Hi, Introducing the latest styles Hello Victonia with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Wiltona Brush with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Bring love with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Bostary Brush with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Kelysia Brush with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Molynia Script with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Bortane Brush with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Chelson Brush with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Hello Yasmin with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Love Style with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Hi, Introducing the latest styles Beach Rock with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Introducing Peachy Delight Duo – a bold and energetic display duo font that will bring a burst of joy to any design project. With its rounded edges and playful curves, this bubbly font exudes a sense of vibrancy and cheerfulness that is sure to captivate your audience. Peachy Delight Duo is not just your ordinary font. It goes beyond the ordinary and offers you even more creative possibilities with its outlined version. The outlined bubbly font style adds an extra layer of depth and dimension to your designs, making them truly pop off the page. cute fo Unleash your creativity and let Peachy Delight Duo be the highlight of your designs. Available in a variety of formats, this font is compatible with both Windows and Mac operating systems, making it accessible to all designers.

It all started with a simple idea back in 1998: do a digital version of a "lost" 70's typeface, and make up the missing letters that were not present in the only available example Jeff Levine had to work with. Jeff wasn't yet doing his own digital font creation, so he hooked up with Brad Nelson who owns a small foundry called Brain Eaters Fonts. Together, they collaborated on "Action Is"- a freeware font named after the source of the type example. This was a title page for a commemorative photo album of images from the 60's TV music show "Where the Action Is", formerly hosted by Jeff's employer at the time, singer-writer-producer Steve Alaimo. The free font took off like a rocket, being released just at the peak of the 60’s/70’s retro craze in the late 1990’s, and it was EVERYWHERE! It showed up on TV shows, packaging and web design -- and was even spotted on signage used on the side of a major amusement resort’s retro-themed hotel. From that point on, Jeff kept getting requests for a version with a lower case. Although they shared the copyright in the freeware version, Brad Nelson gave Jeff his blessing to re-work and take Action Is into the realm of commercial type. Newly improved and re-released as Groovy Happening JNL, it became one of Jeff's better selling type designs. A simplified, yet similar font was issued called Groovy Summer JNL. Now, after about a decade, Jeff had decided to clean up the 3-D (drop shadow) version that was originally freeware with many minute design flaws and re-release it commercially. Groovy 3D Caps JNL is an all-caps, limited character set font which ties in well with the previous releases, yet retains itís 1960s-1970s era charm. The font flag art is courtesy of Barbara D. Berney and is used by permission.

This Deco delight is based on logotype lettering for Crosley Radios from the 1930s. By aLtErNaTiNg upper and lowercase letters (brackets and braces, too), you can maintain the flow of the lightning bolts through the letters. Additionally, inline hyphens can be found at the ASCII circumflex and ASCII tilde positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as modern" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising. This version of Bodoni was done by Morris Fuller Benton for American Typefounders between 1907 and 1911. Although some of the finer details of the original Bodoni types are missing, this family has the high contrast and vertical stress typical of modern types. It works well for headlines, logos, advertising, and text."

Gang is a 2 - style display font family designed by Ani Dimitrova. Both weights contain a set of extended Latin and Cyrillic, as well as all sorts of open type features: standard ligatures, proportional figures, numerals, arrows, matching currency symbols, and fractions. In both styles, the font is well-suited for large headlines, word emphasis, and different types of advertising. The fonts' wide proportions make them a perfect choice for screen usage. This style palette offers a flexible range for display typography. The Gang type family is ideally suited for magazines, branding, posters, as well as web and screen design, and more.

Vivala-Marbod is a versatile serif font that boasts a wide range of features and styles. With ten styles and 545 glyphs, the Marbod enables a wide range of applications. Whether subtle headings or easy-to-read body text, Marbod offers the necessary versatility. A set of symbols with fractional numerals, scientific numerals, and matching arrows makes them particularly suitable for informative design. Advanced language support makes it ideal for international projects. In addition to the upright font, Marbod contains a well-developed italic. This is great for making posters, brochures, and corporate designs that need to be precise and stylish.

›Hi! Please note you are visiting Old Supernett. We decided to upgrade it: more styles, more glyphs, more features, more everything! View New Supernett here: Supernett 2019› Georg from FaceType Supernett – a versatile hand drawn/handmade/handwritten font – is tailored for large font sizes but also impresses with an astounding legibility in small typesettings. Supernett is fairly condensed for space-saving headlines. The extensive character set supports Central and Eastern European as well as Western European languages. Each style contains more than 4700 glyphs to let the font look real hand-made. Three OpenType features are specially created to enhance this impression, with a maximum effect when applied to big type: Alternating Letters For a truly hand-drawn look, letters and numerics alternate randomly between three different variants → activate Contextual Alternates Rotating letters All glyphs rotate randomly and slightly around their own axis → activate OpenType Swashes Varying Baseline Shift Each single glyph moves individually up or down → activate OpenType Titling Alternates More OpenType Features: Case Sensitive Forms This feature shifts various punctuation marks to a position that works better with all caps typography → It is deployed when an app’s all-caps styling is applied Slashed Zero The problem with the numeral 0 is that it can look too much like O in some typefaces. This feature replaces every zero with a slashed zero → activate Zero with a Slash Fractions Substitutes figures separated by a slash by proper fraction glyphs. A date however, written like 10/12/2013 will remain unchanged → activate Fractions Stylistic Set 03 Choose between two different styles of bullet (•) → activate Stylistic Set 03 Stylistic Set 04 Choose between two different styles of Y → activate Stylistic Set 04 View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut

Tazugane Info is a screen-ready Japanese font family, that follows on the debut of Monotype's first original Japanese typeface – Tazugane Gothic. It offers a more restrained personality, with calligraphic design details pared back to create a geometric letterform – a good alternative for designers looking for a matter-of-fact alternative to the warmer Tazugane Gothic tone of voice. Tazugane Info was updated to support the “Reiwa” new era symbol. Reiwa can be written as two kanji: 令和. This update to Tazugane Info includes Reiwa designed as a single ligature and is encoded as U+32FF. “While Tazugane Gothic fits perfectly when your job requires an organic and friendly tone of voice, Tazugane Info provides a more solid look,” says Kobayashi. “I hope that having two options will make it easier to choose an appropriate tone of voice to convey information or brand messaging.” Its strokes create a smooth uninterrupted flow that's designed for use on-screen. Although books, newspapers and magazines are traditionally set vertically in Japan, smartphones, information panels and car navigation systems are all set horizontally – and Tazugane Info has been tailored to this environment, featuring a new set of kana phonetic symbols. Tazugane Info is available in 10 weights, and includes the complete set of kanji and latin found in Tazugane Gothic.

Maldini Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font will be suitable for logos, branding projects, design of household appliances, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards, and all your other beautiful projects. You can use this font for your work very easily. Because there are many features in it. Contains a complete set of upper and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternative styles Set Stylistic For those of you who have software that is able to work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Thanks & Happy Designing!

J. M. Bergling, in his 1914 masterwork Art Alphabets and Lettering, offered this face as suitable for all occasions Greek, and we couldn't agree more. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

I really enjoy making brush fonts. I usually just get my Chinese ink and a bunch of brushes and start drawing glyphs. It took some time to get Studio Brush right, but I think spending that extra time paid off. Studio Brush is quite a neat brush font: the glyphs of this all caps font are of equal height (more or less) and complement each other perfectly. Studio Brush comes with double letter ligatures and some alternate glyphs.

Rectilinear Ornaments are radiating geometric shapes composed of straight lines. There is an assortment of 47 ornaments located under the character set keys.

The source of inspiration for Vice Monogram is an Art Deco letterset (capitals only) from a 1915 publication by Cartier-Bresson of Paris containing classic and modern monogram patterns for embroidery. This Art Deco monogram style has been redrawn, balanced, and brought into the digital age for your type-setting use and enjoyment. Vice Monogram can create one-, two-, or three-letter monograms as well as basic headline and titling settings. By default, Vice Monogram types in a horizontal format, but by utilizing Opentype Contextual Alternates, you can typeset in a three smallcap or smallcap-Capital-smallcap diagonal format as well! It is a refined vintage look that is perfect for a wide array of classic personalization settings. Download and view the MFC Vice Monogram Guidebook if you would like to learn a little more.

Cresci is a carefully digitized reproduction of an alphabet of Giovan Francesco Cresci, the pre-eminent Renaissance writing master whose lettering virtuosity presaged the exuberance of the Baroque. His published writing book, "Il Perfetto Scrittore" (1570) was the inspiration for the typeface, designed by Garrett Boge in 1996. Cresci is part of the LetterPerfect Baroque Set.

Evil Intentions is that lighthearted spooky font your looking for this Halloween! Inspired by an old Hanna Barbera comic Mr and Mrs. J. Evil Scientist, comes this visually shaken but friendly san serif font to stir you up. The Contextual Alternates feature in this font automatically alternates between the Capitals and alternate Capitals of the font to mix things up a bit and keep your type-settings lively, and the Stylistic Alternates feature throws a handful of playful ligatures in to even further make the letters playfully dance.

Neospace Expanded is an avant-garde typeface designed for technology and science fiction lovers. With its elegant geometric minimalism, Neospace redefines typographic aesthetics with a perfect fusion between modern and futuristic. Geometric Inspiration Designed with an expanded proportion and thin thickness, it exudes its own high-tech, futuristic and space style. Each Neospace character has been sculpted from the letter “O”, using the mathematical proportions of the Fibonacci sequence in curves, metrics and kerning, adding a golden ratio to each character. This meticulous approach ensures exceptional readability and a unique aesthetic that evokes a sense of order and precision. Three styles: Regular, which provides a modern and clean look; the Dot Layer, which adds a touch of color and creativity to typographic titles; and the Bold version, which evokes the feeling of futuristic and sophisticated electronic circuits, bringing a sense of avant-garde and advanced technology to your projects. Neospace allows you to create typographic titles in various colors, imitating the sophistication of futuristic electronic circuits. Limitless Versatility Neospace goes further by offering alternative letters and signs, multiple sets of numbers and capital letters, as well as monetary and cryptocurrency symbols. In addition, it incorporates complex OpenType functions that further enrich the design possibilities, allowing even greater customization in your typographic designs.

CamingoDos Condensed was designed to achieve a more powerful impact for the use in headlines. The compact appearance and the tight letter spacing makes it an ideal solution for display settings on a limited space. CamingoDos Condensed comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

»XPress« is a very distinct, expressive, typical new Sans. »XPress« is my new Sans-Serif that impresses – especially in small sizes – with its outstanding readability. Seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. »XPress« got its bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. »XPress« ist eine individuelle, expressive, typische neue Sans. »XPress« ist meine neue Serifenlose die – speziell in kleinen Schriftgraden – durch aussergewöhnliche Lesbarkeit auffällt. Sieben präzise aufeinander abgestimmte Schnitte von »Thin« bis »Heavy« und dazu passende Kursive machen die Schriftfamilie vielseitig einsatzfähig. »XPress« orientiert sich bewusst an den grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar.

Nidex is a caps-only industrial distressed font, ideal for titles, display and headlines, rough and ready, and coming with all the usual accented characters and an extensive set of punctuation. The misprinted effect is central to the font’s design and is built-in, simplifying the work for posters and flyers, and the example above is made with Regular and Condensed. Upper and Lower Case present 2 different sets of characters, and just a few letters are distinguishably more misprinted. Also there’s a full set of ligatures to make double-letter combinations print two different letters rather than the same one twice, from upper case A to lower case z. The zips contain both OTF and TTF versions - install either OTF or TTF, not both.

Astine Sophiya Script, a handwritten script font inspired by handwriting with an aesthetic touch. Aliya Script is flexible enough for web and print and can be used in a variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding and much more. The script includes a set of uppercase characters, numbers, symbols, two sets of lowercase letters, and ligatures. Complete Set of standard alphabet and punctuation marks Additional set of brushed lowercase endings Handwritten ligature. Thank you so much for checking out my shop!

Thx for checking out Tropicalia Type! This hand written display font gives a tropical feeling to any project. Perfect for logos, product packaging, posters, cards, printed quotes, t-shirt design and whatever your imagination holds. Tropicalia Type comes with a complete set of uppercase and lowercase alternates, which can easily be accessed through the glyphs panel. Enjoy!

An open, lightweight font of classical Roman proportions, designed for text or display setting. The serifs are slightly hooked, giving the face a liveliness on the baseline.

Granelly is a modern, feminine handwritten font, with a variety of beginning and ending swashes, I hope you're drawn to a beautiful and aesthetic font to perfect your extraordinary project. This font can be used easily and simply because there are many features in it which contain a complete set of uppercase and lowercase letters, large variety of punctuation marks, numbers, and multilingual support. The font also contains several binders and alternative styles of Stylistic Sets for those of you who have OpenType capable software (Photoshop / Illustrator / InDesign). Granelly script is suitable for today's growing market designs, this font has a trendy, natural and soft style, with this font you can use. opportunities in every moment of one of the extraordinary ways to highlight your best party celebration, because this font will be a support for purposes such as wedding invitations, parties, graduations, birthdays, meetings, etc.

Elegance flows through Couturier Poster soul. The new cousin of early launched Couturier, brings higher contrast and an extended family, perfect for big sizes. Inspired by the didones from the 18th century, its design its heavily influenced by contemporary ideas makes it suitable to use for almost anything you can think of. Equipped with swashes, ligatures, small caps and alternates, this typography is very versatile and allows you to set a big range of compositions with discretion or personality. Couturier Poster comes in six weights and matching true italics, from thin to black. It's a good choice to pair with Couturier for smaller sizes and Couturier Poster for the big titles. It has a set of 1248 characters that cover more than 200 languages derived from latin.

Cold Brew is a swift brush script family of three weights and a set of extras. Cold Brew is based on hand drawn letters polished with care to retain the vivid appearance of ink brush. Cold Brew is equipped with OpenType features to give you tools for custom-looking design: turn on Stylistic Alternates or Swash in any OpenType savvy program for flashier letters or manually select from even more Alternates from Glyph Palette. Cold Brew Extras is a set of brush strokes and swashes designed to support the font. You can for example easily create custom letters by combining the swash shapes from Extras with the letters. Combine Extras with uppercase letters or use them as underline or just plain extra strokes to emphasise your words.

An Unusual Hero Script Mervale Script Pro is based on inspiration from the 1940's Fawcett Publications “Mary Marvel” comic. This unusual brush lettered script blends script and serif capitals with a mix of unusual brush strokes to create a lively font that draws attention. Clean letterforms with an eclectic offbeat flavor in letter stances lends Mervale Script Pro to a unique variety of uses from casual to lightly sophisticated. The stylistic alternates feature adds swash capitals to the mix to offer even more diversity. See the 5th graphic for a comprehensive character map preview. OpenType features include: A collection of ligatures. Full set of Inferiors and Superiors for limitless fractions. Tabular, Proportional, and Oldstyle figure sets. Stylistic Alternates for Caps to Swash Caps conversion.

Lc Trinidad is the result of a series of wonderings regarding geometric Sans Serif typography design, in particular; Futura of Paul Renner. A “conversation” arose between me and the designer – actually there was no conversation, it is an euphemism for “I saw his designs, I draw them and discussed with myself some of his decisions – that ended up being the origin of this font firsts glyphs: A, H, N, O, R and S. I started with uppercase letters, and here is when Rudolf Koch with Kabel and his “Das schreibbuchlein” joined the conversation. This is how I could develop some alternative lowercase letters so as to illustrate this imaginary discussion. The result is a sans serif, geometric, modern typeface with classical Roman proportion in the uppercase letters; two stylistic sets for lowercase letters (setKoch and setRenner), rational, open and sharp ends. It is ideal to form titles, medium length texts, branding, exhibitions and animations. The family consists of 9 weight variants and their corresponding oblique versions and small caps. With more than 900 glyphs, it covers more than 190 Latin languages and together with its Opentype functions it creates a modern and versatile family. Besides, it has powerful OpenType features for each style, including stylistic sets, extended language support, ligatures, contextual alternates, lining figures, oldstyle figures, small caps numbers, arrows, fractions, superscripts, subscripts and many more.

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a host of Opentype features and equally incoporates a full extended latin and cyrillic character set to provide a versatile and complete design solution for titles or display settings.

Engria is a type family of four weights with corresponding italics that treads the fine line between sans and serif. There are serifs, of a sort, inspired by the brush. Not the marks made by a brush, but the actual splayed shape the bristles make when clamped together. Wedge-like chunks that resemble engraved forms, as the name Engria hints at. But it also has the appearance of a stressed, flared sans. This mixed approach lends a unique voice. Highly legible at text sizes, as indeed it is optimized for, Engria does however shine at display sizes thanks to its characteristic details – flared stems, angular counterforms, rugged ink traps and fluid curves. (I would recommend tracking it a little tighter at larger sizes.) Engria started life way back in 2014, and has been worked and reworked tirelessly to get to this finished product. My intent was to really push the idea of the white shapes being as important, if not more so, than the black. Engria is equipped for typographically demanding applications, boasting as it does an array of OpenType features, including small caps, automatic fractions, stylistic sets, various figure styles, arrows, case sensitive forms and more. It will make a very useful addition to your typographic arsenal, with a flare (ahem) for editorial work, but the individuality for packaging, branding, and logo work.