From an old wood type owned by a San Francisco printer. Wood types were customarily given somewhat generic names (Antique Tuscan) or, more frequently, numbers to identify them. Our clients liked colorful, easily-remembered names better, and so did we.

Heldustry is a sans serif design with letterforms partway between Helvetica and Eurostile. The Heldustry font family has a large x-height and wide characters, making it ideal for situations where there is not much copy but pages must be filled.

The 1965 film “Mirage” had its titles and credits hand lettered in a simple, thin sans serif with rounded corners and an overall square design. This is now available digitally as Office Work JNL, in both regular and oblique versions.

Zinc is a clean, distinctive family which is essentially a monoline sans serif but with horizontal and diagonal nubs that add a subtle script quality to display type and an easy-to-read rhythm to the flow of ordinary text.

An image of a vintage metal stencil for the French wine region Côteaux du Tricastin [now Grignan-Les Adhemar] served as the inspiration for Wine Vat Stencil JNL. This condensed sans serif design is available in both regular and oblique versions.

The HeiT ASC Font family contains 3 Traditional Chinese fonts with Big 5 support. HeiT ASC Font Family features a sans serif style with consistent strokes. HeiT ASC Bold Font Family character Set: Latin-1, Traditional Chinese (code page 950).

County Clerk JNL was modeled after the vintage Hamilton wood type design Gothic Special, and is available in both regular and oblique versions. An early grotesk font, this condensed sans serif lends itself well to short headlines and brief body copy.

Xahosch uses a calligraphic pen to form a set of letters in which circular elements are based on a bottom-heavy egg shape. A pen-drawn san-serif face, it is available in three weights, each with an italic style.

Mylon is an elegant display sans-serif family with high contrast. It has 14 styles with 7 weights plus matching italics. Mylon works well with headlines or short paragraphs. It has extended latin character set that supports 200+ latin-based languages.

Navine is a rectangular sans serif typeface with 3 widths, each with 9 uprights, and the corresponding italics. Navine is crafted with powerful OpenType features, alternate glyphs, kerning pairs, superiors, inferiors, and much more. Navine blends beautifully into your creative designs.

A fun trendy font with a monoline calligraphy style. This is a display sans-serif font that we recommend using in the following types of work; magazines (titles and layouts), logos and branding, invitations, quotes, blog headers, posters and advertising.

Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the Italics.

FF Fago Thanks to his many years of involvement in major corporate type projects, Ole Schäfer had the necessary resources from which to construct his FF Fago™. The result is an extended family that provides comprehensive typographic support and whose qualities come to the fore in all relevant contexts ? from print to office through internet and wayfinding systems. FF Fago The sizable x-height together with the generous and open design of the characters ensure that the sans serif Fago remains clearly legible even in small point sizes or in potentially difficult situations, such as on wayfinding systems. A subtle contrast in line weight and letter forms that are reminiscent of those of an antiqua typeface provide the font with a restrained yet friendly and lively tone. Available in five weights, each with three different kerning widths and matching genuine italic variants, FF Fago is equipped for practically every situation. There are also small caps, oldstyle and lining figures, a selection of ligatures and geometric symbols. The range of potential applications of this universal font is almost inexhaustible ? it can be used in packaging design, on signs, posters and even for setting longer text sections. Fago is the ideal partner for those working on major corporate projects! FF Fago Correspondence Sans und Correspondence SerifThe Correspondence versions of Fago have been optimized for use in the business environment and in office communication. The carefully modified characters have a particularly robust feel, so that the clear, easily differentiated glyphs allow for straightforward communication even on screen. With these aims in mind, Schäfer has not only adjusted the x-height, but has provided certain letters in the sans variant ? such as the lowercase "i", the "r" and the uppercase "I" ? with serifs. Correspondence Serif, on the other hand, has been conceived as a slab serif throughout and in appearance has the look of the letters produced by the old office typewriting machines. An individual note has been added by providing a few unusual serif forms, as for example in the case of the "m", the "v" and the "y". Both Correspondence Sans and Serif are available in two weights with complementary italic versions and thus are ideally suited for use with standard office programs. This is all rounded off with a selection of office symbols. FF Fago Monospaced The use of a few typographic tricks is necessary to ensure that the letters of the alphabet appear to have the same width. Narrow letters such as "r" and "i" have been made to seem more expansive by using prominent serifs while the broader letters ? a good example is the "m" ? have the forms seen in a condensed font. And it is thanks to this design strategy that Fago Monospaced has the character of old typewriter text. What was once unavoidable because of the technology of the time is now a welcome alternative that can be used for the purposes of emphasis. As an additional supplement to the Fago superfamily, Fago Monospaced can be used, for example, to set short notes or draw attention to special text passages. There are three weights, in their original form without italic variants or small caps, but offering an alternative, technical form of the "0" with a crossbar.

Zanna is a modern typeface with lots of style and elegance. The Zanna typeface was inspired by the high contrast Didot look, which has been synonymous with fashion for decades. The Zanna typeface also has a very thin hairline and short non-bracketed serifs, which gives it a nostalgic and modern look. The Zanna typeface comes in two styles Regular and Stencil, each style has an oblique version. The Zanna typeface has over 140 ligatures and alternate characters, this makes it perfect for creating modern and elegant feminine logos. With so many ligatures and alternates characters to choose from, you can definitely create stunning designs for your brand or clients. The Zanna typeface can be paired with a beautiful minimal sans serif or light script font, this combination will make your next project look elegant and classy. The Zanna typeface is very versatile and can cover a wide range of project such as: fashion branding, mastheads, magazines, feminine logos, facebook banners, wedding invitations, Instagram posts, websites, blog posts, pull quotes, editorials, product packaging, trendy social media posts, advertisements and much more. If you are looking for something modern, nostalgic and chic for you next project, Zanna is the font for you. What you get: Zanna Regular.otf Zanna Oblique.otf Zanna Stencil.otf Zanna Stencil oblique.otf Zanna includes a full set of: Uppercase and lowercase letters. Numbers. Punctuation. Ligatures. Alternate characters. Small Caps. Multilingual symbols. We hope you enjoy using the Zanna typeface.

An Art Deco, script inspired typeface for 'modern' times, Pauline Didone is a full type family with a unique and flavorful design. It has a sense of femininity and naïveté that comes from its predecessor, Pauline. It's a typeface useful for short bits of copy, logotypes and interesting titling. This typeface family of 10 different fonts includes 5 weights and their italics and a wide range of OpenType alternates. The original Pauline was inspired by and has a strong influence from retro scripts. The typeface is geometric, formed with deliberate contrasting brush strokes and a ostentatious flair. Pauline Didone's high contrast strokes give it a very interesting look that is up to date with latest design trends and very useful for today's design environment. Pauline Didone pairs nicely with the original sans-serif Pauline. The typeface family also includes a full array of alternate forms, including over 150 alternate characters. These alternates can be accessed by activating OpenType features and style sets. Note: In order to use these OpenType features, you will need a program with advanced typography capabilities such as the Adobe Suite or Quark. These alternates also include a group of ball terminals that can be accessed under the swash alternates. Pauline Didone is the latest in a trusted line of typefaces from insigne. Why settle for the ordinary when you can choose Pauline Didone to lend its unique look to your art work?

Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface that comprises nine weights and five widths of precision engineered OpenType. 40 fonts, 32,668 characters and 24 OpenType features. Hot on the heels of the popular Neo Sans and Neo Tech range, and his first typeface release Scene, Soho represents three years of work by Lester. As a type designer I'm preoccupied with finding ways in which I can address modern problems like good legibility in modern media, and create fonts that work precisely and efficiently in the most technically demanding of corporate and publishing environments." Slab serif typefaces are enjoying something of a renaissance, offering versatility whether for corporate identity, product branding, text or display use. With 40 weights to choose from Soho gives designers endless possibilities from the ultra chic lines conveyed by the lighter weights to the rock solid statement made by the heavier weights. Soho is cross-platform compatible. The Pro version provides extended language support for Central European languages. Used in conjunction with software applications that support OpenType many useful features like "stylistic sets" can be leveraged -- in which a wide variety of alternative characters can be introduced at the click of a mouse button giving one font several "tones of voice" from conservative to cutting edge. The wide range of glyphs includes ligatures and small caps."

Features: • Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian SlovakSlovenian Spanisch Swedish Turkish Zulu Swedish Turkish Zulu • Contains OpenType features with alternates or substitutes • Tabular Figures • Ordinal numbers • 74 icons (It will keep updating.) • 72 graphic patterns for designer (It will keep updating.) • 28 brand symbols (It will keep updating.) • 27 arrows glyphs • 0-99 line circled glyphs • 0-99 solid circled glyphs • A-Z line circled glyphs • A-Z solid circled glyphs Gravitica is a modern sans serif with a geometric touch. It comes in 8 weights, 16 uprights and its matching italics, patterns, so you can use them to your heart’s content. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, tabular figures, arrows, ligatures, icons and patterned. Gravitica family consists of 13 styles (12 weights, 12 Italics and 1 patterns), in each of which there are more than 940+ glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Useful links: Gravitica PDF Type Guide and Specimen (You can know how to use icons and arrows, other glyphs.) Behance (You can give feedback if you find a problem.)

The font collection is called "Retrokia", it is a display font for logotype. These collections contain script and sans serif font. Every font comes with 4 style typefaces (regular, rounded, rough and textured). This script font includes some alternates and ligatures. The Retrokia matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Retrokia features : 4 style typefaces (regular, rounded, rough and textured) Uppercase, lowercase, numeral, symbol, punctuation, alternate and ligature in script font All-caps, numeral, symbol and punctuation in sans serif font Multilingual PUA Encoded Thank you for your support and choosing us.

Gemulai - Modern Sans Serif Font. A modern and simple sans serif font to give your designs a more attractive appearance. Great for branding, logos, covers and more. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Ligatures & Alternates. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks!

Garbentas is a contemporary sans-serif typeface that seamlessly blends modern aesthetics with timeless simplicity. Its clean lines and balanced proportions exude a sense of sophistication, making it an ideal choice for a wide range of design applications. The typeface embodies a harmonious combination of elegance and readability, with each character meticulously crafted to achieve optimal legibility across various platforms. Garbentas’ versatility shines through in both digital and print media, offering a sleek and polished look that caters to the demands of today’s design landscape. With a distinct and refined personality, Garbentas elevates visual communication by providing a fresh, contemporary take on the classic sans-serif genre.

Introducing our new product the name is Gabiant Sans Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities. Designed with powerful OpenType features in mind. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design

Home Run Script has the formality of 18th-century English roundhands, narrow, tightly fitted and drawn in a very bold weight and inspired by my ITC Eclat font. The x-height is large, and the caps are simply drawn with minimal swashes. Its companion font Home Run Sanscript, sold separately also, has sans serif caps that enable the user to combine script and sanserif caps with the same slope. It has the same lowercase as Home Run Script with a few alternate characters and sans serif lining and Oldstyle figures. Both Young Finesse and Home Run include Richard Isbell’s “interrabang,” appropriately used for statements that are both interrogative and exclamatory.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Neo Afrique sans a neo-futuristic typeface with a modern decorative twist. This typeface design came out of further development and refinement on an original typeface that i created some time ago, Durango Sans. True in nature to it's predecessor, Neo Afrique was also born out of this desire to fuse two different aesthetics, the geometric Neo-Futuristic aesthetic, fused with flourishing decorative forms from Art Nouveau and the later Lubalinesque aesthetics. This typeface will form part of a larger body of work that is meant to be an exploration of Afrikan neo-futurism, using the immense power of visual-linguistic narratives to catalyse new cultural movement and perception.

Besides all the display and script typefaces I design, my real passion is to design typefaces for copy. Safran is the first of my sans serif workhorse families available from Myfonts. Starting from a light version there are nine weights up to the strong ultrabold. All with italics. What was the inspiration for designing the font? I wanted to create a clear and elegant typeface with a wide variety of weights and proportions that are easy to use in corporate branding and magazines. What are its main characteristics and features? contemporary humanist legible sans serif Usage recommendations: corporate branding, magazines and other publications Elegant, clear and very legible.

Reba Samuels is based on the 2007 release Rebecca Samuels. While Rebecca was largely intended for text use Reba aims to be more versatile with an extended weight scope and added cut varieties. While Rebecca’s slab character is developed in the Reba serif, the ’seriffed’ italic of Rebecca is abandoned in favor of a simple italic sans, better matching the serif in plain text. The weight extremes are very useful for headlines while the middles do better in text. The robust and angular shapes of the serif matches the straightforward sans. The extreme contrast between the thin and the black cuts opens up great opportunities in any design project.

Hideko is a visually unique font that has the essence of both serif and san-serif fonts through integrating the body structure of san-serif while retaining the calligraphy from serif. Hideko was inspired by synthesizing Japanese calligraphy and western letters. During the process of creating Hideko, I attempted to make a font only for oriental use, but the result is a font with versatile uses. This multicultural font is most effectively used for oriental restaurants but is also ideal for western cafes, posters, books, etc. Along with the cultural synthesis of Japanese and western letters, Hideko features various ligatures, stylistic alternates, fractions, and languages as well.

Describe the 21st century politician. Left or right? Fat or thin? War or peace? Straight or gay? Hard or soft? Male or female? Pro or con? Young or old? East or west? Now look at the Politica super-family and see which font they may be. The overused sans serif faces don’t cut it anymore. This day and age requires a sturdy, modern and straight-to-the-point sans to cover the issues. The Politica family also come in OpenType variations which extend the character set to include Cyrillic, Greek, Baltic, Turkish and Central European languages. You have no excuse: the globe is yours with Politica.

Welcome to Nootdorp, a Sans Serif! Inspired by modern sans serifs, the powerful typeface Nootdorp is born. The name comes from a place in Germany: Nootdorp. This font is versatile for branding, labels, packaging, logotypes, websites, headers, headlines, magazines, and more. Nootdorp comes with 3 styles: Regular, Italic, and Outline. So, very good for pairing the fonts! Features and advantages: - Simple Installation - Opentype Ligatures - PUA Encoded - Support for MAC and PC. Also for Adobe Illustrator, Corel Draw, Indesign or Photoshop - 23 Language Support: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Norwegian Polish Portuguese Slovak Slovenian Spanisch Swedish Zulu

Introducing "Golden Brown" - An Elegant Sans Serif Font. Step into a world of refined beauty with "Golden Brown," an elegant sans serif font that not only exudes sophistication but also offers a range of alternate characters and ligatures to elevate your design possibilities. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!