Speakeasy is a 5-font combo thematically built as a toolset for designing menus and liquor labels as well as coffees, restaurants and signs when the desire is to communicate with style. Originally put together to be used by the most famous speakeasy in Buenos Aires, this set contains a script, a minor (almost flat) wedge serif, a flare serif, a sans serif, and a bold Didone. The seed for the script was found in a German lettering book, and the other fonts reflect the familiar advertising and announcement styles of the early 20th century. The Speakeasy script comes with two different ways to connect the letterforms. Also included are many alternates, swashes, endings and flourishes — all accessible via OpenType features or glyph palettes. Speakeasy Modern and Speakeasy Flare are small cap fonts, and come with a few alternates. Speakeasy Sans and Speakeasy Gothic come with full sets of majuscules and minuscules, but contain small caps and a few alternates as well. A few rules and ornaments are also sprinkled throughout the set. This combination of fonts worked wonderfully for the project that called for it. Hopefully it will work just as well for your project.

Becky is a versatile display type designed to appeal to to a young audience of creative, up-to-date people. Geared towards the world of advertising and retail. It is well-suited for large headlines, branding, logos, publishing and short texts. With a modern look inspired by such geometric classics as Futura and an overall edgy, informal quality (seen in details like the subtle curve of its verticals), Becky stands out as a fun, unique type. Becky is a 10-variant type family that comes in 5 weights: light, regular, medium, bold and extra bold. It features 445 characters in total. Becky features 2 alternative stylistic sets: SS1 in which the diagonals in the letters X, Y, V, W, R, K, y,x,v,w and k shift from curved to straight in order to achieve a more formal look, especially useful for smaller texts. SS2 offers alternate glyphs for I, E, J, e, j and t, further expanding the possibilities of the typography. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

The retro-inspired design of Aviano Copper echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while carrying a big stick. To create the right balance, small wedge serifs were added onto Aviano Sans, giving you a sophisticated style that looks and acts like it belongs nowhere short of Boardwalk. Developed to a new level of excellence, this design offers a wide range of weights from thin to black. There's full multilingual support of all Latin-based languages and five stylistic sets, swash designs, and 1000 glyphs per weight, including some unique ligatures. Number options include old style figures, tabular figures, and superscripts. Unique median spur alternates, swashes, and ligatures will help you customize every single design. The feel of last century’s personal and business correspondence is waiting for you in this member of the Aviano family. While ideal for headings, displays, logos, and short texts, Aviano Copper’s use for everything from letterhead to wine labels may just give you the monopoly you’re looking for.

Graphit is a typeface designed by Lit Design Studio & curated by HvD Fonts. It combines clear, geometric shapes with edgy yet finely-crafted details. Graphit features uncompromising characters such as G, Q, f, k and 1. It works well both for impactful headlines and for reading sizes. The type family consists of six weights plus matching italics. In early 2018, Livius Dietzel & Tom Hoßfeld started developing the typeface’s essential character and released a free font named after the studio, Lit. Just a few months later, Hannes von Döhren had a look at the typeface and suggested expanding it into a family – then publishing it with HvD Fonts. They drew every single letter from scratch, and also decided to give the font a new name — Graphit. The family features six low-contrast weights, ranging from Black to Thin. Every character has been crafted to give it a distinctive and individual feel. Medium, Regular and Light are optimized for usage in copy text. For smaller font sizes & longer body copy, the alternate character set features a double-story a and a simplified Q, f, r and t for improved legibility. All fonts are manually hinted for optimal performance on digital devices.

Afshid is a sans-serif font family in three weights and tow width. Afshid Regular and Afshid ExpandedRegular, Afshid Bold and Afshid ExpandedBold, Afshid Heavy and Afshid ExpandedHeavy. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. Afshid supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Afshid design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Afshid’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Afshid was developed for multiple languages and writing conventions. Afshid supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Proudly present Meler a modern ligature serif font with a touch of elegant. Meler a modern ligature serif font that draws inspiration from the iconic style of the era. Its regular and edgy lines make it the perfect choice for creating retro-inspired logos, fashion brand, magazine, clothes, lettering, quotes, and other design materials. With Meler, you can effortlessly infuse your work with a touch of nostalgia and capture the essence of the 90s in your designs. Font Features : Lettres, numbers, symbols, and punctuation 33 alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Kindly check over on Instagram! https://www.instagram.com/clevustudio/ Have a Good Day !

Kamane is a new font family, designed by Naghi Naghashian. It is based on classic calligraphic “Naskh” with the modern typographic metric. It is a Font family, in 3 weights, Light, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Kamane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Kamane design fulfils the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Kamane was developed for multiple languages and writing conventions. Kamane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.