Parabrite arrives as a vision of the future. The future is brite - Parabrite - this is unavoidable now. The composition of Parabrite is found to be based on a set of technical behaviors defined from a set of four sub-glyphs and their interactions, similar to the make up of our D.N.A. (A,C,G,T). Likewise, Parabrite's block matrix is composed of four units (S,L,I,C). These units are only allowed to group together according to predefined set of mathematical rules, and affect each other symbiotically. The smallcase letters stand five feathers high, while the capitals add an extra two feathers width. Parabrite is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications. Use Parabrite when you dream of a future world. Since Parabrite is adapted to be quickly read by a wide assortment of electronic scanners, legibility to humans suffers a little, although robots report it is much easier on the eyes. They are happy to read it for you too, if you are having trouble.

Introducing Pedroc – Display Typeface Future-Inspired Geometric Blocks Pedroc is a Future-Inspired Display Typeface, a captivating Display Typeface, is born from the inspiration of future technology, thus infusing an industrial touch into its design. Sleek and Futuristic Aesthetics Pedroc’s design is a testament to sleek and futuristic aesthetics. This makes it a standout choice for modern and tech-inspired projects. Versatility for Contemporary Design This font’s adaptability shines in various contemporary design contexts. As a result, it’s suitable for a range of creative endeavors, from branding to posters. Engaging and High-Tech Future-Inspired Display Typeface guarantees your content remains engaging and high-tech. Consequently, it captivates your audience with its modern industrial charm, ensuring your message resonates. In Conclusion In summary, Pedroc – Display Typeface is the font for those seeking a futuristic, industrial touch. Its sleek and versatile design ensures it fits seamlessly into contemporary creative projects. Whether it’s for tech-inspired branding, posters, or other modern designs, Pedroc is the font that keeps your content engaging and high-tech, appealing to a diverse audience with its modern industrial charm.

Enter the future with Mechline, a visionary font that seamlessly blends futuristic aesthetics with artistic ingenuity. Mechline creates a cutting-edge look that pushes the boundaries of modern design. The characters in Mechline embody the essence of the future, with a weight that strikes the perfect balance between elegance and technological advancement. The artistic letter shapes evoke a sense of creativity, giving each character a distinct and avant-garde identity. Mechline's irregular outlines add an element of unpredictability, contributing to its futuristic allure. Enjoy the features here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Mechline fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Vialog is a large and versatile sans serif family consisting of four weights of roman with corresponding italics, each with small caps and Old style Figures. Designers Werner Schneider and Helmut Ness based the concept for Vialog on the forms in "Euro Type," an unpublished type designed by Schneider in 1988 for the German Federal Transportation Ministry. For Vialog, Schneider made comprehensive legibility studies of the existing European transportation fonts, and combined and adapted the best features to make a new information system font family. He fine-tuned Vialog's characters and spacing with a special regard to the legibility problems of transportation settings, such as viewing type at distances and while moving. For example: cap I, J and lowercase i, j are common legibility problems in sans serif fonts, so in Vialog, these characters have serifs. In addition to its usefulness to the transportation industry, the Vialog family confidently meets the needs of corporate design and branding systems with its space-saving attributes for text settings, as well as the large number of weights and styles.

Sporting pot-hook serifs and a tiny aperture, the Scotch Modern was an evolution of the Didone and Scotch Roman classifications, becoming the default type genre of the 19th century. Recontextualizing the 10-point type of a scientific report published in 1873, Nick Shinn has produced sleekly refined, micro-detailed vector drawings by eye, without the assistance of scans, of this magnificent classic. A beautiful genre of type, so popular in books, magazines and advertisements during the Victorian era and much of the 20th century, the Scotch Modern was derided by advocates of both the Arts & Crafts movement and 20th century modernists, and was never been properly adapted to hot metal, phototype, or digital media -- until now. Now the full range of typographic expression is possible in this style. The OpenType fonts support Western and CE encodings, Cyrillic (with Bulgarian alternates) and Polytonic Greek. There are many special features, including small caps, unicase, italic swash capitals, ten sets of figures per font, and both slashed and nut (vertical) fractions. Together with Figgins Sans, comprises The ModernSuite of matched fonts.

In 1066, William, duke of Normandy, was invading England. He was demanding the crown for himself, against King Harold the Saxon. He killed Harold and reached the crown at Hastings, the well-known battlefield. A few years later, in Bayeux (Normandy, French)was displayed a large tapestry (almost 70 m long) who was telling the story of the conquest. Along the tapestry was written a comment in Latin, using Roman capitals influenced a little by English or Scandinavian style (as it is visible in the Eth character). We have created the font, inspired from this design, adapted for contemporary users, making difference between U and V, I and J, which has not any relevance for ancient Latin scribes, and naturally with Thorn, Oslash, Lslash... and usual accented characters did not exist at the time. We also have reconstructed the K, German double s and Z, always using patterns of the time. We have scrupulously respected the poetic irregular and distressed original forms with two or three alternate for each characters, including reconstructed numerals.

Brekgu is ideal for projects that require a futuristic, sci-fi, or high-tech atmosphere. This typeface has a unique, modern appearance and includes features such as ligature, alternative, and multilingual support. Brekgu allows you to give your designs a bold, dynamic, and attractive style. The letters’ unusual and futuristic shape will make your project stand out from the crowd. Brekgu, when combined with ligatures and alternates, will aid in the creation of incredibly unique and eye-catching designs. Brekgu is bilingual and adaptable to different languages, allowing you to utilize it for a wide range of worldwide design projects. Don’t pass up the opportunity to use this powerful and stylish font for your creations! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

The simplified letterforms of Sinova™ make it an ideal choice for those settings where you really don't want the type to shout too loudly or draw unnecessary attention to itself. Christian Mengelt has drawn five weights: Thin, Light, Regular, Medium, and Bold, all with complimentary obliques. Sinova is an OpenType family that is unfussy, functional, and legible, with extensive language support (some 48 languages). Thanks to its clear and straightforward design and dynamic rhythm, one of the main characteristics of Sinova is its excellent legibility, irrespective of whether it is used in longer passages as a stylish book script or for text in the digitalised office environment. But Sinova also happily adapts itself to being used as a titling font in combination with Renaissance Antique serif typefaces. For this reason, another potential application for the font family is as a graceful and elegant titling and text script for job printing and in publicity texts. The two complementary stroke widths, light and bold, are perfect for commercial applications.

Core Sans CR family is a rounded version of Core Sans C; a part of the Core Sans Series, such as Core Sans N, Core Sans M, Core Sans E, Core Sans A, Core Sans D, Core Sans G, Core Sans R and Core Sans B. Core Sans CR is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Introducing “Towienk Font” – Your Passport to Summer Creativity. Embrace the sun-soaked vibes of summer with Towienk Font, your perfect companion for creating designs that radiate the essence of the season. This delightful display font captures the spirit of summer in every character, making it an ideal choice for all your warm-weather projects. Towienk Font’s playful and breezy style adds an instant touch of summer to your designs. Whether you’re working on beachside invitations, tropical-themed posters, or anything in between, this font will infuse your work with the carefree spirit of the season. With meticulous attention to detail, Towienk Font ensures that your text pops with the vibrancy of summer. It’s a versatile typeface that adapts effortlessly to various design applications, from travel brochures to poolside party banners. Dive into the world of Towienk Font and let your designs sizzle with the warmth and energy of summer. Elevate your creativity and make every project a sun-drenched masterpiece. – PUA Encoded Characters – Fully accessible without additional design software.

The 50’s were the golden years for cinema and consequently also for the artists who lettered on the posters. Cinefile is a brushed disconnected script included in a family font that evokes the soul of that vintage brush but with a modern touch. The main characteristics of Cinefile are soft and rounded shapes and a very high x-height, clean and easy to read. Cinefile Family includes 3 fonts: Cinefile, a very versatile script font with initial forms, and a generous complement of alternate characters, ligatures, ordinals, Cinefile Slab Serif and Cinefil Ornaments that combine perfectly and give you many options to your designs. Remember that to access to all additional characters, you must use software that is truly compatible with OpenType, such as Adobe CS applications, or we recommend using the Glyphs palette. Cinefile is a friendly and fluid family font that adapts well to titles, packages, invitations, greeting cards, magazines and book covers, children's material, fashion, logos and, posters and wherever you need a fun and sympathetic display font.

Embrace the captivating elegance of LaRuja, a modern serif font that seamlessly blends feminine grace with unwavering strength. Its distinctively high contrast between horizontal and vertical lines creates a dynamic interplay of elegance and structure, making it a versatile choice for a wide range of applications. LaRuja's gracefully tapered terminals and subtly curved arches exude a sense of refined femininity, while its sturdy serifs and well-defined letterforms project an unyielding strength. This unique balance of characteristics makes LaRuja the ideal choice for projects that demand both beauty and substance. LaRuja's extensive language support, encompassing over 90 languages, makes it a global font that can be effortlessly adapted to diverse cultural contexts. From fashion magazines and branding materials to websites and marketing campaigns, LaRuja seamlessly conveys your message across borders. LaRuja's comprehensive weight system, ranging from Thin to Black, enables you to tailor the font's appearance to suit the specific needs of your project. The lighter weights, such as Thin and Light, exude elegance and sophistication, while the heavier weights, such as Semibold and Black, project authority and impact. Happy creating everyone!

These fonts will join-as-you-type in your OpenType application as shown in the posters above. Choose Use Contextual Alternates option in your app to get basic recommended baseline joins for teaching. Additionally, use can choose from 7 Stylistic Sets of alternative letterforms that are so important for Teachers. Create 'pen-lifts' too! Fonts display unjoined by default on this website and are delivered that way - joining is controlled by you. A mature ‘joined-up’ hand is the result of correct instruction from an early age. Sassoon Write typefaces are a direct progression from the separate letters of Sassoon Infant or Sassoon Primary and were specially created for teaching cursive handwriting in a flexible way. Designed for older pupils and adults, rather than children. A family of 4 fonts than join, or enter " | " between letters for unjoined text. For use with OpenType compatible applications such as Word. Enables progressive pupil exercises for a smooth transition between separate letters and teaching joined handwriting. Free to download resources Stylistic Sets and how to access the alternative letters feature in these OpenType fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

In a future world where technology reigns supreme, communication must adapt to convey the cold and calculated efficiency of machines. Pirulen is the answer to this need. This hi-tech headliner is a futuristic marvel that transcends the limitations of traditional typography. Pirulen takes inspiration from the bold and daring style of 1930s Bank Gothic, but with a unique and revolutionary twist. It strips away any hint of warmth or humanity and replaces it with a cold and calculated design that perfectly captures the feeling of machines and technology. The result is a typeface that is both imposing and captivating. One of the most striking features of Pirulen is the lambda-style “Λ”, which adds to its already bold and robust appearance. This iconic symbol is a clear indicator of Pirulen’s futuristic design and sets it apart from other typefaces. And if you’re looking for even more variation, Pirulen offers barred “A” and accented variants that can be easily accessed through your application’s stylistic alternates function. With six different weights and italics, Pirulen is a versatile typeface that can adapt to any situation. Whether you’re creating sleek and modern designs or gritty and industrial ones, Pirulen can help you convey the cold and calculated efficiency of the future. So don’t be left behind—embrace the future with Pirulen. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

JT Collect is a hybrid sans-serif typeface for the 21st century that takes a playful approach to the type design heritages of Germany and Switzerland. Confidently built on a geometric structure and infused with elements from traditional grotesque typefaces, it hits the sweet spot between geo and grot. I developed JT Collect purely digitally, drawing from years of experience with analog type design. The letters aren’t based on one particular source but seek to merge different type genres from the first half of the 20th century and lift them to a contemporary quality level. JT Collect is less reserved than strictly geometric designs and brings some industrial workmanship and honesty into the game. The six weights plus three optical sizes of JT Collect offer what you need to make an impact. While cool and elegant in the Light weight, the fonts show more presence on the page as they grow bolder. To this end, I drew the letterforms with a slightly unrefined, brawny air in the bolder weights. This sets them apart from the perceived purity of more geometric designs. The Book weight is ideal for short texts and medium-length copy, and the forceful Bold makes wordmarks look crisp and lets headlines radiate cosmopolitan self-confidence. JT Collect is suitable as a primary typeface for branding, advertising, packaging, stationery, posters, documents, and websites from trades and industries as diverse as food & fashion, media & makers, culture & creators, games & gems, sports & startups. Use JT Collect for film titles or watch faces, for leaflets or store signs, for business cards or billboards: this font family is as adaptable as a chameleon (and like a chameleon, it’s never boring). Try it in different contexts. You won’t be disappointed. Its adaptability also makes JT Collect a great starting point for poised and persuasive font combinations. Even a sans/sans pairing is possible due to hybrid nature of JT Collect—something that’d be hard to achieve with most other sans-serif typefaces on the market. You can add to it a heavy slab from the OGJ library, like Temper Wide. You might go for a geometric or a grotesque typeface as secondary (text) typeface. Or you could set your body copy in a classic serif typeface such as Caslon, Sabon, or Plantin. That’s right: JT Collect is a true team player. Whether you need a grotesque or a geometric sans: try JT Collect. You can get the best of both worlds.

The starter point of the Wienerin typeface is based on the work of Austrian designer and artist Carl Otto Czeschka who was part of The Wiener Werkstätte, an early twentieth century association of designers, architects, craftsmen, ceramists, jewelers and other graphic arts in his country. This collective of artists was influential for both Bauhaus, art deco and Scandinavian design. Wienerin is a revision and expansion of the Olympia typeface designed almost 100 years ago by Czeschka but adapted for contemporary use with the inclusion of numerous alternative signs and ligatures. Variable font technology allows a greater variety of weights to be achieved. One of the features of the original design was the inclusion of "eifassungen" or modules to create frames. Wienerin presents a repertoire of 500 in 3 weights. With an upward elongated design we have decided to also create a version of the typeface with a larger x-box that allows for a wider use of the typeface family. Because of its contrast it is ideal for use in delicate design pieces such as editorial design, elegant labels, stationery and fashion. All styles of the Wienerin typeface family cover most Latin languages.

Introducing Franqueline Slab, the captivating new typeface family passionately designed by Estudio Vástago and expertly distributed by Sudtipos! This versatile font offers a diverse array of styles, ranging from delicately refined to boldly eye-catching on the weight axis, all elegantly inspired by the timeless Egyptian fonts of the late 19th century. With expressive character and exquisitely unique shapes, Franqueline Slab harmoniously blends the finesse of its delicate strokes with sophisticated endings, resulting in a truly remarkable typography. Every letter in Franqueline Slab has been meticulously crafted to strike the perfect balance between a contemporary edge and a touch of traditional charm, appealing to both the younger generation and typography enthusiasts who appreciate the artistry of the past. Its adaptability makes it ideal for captivating headlines that convey a message of youthful energy and playfulness, while still exuding the timeless elegance that only classic fonts can deliver. Embrace distinction and originality in your designs with Franqueline Slab. Whether it graces an editorial project, logo, or advertising material, this exceptional typeface family will undoubtedly stand out, leaving a lasting impression with its captivating personality. Watch your messages come to life and shine with the unparalleled charm of Franqueline Slab!

The astype series Accolades A offers the designer a fine balanced set of calligraphic swashes, swirls and floral ornaments. The shapes are in systematic order and harmonize in contrast and detail. The shapes can be combined easily and the advanced designer can build hundreds of sophisticated compositions. No matter, whether packaging lables, invitations or greeting cards - every assignment with the need of a delightful appeal will be served well. Accolades A and A2 share the same base set of ornaments but differ in some of the major shapes. Despite these differences, the total width of the shapes will be always the same. If you are looking for some good companion fonts, give Gracia and Adana a try. Every classic high contrast stroke design like Didot or Bodoni works well. Note: To look perfect, adjust the size of the ornament font to fit in contrast the design of the companion font. So if you use a Bodoni font as companion, try to match the thickness of the thinnest part of a upper case Bodoni letter with the thinnest part of a shape from the ornament. Note 2: Each package comes with a technical documentation and an InDesign2 sample file.

A highly legible typeface in 4 series Le Monde Journal by definition is intended for newspaper use & at small sizes. It’s an economical and workshorse typeface adapted to any extrem condition of uses. Even though it has the same colour as Times, it appears more open. The reading flow has been made more fluent & less abrupt. The glyphs counters are bigger, as if they were “alluminating the interior.” The form, characterized by its serifs, remains embedded in our visual memory. Intermediate weights like Book can be considered as a grade supplement of the Regular. Italics accompany Le Monde Journal. With a more delicate design & a distinctive rhythm, they remain noticeable when used with the romans. Its companion, Le Monde Sans can extend your typographic palette. For beautiful page layout, use it in conjunction with Le Monde Livre for titling sizes. The verticals metrics and proportions of Le Monde Journal are calibrated to match perfectly others Typofonderie families. This family was designed in 1994 as bespoke typeface family for the French newspaper Le Monde. The family is not used any more by this newspaper from November 2005. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998

Bernyck is a vintage fonts inspired by bold advertisers hand lettering styles, popular in the late 1940s through the early 1950s. It has the same charm as his brother “Cinefile”, but, this time, connected and with more alternates. The Bernyck family is integrated by Bernyck and Bernyck Extrude to interact together. To this we add a beautiful set of 131 ornaments, Bernyck Ornaments and of course, Bernyck Ornaments Extrude. The Open Type features include a full international character compliment, standard and contextual alternates, swatches, stylistic sets, initial forms, standard and discretionary ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. A total of 634 glyphs to offer you many more options for your designs! Bernyck, like all our fonts, was carefully designed, controlled and tested in both aspects: readability and technical aspects. We take care of the kerning pairs, hinting and the precise programming of the Open Type functions; as well as the final touch of each glyph. Bernyck adapts well to titles, packages, invitations, greeting cards, magazines and book covers, children's material, fashion, logos and, posters and wherever you need a fun and sympathetic display font.

Supriyadi – A Modern Handwritten Typeface Supriyadi is a contemporary handwritten typeface that effortlessly blends elegance with a touch of informality. Its fluid strokes and organic lines create a sense of warmth and friendliness, making it an ideal choice for projects that seek a modern and approachable aesthetic. The typeface strikes a harmonious balance between legibility and artistic expression, with each character bearing the distinctive mark of handcrafted authenticity. Supriyadi exudes versatility, adapting seamlessly to a range of design applications, from branding and packaging to invitations and social media graphics. Its inherent charm lies in the subtle variations of each letter, evoking a sense of personalization and uniqueness. With Supriyadi, the written word takes on a contemporary flair, inviting a connection between the creator and the audience through the artistry of handwritten expression. Supriyadi is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Hiragino Serif (Mincho) is a font adapted for the digital age. It was designed to permit finely detailed tuning that allows the sizes of both kanji and kana to be adjusted for greatest visibility. It also broadly satisfies the needs of modern graphic design in advertising, posters, pamphlets, magazines, and other such uses. The font makes the counters comfortably wide while gracefully raising the text's center of balance, ensuring that the typeset characters will be smooth and well-defined. It gives each line a modern impression thanks to a judicious balance of light and shade and draws out a vivid readability that makes it possible to comfortable push forward with one’s reading. Latin alphabet and numbers have all been originally designed so that the weights of typeface and the flow of the baseline between Japanese and Latin characters are extremely consistent. Of particular note, vertically formatted text that mixes both Japanese and Latin characters can be beautifully rendered using only this typeface. Thanks to the use of authentic and sophisticated basic design , it creates a different atmosphere by combination of optional unique kana typefaces.

Introducing Galeiya – Cute Script Font Adorable Playfulness Step into the enchanting world of Galeiya – Cute Script Font, where adorable playfulness takes center stage. This font is the embodiment of girly charm and fun. Joyful Whimsy Galeiya’s joyful whimsy adds a delightful and whimsical touch to your projects, making it the perfect choice for a wide range of creative endeavors. Versatile Delight Beyond its cute appearance, this font is exceptionally versatile. It effortlessly adapts to various design contexts, from invitations to branding, infusing each project with a joyful spirit. Expressive Typography Galeiya is more than just cute; it’s incredibly expressive. Its lovely script style injects character and a sense of fun into your content, ensuring it leaves a memorable impression. In Conclusion In summary, Galeiya – Cute Script Font is the font that seamlessly combines girly charm with a sense of playfulness. Its versatility and expressive nature ensure your content is not only cute but also highly engaging. Whether it’s invitations, branding, or an array of creative projects, Galeiya brings a unique, expressive touch that appeals to a broad audience, leaving behind a lasting and delightful impression.

The origins of Bembo go back to one of the most famous printers of the Italian Renaissance, Aldus Manutius. In 1496, he used a new roman typeface to print the book de Aetna, a travelogue by the popular writer Pietro Bembo. This type was designed by Francesco Griffo, a prolific punchcutter who was one of the first to depart from the heavier pen-drawn look of humanist calligraphy to develop the more stylized look we associate with roman types today. In 1929, Stanley Morison and the design staff at the Monotype Corporation used Griffo's roman as the model for a revival type design named Bembo. They made a number of changes to the fifteenth-century letters to make the font more adaptable to machine composition. The italic is based on letters cut by the Renaissance scribe Giovanni Tagliente. Because of their quiet presence and graceful stability, the lighter weights of Bembo are popular for book typography. The heavier weights impart a look of conservative dependability to advertising and packaging projects. With 31 weights, including small caps, Old style figures, expert characters, and an alternate cap R, Bembo makes an excellent all-purpose font family.

Hey there, check out Altarossa! It's a font that blends classic elegance with the bright plasticity of nature. This natural fusion gives Altarossa a captivating charm that's both tough and tender, young and chic. The rounded corners and curvy lines of Altarossa will remind you of the fresh and light vibes of nature, perfect for designs that need a touch of natural beauty. This font is well-balanced both for headings and typography and for typing large text blocks. In addition to its captivating charm, Altarossa is the perfect font for a variety of businesses and activities. If you're in the fashion game, Altarossa's stylish yet natural vibe will elevate your brand to the next level. For sports and fitness brands, Altarossa's strong and flexible nature will perfectly represent your message. And for weddings, luxury brands, commerce, hobbies, and more, Altarossa brings a touch of elegance and sophistication that'll make your designs pop. This font is well-balanced both for headings and typography and for typing large text blocks. With its versatile and adaptable nature, Altarossa works with pretty much any project you throw its way. Don't sleep on Altarossa, it's a font that's too awesome to pass up!

A brighter slab n’ sans in 18 styles Referred to as Egyptian’s in the early years of the nineteenth century, today slab serifs are primarily used in display sizes but seldom used in body text. With Mislab, Xavier Dupré has designed a brighter and more legible slab serif than most. Mislab aptly combines the strength of a slab serif with the lightness of a sans serif. Bold and thick serifs make for strong impact in display uses while performing extremely well under the most stressful body text conditions. A slight cursive feel adds spice to the text while its delicate rounded rectangular structure is naturally adapted to screen displays. The capitals have fully assumed serifs while the lowercases have more discreet versions. Notable features include sanserif endings on the lowercase a, c, e & s, inducing fluidity and enhanced readability. This highly versatile typeface brings clarity to headlines. Mislab will provide foolproof stability to your layouts. Mislab, a new design by Xavier Dupré Type Directors Club 2014 Tokyo TDC 2014 Communication Arts Typography Awards 2014 Club des directeurs artistiques, 45e palmarès Slanted: Contemporary Typefaces #25

Ozana Pro is a bracketed serif font family adapted to the professional requirements of graphic designers, web designers and mobile app developers. Comprised of 24 styles including 12 styles designed especially for headlines and 12 styles for text and long paragraph design, Ozana Pro is a very versatile family of fonts that can be used in many projects such as editorial design, branding or corporate identity creation, design of posters or logos, the creation of websites or the development of mobile applications. This serif font family, with a resolutely modern aspect, also hides a unique typographic design since it has 2 distinct styles (Roman and Display) which have 2 different optical sizes in order to graphically differentiate the appearance of titles, subtitles and long paragraphs. With this design of glyphs differentiated by the optical size according to the styles, the titles have a very graphic aspect while the long texts have a more classic design in order to keep an optimal readability in all cases. Ozana Pro is also equipped with powerful OpenType features such as case sensitivity, true small caps, ligatures, tabular figures, old styles figures, numbers circled. Ozana Pro is also available as a variable font family.

Hello, design enthusiasts! Allow me to present "Libreville" - a contemporary serif font that seamlessly blends style, readability, and uniqueness. Libreville is a modern serif typeface designed to meet contemporary design demands. With its sleek and elegant characters, this font effortlessly combines sophistication with excellent readability. The unique aspects of Libreville set it apart, making it a standout choice for a wide range of design projects. Key Features: - Contemporary Elegance: Libreville exudes contemporary elegance, making it an ideal choice for projects that demand a touch of modern sophistication. - Excellent Readability: The font is meticulously crafted to ensure optimal readability, making it suitable for various design applications, from editorial work to branding. - Unique Characteristics: Libreville brings a unique flair to serif typography, allowing your designs to stand out with a distinctive touch. - Versatility: Whether applied to branding, editorial design, or any creative project, Libreville's versatility makes it adaptable to various design needs. Libreville is your go-to serif font for achieving a perfect balance between contemporary aesthetics and classic sophistication. Feel free to reach out if you have any inquiries or require further information. Your feedback is highly appreciated. Thank you for considering "Libreville" for your design endeavors.

Galactic Adventure is a calligraphic brush font with a retro twist, inspired by the expressive movement and boldness of vintage advertisements. This font effortlessly combines the heavy, dynamic strokes of brush calligraphy with the cool, adventurous spirit of the past, making it an ideal choice for merchandise, branding, and creative projects that demand a touch of retro charm. Use underscore _ to make a underline. Example: Co_ol Use multiple underscores for longer swashes. Example: Super____human The Galactic Adventure font family features three distinct styles to suit your design needs: Regular, Bold, and their respective Italics. These versatile options allow you to capture the essence of the past while adapting to modern aesthetics, providing endless possibilities for your creations. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Pulse JP is a constructivist text and display font that differs from comparable fonts due to its special sharpness and harmonious balance. Its technical and constructed form creates a somewhat artificial impression of special appeal. It is ideal for display on the screen and is used in many projects. Pulse JP is a super family consisting of 48 weights from compressed to expanded in 6 fat gradations each. This opens up a wide range of designs and the possibility of combining typefaces of the same character in a wide variety of variants, or of being able to adapt typefaces to very different conditions. The details of the individual typefaces are coordinated with each other with great precision and perfectly implemented in terms of craftsmanship. In all variants, this leads to a well-balanced typeface with particular sharpness. The very extensive character set supports 120 Latin languages. Pulse JP meets the pulse of the times, which is in a transition away from the humanistic to the classicistic designs. jp Pulse outperforms many other fonts not only in terms of sharpness but also in terms of variety and is therefore always a good choice.

Every designer has a favorite geometric sans serif. For a century, they've been a staple for text that needs to be clear, strong, architectural, and objective. Mimolette offers a sans serif family that's great for text and display alike—the panache of Neutraface, the readability of Avenir, the sleekness of Avant Garde, the strength of Mark, the architecture of Gotham, and the classic lines of Futura—but she's entirely her own creature, and she's designed to offer maximum versatility and beauty at an affordable price. And she's got some nifty features, too! Her italic is a true italic, not just an oblique. Are the uberpointy diagonals (AMVW) not working in a particular context? Activate Stylistic Set 01, and they become flat-topped! Want more playful cursive alternatives in the italic? Activate Stylistic Set 02, and you've got them in the A, E, K, Q, R, and k. She's got true small caps in all styles! She's got true fractions in all styles, as well as oldstyle (small cap) and lining numerals, in both tabular and proportional widths. Best of all, perhaps, Mimolette was made with love, as always, by yer pals in the Ampersand Forest.

Honeycomb Script is a delightfully charming handwriting font, boasting a cute and quirky aesthetic. With its naive and endearing style, it's perfect for adding a touch of craft-inspired charm to your creative projects. The birth of Honeycomb Script was sparked by blooming wildflowers and bustling honeybees. The harmonious dance of the bees in their natural habitat inspired the unique and playful letterforms of Honeycomb Script, capturing the magical essence of the natural world's sweetest architect. Use one or multiple underscores _ anywhere in a word to add a decorative underline. Example: Sweet_____Honey Try using # before or after any word to make lovely swashes. Example: #beehive# The font offers six high-quality styles: Thin, Regular, Bold, and their italic versions, giving you the flexibility to adapt to any design context. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.