Mylierka is a Serif Font Family with a modern style. The soft curves are combined with high-contrast glyphs, conveying both feminine and masculine qualities. This font consists of 10 Fonts and 1 Variable Font, with unique ligatures and alternatives. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, and invitations. What do you get: Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even working in Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support. Images used : All photos/images/vectors used in the preview are excluded, for illustration purposes only. Feel free to follow, like and share. Thank you very much for checking my store!

Gridiron Glory is a modern and elegant font that stands tall as a tribute to the world of sports. This dynamic display typeface captures the power and energy of athletic competition with its strong, bold letterforms and sharp angles. Inspired by the lines and precision of a football field, Gridiron Glory exudes a sense of strength and determination. Its clean and structured design, reminiscent of a gridiron play, brings a sense of order and professionalism to sports-related designs. Whether used for team logos, jerseys, or sports event promotions, Gridiron Glory makes a bold statement and evokes a sense of excitement and anticipation. Embrace the spirit of the game with this font that embodies the glory and fierce competition found on the field.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

BoiTu is a typeface in the BoiTu project designed by Vei Vei. BoiTu has a strong contrast between bold bars and long sharp hook strokes inspired by pheasant feathers on the hat in Hat Boi costume. "Tuong or Hat Boi is a form of Vietnamese classic opera, combining various elements of arts such as stage, music, fine art, literature, dancing, and martial arts. Older Tuong plays are usually about historical events or tales. Allegories, melodramas, soliloquies, modes of expression, forms of performance, repartee singing and recitative conventions, etc., are constantly updated and elevated, and are quintessential elements in the art of Tuong." Boi Tu is a classic design to bring traditional art and culture closer to everyone. Boi Tu is a Vietnamese font that supports multiple languages.

As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect. We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

Gaultier is the result of over 5 years of work on a typeface inspired by my favourite creators in European typography – Claude Garamond, Robert Granjon and Eric Gill. The main idea of the project was to create a sans-serif antiqua with all features reserved for serif typefaces. In addition to the rich set of characters, Neuropa includes: Small Caps, Superscript, Subscript, Ligatures, Discretionary Ligatures, Contextual Alternates, Swash Variants and 5 different styles of digits. Upright styles with delicate contrast corresponds with the expressive form of italics inspired by Granjon italic construction. Gaultier will work wherever we want to emphasize modernity without forgetting tradition. The sharp character of the whole family is perfect for longer texts, visual communications and branding purposes.

JY Raj has had a lengthy gestation. The original one was a sans serif adaptation of a slab serif typeface design by Jure Stojan. Raj looked instantly better as a sans serif. After refining it further one lengthy night in 2001, he showed the drafts to Jack Yan, who completed the character sets and finished the kerning. A characterful sans serif, JY Raj pushes the boundaries of what is possible with various geometric shapes, combining legibility and tradition with sharp, unexpected angles. As with Stojan's earlier JY Koliba, it possesses a delightful balance, thanks to the designer's eye for detail and typographic harmony. The name has little to do with the Asian subcontinent: it translates to paradise in Stojan's mother tongue, Slovenian.

Progeny is a single-stroke freehand informal script that began life as a logo for a fast food company. That logo was rejected but when I added a suite of swash caps and a few extra ligatures and my trademark underlines it all started to come together as a font. Then I used it successfully for another logo and I proceeded to complete the weight variations that emerged during the first logo design, rounding the lighter weights to give a more friendly, softer look. That treatment didn't suit the bold weight but sharp corners did not detract from the robust, legible headliner that emerged. All weights work in all-lowercase, all-capitals, lowers with swash or regular initial caps and surprisingly – in all-caps with swash initials.

The Coast is a Sans Serif type family inspired by enamel signs from the 1920s. The Coast has a large x-height which gives the font a friendly look and guarantees great performance in very small sizes. The Coast family also works great in huge sizes since it has some very special and highly elaborated characters like the small “e” and “g” which distinguishes it from an ordinary Sans Serif. The family includes real small caps, small capital figures, medieval and monospaced lining figures for information in tables. Coast and Coast Wide both come with a variety of special characters, alternates, mathematical symbols and the unusual ligature “rt”. Also on board: the german capital letter “sharp s” = ẞ. That’s about it.

The Kelson font family is a Armasen project completed for a graphic design agency in Brazil. The agency had a typeface, but the kerning, spacing, and related features were corrupted or otherwise not working very well. The Armasen team improved the qualities, refined the shapes, and enhanced the font features. Armasen is a group of hard-working, young Brazilian students and type designers focused on creating and developing professional quality typefaces with a distinctive and unique personality. The team is very pleased with the final result and is happy to share the efforts of their work as a FREE FONT for you to enjoy! [edited by John Alexander (jga30328 at gmail dot com) a very appreciative user and admirer of the Armasen team]

Mira is a playful, decorative Art Nouveau font, released by Roos & Jung Foundry in Offenbach AM, Germany about 1902. The exaggerated serifs and the sharp contrast between the thick and thin strokes gives the page a whimsical “salt and pepper” look that is very distinctive. Mira uses our new encoding. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, MIRA has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, Western European accented letters, lower case “o” and “u” with Hungarian umlaut and our usual Hand-in-Hand symbol. In addition, black-letter-style upper case “H” and “T” characters are included. Download the PDF Type Specimen for locations.

One look at the font Wanted brings to mind swinging saloon doors, double shots of whiskey and sheriff's badges. It belongs to the so-called Italienne typefaces which began to appear at the beginning of the 19th century. The distinguishing characteristic of such typefaces is the robustness of its serifs, which exceeds that of the base strokes. Wanted looks almost as though it were stamped on paper. Small white flecks appear in some of the strongest black strokes just as they would in a stamp which did not get quite enough ink...or are they perhaps the work of a sharp shooter? Wanted is best for short headlines and perfect for anything which should have the look and feel of the Wild West.

Proudly Present Nearvana - Classic Condensed Type, created by ikiiko. This special face type inspired by Nirvana, a famous band name with an iconic logotype, served as a source of inspiration for the classic condensed serif typeface. With thin forms and sharp lines, this typeface conveys a timeless, masculine and elegant look. Nearvana was developed with a unique decorative style, simple but without losing the distinctive character that evokes nostalgia and authenticity. This typeface is perfect for an luxury brand, classy stuff, magazine layout, fashion look book, book cover, poster, packaging, food & beverages and also good for quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Wanna to make your project spark? Ready to make your branding bold? Looking for a fabulous, stylish, andmodern font? Then, we've got what you want. Rakeny-A Serif Font Family Rakeny is a package that will makes you feeling grateful. With this family you will get many options to maximize your designs with stylish fonts. Rakeny is a package of modern serif fonts style combines with a little bit copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, menus, social media graphics, t-shirt, letterhead, signage, lable, news, posters, badges etc. Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Vincenza Display is a modern high-contrast semi-sans with sharp edges and sleek curves. A distinctive typeface for exquisite headlines. Winner, Gold Award, Graphis 2018 Typography 4. http://www.graphis.com/entry/f6b469fe-c5d3-4bea-87e3-796c1d727b3c/ We felt there was a missing in the world of fashion-forward high-contrast typefaces, so we created Vincenza Display. Based loosely on the proportions of Bodoni, Vincenza features stylized curved descenders and unique semi-serifs, bringing a bold and distinct look to your headlines. The typeface has several alternates and ligatures, and is spaced for all caps as well as sentence case executions. It also contains a robust number of special characters. Vincenza Display is the debut typeface from the team at The Rare Form.

This is the rounded, softer version of Canada Type's popular Wagner Grotesk. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even more than the sharp condensed face that spawned it. And like Wagner Grotesk, Wagner Round comes with small caps and biform/unicase forms, in addition to the main upper/lowercase set. The extended language support covers a wide range, including Greek and Cyrillic, Turkish, Baltic, Central and Eastern European languages, Celtic/Welsh and Esperanto. The Pro version combines all three TrueType fonts into one OpenType-programmed font, taking advantage of class-based kerning, the small caps feature, and the stylistic alternates feature for the biform shapes.

For weekly freebies, follow me on Instagram @joannemarie_cm Cake & TARTS is a cute handwriting font with lots of personality. The caps work so well together too. I’ve loved making hand lettered designs with it (in fact, that’s how I became to make the font - from my own hand lettering) and have shared some of those with you here. It’s perfect for anything casual. It can be used for a wide range of projects, such as logo designs, party & wedding invitations, t-shirt designs, signs, magazine design, greetings cards, poster design and much more! This casual handwriting script font is clear, smooth and easy to read, making it perfect for large amounts of text too! It has alternates, ligatures and international characters.

Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Peach Daisy-A Sans Serif Font Peach Daisy is a new modern sans serif font. This font was carefully crafted and inspired by luxury fashion in the world. It creates a luxurious, rich, exclusive and elegant look in design. It’s thin brush strokes and imperfect baseline give it a fun and stylish. So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, lettering and more. Features: Ligatures Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Lifeform is a modern display font created as a result of my experiments on the forms of letters. While working on the font, I had ambivalent feelings, on the one hand I liked the individual curved lines, on the other hand they seemed very strange, alien and illogical. It was like looking into a microscope and seeing something strange. I wanted to develop and study these forms as something new, because I had never seen anything similar before. The result is a contrasting font that has both curves and sharp, and smooth lines that resemble some kind of organic matter. The font is well suited for large headlines, posters and covers. Its strange design catches the eye and will not leave the viewer indifferent.

Introducing the breathtaking Bomboniere that is set to elevate your designs to new heights! This font boasts tall and thin serifs that lend a sophisticated and elegant feel to any project. With its clean lines and sharp edges, this font is perfect for headlines, titles, and other attention-grabbing text. Designed with meticulous attention to detail, this font is both striking and versatile, making it the perfect choice for a wide range of design projects. Whether you're creating a logo, designing a poster, or crafting a social media post, this font is sure to make a lasting impression. So why settle for ordinary when you can add a touch of class and sophistication to your designs? Discover the power of elegance!

LECO 1976 is a headline display typeface in OpenType format. The title at the 1976 bottle of Lečo became an inspiration for creating this font. Besides the regular weight of the font, the font is drawn in light and bold font styles too, while each of these typefaces consists of a special alternative of an embedded diacritic. The font contains several specific styles as Stencil, Pixel, Tride, Shadow which combinations offer interesting possibilities for the typesetting. The metrics and kerning of every glyph of the font (except several glyphs in Bold) are identical. All the signs share the same character and size of the capital letters. This font is best used on strong posters or as a headline display typeface.

HS Ali was designed in memoriam of my brother - Ali Abu Afash who was martyred during the last aggression on Gaza in summer 2014. HS Ali introduced a modern OpenType Arabic typeface, which had the characterstic, features of Kufi style with noticeable both curvy and sharp segments; beside the refinements of its letters that made it more readable. HS Ali is a display font that has been designed to be used in titles in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains four weights: Light, regular, medium and bold which can be condsiderd as and elaboration to the library of Arabic fonts contemporary models that meet the variant purposes of designs for all tastes.

Darka is a splendid, mysterious dark lady reincarnated in digital vectors as an original blackletter font. Her gothic, medieval, nocturnal attributes take the form of sharp terminals, seductive curves, calligraphic flair and complex character. Darka blends the balance of Textura, the flow of Fraktur and the elegant lowercase-to-uppercase ratio of Bâtarde into a stylish, inventive typeface with a Mexican soul. Starting as a personal, calligraphic hand, Darka slowly evolved into digital type, developing alternate glyphs, flourishes and special signs to preserve its hand-written origins and delicate tension, making it an excellent display typeface and, surprisingly, even a distinctive, crisp font for short texts. Darka received an Award of Excellence at the Type Directors Club of New York annual competition.

Unleash the power of typography with Noxvile, a revolutionary font that demands attention and exudes confidence. Crafted with precision and designed to make a statement, Noxvile brings a whole new level of intensity to your words. Ignite your creativity and let your message roar with Noxvile's super bold style and captivating all-caps specimen. Whether you're designing eye-catching headlines, striking logos, or empowering social media posts, this font will make your words leap off the page and leave a lasting impression. Stand tall among the rest with Noxvile's commanding presence. Embrace its sharp edges, powerful curves, and unparalleled strength to create a visual experience that is truly unforgettable. Let your message shine brighter than ever before, cutting through the noise and leaving your audience captivated.

Silian Calligraphy is a sharp serif typeface. With classy letterforms and an organic appearance, this calligraphic lettering has a proper look, yet a vivid personality. Use [ ] { } for decorative elements. Example: [Silian Calligraphy] The Silian Calligraphy typeface family consists of eight high-quality styles: Light, Regular, Bold and Black, and each style as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Here is a boxy, extremely squared alternative to display designs like Eden or Glamour. In comparison, Centric Serif does not share the fragile and delicate nature of these old 1930s classics. Instead it is fairly robust with a splayed M and a simple flattop A. It is interesting to note that Centric Serif (unlike Centric Geo) sports serifs in exaggerated and curiously bizarre ways. Centric Serif is now available in the OpenType Std format. Some new stylistic alternates and historical forms have been added to this OpenType version. Advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

In 1952, Charles Peignot made a bold and fortuitous move: he invited a young Swiss designer to Paris to be the art director of the Deberny & Peignot type foundry. This started the professional type design career of Adrian Frutiger; and since then he has designed an astonishing range of masterful typefaces. One of the earliest for Deberny & Peignot was Président, a sharp-seriffed Latin titling face. Latin" is a typographic designation for roman typefaces with wedge or triangular-shaped serifs, a stylistic form that Frutiger would return to later with his beautiful typeface Méridien. Président™ has wide, solid shapes; very little contrast between thick and thin strokes; and an air of assurance. Use this titling font for business cards, announcements, or artistic signage."

Aye! Verily ‘twould seem ’tis time for thee to speak in the majuscule language of legendary gods! Yea, thou shalt speak most eloquently in the style and manner of many a pseudo-Shakespearian Bard. Forsooth, thine utterances such as “HAVE AT THEE, VILE VILLAIN!” shall cause all ye creatures of evil to begone from the hallowed halls of Asgard (or other otherworldly domains of the gods). Forsooth, Meanwhile Uncial is a Capital Font, suitable for Gods of Thunder, Mischief or e’en Warriors Three! Meanwhile Uncial contains alternate uppercase characters, auto-ligatures for a more natural, hand-drawn appearance, and Comicraft's magical Crossbar I Technology™, to keep that Mighty Character in its proper place. (Artwork from ELEPHANTMEN #32 by Richard Starkings & Axel Medellin, available on Comixology)

Adelbrook is a dynamic serif typeface that keeps calm. It enriches text with the archaic structure of humanist type, because its characters arrange in a harmonious rhythm with a dynamic stroke, asymmetric serifs and stems that lean in the direction of reading. These characters have gravity and are firmly on the baseline. The tapered stems define a heaviness that end in emphasized foot serifs. Actually all the details are heftier the lower they are. This is particularly evident in a subtle vertical hairline variation, light or unapplied head serifs, and clipped upper dots. The clearness of the semi-serif italics with a brushy nature integrates perfectly in a subtle way. All these details result in a sophisticated text typeface with a sharp contemporary design.

Caligraf is a classical calligraphy script. It was drawn and created by Måns Grebäck during 2019 and 2020. The character design blends traditional soft flowing handwriting with a modern, sharp look, and its angle and weight balance gives it a determined and progressive pace. Caligraf is a multistyle font family, composed of Thin, Light, Regular, Bold and Black. Its range ensures usability in any context, while also giving the ability to emphasize phrases or words. Use it in an invitation, a diploma, a logotype or in a decorative body text. Being a font with over 850 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering European and Asian Latin scripts.

Fabelo Kids is a delightful and playful children's typeface that sparks imagination and brings joy to any design. With its whimsical letterforms and charming details, Fabelo Kids captures the essence of childhood wonder and innocence. Each letter has a friendly and inviting nature, inviting young readers on a journey of discovery. Whether used in children's books, educational materials, or playful designs, Fabelo Kids adds a touch of magic and excitement to the visual experience. Its vibrant colors and energetic shapes make it a perfect choice for capturing the attention and imagination of young minds, creating a world where learning becomes an adventure. Fabelo Kids is a font that celebrates the joy and creativity of childhood, inspiring young readers to embrace the beauty of words and storytelling.

Altissimo is a display type family, derived from the Ample typeface, it has large x-height, optical mono linear and a bit squarish in nature. It has a smooth curve instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasise the message. It is graphically strong and commands viewer's attention. The overall appearance of this type is suitable in setting it as heading, title, headline, etc. The type family consists of seven weights viz. Thin, ExLight, Light, Regular, Medium, Bold and ExBold. Altissimo is designed by Aakash Soneri in a period between 2017 and 2018.

Here is a boxy, extremely squared alternative to display designs like Eden or Glamour. In comparison, Centric Geo does not share the fragile and delicate nature of these old 1930s classics. Instead it is fairly robust with a splayed M and a simple flattop A. It is interesting to note that Centric Serif (unlike Centric Geo) sports serifs in exaggerated and curiously bizarre ways. Centric Geo is now available in the OpenType Std format. Some new stylistic alternates and historical forms have been added to this OpenType version. Advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Jheronimus is a neo-humanistic grotesque. A font with an open aperture. It has straight terminals and a moderated height of the lowercase characters. Jheronimus is a font with a uniform ordered rhythm. Well readable on the screen in small size. Consistent letter proportions. The rounded elements are pill shaped and the font has pronounced connections strokes. Punctuation marks are well decorated. Jheronimus will satisfy the demanding typographer. There are oldstyle figures in the best traditions of humanism. The bright recognizable character is combined with a clear form. This creates a sharp, crystal impression. Jheronimus is suitable for the design of an ambitious, temperamental text. It is stylistically similar to the paintings of the Dutch artist Hieronymus Bosch. From this comes its name.

Occam is an informal calligraphic script face. The letter forms were drawn and constructed rather than penned or brushed but reflect a definite flat pen influence. The ascenders and descenders incorporate an abstract implied loop form. Some curves that would normally be round are pointed and some transitions that would normally be sharp and pointed have been made round. A few exit strokes curve back instead of moving up and out for a little different look. This font could be put to good use as a contrasting style combined with sans and serif faces in applications such as newsletters, brochures, invitations and annual reports. It could be used for heads, subheads, pull quotes, drop caps and as a title font for covers.

New Old English was prompted by two Victorian coins, the mid nineteenth century gothic crown and gothic florin, which featured a gothic script lowercase with quite modern looking, short ascenders and descenders enabling it to fit snugly around the queen’s head or heraldic motif. With thicker hairline strokes than normal Old English, a less sharp, warmer feel than lettering scripted with a pen, and circular instead of rhombic punctuation, this font is an attempt to capture the round-cornered softness of the die-struck lowercase blackletter. To increase harmony and homogeneity between the cases, the uppercase is narrower and simpler than is customary, without the excessive width or antiquated flamboyance of the traditional blackletter. It might even allow text set in capitals to look acceptable.

Clarinette is a sophisticated 32-style typeface designed to strike a harmonious balance between softness and sharpness. Carefully crafted with triangular serifs, it exudes visual strength and carries a distinctive personality. Meanwhile, its gentle and dynamic lines add a touch of elegance. With a wide range of weights, Clarinette offers exceptional versatility. Its display and book versions enable seamless multitasking, making it suitable for various applications. From magazine titles to newspapers and logotypes, its high contrast version demands attention. Similarly, the low contrast variant provides a practical choice for text and editing purposes. Embrace the artistry of Clarinette, where the fusion of softness and precision creates an enchanting visual presence. Let your designs transcend boundaries and captivate with refined elegance.

The Rinden is a modern brush script with a simple and classy style inspired by the vintage era when sign painting was considered a very important part of creating creative projects, storefront signage, branding and promotional advertisements on the street, The Rinden is made to resemble a brush painting to look natural and classy. This font is great for your next creative project like branding, promotional ads, watermarks on photography, logo designs, signage, quotes, album covers, video covers, business cards and many more design projects. From business cards to photo watermarks, The Rinden is here to elevate your work to the highest level. Have fun using The Rinden!! Feel free to follow, like and share. Thank you so much for checking out my shop!