An enchanting design by Otto Hupp for Gebr. Klingspor in 1909 provided the pattern for this timeless classic, which gracefully and seamlessly combines medieval inspiration with Art Nouveau flair. All versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

A flower became crushed in the door frame of the studio (a fancy shed at the end of an overgrown garden)... pretty pale yellow stamens scattered on the floor... I sprinkled some on the scanner and arranged them into a light and airy font for springtime. There are two alphabets, both uppercase, but one with doubled uprights for variety, and to provide a hint of extra weight. I didn't want to distort the natural shapes, or make up any of my own, so some letterforms are pretty quirky, and some characters just weren't possible... but there's a hidden bunch of flowery and grassy ornaments.

Professor Minty is a cartoon-inspired kind of comic font with a lotta bounce and a whole buncha spooky fun. Both regular and bold are based on Chank’s first fonts, Mister Frisky and Uncle Stinky. The Bold version is brand new in 2011, never before available. But here both of those fonts are combined into one extra-savvy font that does all kinds of tricks. It has many extra special OpenType features, like Swash, Contextual Alternates and Small caps and more. There’s even a “decaf” feature (Stylistic Set #1) which tones it down a bit if the account people think it is just too exciting. Works good for Halloween, Christmas and Valentine’s Day, oddly enough. Who knew those three holidays had anything in common?

The Lastwinter comes from hand scratches to get natural and natural writing. With the main vintage theme it will be very interesting if added with various kinds of Alternates (Uppercase) and also 8 kinds of Stylistic Sets in Lowercase. Lastwinter is very suitable for use in various media such as; packaging, logo, label, poster, shirt design, quote of wisdom, handlettering, typography and many other media.

Bolda Display is a a-z lowercase display font in two styles; regular and outline. Lowercase is regular and uppercase is outline. Inspired by the 1970’s tennis, dart and ping pong fashion. Perfect for headlines, logos and everything above the body.

Brown Chunkers is an unique serif based display typeface containing many alternates, swashes, ligatures that can make your lettering/logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

Musashi BB is a loose, ink brush-like typeface with all-caps lowercase and enlarged caps uppercase. Named after the legendary Japanese swordsman and author of the Book of Five Rings, Miyamoto Musashi. This font contains a samurai-sized complement of European characters.

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

Vermilion is one of those colors that are neither/nor. It's an ancient hue, in between red and orange and I kind of like the name. Vermilion font is a hand written, narrow and tall typeface which comes with extensive language support.

Copperhead is an 'all caps font' with thin rounded serifs. This font is specially designed for customers or companies fancying the Goudy's Copperplate font, though slightly different and restyled. Copperhead is a fine and easy readable font for advertising, logo design and can be used for headliners, all kinds of graphic & typographic work and corporate design also.

Mood Boosters Handwritten Font Duo is a perfectly font duo for all your design project needs. Create your perfect design with Mood Boosters Handwritten Font Duo. Try this font for all kinds of your business projects like: logo design, business card, mood board, greeting card, magazine ,headline, social media design, watermark and more, and it will all look perfect.

Snake head is a script font with a graffiti look. cool to be use in various types of designs, with several choices of characters and various kinds of swashes, so that your design looks powerful, this font is sutable for branding, clothing, logotype, packaging, advertising, crafting, and various other designs.

Hello this is a Lunturan, display font with a blood theme or something melted. Lunturan can be used for all kinds of scary or melting themed purposes. This font is designed to be a true favourite, it has the potential to take any of your creative ideas to the highest level!

Using Dirty Jabfor your graphical adventures is like having brunch when being hungry! The surface of the font is actually kind of grunge. Use the font at large sizes with reveal the authentic worn look. Comes with extensive language support and 6 contextual alternates that automatically cycles as you type!

Higher and higher! Arriba burns and churns with the life and spirit of Latin American culture. Its unique style and extensive character font will give all kinds of film, video, print and multi-media work real altitude. Created by English graphic designer Phill Grimshaw. Featured in: Best Fonts for Logos

Pseudographia is a lighthearted, loving pastiche of “Greek-Style” type inspired by J.M. Bergling’s 1917 “Society Greek” lettering. Happily living in the world of kitschy cross-cultural fonts of the kind found on restaurant awnings around the US, Pseudos is blithely unconcerned with legibility. Instead, it embraces its own benign exoticism and revels in its own chicanery! Pseudographia’s standard letterforms are angular Roman forms. Its Stylistic Set One contains a simplified Small Caps version of the kind commonly seen at Mediterranean eateries. Its Stylistic Set Two contains a full set of outlined Ornamental caps. Opa! Part of The Ampersand Forest's Sondheim Series.

Futuramano was the kind of typeface we scribbled in those old days, when I was an art-director in advertising agencies. We used it to simulate the headlines and the subheads, so the client could read what the copywriters had in mind. As Futura was the font of choice in those days (as it still is), our scribbled typeface looked much like Futura. The second half of the name “mano” means hand, so that is what it is, kind of a handwritten Futura. Futuramano is very practical if you want to have that unfinished touch! Yours very nostalgic Gert Wiescher

Introducing Agnes Mozarela is a modern and classic serif font that adopts a unique style. This font family is perfect for all kinds of elegant and stunning designs. Get this font immediately for your design use, especially for logo designs, branding, magazines and others. Multilingual support. Any question? just DM. Free update. Thank you

Signorina is a funny font (a "funnty"?) not to be taken so seriously. It reminds me of slab serif designs, but jelly-stuffed instead of having wood. This font also works very well on small sizes because of it's tall x height. You can use this kind of font on both text and titles.

Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts. It will enhance the appearance of advertisements, wedding invitations, headlines and posters. It contains a full character set and is professionally letter-spaced and kerned.

It was used in parts of Transylvania until the 1850s, although it was banned by Istvan, the first Christian king of the Hungarians (Szekel), in line with an order to "destroy all pre-Christian inscriptions". Hungarian runic script was usually written on wood-stone pieces in the bustrofedon style. In this method, the writing was written consecutively from right to left and from left to right. This article is available in Bosnian, Carpathian and Glozel editions. Whenever possible, I will present the fonts in these versions.

Violant fonts are designed as a tribute to Queen Violant, wife of Jaume 1st, king of Aragon, a woman of strong character, who supported her husband in the conquest of Valencia in 1238. Probably, Violant read texts in Gothic letters, which at that time were subjected to a stylization process in Castile and Aragon. Violant family comes with 736 glyphs, with OpenType features, swashes for all glyphs, stylistics sets, stylistics alternates, a lot of ligatures and a generous set of ornaments to play with your texts.

Introducing Draghord, a bold and dynamic typeface that embodies the essence of superheroic power and adventure. This font is a visual journey into the realm of fire, swords, skulls, and wings, capturing the spirit of mighty heroes and formidable villains alike. Characteristics: Flaming Elements: Each letter of Draghord is adorned with fiery accents, reminiscent of a blazing inferno. The flames dance around the characters, conveying a sense of untamed power and intensity. Sword-Inspired Strokes: The letterforms draw inspiration from the sleek and sharp edges of legendary swords. The angular and precise strokes give the font a cutting-edge aesthetic, symbolizing strength and precision. Skull Motifs: Intricately integrated skull motifs within the font add an element of danger and mystery. The skulls serve as a visual reminder of the challenges faced by our superheroic characters, embodying both mortality and defiance. Dynamic Winged Elements: The font incorporates dynamic winged elements that soar across certain letters, emphasizing the theme of flight and freedom. These wings symbolize the superhero's ability to rise above adversity and transcend limitations. Usage Scenarios: Comic Books: Draghord is perfect for comic book titles, captions, and speech bubbles, adding a dramatic and visually striking element to the narrative. Movie Posters: Use Draghord to create attention-grabbing titles and taglines for superhero movies. Its bold and adventurous design will set the tone for epic storytelling. Gaming Graphics: Ideal for in-game text, Draghord adds a heroic touch to video game interfaces, especially in fantasy or superhero-themed games. Event Promotion: For superhero-themed events, Draghord can be utilized in promotional materials, posters, and banners to convey a sense of excitement and power. In Conclusion: Draghord is not just a font; it's a visual experience that transports you into the heart of superheroic tales. With its fiery, sword-inspired design, skull motifs, and dynamic wings, Draghord is the perfect typographic companion for any project seeking to channel the thrilling energy of the superhero genre. Unleash the power of Draghord and let your words ignite the imagination!

Dylan-Copperplate is my newest addition to the ever growing family. The small flicks of the burin add an elegant touch to the solid font-design. Very handsome and useful for all kinds of invitations and business-cards as well as for classy advertising.

Crimson Skyline is a thin brush font. I used a pencil and Chinese ink to paint the letters. Crimson Skyline comes with double letter ligatures for the lower case letters. And the name? Well, it just has a nice ring to it. That’s all!

Pavement is a display typeface, based on the roughness and hardness of a street tile. I wanted to make a font with some real streetvibes, so it can easily be used for all kind of street cultures like music, (stencil) graffiti, street-art and fashion.

his is a beautiful, modern, and super readable font. You can use it in any kind of text, from folders to prayer books. This font is especially good for school and kid's books. This font also has modern punctuation: shevana, kamats katan, dagesh hazak, and holam chaser. This is a Variable font! One font with 5 styles (Regular, Medium, SemiBold, Bold, Heavy)

Introducing Sportzan - A Sporty Display Font Sportzan, as its name, is a sport font. Sportzan brings you the kind of cheerful and sporty vibes which spreads the playful energy for the game. Sportzan is designed to have sharp-corners to express the strength. With its bold design, sportzan will be suitable to be associated to any kind of sport product such as poster, jersey design, sport-slogan, and any writing which needs a strong-bold vibe. FEATURES - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Intrducing Alfiyah is a calligraphy script font that comes with a very beautiful change, a kind of classic decorative copper script with a modern touch, made with great detail to present a stylish appearance and of course very easy to read. The classic style is equipped with an alternative stylistic which is very suitable to be applied in various formal forms, especially wedding invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements. Features Regular Version Uppercase & Lowercase Number & Symbol Ligatures Stylistic Alternates Multilingual and PUA Encoded If there is a problem, question, or anything about my fonts, don't hesitate to ask! Big Thanks ~ Ergibi Studio

Figaro is a very condensed slab serif design of the kind associated with nineteenth century advertising. The Figaro font has considerable weight contrast in the strokes, with a marked weight emphasis on the horizontal elements, including the serifs. Use the Figaro font for display and advertising and for 'Wild West' style posters.

CIRCUMULUS is a font that designed based on a single circle SOFT AND CURVY Circumulus has soft appearance and curvy lines, which gives it's nice look GEOMETRICALLY RATIONAL Every glyph has a ratio to one another, which makes this font can be used in any kind of rational system like repeating patterns

Casual Style This is an excellent font family that includes ( script, bold script, sans serif and outline sans serif). These are multi-purpose fonts and they are suitable for all kinds of design, from modern fashion projects to vintage logos, editorial designsand, headlines, advertising and much more. This font is easy to use and has OpenType features.