbols. Language support includes: Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Albanian, Swedish, Turkish.

'Meeeeoooow'! Seventies is another of my 'funkadelic' attempts (1) to fill the existing gap of seventyish looking fonts. In my opinion, that decade has a hidden treasure regarding type that remains unexplored: Only very few fonts rescue its 'groovy' essence, its ‘colourful’ qualities. But, don't have a cow man , and keep on truckin! With Seventies, my new foxy mama , your projects will stand out among the rest. Since there’s not much information available about this kind of lettering I had to get ideas from other styles: Nowadays it’s easy to find all kind of books or guides to understand and practice how different styles of calligraphy and lettering should be done. However, for some reason, 60s and 70s letters seemed to ignore/be free of rules... Was this suggesting the birth of postmodernism? I incorporated some ideas of the copperplate style of calligraphy: The ductus of its forms may be compared to the way letters are made in snell/engrosser’s script. Obviously, this is just the idea behind; the delicacy of thins is replaced here with the graceful imprint of really thick thicks with a brushy look and tons of good vibe . Seventies will work awesome in posters, brands, magazines, book-covers of any kind, due to its modern look adapted to our century. Well, catch you on the flip~side ! STYLES To make you more psyched , Seventies is a layered font! See examples in the posters using Seventies Shade, Seventies Shine and Seventies Printed. NOTES (1) My first one was with Beatle in 2014.

URW Geometric Extended is the matching complement for the URW Geometric, including 20 additional extended styles. URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability. The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased. Special glyphs, which are often designed afterwards for the original geometric typefaces from the 1920s, are perfectly integrated in the URW Geometric. These design characteristics increase the usability and legibility tremendously. With its 10 weights ranging from Thin to Black, plus 10 additional oblique styles, it has a great versatility in mind. The extreme light styles shine bright in large sizes, the middle weights are perfect for body copy and the bolder variants for the use of emphasis information or bring a strong impact to headlines and information. The optically balanced styles are designed to work in perfect harmony together. URW Geometric is functional, strong, simple and harmonized in form, and at a glance appears as a modern variant of its predecessors. Apart from the basic characters the design has an extra focus on the special glyphs. These are designed for today’s needs. For example: the email glyph looks modern and unique, including a perfectly balanced spacing. The number sign, in modern use called “hashtag”, is space saving and optically balanced for body text. Additionally, various extra and alternate glyphs are designed to provide a friendly usability. Including a wide Latin language support and character sets, URW Geometric is perfectly designed for today’s requirements.

Say Hello to Nostalgia! A Modern Font with a retro feeling 3 Fonts Regular, Effect and Flowers Go back in time and travel through the magazines and graphics from the fabulous 1970´s. Different serif typefaces, rounded and bold were the big focus to add a spark of life and modernity to the products. Nostalgia is our contemporary interpretation of this beautiful collection of fonts. Our aim is to draw the positive mood of these nostalgic letterforms with softened edges and rounded terminations, to evoke a fresh and contemporary view on this graphic approach. An extended set of alternates & swashes specially designed to create stylish lettering compositions have been included. You can Access your OpenType features and discover all the possibilities. Combining the glyphs with "Nostalgia Icons" as well as changes of color you'll feel the magic. This endless collection of flowers and decorative forms will boost the vintage mood to any project. The result is a very versatile font that works in a wide range request, from logos, headlines, branding, magazine design to wedding cards, poster and so much more.

This modern display typeface expands the Absentia collection with an impactful option for headlines, titles and logos. Graced with the geometric DNA of its distinctive lineage, the new addition emerges as a refreshing alternative for large size typesetting. Absentia Display borrows design attributes from the Sans and Slab families, in the form of slanted finials (‘a’, ‘e’, ‘C’) and one-sided serifs (‘b’, ‘F’, ‘H’). But in contrast to its relatives' measured restraint, it distinguishes itself with uninhibited boldness. Featuring stencil face breaks, basic glyph components are either abridged or completely omitted, as the shoulder of lowercase ‘m’ or the diagonal stroke of capital ‘W’. Modular letterforms set this typeface apart with a stylish appearance; round diacritic dots (‘i’, ‘Ü’) and curved transitions (‘E’, ‘L’) breathe a lighthearted attitude. Designers can scale up and go loud with Absentia Display, available in ten weights with matching italics and two variable fonts. From the refined Hairline to the robust Black, this versatile family serves a wide range of needs and styles.

Jazz Script is a groovy font family of two weights of the Script, a vivid set of Caps and Extras to spice up your designs or create custom letters with extra swashes. Inspired by 50s and 60s American lettering but polished with sharp but smooth vector expression Jazz Script is a powerful tool for creating iconic headlines, packages, or logos. Each Script version contains more than 750 glyphs and is equipped with several OpenType features to easy up your access for all the goodies: turn on Swash, Contextual or Titling Alternates or manually select from the Glyph Palette from even more Alternates to compose elegant word images. Jazz Script also has plenty of Automatic Ligatures that keep the text flowing and then there’s Proportional Oldstyle for more bouncy numerals. Jazz Script Family has four versions: #1 is regular, #2 has inline and #3 and 4 have different styles of carefully designed printed texture on them. For the very best price purchase the complete set that has all versions of Jazz Script and go wild with the flow!

Malou Verlomme designed Madera with graphic designers in mind – drawing on his decade of experience designing bespoke type to create a versatile, easy-to-use geometric sans serif that ticks off a long list of branding requirements. Its sharp apexes add some flavour to the design, which offers an honest, trustworthy tone of voice – but with a twist. “The design doesn’t go out of its way to attract attention, but is still very solid,” explains Verlomme. “It still has a fair amount of warmth and personality, in a very understated manner. If you’re a large corporation, with a typeface being used in many different environments, you want something that’s easy to use but can sustain such a large amount of visibility.” The Madera typeface family has 32 fonts: Upright, Condensed and Italics. Each typeface contains over 650 glyphs with extensive Western, Central and Eastern European language support. It also supports OpenType typographic features like alternatives, ligatures and fractions. Madera Variables are font files which are featuring two axis and have a preset instance from Hairline to Extra Black.

Brugty - Thick and funny fonts with 100+ alternative characters make this font very interesting. In addition, this font also looks unique and classic for a design project. You can apply it to covers, logos, merchandise, quotes, branding, posters, landing pages, social media posts or anything else it will impress with this great item. So, ready to go! Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer.

Kompakt is one of the early typefaces of type designer Hermann Zapf, whose Palatino has long been a standard in almost every area of application. Kompakt consists of a single weight and was designed in 1952, two years after Palatino. It was produced by the foundry D. Stempel AG in Frankfurt am Main, Germany, where Zapf was at the time in the artistic department. The figures of this extremely strong and heavy typeface are decidedly those of a broad tipped pen. When enlarged, the sharp outlines of the characters can be clearly seen. The unique dynamic of the alphabet is a result of its strong serifs, which on the lower case letters almost connect the letters in a line. Together with the slight slant to the right, this gives Kompakt the character of handwriting, making it look like it is always striving to go forward. Kompakt is an excellent choice for advertisements, especially for posters which should display a hint of nostalgia, and should be used only in headlines.

Organic versus geometric are two different universes that converges on nature systems and has its reflection on this new sans serif typeface. Frambuesa is a half humanist-half geometric sans that merges decorative curves with straight lines looking for a balance. The result: a solid but somewhat romantic, nostalgic type program that go ahead harmoniously, dancing to the rhythm of a naturally imperfect melody. Frambuesa can’t hide its family genetics. Structure and proportions come from Elisetta, her older sister they so both have a really good text performance. Regular variables and italics feel comfortable in a lot of contexts and are useful for little words or big title compositions. All seven weights are carefully adjusted to achieve soft transitions between one and the other resulting in high readability levels on program combinations and complex uses. This new font family name is a tribute to Lucia’s childhood, a very happy one. Frambuesa honors this sweet intense red fruit that her grandpa’s Coco gave to his grandchildren every Sunday in the summer.

Is your branding missing something wonderful that makes people going crazy impressed? Have you thought about how you can add that touch of that something to your branding and projects? Want to transport your audience to a world of gorgeous, elegant, wonderful, versatile, yet modern? Then, we have the solution for you. Introducing Wonderful Branding-A Handwritten Brush Font Giving you a simple, yet wonderful solution to your branding. This font is more than just another handwritten brush font. It encapsulates the essence of modernity and elegance. With elegance and passion edged into every curve and twist of this brush font - you’ll be sure to boost your sales and make the best impressions. Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Wonderful Branding includes Multilingual Options to make your branding globally acceptable. Features: Beautiful Ligatures Stylistic Sets Multilingual Support (84 languages) PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Mayfest Is An Elegant Display serif Inspired By Luxury and Elegant Character. FAQ's : Where are the OTF's? They are included in a download link( in a text file) in your main download file. 1 user 2 computers installation (Desktop License) You may NOT use for broadcast or Cinema/Motion Picture. You may NOT resell this font in any platform without further permission from designer. Do NOT embed font files in app/game/e-pub (for desktop license) You may NOT use the fonts in templates for sale/free. ( web/print/app ) For other license use please contact us. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Galvantur Grand is an uppercase-only display font, intended to be used for attention demanding titles and headers, or generally any form of text that needs to take center stage. An offshoot of the Galvantur font, Galvantur Grand takes things one step further towards the extreme, to really give your design projects that special flair. Characterized by the double lines and negative space between them, this powerful font can make any form of text stand out strongly. The multiple styles included can further help customize your designs and projects, to get the perfect feeling you're going for. Comes in 7 different styles - Regular, Oblique, Light, Light Oblique, Outlines, Light Outlines and Oblique Outlines. To get an idea of the various styles, please check out the images or use the preview field to type in text. Galvantur Grand supports Latin and Cyrillic based languages. IMPORTANT: This is an uppercase-only font. Typing out lowercase characters will look exactly like typing out uppercase ones. Furthermore, it is recommended that this font is used with bigger sized text.

Lanche Is An Modern Elegant Serif Font Inspired By Elegant Serif Typeface FAQ's : Where are the OTF's? They are included in a download link( in a text file) in your main download file. 1 user 2 computers installation (Desktop License) You may NOT use for broadcast or Cinema/Motion Picture. You may NOT resell this font in any platform without further permission from designer. Do NOT embed font files in app/game/e-pub (for desktop license) You may NOT use the fonts in templates for sale/free. ( web/print/app ) For other license use please contact us. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Campana Script is your go-to for classical elegance. Picture walking into an old bookstore and discovering a handwritten love letter tucked inside a dusty novel. This font brings that level of intimacy and nostalgia to your designs. Designed with heavy lines and intricate swashes, Campana Script suits formal applications like wedding invitations, certificates, and classic logotypes. Use underscore _ to make a swash. Example: Deco_rative Use multiple underscores to make different underlines. Example: Candy__shop Campana Script is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, and includes all the characters and symbols you'll ever need. Behind this exquisite creation is Mans Greback. Known for pushing the boundaries of type design, Greback has ventured into the intricate intricacies of aesthetic diversity with Campana Script. His portfolio is a testament to his versatility and daring, turning simple alphabets into powerful visual narratives.

Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia. Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself. Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert. He described himself to journalists as nothing more than "a Good Samaritan", and has continued to help his fellow man in Astro City ever since. John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busiek's Astro City dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! It's kinda the same thing really. See the families related to Samaritan Tall: Samaritan &

Inspiration The pounding tribal rhythms of Afrobeat music is expressed through this psychedelic brand new font, Afrobeat. Every letter becomes art as every letter is elegantly placed side by side, like music notes, creating music for the eyes. Afrobeat is a musical style performed by many African artists such as Fela Kuti, Femi Kuti, Antibalas and many more, which is a fusion of jazz,funk, and psychedelic rock, originating from the 60s and was based on the political movements of Nigeria. The Font This font is perfect for when you want to use eye-catching big texts for anything from posters and flyers for concerts, events, parties, to CD covers, advertisements, and art, but it´s especially striking for printed projects. Afrobeat Light thinks green Think green. With Afrobeat light you save up to more than 35% of your ink toner. Being green in no longer a luxury, but an an essential. By using Afrobeat light you openly demonstrate that your company integrates the 3 Ps into its operations: People, Planet. Profit. Go ahead - be green! Check out also the original ‘Afrobeat’

Galliso is a serif font with a classic yet modern style with subtle curves and a beautiful binding, consisting of regular and italic versions with four types. allowing for a very sophisticated and contemporary typographical approach and the unique look of this font also features ligatures and multi-language support. This font is perfectly made to apply especially to logos, and many other formal forms Galliso provides a distinct, creative, and expressive message for branding, advertising, packaging, headlines, magazines, websites and more. Features: All Caps Font with different uppercase and lowercase Number & Symbol Supported Languages Alternates and Ligatures PUA Encoded What is included: Galliso Regular +Outline Galliso Italic+Outline We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! Thank you Enjoy the font and go get creative :)

Sailor is the digital rendition of a film type that was popular in the early- to late-1970s. The type was called West Futura Casual at Photo-Lettering by David West. Some of the letter shapes of the original were replaced with more contemporary versions, but the originals remain accessible as alternates from different cells within the font, along with some other alternates and letter combinations. Just as the name implied, this sort of lettering is what happens when someone tries to apply Futura’s geometrical principles with a casual hand brush. This style has been popular for over three decades now, and is still going on strong. Posters with casual attempts at geometry are seen everywhere these days. Sailor’s brush style is now the standard visual expression of fun, cool, and happy atmosphere. It has the kind of versatility that can excite the eyes of children in cinemas, brand a product as happy and hip, turn a sign or banner into a cheerful invitation, or just make a poster or book cover that much more appealing to the eye.

Entendre is a stately, commanding and handsome sans serif typeface family that pulls reference from Trajan capitals, the history of English calligraphy, and a variety of other sources to summon a sense of warmth, consideration, trust and authority. Entendre spans 22 weights and styles including Regular and Condensed versions. The large x-height and refined characteristics of the family lend the family a sober and sophisticated appearance that is suitable for both print design and on-screen use. Entendre includes Central and Eastern European language support as well as Western European language support, including Greek and Cyrillic. Entendre’s generous x-height and medium-length ascenders and descenders offer pronounced readability, making the family useful for text typesetting both in print and on screen. Within, humanist elements are tempered with monumental construction, making the heavier weights go-tos for display design work. All of the Entendre family of typefaces feature Western, Eastern and Central European language support alongside nuanced Greek and Cyrillic. Entendre pairs well with our rounded sans serif family Elpy, sharing similar proportions and spacing.

Melodi is the result of years of working with hand made types on my designs. Every time I draw the letters and words that I need for every design piece. One day I decided to go serious and make a real type of it and “Melodi” is the result of this work. It’s a calligraphic font, built using a regular stroke, and carefully crafted to have nice joins between all the letters. It has some playful but stylish capitals that brings lot of personality to the font. It work super nice either in lowercase writing as in all-caps texts. It looks specially good on lists of words or small sentences. Melodi is a playful but very versatile font, it can be used in lots of different scenarios. From creating a logo, writing the tittles of a catalogue or use it in a poster combined with other types (it work really well as counter point of more classical types) to motion graphics animations or advertising work. It can be cute but it also can do hard work!

Kunire Grotesk – A Modern Grostesk Sans Serif Font Kunire Grotesk is a contemporary sans-serif font that seamlessly blends classic grotesque design elements with a modern twist. Exhibiting a refined balance between simplicity and intricacy, Kunire Grotesk features clean lines, geometric shapes, and a distinctive grotesque aesthetic that exudes a sense of sophistication. The font’s letterforms are characterized by their sharp, angular terminals and well-defined strokes, lending a crisp and professional appearance to any text. With a versatile range of weights and styles, Kunire Grotesk caters to diverse design needs, from editorial layouts to branding and digital applications, making it a go-to choice for those seeking a harmonious fusion of timeless elegance and contemporary flair in their typographic endeavors. Kunire Grotesk is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Sathiya is a modern calligraphy font with sophisticated messy ink accents. It is perfect for branding, packaging design. Sathiya includes full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. All lowercase letters include beautiful and unique (each letter has own "unpatterned" ending) beginning and ending swashes. Also, includes following multilingual symbols In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. The swashes are called alternative style. For example, letter "a" with beginning and ending swashes are alternative style for "a". In order to access you need them you need to open Glyphs panel. Photoshop has a glyph panel where you can find alternates and ligatures Select the Nagatha Christie font and go to Window Glyphs and double-click on the glyph you want to use. To open from Illustrator, please, follow: Window --Types --Glyphs. -Photoshop https://www.youtube.com/watch?v=Go9vacoYmBw -Illustrator http://youtu.be/iptSFA7feQ0nn Thanks and have a wonderful day.

Are you ready to make your branding stand out? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Looking for an elegant and stylish font? We've got what you want. Smooth Miracles-A Script Font Smooth Miracles is a font of choice for writing things that go beyond words. This font type is designed with high detail to deliver stylish elegance. So, it can be said, the character of the change is very beautiful, a kind of classical decorative copper script. Smooth Miracles presents alternative variants of most letters, binders, and many calligraphy tips, ideal for elegant labels, high-end packaging, stationery, and compositions for certain brands, beautiful titling, verses, letters and short texts, which are intended to be read only with the eyes or intended to whisper into someone's ear. Our font always includes various language support to make your branding reach a global audience. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

The Cralic Coob font is an excellent selection when you want to infuse your designs with a playful and whimsical charm. This adorable and quirky display font adds a delightful and lighthearted element to any creative endeavor. It offers a wide range of applications, making it a versatile choice for various projects. Whether you're working on branding projects, crafting unique logos, designing wedding materials, creating eye-catching social media posts, producing captivating advertisements, or even developing product packaging and labels, the Cralic Coob font is your ideal companion. This font's handwritten style adds a personal and charming touch to photography projects, while it also elevates the elegance of invitations and stationery. With its ability to convey a sense of childlike wonder and cheerfulness, the Cralic Coob font is your go-to choice for infusing character and whimsy into your creative work. Its versatility and distinctive aesthetic make it a valuable asset for designers seeking to add that extra touch of playfulness and individuality to their projects. See other fonts from Cralic family https://www.myfonts.com/collections/cralic-font-popskraft