ATHYRKI is a bold serif font inspired by the evolving world of sports that has recently expanded into digital verse. ATHYRKI’s round and sharp appearance represent its unified nature, equipped with different alternate and ligature features, this font displays its modern mixed style. Accented fonts with the ability to spice up your project for that extra flair to the visuals. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Megabyte is a modern sans serif typeface built with minimal tapering and a geometric foundation in mind. The family contains 10 weights from light to black with matching italics that slant at 9°. Working on Megabyte, we’ve aimed to create a reliable workhorse typeface with the widest possible range of implementation. With its quirky curves and sharp edges Megabyte functions equally well in bulk text and in headings. Designed with an extensive collection of OpenType features and alternative forms, each weight includes extended language support + Cyrillic, ligatures, arrows, symbols and much more. Megabyte is ready to be put to work. Designed by Thomas Gillett, metrics and engineering with the help of Erin McLaughlin (Hindi Rinny).

Concrete Thick Modern Retro Bold Serif . That has a unique style & luxurious look. is great for logos, editorial, web design, craft projects, shirts, decor, wedding invitations, packaging, stickers, social media, quotes, magazines and more!. The unique sharp serifs mixed with thin strokes give off a bold mid century architectural vibe. Concrete Thick features: · 4 Weights font (Regular,Oblique,Bold,Thin) · Uppercase And Lowercase · Numerals & Punctuation · Accented characters · Multilingual Support · Unicode PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day

Basilio Calafati (1800–1878) worked as a magician under the name of Salamucci in the Wiener Prater. Later he obtained the license for a roundabout and other amusement facilities in the Wiener Prater. Calafati typeface family is characterised by little contrast and strong emphasis on the horizontals. It is a robust font that has many applications. Its character shapes are simple and relatively unembellished. With regard to metrics and proportions it combines perfectly with the Wien Pro and the Liebelei Pro. Calafati is available in weights light, regular, medium, bold and black. In 2022, Calafati received a major update. The recent family, Calafati Soft, is an 100% offspring of sharp-edged Original Calafati.

Raven hair and ruby lips, it may have been a trick of the light but I'm sure sparks flew from her fingertips. I definitely heard echoed voices in the night, of a restless spirit on an endless flight. If I remember correctly she held me spellbound in the night, with dancing shadows and firelight. Yes, I think I did see a crystal ball on the table, showing the future, the past and I did drink the potion she offered me, when I really should have gotten out of there fast. And that's my story and I'm sticking to it, your honor. It was that girl with the white hair, I'm telling you. She has my wallet too.

Florida Rose is a Sharped version of "Peroba Rosa" Font. It is a modern sans serif type family featuring a blend of modern, classical, and playful characteristics. The simple, clean forms and classically inspired proportions give it a timeless quality and interesting visual rhythm. Florida Rosa is perfect for logo design, magazine headers, product packaging, branding projects, clothing or simply as a stylish text overlay to any images or websites. WHAT’S INCLUDED? • Comes with regular, thin, light, italic, bold, thin italic, light italic, bold italic and bold italic font styles. • Uppercase & lowercase letters, numbers, punctuation Ligature & Huge Stylistic alternate, Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

Solar Vesta Collection houses both Script & Serif fonts that compliment each other perfectly. Solar Vesta Script includes 127 ligatures, along with a full set of Alternates/Contextuals for a completely versatile and natural aesthetic. Solar Vesta Serif is a sharp robust fashion-based typeface, incorporating that beautiful contrast between thick and thin. To access the built-in Opentype features within the script font, make sure to turn on Standard Ligatures and Contextual Alternates in your Softwares Opentype Panel. This activates all neccessary features and enables optimum accessibility, to allow for natural handwriting. Solar Vesta Script also includes swashes, these are easily accessible as Stylistic Alternates, when typing in basic Numerals...123 etc.

Zibryain is a unique display font. Modern style created as a result of my experiments on letterforms, on the one hand I like the appearance of the individual curved lines, on the other hand they seem very strange, foreign and illogical. It was like looking into a microscope and seeing something strange. I wanted to develop and study these forms as something new, because I had never seen anything similar before. The result is a contrasting font that has sharp, smooth curves and lines. The Zibryain font is perfect for designing company logos, online game logos, magazine covers, biographies, business cards and all your design work of course. become more attractive in appearance.

Inspired by the « lettres bastardes », Arthas is a modern interpretation of ancient letterforms dating far back, before type even existed. It has been subtly adapted for better readability in 2020. The sharpness of the design creates an elegant contrast between old and new, ancient and futuristic, and will add an ominous, regal mood to your graphic design projects. This typeface is meant mostly for display use, but we can’t wait to receive a picture of someone using it for introductory text, at the start of a book…. Maybe that’s you? As all of our releases, it will be updated at time goes on. Those updates will always be free for people having already purchased the font(s).

Elena Albertoni on Dyna: “While studying in Paris, I worked for a design studio specialized in packaging. French supermarkets are full of lettering with a handwriting flavor, which seems to go very well with a wide range of very different products. With the aim to analyze and summarize the qualities of these letterings in one typeface, I faced choices and limits similar to the ones encountered with handwriting. The letters are sloped at different angles, which gives them rhythm; their open shapes suggest movement and gesture. Letters want to dance!” Dyna Pro’s extended character set provides support for a wide range of European languages that share the Latin and Cyrillic scripts. Cyrillic characters designed by Elena Novoselova

Beletrio was made as companion to Beletria, it has many shapes in common. We already have plenty of sans-serif fonts with classical proportions in the Stormtype library, such as John Sans, Sebastian or Andulka, but Beletrio is certainly the most peaceful of the bunch – it shares not only the feel of its serif originator, but its soft curves provide lovely visual caress as well. The smooth endings are not visible at first, they are balanced for easy reading as they solve some critical relations such as "rv, ry, rt", but in larger sizes you'll fully enjoy the picturesque details. It handles the smallest point sizes as well as large billboards, fashion magazines and philosophic tractates.

Spirits design was initially based on Hermann Ihlenburg's Schoeffer Old Style from the 1912 ATF catalog. Soft is the closest version to the printed original typeface. Neutral, with more formal serifs, is ideal for editorial design, for example newspaper headlines. Sharp, more contemporary, is the best choice for meeting today's design needs. Condensed proportions and large x-height, features found in the original font, make Spirits ideally suited for headlines and branding design. As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Each version includes its own alternates and comes in 4 weights, ranging from Light to Black, resulting in a total of 12 font styles.

Ciao! This is Maestri — a connected script family of eight weights, from thin to heavy. Maestri is initially a sans serif made into a script, hence the design that's strict, clean and sharp. The formal approach gives it a touch of cool elegance — yet Maestri is full of expression and character. This is evident in the wide array of Open Type features which will open up innumerable solutions for unique typography with a hand-written feel.  For lowercase letters, available are Ending Alternates, Standard Ligatures and Contextual Alternates. Uppercase can be used to write in caps and there are also Swash alternates that have script-like character forms for every uppercase letter.

The future is right here, today, and Areon Flux comes to point that out. It’s a font family consisting in three weights that makes it a notable choice for designers that have to do with techy, futuristic layouts or printing materials. The lettering design appeal as sharp, powerful, distinctive and kind of modular, remembering the upcoming space exploration opportunities that are ready to enlarge our horizons in the next years. Areon Flux family is designed and published in late ‘20/ early ’21 and has an established discount for more that 30% for all the weights buyed together that makes it a versatile fresh and modern display not to be missed by edgy designers.

Get ready to transcend to a world of magic, laughter, and butterflies. Your projects will spark delight and engage everyone who sees it! Wait no more, we will give you the best choice. Vintage Bridge-A Monoline Script Font Vintage Bridge is a handcrafted font, made to bring out a slice of retro vibes. Every hand-drawn stroke and curve will delight and add brightness and fun to wherever it’s placed. Ideal to create amazing headings, logos, menus, and social media graphics. Vintage Bridges includes Multilingual Support to make your branding reach a global audience. Features: Alternates Ligatures Stylistic Set Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Experimental lettering Stephen Rapp created in 1999 became the spark that Stephen's imagination transformed into the Tai Chi design. Tai Chi is a display face but it could also be used as a textured calligraphic script. Its delightful sense of movement distinguishes it from other scripts. Individual characters stand poised in a vertical Zen-like balance while at the same time displaying an inner rhythm that makes them appear to dance along the line. Rich in texture and variation, Tai Chi works very well at medium and large point sizes. The font contains several alternate letters that help maintain a hand-lettered look. Tai Chi includes both upper and lowercase letters but works well in all uppercase settings.

ITC New Baskerville is one of many contemporary type families based on the work of John Baskerville (1706-1775), a writing master and printer from Birmingham, England, whose types were cut by the punchcutter John Handy. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth-century rationalism and neoclassicism. ITC New Baskerville is a late 20th-century interpretation of Baskerville’s style, designed by John Quaranda. It makes an excellent and very readable text face; its sharp, high-contrast forms make it suitable for elegant advertising settings as well. ITC New Baskerville® font field guide including best practices, font pairings and alternatives.

Solution is a Modern Fashion Sans Serif Font with Sharp shape make your design look classy and elegant A new San Serif Font that we created special for Headline, Title and more stand out typography needs, with beauty characters that will add your variations. It's so perfect to add your style and headline overview. And specially for Fashion font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Solution Modern Fashion Sans Serif Font ready with: Any options to get creative variations Preview as a inspirations that you can do with Solution font Ready with All characters Wish you enjoy our font. :)

Superfast is a hand-written, flowing, script that will add a fast and sharp movement style to your projects. It charms you right at the beginning. If you are looking for a sensitive font that can respond to the vibe of your design, Superfast is the right choice. On the one hand it is elegant and luxurious, and on the other hand, trendy and modern. Created for beautiful logos, branding projects, posters, blog posts, social media, campaigns, advertising, web design and more! Superfast contains upper and lowercase characters, numerals and a large range of punctuation. Its OpenType features include 41 Ligatures and a large number of alternates, which make everything you write authentic and flowing.

Dolsáb was designed from scratch with uniqueness in mind. The subtle movement from thick to thin and the variants of sharp to rounded make this cutting edge san serif a must have. The inspiration for Dolsab was a simple pairing of a rhombus and calligraphy. While neither of those two elements can be seen in their entirety in any instance, the influence of both is strong. The rhombus can be notice on most ascenders like on the lowercase t & l, for example. And the calligraphy inspiration is most easily captured on the descenders such as the lowercase y & g. The most beautiful characteristics of Dolsab is definitely the calligraphy-influenced movement. These features really stand out on the lowercase a & e. It's almost amusing to let your eye follow the contours of those two letter forms as they travel from thick to thin, sharp to rounded and back again. Users are welcomed to try all font styles of Dolsab in any applique of their choosing. However, it will be quickly noticeable that only Dolsab Air & Demi (the thiner of the styles) will be best suited for body copy. Personally I like to see these letterforms as large as they can be to really showcase the subtle movement, especially in Dolsab Heavy where these movements become much more dramatic. You'll never know what really works best unless you experiment. Dolsab surely isn't the answer to all projects, but it's certainly worth trying. No other typeface moves quite like Dolsáb.

«Quotes» is the second typeface calligraphed by Yani Arabena, designed along with Guille Vizzari and Ale Paul, for Sudtipos. Being thrilled by the use of the pointed brush, spontaneous messages, gesture and freshness to represent inspirational phrases and quotes written by hand, «Quotes» comes in two handwriting styles: Script and Caps. «Quotes Script» and «Quotes Caps» are thought together and complement each other filling with rhythm and infinite sensations to the spoken words. A more free and spontaneous version –Script–, joined by an uppercase system –Caps–, that offers a huge amount of alternate glyphs, ligatures and connectors, to enrich different messages brought to life with this type family. «Quotes Script» counts on a great variety of alternate signs in its lowercase as well as its uppercase letters. It hands a combination of ligatures and capital alternates that allows to shape the beginnings and endings of words and phrases intended to be inspiring and to inspire others that read them. «Quotes» also stands for the fashion universe, Gourmet, Natural, the D.I.Y. passionates, and for all those who seek for the Handcrafted spirit and agrees that it adds an added value to its products and in their communication possibilities. Nowadays, new trends in the calligraphic and drawn letters fields, have lead to the use of the brush pen as a daily practice, bringing to life phrases that motivates people to share their thoughts. «Quotes» is a typeface that invites to write, share and influence others to make their own. Sometimes a feeling can’t be explained, but «Quotes» is a font that can.

Bohemian Modern slab stencil display font Black–Out is a result of three things: the need for a distinctive ultra-black display typeface, an admiration for slab-serifs and Clarendons, and the love of systematic stencil type. Fusing all the desires together resulted in Black–Out. What was the inspiration for designing the font? Slab serifs + Clarendons + systematic stencil type = Black-Out! What are its main characteristics and features? It is a massive chunk of type, contemporary in nature while also harking back to the sun-drenched Modernism of California of the 1970s. Usage recommendations: Display type for use in materials that are meant to evoke a range of emotions.

East is a simple and confident typeface. It is timeless and current, but with a subtle nostalgia of vintage Jazz albums, film credits, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will capture attention. Its condensed width allows a lot of text in little space. East is versatile, but would be a good choice for film titles, labels + packages, posters, publications or any design where space is limited. It has six weights between Light and Extra Bold. A variable font with weight and slant axes is available and included in a full family purchase. The OpenType features include; stylistic sets, a one story ‘a’, hooked letters, seriffed uppercase I and 1, a slashed zero, raised colon and punctuation (Spanish), several German eszetts, ligatures, diverse bullets, and vertically stacked pre-built fractions. It will support western and central European languages as well as other Latin-based written languages. Read on if you are not familiar with variable fonts. What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, which benefit both web and software performance. Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.

Iconic Conjuring memories of chunky typefaces from the late-60s and early-70s, and named after the world’s greatest footballer of that and probably any other era, FS Pele is one of a set of Fontsmith fonts designed specifically for headlines and other prominent applications. “We wanted to create fonts that could be integral to the design of posters, album covers and magazines,” says Jason Smith. Welcome to FS Pele, iconic, like its namesake (though, perhaps, a little less nimble). Big Pele, little Pele There was only one Pele. But there are two sizes of FS Pele. FS Pele One, with the finer counters and details, adds considerable weight and style at large sizes, especially in big block headlines on posters. FS Pele Two’s thicker “slots” make it a better choice for smaller-sized text. A load of blocks FS Pele began as an exercise by Phil Garnham in turning squares into legible letters, via the least means necessary. The idea extended his ideas about logo-making, and the search for a stamp-like brand mark that lends authority, stability and instant identification. “The thought that the type was a 2D/3D jigsaw of slotted, architectural pieces was almost an after-thought. I wanted to create a strong, stacking, block aesthetic for the most contemporary poster design. “At the time there were a lot of designers creating their own versions of the same thing but I wanted to take the blocker forms to the next step, and infer a more legible text without sacrificing the idea.”

Iconic Conjuring memories of chunky typefaces from the late-60s and early-70s, and named after the world’s greatest footballer of that and probably any other era, FS Pele is one of a set of Fontsmith fonts designed specifically for headlines and other prominent applications. “We wanted to create fonts that could be integral to the design of posters, album covers and magazines,” says Jason Smith. Welcome to FS Pele, iconic, like its namesake (though, perhaps, a little less nimble). Big Pele, little Pele There was only one Pele. But there are two sizes of FS Pele. FS Pele One, with the finer counters and details, adds considerable weight and style at large sizes, especially in big block headlines on posters. FS Pele Two’s thicker “slots” make it a better choice for smaller-sized text. A load of blocks FS Pele began as an exercise by Phil Garnham in turning squares into legible letters, via the least means necessary. The idea extended his ideas about logo-making, and the search for a stamp-like brand mark that lends authority, stability and instant identification. “The thought that the type was a 2D/3D jigsaw of slotted, architectural pieces was almost an after-thought. I wanted to create a strong, stacking, block aesthetic for the most contemporary poster design. “At the time there were a lot of designers creating their own versions of the same thing but I wanted to take the blocker forms to the next step, and infer a more legible text without sacrificing the idea.”