Crisis is a child of the dictatorship of economics. Since time is money the time budget of its production has been rigidly limited. Crisis was designed and generated completely on one single day. The target was to make a useful font while investing nothing more than absolutely indispensable. The component-based glyph construction scheme of another font has been utilized, further detailing work has been strictly limited. Due to those restrictions some letters have rather unusual shapes. This straightforward and contemporary sans (320 glyphs) is of compact proportions and very legible even when set in small sizes. In printing you get more text on one page and thus save up to 30% of paper.

Sumera Dita is a contemporary serif font that seamlessly merges classic sophistication with a modern aesthetic. Its refined and elegant letterforms exude a sense of timeless grace, making it a versatile choice for a wide range of design applications. With a balanced and harmonious design, Sumera Dita strikes the perfect equilibrium between tradition and innovation. The subtly sculpted serifs and distinctive letter shapes contribute to its unique character, ensuring readability while adding a touch of personality to any project. Whether used in print or digital media, Sumera Dita brings a touch of refined professionalism to typographic compositions, making it a go-to choice for those seeking a modern serif font with a timeless appeal.

The characters of Skagwae have no curves, just straight line segments. The letter shapes themselves are fairly standard, but the choppy line segments used to construct them give the fonts a crude, unfinished look that is highlighted at large point sizes. At small point sizes the fonts are surprisingly legible. The family has nine styles. The regular, bold, italic, bold italic, shadow, and shadow inside styles are proportionally spaced. Shadowinside is very similar to regular but is spaced to be used in a layer with the shadow style. SkagwaeMono-Regular and SkagwaeMono-Bold are monospaced versions of the family. A third monospaced style, SkagwaeMono-Rippled, is a distorted version with squiggly lines full of curves.

In a specimen book from Stevens, Shanks & Sons, Ltd. of London (circa1930s) “Royal Gothic” was their version of a classic grotesk sans that had been in use as far back as 1899 when the Keystone Foundry called it “Charter Oak”. The terms "gothic" and "grotesk" were equally applied to early sans serif typefaces – at first not well embraced by printers as being too ugly (grotesque) for use. One familiar characteristic of early grotesk fonts (such as this one) is the numerous variations of character widths and shapes. By combining those two terms into a font name, the digital version of this design is called Gothic Grotesk JNL, and is available in both regular and oblique versions.

Mak is a display font with a Ukrainian feeling inspired by Ukrainian music. Customize weight and contrast to the smallest value to your needs with a variable version of Mak. This is a big update of the first free two styles of Mak (SemiBold High & Black High) that were created in 2019 and become widespread among free display fonts. The big update wasn't been only adding more weights and contrasts but also changing a lot of glyphs and adding new ones. Now Mak supports all Latin-based languages and European Cyrillic. Experiments with historical forms, contrasts, and daring shapes to create a new image of Ukrainian Cyrillic and Latin based on it.

Right now it is melon time: the supermarkets are full of them: Galia, Honey Dew, Piel de Sapo… Back in Casa Hanoded we're quite happy with the abundance of melons! So, when I created this cute little font, naming it was easy. Honey Dew is a shaky all caps font with different upper and lower case glyphs. I created alternate letters for both upper and lower case closed glyphs (like a, b, d, o, etc.) - including their accented brethren (aacute, abreve, acircumflex), etc. There is an alternate & and @, plus the Æ, Œ, Ø, æ, œ, ø, þ and Þ. You should have guessed by now that Honey Dew comes with a whole stack of diacritics.

Envegas is a Modern Ligature Serif Font. Its soft curves mixed with high contrast glyphs, give it a feminine and masculine quality. A blend of modern and old styles and equipped with unique ligatures, discretionary ligatures, and alternates. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, and invitations. Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support. Feel free to follow, like, and share. Thanks so much for checking out my shop! If you need a custom license or have questions, please email: sayfulyusfi@gmail.com

Yoko is a straightforward font with a straightforward message, and an interesting finish. Yoko wants you to enjoy life, live to your fullest and be happy. Yoko understands that it doesn’t look easy, but it can be, and you can achieve it. Straight lines and perfect corners make Yoko’s messages come across simply and openly. There’s no fancy flourishes in what you say with this font, just a goal and a solution. That’s not to say it’s dull though, because the textured finish gives Yoko a depth that carries its own form of weight. The solid impact of the shapes and the rough texture of the finish make Yoko’s message stand out, whatever you choose to say with it.

A lot of time and effort has been put into the process of creating the Brillian Font. A careful analysis of the current font market and overly increasing customer needs have shaped Brillian’s final appearance and content. We don't have a precise target audience for Brillian, since the amazing amount and structure of the chosen characters enables a very wide utilization. Its look and feel came from a different designing approach, so that it can successfully satisfy the needs of even the neediest. Shining with calm and dignity, while in the roots being aggressive, it has successfully connected classic and modern styles - representing its largest value. A most complete set of Cyrillic, Greek and Latin characters included.

Merona Island is a Modern Ligature Serif Font. Its soft curves mixed with high contrast glyphs, give it a feminine and masculine quality. It comes with 107 unique ligatures and 45 alternates. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, and invitations. Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support. Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Feel free to follow, like, and share. Thanks so much for checking out my shop!

Babylon is a playful and elegant family, perfect for branding projects, headlines, posters and packaging also for logos! Primarily it is characterized by a modern look with straight shapes, but on closer view, one sees a wide range of alternate characters, as well as five style typeface! Furthermore it is a unicase typeface, all of the Babylon play with uppercase initials. Babylon is 5 Weights (Regular – Outline) Character set A-Z with uppercase with some special alternate options Numerals & Punctuation Multilingual support language characters Feel free to convert the fonts to web fonts for your personal/business website If you still have questions, just send me a message and I'm happy to help ;) Thank you, Haksen

The Roman Historia is a stylish serif font that will make your design projects stand out and be stylish! The Roman Historia is crafted with care to ensure premium quality and a luxurious feel. Ligatures and alternatives make this typeface unique and stand out from typical serif fonts. The Roman Historia is perfect for branding, logo designs, headlines, titles, magazines, name card, labels, product packaging, book titles, movie titles, fashions magazines or any other type of design. Contains full set: -The Roman Historia Regular and Condensed -Uppercase -Lowercase -Alternative -Ligatures -PUA encoded -Punctuation -Number -Multilingual support. Have fun using The Roman Historia!! Feel free to follow, like and share. Thank you very much for checking my store!

Straight Fighter is a stencil font that exudes strength, masculinity, and bravery. Inspired by classic war posters, military style, and the punk scene. With the unique stencil cutting and letter shapes, this font features bold lettering that demands attention. It comes equipped with special characters and multilingual support, making it a versatile choice for a variety of design projects. Straight Fighter is particularly suitable for display, headlines, posters, editorials, patches, logotypes, branding, movies, flyers, and short quotes. If you want to convey a powerful message with your design, Straight Fighter is the perfect choice. Here’s what you’ll get : Uppercase Lowercase Numbers Symbols & punctuation Stylistic alternates Multilingual support. Thank you for your support!

Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes. Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness. To sum up, Arlon communicates an affinity for technology – in a friendly way. The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font. From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages. Designed by Marc Lohner in 2018.

Lemonilla | Quirky Display Font Lemonilla a bold, quirky display font with a fun, trendy street style vibe. From posters designs to t-shirts and packaging, Lemonilla will give your designs that alternative minimal look and make your creative work look supercharged. Lemonilla was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. The modern bold sans serif typeface has a host of alternatives and ligatures included. Combine its bold shapes to give your work a more unique, hipster attitude. Easily create professional cool type lockups that look like hand lettering.

Introducing Creative Vintage - a modern serif with vintage charm, fashion look and retro yet modern style. Work fast using integrated features. Just add PLUS (+) after any letter and get alternate instantly. This feature works on most applications (Canva, Templett, Corjl and others) Creative Vintage Regular: Opentype Serif font with clean shapes and accurate kerning. It includes ligatures and alternates with total amount 669 PUA encoded glyphs. Creative Vintage Draft: Modern Serif with chunky imperfect edges and shabby appearance. This font is a strict copy of everything from regular version including glyphs names, kerning and ligatures, so you are worry-free to change style on the go. Alternates appears automatically when you type plus after any letter or even ligature.

Myteri Script is an expressive calligraphy font. Drawn and created by Mans Greback, this handwritten lettering has a wild personality and tough appearance, with tattoo-inspired shapes and vivid movements. To make swashes, use [ ] { } _ anywhere in a word. Example: Tatt_oos It is provided in four slant and weight styles to further extend the possibilities of use. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all European Latin-based languages. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

ITC Orbon font is the work of New York designer James Montalbano, inspired in part by a demo of black letter calligraphy in which letters were created out of only four or five basic strokes. I combined that idea with the notion of taking historical forms like German gothic blackletter and progressively paring them down to achieve a futuristic version, as if this old form naturally evolved over several hundred years to arrive at its post-modern incarnation." Text should be set in point sizes of 20 and higher for optimal legibility. ITC Orbon is a highly condensed font with unique, oblong shapes which are ideal for a number of display applications."

Potent, clean and classy. Meguro serif has a modern-styled boxy shape with small glyphic serifs emphasizing the edge of its vertical and horizontal strokes. Inspired by iconic fonts of the 1900s, Meguro serif incorporates the sophistication of the digital age to strike its own unique character. Its mono-line oriented, pointy serifs and very high X-height ensure that it is extremely legible and creates a strong impression. The Meguro serif font family is comprised of 10 styles with 5 different weights from light to black, along with matching italics offering possibilities for use in web, print, package and sign design, all with the goal of building an established look for brands in wide range of industries.

Loew is a geometric sans serif font influenced by the methods of the early industrial designers. Pure mechanical shapes are carefully adjusted to give the characters the right form, function and usability. These subtle human touches combined with the technical detail provide great readability at both large and small point sizes. Loew is a versatile sans serif font with simple and honest geometry aimed at a wide range of modern applications. Details include over 800 characters with alternative lowercase a, e and g. Seven variations of numerals, true small caps with accents, manually edited kerning and Opentype features. For additional non-latin language support in Cyrillic, Greek and Arabic, visit Loew Next and Loew Next Arabic.

Holgada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a geometric sans serif typeface with refined rounded endings that provide a soft and friendly appearance. Its generic shapes make it suitable for any kind of project, text length and size. Thanks to its clear legibility, it can be used in long body texts in very small sizes, in big size headlines and everything in between. The rounded endings not only provide a particular softness when used in body text, but also a distinctive touch when used in display situations such as logos and headlines. Holgada consists of 12 styles, each containing small caps and glyph coverage for several languages.

Proudly present New Kids Crew - Graffiti Type, created by ikiiko. New Kids Crew is a raw and expressive brush font with touch of street style. This type has a freestyle shape that has the characteristics of freedom, youth and is filled with unique characters. This type is very suitable for making a poster, magazine layout, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weight : Regular & Oblique Uppercase & Lowercase Numbers & Punctuation Alternates & Ligature Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Developer-friendly The studio has developed a wide array of weights for FS Untitled – 12 in all, in roman and italic – with the intention of meeting every on-screen need. All recognisably part of a family, each weight brings a different edge or personality to headline or body copy. There’s more. Type on screen has a tendency to fill in or blow so for each weight, there’s the choice of two marginally different versions, allowing designers and developers to go up or down a touch in weight. They’re free to use the font at any size on any background colour without fear of causing optical obstacles. And to make life even easier for developers, the 12 weight pairs have each been designated with a number from 100 (Thin) to 750 (Bold), corresponding to the system used to denote font weight in CSS code. Selecting a weight is always light work. Easy on the pixels ‘It’s a digital-first world,’ says Jason Smith, ‘and I wanted to make something that was really functional for digital brands’. FS Untitled was made for modern screens. Its shapes and proportions, x-height and cap height were modelled around the pixel grids of even low-resolution displays. So there are no angles in the A, V and W, just gently curving strokes that fit, not fight, with the pixels, and reduce the dependency on font hinting. Forms are simplified and modular – there are no spurs on the r or d, for example – and the space between the dot of the i and its stem is larger than usual. The result is a clearer, more legible typeface – functional but with bags of character. Screen beginnings FS Untitled got its start on the box. Its roots lie in Fontsmith’s creation of the typeface for Channel 4’s rebrand in 2005: the classic, quirky, edgy C4 headline font, with its rounded square shapes (inspired by the classic cartoon TV shape of a squidgy rectangle), and a toned-down version for use in text, captions and content graphics. The studio has built on the characteristics that made the original face so pixel-friendly: its blend of almost-flat horizontals and verticals with just enough openness and curve at the corners to keep the font looking friendly. The curves of the o, c and e are classic Fontsmith – typical of the dedication its designers puts into sculpting letterforms. Look out for… FS Untitled wouldn’t be a Fontsmith typeface if it didn’t have its quirks, some warranted, some wanton. There’s the rounded junction at the base of the E, for example, and the strong, solid contours of the punctuation marks and numerals. Notice, too, the distinctive, open shape of the A, V, W, X and Y, created by strokes that start off straight before curving into their diagonal path. Some would call the look bow-legged; we’d call it big-hearted.

Developer-friendly The studio has developed a wide array of weights for FS Untitled – 12 in all, in roman and italic – with the intention of meeting every on-screen need. All recognisably part of a family, each weight brings a different edge or personality to headline or body copy. There’s more. Type on screen has a tendency to fill in or blow so for each weight, there’s the choice of two marginally different versions, allowing designers and developers to go up or down a touch in weight. They’re free to use the font at any size on any background colour without fear of causing optical obstacles. And to make life even easier for developers, the 12 weight pairs have each been designated with a number from 100 (Thin) to 750 (Bold), corresponding to the system used to denote font weight in CSS code. Selecting a weight is always light work. Easy on the pixels ‘It’s a digital-first world,’ says Jason Smith, ‘and I wanted to make something that was really functional for digital brands’. FS Untitled was made for modern screens. Its shapes and proportions, x-height and cap height were modelled around the pixel grids of even low-resolution displays. So there are no angles in the A, V and W, just gently curving strokes that fit, not fight, with the pixels, and reduce the dependency on font hinting. Forms are simplified and modular – there are no spurs on the r or d, for example – and the space between the dot of the i and its stem is larger than usual. The result is a clearer, more legible typeface – functional but with bags of character. Screen beginnings FS Untitled got its start on the box. Its roots lie in Fontsmith’s creation of the typeface for Channel 4’s rebrand in 2005: the classic, quirky, edgy C4 headline font, with its rounded square shapes (inspired by the classic cartoon TV shape of a squidgy rectangle), and a toned-down version for use in text, captions and content graphics. The studio has built on the characteristics that made the original face so pixel-friendly: its blend of almost-flat horizontals and verticals with just enough openness and curve at the corners to keep the font looking friendly. The curves of the o, c and e are classic Fontsmith – typical of the dedication its designers puts into sculpting letterforms. Look out for… FS Untitled wouldn’t be a Fontsmith typeface if it didn’t have its quirks, some warranted, some wanton. There’s the rounded junction at the base of the E, for example, and the strong, solid contours of the punctuation marks and numerals. Notice, too, the distinctive, open shape of the A, V, W, X and Y, created by strokes that start off straight before curving into their diagonal path. Some would call the look bow-legged; we’d call it big-hearted.

Lota Grotesque was designed by Daniel Hernández with the collaboration of Rodrigo Fuenzalida and Latinotype Team in digital editing. The family comes in 7 weights with matching italics and includes alternative versions that provide high versatility and functionality. The whole font family is composed of 4 subfamilies that share exactly the same number of characters and styles but with differences in programming and default characters. Lota Grotesque contains a 760-character set that supports 219 languages and includes alternative characters, discretionary ligatures, small caps, and a variety of figures and fractions—a wide range of typographic tools to meet different design needs.

Disalina is a typeface adjusted to your needs. You are looking for geometrical shapes, stylized ligatures or lettering reminiscent of Art Nouveau? Three stylistic sets that are included in every weight will make your project more creative. The Disalina family was inspired by the lettering and posters of late 1800s and the beginning of the 1900s. It merges beautiful vintage design and modern graphic thinking. The whole family consists of 7 weights – you will find different opentype features such as ligatures, stylistic sets, arrows, swashes and more. Disalina is a true friend – no more different fonts to mix & match different styles.

Circulaire is a set of initial caps designed by Sjoerd Hendrik de Roos in 1926, and digitized in 2009 by Hans van Maanen. Unusual serifs, spurs and swashes make for interesting continuity points in the familiarly angled shapes, while adding a unique calligrapher's touch to the beheld forms. As far as initials go, this set contains the extra touch of personality needed to lead into a paragraph, which is preferable to the usual swashed italics that are widely used. Circulaire is available in all popular font formats and includes extended support for a wide variety of Latin-based languages.

Rever is an experimental typeface by a young designer Sasha Smirnov. It clearly alludes to 19th century typefaces with reverse contrast, but still the character shapes are as simple and geometric as possible. Rever answers the question “What can a reverse-contrast typeface look like today?” Its set of styles is non-traditional: in addition to a regular one, there are also an oblique (slanted to the left, not to the right!) and a stencil styles. The typeface can work for typographic experiments of any kind -- web, print or motion design. The font was released by Paratype in 2019.

La Vamora is a Modern Stylistic Serif typeface A new serif that we created specially for branding needs, with extra ligatures and alternates in a unique shape just to add value to your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for La Vamora font, We prepared all the ligatures, and the alternates characters to help you create unlimited variations for your creative needs. La Vamora includes: All uppercase & lowercase letters All numbers 0-9 & Punctuation Ligatures & Alternates Symbols Multiligual Letters

Come into the boudoir. This simple hand-drawn sans tries to invoke the same feelings as its name - and not to be overluscious. Boudoir is sweet and sensual like women, but it’s at the same time uncluttered and masculinely straightforward. The font borrows some playful capital shapes from the all caps Baronessa and draws inspiration for others from old classics. Thanks to the bolder weights, it can also be used in smaller sizes, you can combine different weights for different sizes to obtain a more balanced look, or you can just give emphasis using different weights.

Bakira font is a Modern Stylistic Slab Serif typeface A new slab serif that we created specially for branding needs, with extra ligatures and alternates in a unique shape just to add value to your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Bakira, We prepared all the ligatures, and the alternates characters to help you create unlimited variations for your creative needs. Bakira includes: All uppercase & lowercase letters All numbers 0-9 & Punctuation Ligatures & Alternates Symbols Multiligual Letters

Yuki is a full and rounded font that also manages to be compact, so when you need to make a big impact in a small space and still maintain a friendly feel, Yuki is here to do the job. In two different styles, each with bold alternatives, Yuki’s best function is to grab attention without taking up too much space. The lined form allows it to look even more streamlined in this performance, cutting shapes into more easily digestible pieces, while the bold forms create even more smoothness. Use Yuki for quick, impactful statements without being aggressive.

I found this type specimen on the statue of Jan Hus in Prague’s Old Town Square. The statue was designed in 1903 by Ladislav Saloun, and its writing is the cutest Nouveau font I've ever seen. Filling in the blanks, I realized the need for a standard lower case because the caps are so wild. The result is a very type-able and dynamic Nouveau. I encourage you to mix up your upper and lower cases for curious results. Use the lower case for running type. Go to http://facebook.com/frostfoundry to share this and see more!

Ersatz has its vibrant roots in the Mediterranean climate of Spain. Tired of the functional monoline sanserif fonts used throughout Europe from road signage to corporate identity, Richard Dawson and Dave Farey, British type designers who crave color and sunlight, created a style that is refreshing and lively. The basic constructions are simple and attractive, mixing lower case shapes into the capitals - and unique letterforms into the lower case. There's a raunchy feel to Ersatz, soft curves and back kicks, if you listen very carefully you can hear the sharp guitars and the soft tambourine of the Flamenco.

Mia is a 1 year old. She likes animals. But not just any old barnyard variety animals, she likes cute and fun, pseudo-animals that nobody else knows about. Now she is willing to share her favorite “pets” with the world in this exclusive symbol font designed by 10four. Originally conceived as wall graphics for Mia's bedroom, Mia Pets has been expanded to include 62 distinct icons. A collection of friendly creatures, now set free from Mia's bedroom and ready for whatever mischief you can find for them... great for wall vinyl, web graphics, or T-shirt graphics!

Rock and Cola's design is clearly inspired by the sinuous shapes of the world's most famous drink's logo. It however does not pretend to copy it faithfully or to serve as a platform to generate the logo itself. Rock and Cola is a very elegant Script font with great weight and contrast. Its OpenType features include ligatures, swashes, alternative characters, ornaments and accents in order to support many foreign languages. It has huge possibilities for application in logos, titles and short texts by generating in them great impact and recalling. Use Rock and Cola in your projects and enjoy it!

Corsair is a rugged font with a handcrafted touch. Familiar and easy to work with, it has a worn-in feel that slots right into your typographic toolkit like you’ve known it all along. Originally commissioned by Best Made Co., its functional beauty was shaped to mimic the idiosyncrasies of handwriting. Naturally randomised letterforms lend it authenticity, while weathered edges and subtle variations add a hospitable charm. The effect is an honest, approachable, and organic look that’s careful, but that doesn’t overthink it. Goes well with packaging, branding, and product lookbooks alike. Like a writer’s favorite pen, it gets even better with age.

A 1930s advertising poster for the Inman Brothers Flying Circus offered up an interesting hand lettered Art Deco design that’s a cross between both squared and rounded character shapes. Because of it's 'futuristic look', the resulting type style can also lend itself to 1970s and 1980s retro projects as well as those from the 1930s and 1940s. Now a digital font, Air Circus JNL is available in both regular and oblique versions. A “Flying Circus” is a troupe of ‘barnstormers’ (stunt pilots) who performed aerial tricks either individually or as a team along with selling airplane rides to the general public.

Rachele is a mono line based script thin font. Inspired on the cute “Italian Bella Scrittura” handwriting but influenced by Spencerian. Ornaments and ligatures make this hand more expressive offering round stroke endings and a flowing shape. Rachele is a big family, its stroke expand into extra light till medium and passing through a calligraphic/ribbon effect. At the same time the width varies, that’s make this script even more flexible, from Ultra Condensed to Super Extended. Enjoy it. Check out also Check out also ‘Mentha’ based on Rachele’s skeleton. We recommend to combine Rachele with: Turquoise

Terpentijn is Dutch for Turpentine. If you say it out loud, it actually sounds quite similar! Here you thought you were just buying a font, but you get to learn some Dutch too! Terpentijn is a handmade typeface with a serious twist. It is very uneven, very unusual, and, if I may say so myself, very adorable. Terpentijn has that ‘eroded’ look, which will make your designs stand out. It comes in a regular and an inline version, plus a handy shapes pack, which will add that extra wow to your work. Besides Dutch, terpentijn speaks a lot of languages!