RooneySans is a humanist sans-serif typeface, and the latest addition to the Rooney family. It shares the same attributes as its seriffed companion – softly rounded terminals and a moderate contrast, thoughtfully applied to classical sans-serif proportions. Although RooneySans was developed as a stand-alone typeface family, it combines well with Rooney since both typefaces share the same stem weights and an equal gray value. RooneySans is suitable for any task in branding and packaging design and gives long texts a warm and inviting feel. All six weights from Light to Black come with matching real italics.

Malmö Sans was born from the preconception that geometry is neutral, and neutral fonts have a wide application window. No ornaments, no quirks – just clean. Design process: establishing the main proportions, grids and library of geometric shapes. However, people are not math, people are not built from grids. We are irregular, not always logical, and, foremost, we are human. So: humanisation – define parts and areas, and make the needed adjustments to shapes and forms, although being mathematically correct. Basically, changing it into something that pleases the eye. Much effort has been made to achieve equal parts minimalism, aesthetics and legibility.

XPawnShop is a typographical chess font; the pieces are letters. The Pawn is an awkward letter P, the knight is a horse in the shape of an h, the bishop is a decorative letter B, the rook is an elephant with an R shape, the queen is a Q, and the king is an ornate K. Two other XPawnShop fonts are made of very simple pieces, but as a bonus, both have the set of dominoes from the unicode block 1F030 to 1F093. The key layout is a bit complicated; see the key guide for detailed information on how to position pieces correctly.

Romantic is a Modern Beauty Sans Serif A Sans Serif font that we created special for branding needs with classy shape to add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more classy and fashionable. And specially for Romantic font, We prepared any characters with Elegant shape to help you create classy style of your design. Romantic Modern Beauty sans serif font ready with: Lowercase and Uppercase characters Numbers and Punctuations Preview as a inspirations that you can do with Romantic font Wish you enjoy our font.

www.Stat-Type.com Complementary Type Family Stat Text Pro Stat Display Pro is an information design sans serif type family legible in circumstances of low visibility. Its large character set with multiple weights is defined by optimal size ratio, distinctive letter shapes, wide aperture and balanced counters. Stat Display Pro remains legible in unfavorable circumstances of distance, size, movement and similar. It contains nearly 700 glyphs, including diacritics, ligatures, small caps, old–style figures, arrows and more. This enables it to achieve wide language support. It consists of four main (Light, Regular, Medium, Bold) and four secondary, negative weights (Light Negative, Regular Negative, Medium Negative, Bold Negative) which are accompanied by their corresponding obliques. Stat Display Pro type family has higher than average x height (72% of cap height) which is accompanied by matching ascender and descender size ratios. With its distinctive letter shape detail it minimizes the possibility of letter shape confusion, while optimizing legibility with wide aperture and balanced counters. Its main intended use is information design, where it, with its characteristics, meets the requirements of wayfinding, infographics, table setting and much, much more. The development of the type family was based on research in legibility to achieve highly legible letter shapes, while not diminishing their visual character. A detailed description of Stat Pro type family is available at Stat-Type.com where a DEMO font can be downloaded.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes contained in TessieMiscellaneous are Escher-like tessellations. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

I'm glad to introduce Augenblick! My new font fits to your design be it wedding invitation, corporative Identity or bottle of wine. Send flowers to your lover with a card signed with Augenblick, and see what happens! It has multi language support, so, please use your mother tongue. Good luck & be happy!

Drillepind is a kidder in danish. You know, someone who teases, without being rude. Once you start typing with Drillepind, you will notice that the font does the same, in a playful way. You never know what happens next, when using the font - but you do know that it'll be loads of fun!

Cool and contemporary or hot and happening? Street smart or down and dirty? You decide. Either way Rough Stuff will add a dash of style and the stamp of authenticity to your graphic projects. Perfect for tee shirt slogans or gig posters. Suitably distressed 'warning' symbols are also supplied. See also Export Drive.

Do you remember a typeface called Meccanica? I didn’t think so. Well, it was pretty unique – too unique for most people’s tastes it seems. Anyway, this is Technica, Meccanica’s more conservative little brother. Essentially, this typeface is a geometric sans that retains the structure of Meccanica, but tones down most of the hexagonal elements. The chamfered terminals are retained, but sharpened, and a more technical approach is instilled with each glyph being fine-tuned for optimal performance and aesthetics. The result is a refined sans serif that has enough personality to differentiate itself from the myriad of others available – undoubtedly, Technica will deliver a distinctive tone to your own typographic designs. Key features: • 9 weights in Roman and Italic • Western European character set (Adobe Latin 1) • 250+ glyphs per font.

Ye Benjamin is a smooth italic typeface, that will spread style and good vibes everywhere you put him. The crystallization of the letters shape was through seeking an iconic look, that would be a useful branding tool.

Parka is a unique and fashionable stencil font with tons of alternatives and ligatures. Softly curved alternates match the solid and masculine looks for the balance of shape. Perfect for any titles, branding, logo, and many more.

Display Magazine is a bold, distinct and assertive serif font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch.

Teselka stands bold with sharp angular distinction. Deep 3D extrudes and thickly styled outlines for high impact. Teselka features extruded arrows (both directions), extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

A sharp, corporate font with a clean, modern machine-aesthetic. Suitable for forward-looking company brochure headlines, contemporary and futuristic movie posters, logos and more. Incorporates a full international character set and alternate designs for many letters.

My font Shadowmoon was created with the PowerPoint shape moon and just like the real moon, my font has amazing curves that brightly standout. The curves take on a flowing action that visibly attracts an amazing style.

"Christmas Shadow" is a beautiful handwritten font with a love shape. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for weddings, engagements, invitations, back to school, autumn, Christmas, and others.

Gans Rasgos Escritura shapes (108 tails) was selected and freely interpreted from the vignettes catalog by Fundicion Gans published in 1920. You can combine these ornaments with your favorite fonts. We suggests the use of Pretoria Gross.

Amelaryas is beautiful serif font with elegant and premium shape that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

Kisser is a strong, street-friendly brush font bursting with spirit. With extra attention to natural strokes and sharp details, Kisser is ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost.

Carambola is a beautiful art deco typeface based on several posters from the 1920's. It is an elegant and stylish font with generous curves and sharp ends. Carambola is multilingual and comes in all caps only.

Zeogari is a classic style font that has a combination of serif and sans-serif forms, this font depicts a sense of love and loneliness, in addition, the Zeogari font has a bold shape with strong characters.

A robust rectangular sans with round corners and subtle rounded stroke terminals, Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or embossed boilerplate signs.

Joanna Solotype is a headline typeface with Art Deco influence. The geometric shapes of the characters are emphasized by the three-line thick strokes. Use the Joanna Solotype font for book jackets and posters, signage and packaging.

Aaarp's an arty farty cut paper display font - inspired by Jean Arp & Henri Matisse’s amazing work. Get creative with extra glyphs and shapes... Aaarp also has alternative letters so you can make all your designs look unique.

He's rough around the edges, but he's an outlaw from the Old West, what did you expect? He's Saratoga Slim, a playful shaken up dust devil of a typeface. With a shaken appearance and rough hewn letters, he steps onto the scene, yet is clearly legible to read. He's alot like a one of those ruffigans that is crude around the edges, but when he looks at you and says, "Get what I'm saying partner?", you know exactly what he means. Put some rough and tumble type into your designs with Saratoga Slim. He's been through the ringer a few times but keeps coming back for more. Isn't that what you look for when you create a design...durability...? Here it is, Saratoga Slim, looking at you! Get it today!

Discover here the Eastman Roman Family See the Eastman Grotesque Family Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen. Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, Cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family.

Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen. Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family.

Discover the complete Eastman type family: Eastman Grotesque and Eastman Condensed! Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen. Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. The proportions and letter shapes are flexible, escaping from tradition to increase expressivity and personality in the design. For instance, variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. For instance, this is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The typeface has a wide range of ligatures that enhance movement and fluidity in text making look text alive.

Slatterine is a retro-futuristic family, inspired by the second streamline era of the 1950s It's ideal for any design work that needs to suggest bygone visions of the future, or to have a retro-space-age effect. Slatterine's horizontally shaded glyphs give a strong sense of motion, whether coupled with the regular form's sharply leaning oblique angle, the perpendicular form, or the reverse leaning 'Lefty'.

Silqa is distinctive display family inspired with art deco style. Unique family that combines cutoff letter shapes, swashes, geometry and jumpy ascender value is ideal for titles, headlines and product names – in every usage where originality is desirable.

Basque is a delicate nineteenth-century upright typeface of angular appearance, reminiscent of Black Letter scripts. The letterforms of the Basque font do not flow, but are made up of straight lines joined to form a rigid shape.

Nordic Salt - a perfect clean modern serif Font is an open type with clean shapes and precise kerning. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Expanse is a retro futuristic typeface. The font has a bold and big vibe and mixes sharp and round corners, kind of like the very old sci-fi movie titles. Expanse includes uppercase multilingual letters, numbers and punctuation.

Markup is a fresh, clean, handwriting font suitable for use in many applications. At large sizes, the letters showcase their smooth, natural curves. At text sizes, its sharp rhythm makes for a casual personality while still remaining legible.

Jt Gilboys Inspired by bold and rounded typefaces.Very characterful, fat and rounded , it is the best choice for editorial, You can use glyphs to create a different appearance for your design. world name or brand design, charismatic shape,

Valvolina is a bold headline font inspired by Italian Futurism and the Moderne graphic design of the inter-war period. It uses elementary geometric shapes to build its characters, lending it an energy and punch. Dramatic and contemporary.