Inventory JNL is based on a "solid letter" stencil where you trace the body of the letter and fill in the top and bottom connecting lines to each character. This is another font in Jeff Levine's series of digital designs based on classic lettering stencil guides.

Nedo is a retro inspired, single weight display font based on a series of geometric lines. It features a large set of ligatures and some alternate characters that allow a range of possible combinations for text layouts and is best suited for use in large settings.

La Carte Pen is a paper textured version of the popular La Carte font. Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but easy-to-read script that sets as well in body copy as it does in headlines.

Sewing Patterns 3 is the latest installment in the Sewing Patterns font series and this time it's all menswear. This dingbat was inspired by men's fashions from the 1920s to the 1960s. Like it's predecessors, the numbers take a quick dive into children's styles from those eras.

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril deserves to be considered a separate font family on its own. Based on the original text styles of Abril, the letter shapes are sturdy, very legible, and deliver a newsy and trustworthy feel. The accented editorial style of the Scotch Roman finds continuity in this new type family, but some of the details have been ironed out for improved performance in headline, both in print and on screen. The family is conceived as four series of different widths, with four weights in each series plus matching italics, a total of 32 fonts. This wide range of styles allows for setting titles at almost any size. The wider series are aimed for smaller point sizes while the con- densed weights can deliver a striking and cohesive appearance as front cover headlines. Abril was designed as a versatile tool for those graphic and web designers looking for a workhorse with high impact. It is also an excellent companion for the rest of the Abril type family: Abril Titling and Abril Narrow.

August Rush is a delicate handwritten script font. The font comes in 2 weight options: regular and semi-bold. It's best used as a main headlines or as a secondary headline combed with other simple serif or sans-serif fonts. It can be used for various designs such as packaging, wedding stationery or branding.

Pringle - Display Variable Font is a versatile, bold and unique font. Combination between high contrast and Brutalism style, Pringle has a unique style with stylistic, alternates,and supports multilingual languages. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. OTF and Variable Font (TTF)

Jasmine Bloom is a semi-allcaps font with lovely and cute shape. This font has two styles, regular style and decorated style with jasmine flower decoration which spread from the bottom of each letter. Jasmine Bloom font is perfect for any design purposes. Mix and match some uppercase and lowercase to get lovely combining.

Herkules is a whimsical script font with a relaxed theme, with a series of hooking hooks for a beautiful style. Whatever the topic, this font will be a great asset to your font library, as it has the potential to enhance any creation. This font is PUA encoded which means you can access all the glyphs and sweeps easily!

Nice One is the font with a modern, clean and semi formal looks. We have three styles on Nice One; light, regular and bold. The characteristic of the font is tall, neat and thin almost like a serif font. Try this font on your book, magazine, or poster and believe me your work will be the nice one! :)

Designed as a typewriter face for IBM, Courier New was re drawn by Adrian Frutiger for IBM Selectric series. A typical fixed pitch design, monotone in weight and slab serif in concept.

Personal Note JNL gets its inspiration from a semi-calligraphic pen alphabet found in the 1960 edition of the Speedball® lettering textbook and is offered in both regular and oblique versions.

For all your royal invitations. The Castles & Shields Series contains over 85 unique and decorative characters depicting numbers and alphabets in castle and shield silhouettes to give your documents a medieval feel.

Shanghai JNL is loosely based on the title lettering from “Charlie Chan in Shanghai”, one of the long-running series of detective films featuring the Asian sleuth and his “number one son”.

Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal style.

Aligarh is a semi-slab serif font formed with a smooth rounded bracket whose edges end with unique shapes, an exploration of combining unique styles in a typefaces. Designed to be used in a variety of media both print and digital media. 18 fonts built from 9 sizes and supported by open types.

Cathedral is a display typeface with regular, semi bold, and bold weights with alternate glyphs for select characters. This font comes with bonus vector graphics that accompany the font. The bonus vector graphics have editable stroke weights, so they can match each type weight, or any other need you have in mind.

Wildcats Typeface is a vintage sexy calligraphy style. Wildcats inspired from vintage labels, signage and packages. Wildcats is good for logotype, tattoo typograph, signage, wedding invitation card design and any more. Wildcats have 453 Glyphs and many alternative character so you can mix and match like a you want, also you can get ornament pack on EPS file. 17 Mutilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu)

Banda is a semi-serif typeface characterized by a tall x-height and rounded semi-serifs. Although it was first designed as a display typeface, Banda quickly evolved into more complex type consisting of seven weights plus their respectful italics. Banda can be used for short passages of text as well as a fancy display type. Varying from the elegant and finesse, thinner weights to the almost childish bubbliness of the heavier weights, Banda is a great all-round performer suitable for logos, headlines, package & food designs & much more.

Elyzabeth Pro is a very elegant and practical sans serif font family and precise in its creation. clean fonts that stand upright elegantly that are soft and familiar and easy to read, Not boring to the reader. This type of font is great to use for very large writing purposes, ranging from notes on daily activities, magazines, newspapers, logos, posters, product compositions, product descriptions to be sold and indications of any product composition that requires writing shadows. Elizabeth Pro contains eight fonts. Broadly speaking, this font has two models, namely Regular and Italic. (Thin, Thin Italic, Regular, Regular Italic, Semi Bold, Semi Bold Italic, Bold and Bold Italic. They all support Latin, Greek, and Cryillic characters. This font will be a great asset to your font library, as it has the potential to enhance your next project creation.

Alex Kaczun, originally designed BottleKaps for Linotype-Hell, in 1992, as a QuickDraw GX multi-master font series. A few new GX applications, like 'Unicorn', where able to utilize these unique fonts. The GX application allowed the user to adjust weight and proportions, on the fly, including glyph substitution for small capitals, old style figures, swash and alternate endings. The technology was never successfully deployed by Apple, so the individual fonts, 21 styles and variations in all, where sold in the Linotype Font Library as separate Truetype fonts up until 1998. Unfortunately, the fonts collected dust for many years thereafter, but now have been reworked and rejuvenated by Alex in OpenType format for both Mac and PC. 'BottleKaps' is a 'unique', 'playful' and 'decorative' font series. Use it for those bold headlines to stimulate interest and show off your 'unique' individual style.

Designed as a typewriter face for IBM, Courier was redrawn by Adrian Frutiger for the IBM Selectric series. Courier is a typical fixed pitch design, monotone in weight and slab serif in concept. The Courier font is used to emulate typewriter output for reports, tabular work and technical documentation.

Designed as a typewriter face for IBM, Courier was redrawn by Adrian Frutiger for the IBM Selectric series. Courier is a typical fixed pitch design, monotone in weight and slab serif in concept. The Courier font is used to emulate typewriter output for reports, tabular work and technical documentation.

The Vtg Stencil series of fonts from astype are based on real world stencils. These stencils were used in the 50's and 60's by the US Army. If you are interested in the current stencil design, please have a look at Vtg Stencil US No.72 .

A vintage metal stencil from a saw mill with the term "reusable skid" was the model for Saw Mill Stencil JNL. Although the original was what would be termed a semi-stencil (some letters did not have 'breaks' in them), the font was designed with a more traditional look.

Rock-steady and friendly, yet animated and exciting, Adventuring evolved from the hand drawn, uppercase title lettering used for the 1950s and 1960s dust jackets of Enid Blyton’s Famous Five series of books.

Aviano slab is an extended slab serif and the newest member of the popular insigne series Aviano. The same classically proportioned letterforms are now available in a slab serif variant for powerful impact.

Blak belongs to the type series designed by Íñigo Jerez for the defunct magazine Suite . This chubby typeface now has a second life in our collection. Use it with confidence for big statements.

An image for a travel poster for the resort of Tulum, Mexico with its 1970s-era highly stylized semi-stencil type design inspired Vacation Mexicana JNL; available in both regular and oblique versions.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Gullywasher is distinguished by its unusual letterforms and “pineapple” serifs. The font takes its name from a Texas term for a heavy rain. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

The Bipolar family of fonts is a synthetic blend of digital grid and historical blackletter forms, combining readability and ornamentation into a single modern interpretation. If you feel like you recognize this font style, you may have seen it as the menu font in the popular RockBand series of games. This trendy neo-medieval revival is hot!

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it’s a new day it’s a new font. So without any further ado, please welcome Hwaiting Sans. 2/3 series of Korean vibes typefaces. It’s a sans-serif font with bold and strong vibes to catch up with today’s graphic design trends. Crafted with deep research about Korean traditional letters, shaped up with the approach of universal Latin letters. This is the second drop of 3 series from the Hwaiting family. So stay tuned for the upcoming release.

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it’s a new day it’s a new font. So without any further ado, please welcome Hwaiting Handwriting. 1/3 series of Korean vibes typefaces. It’s handwriting-based fonts with the reference of the ancient style ink and brush strokes but make it modern. Crafted with deep research about Korean traditional letters, shaped up with the approach of universal Latin letters. This is the first drop of 3 series from the Hwaiting family. So stay tuned for the upcoming release.

Say hello to GOTCHA! A versatile new marker font with bounce and vigor and a a super-sexy-casual vibe! The Gotcha fonts are incredibly versatile , from street urban, to styled fashionista, to hearty food branding - whatever the weather, Gotcha! has you covered :) Gotcha! comes with a set of alternate upper and lower case letters, and a second set of lowercase letters - this way you can write one word in a million different ways - and keep things ultra natural looking. A comprehensive set of double letter ligatures are also included. Gotcha! also comes with an “Extras Font” which include textured swashes and splatters/grit to add some pizazz to your design.

Meet Boronia, Studioways' latest typeface release! This six weight family was developed with the single idea of redefining the simple sans serif to pair with any style of font family. It is meant to blend with a variety of media, from editorial to bridal and fashion. The Boronia family weights range from an ultra sexy thin to a voluptuous bold, each with a companion italic, making it the 'perfect type' for all tastes. Each font supports the standard Western European character set. So scoop up this great sans serif font, BORONIA, and start making your work shine! Buy them individually or get a great deal on the family pack!

Eckhardt Freehand JNL is the fourth font based on the lettering of sign painters and show card writers. Jeff Levine has chosen to name this “mini series” of fonts in honor of his friend Albert Eckhardt, Jr., a talented sign man who ran Allied Signs [in Miami, Florida] from 1959 until his passing in 2005.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Rio Grande is a classic ultrabold "Egyptian" face, named for the river that separates Texas from Mexico. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Directors Cut Pro is a compelling new font series designed by Alex Kaczun. It recently won the second place—a commendation in the Canberra Typeface Competition. This handsome Geometric Antique serif design is based on the early 19-century Moderns and Scotch styles, infused with the warm charm of traditional antique, added for interest. Capturing the best of both ages: it's warm, comforting and persuasive. Directors Cut Pro's graceful aspects naturally invite uses at large sizes, for which we have created a stunning and elegant lighter weight. But, this workhorse typeface series incorporates a solid regular weight, along with its italic—ideal for a multitude of text purposes, at varying point sizes. A robust Bold weight is available for headlines and emphasis. Director Cut Pro comes with proportional as well as tabular lining figures for quickly setting up charts and tables. It also contains an extended character set—including most Central European languages. Alex Kaczun is in the process of expanding this typeface series to include additional weights, styles and proportions. Stay tuned! The large Pro font character set supports most Central European and many Eastern European languages.

Inspired by lettering from a series of old detergent ads, Schnitzle is a stylish and playful typeface. Easy to read, fun to look at, a perfect typeface for childrens' books, advertisements, and playful designs!

Rhapsodie was originally developed from some freehand calligraphy that I used for a series of posters. It has proved effective in headlines and is remarkably legible and strong with some interesting, somewhat cursive capitals.