A cursive font with a curvilinear feel, named for the Scottish stream immortalized by the poet Robert Burns. Useful for menus, certificates, display lines, short paragraphs or poetry setting.

Art Nouveau Ornaments was inspired by designs from historic sources drawn in the Art Nouveau style. There is an assortment of 47 ornaments located under the character set keys.

Sulawesi is an adventurous font imitating old map style. The family contains a text typeface, and a picture font with fish, sea creatures, monsters, old sail ships and stuff.

Another rebirth: Verdaguera. The all time Catalan people's choice. Now with a complete set of characters that covers a wide range of latin alphabet languages. Catalan included, of course.

Sumi Strokes was created as a set of simple abstract brush stokes that could be used on their own or in conjunction with one another to form a painting.

Art Nouveau Flowers was inspired by flowers from historic sources drawn in the Art Nouveau style. There is an assortment of 47 flowers located under the character set keys.

Victorian Ornaments was inspired by the decorative borders and panels produced during the Victorian era. There is an assortment of 47 ornaments all located under the character set keys.

Kiner is a typeface designed by Jorge Mercado, inspired in old western letters used in many industries. Kiner support most latin languages, and the set includes uppercase and lowercase.

Skurier is a hand-drawn font inspired by monospaced fonts like Courier. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Inspired by Demeter’s Geperle Fournier, Baroque Pearl is a highly ornate display font of the same style which was carefully extended with Baltic, Turkish and Central European character sets.

The two XSeederChess fonts are two modernistic chess fonts. The key layout is a bit complicated; see the key guide for detailed information on how to position pieces correctly.

This font was inspired by Claude Garamond antique. The original set of letters from 16th century is enlarged by several characters that were not in use in that time.

This was my best seller of all time. It should do well at MyFonts.com now that it has a full character set and an Italic style (exclusive to MyFonts.com).

The Arco Web font sets a friendly mood with casual artistic flair. Arco Web features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

Sharp angular terminals, squared off bowls, and a balance of curved paths with straight. Formative is a grotesk with charm. Includes a stylistic set featuring standard 'text' style terminals.

Meet my new font Indian! Indian includes full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. This is so perfect for invitations, monograms etc

Moonstone is for all those misunderstood goth Buffy fans. This font contains alternative versions that enable customisation of headlines and are intended to be freely mixed in one setting.

Tandem is a set of opened capitals constructed on a Futura frame. Each sign exists in two versions aimed to be mixed-up to add rhythm to the words.

Anattis is lovely modern calligraphy font inspired by beauty natural handwriting What's included: - Anattis.otf - Include Stylistic set 1 - Ligatures - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Cartelle is a sexy small caps bitmap design characterized by it's whimsical curls and ornate flourishes. It's inspiration came from a French poster design from the early 1900's.

Garalde: the word itself sounds antique and arcane to anyone who isn’t fresh out of design school, but the sort of typeface it describes is actually quite familiar to all of us. Despite its age—born fairly early in printing’s history—the style has fared well; Garaldes are still the typefaces of choice for books and other long reading. And so we continue to see text set in old favorites—Garamond, Sabon®, and their Venetian predecessor, Bembo®. Yet many new books don’t feel as handsome and readable as older books printed in the original, metal type. The problem is that digital type revivals are typically facsimiles of their metal predecessors, merely duplicating the letterforms rather than capturing the impression—both physical and emotional—that the typefaces once left on the page. MVB Verdigris is a Garalde text face for the digital age. Inspired by the work of 16th-century punchcutters Robert Granjon (roman) and Pierre Haultin (italic), Verdigris celebrates tradition but is not beholden to it. Created specifically to deliver good typographic color as text, Mark van Bronkhorst’s design meets the needs of today’s designer using today’s paper and press. And now, as a full-featured OpenType release, it’s optimized for the latest typesetting technologies too. With MVB Verdigris Pro Text, Van Bronkhorst has revisited the family, adding small caps to all weights and styles, extensive language support, and other typographic refinements. Among the features: • Support for most Latin-based languages, including those of Central and Eastern Europe. • Precision spacing and kerning by type editor Linnea Lundquist. The fonts practically set beautiful text by themselves. • Proportional and tabular figure sets, each with oldstyle and lining forms with currency symbols to match. • Ligatures to maintain even spacing while accommodating Verdigris’ elegant, sweeping glyphs. • Numerators and denominators for automatic fractions of any denomination. • Useful, straightforward dingbats including arrows, checkboxes, and square and round bullets in three sizes. • Alternative ‘zero’ and ‘one’ oldstyle figures for those who prefer more contemporary versions over the traditional forms. • An alternative uppercase Q with a more reserved tail. • An optional, roman “Caps” font providing mid-caps, useful for titling settings, and for those situations when caps seem too big and small caps seem too small. __________ Sabon is a trademark of Linotype Corp. Bembo is a trademark of the Monotype Corporation.

Momoiro is a feminine typeface family, designed for editorial use. "The first case in which appeared a fashion content in a magazine was in 1672 in the magazine Le Mercure Galant, which was a magazine of entertainment and varied content, including fashion. But the first illustrated and specialized magazine was Le Journal Des Dammes Et Des Modes, created in 1797. "(Fashion Trends, 2011). On the basis of this historical period, the creation of typography has characteristics of a Baroque type. "In this category we mainly include the types created in the Netherlands during the seventeenth century and whose protagonists are the punch makers Reinhard Voskens and Christoffel Van Dijck. Baroque typography stands out for its accentuated play of irregular axes and contrasts that permeate the text of great vividness. " Therefore it has contrast in the thick and thin strokes, Roman serifs, humanistic axis. With this typography, we are not looking for a re-reading of the baroque, but rather a current typeface with humanistic characteristics of the handwriting, with a brush as a differential. Momoiro comes in two weights plus italics to cover as much design needs as possible. It compliments from OpenType features such as ligatures, swashes, true fractions, old style numerals and stylistic sets.

Tejuela (Spanish for “Wood Shingle”) is a neoclassical type inspired by the wooden architecture of the ancient churches of Chiloé, an archipelago in southern Chile; which are World Heritage Sites. This typeface has rough and broken forms but with soft strokes. The neoclassical characteristic of Tejuela is due to the architecture of these temples, which belong to this style but adapted to wood with excellent quality and ingenuity by Chiloé builders using a material available in the area. Therefore, this typeface reflects the tradition of the fonts of that period, but adapted to the coarseness and warmth of the southern wood of the world. Tejuela is useful for extensive texts in literature, history, art and heritage; as also for short and large phrases in headlines according to the occasion. Tejuela has eight variants in Roman and Italic versions, with small caps, Old Style and Lining numbers, ligatures, alternative glyphs, fractions, among other OpenType features; special mention to the capital letters Swash of the italic versions, which serve to generate delicate compositions. In addition, it has two stylistic sets to compose border ornaments inspired by the Chilota Architecture: colonnades and corners, only using the numbers on the keyboard; it is important that the line spacing has the same value as the font.

When reading text, the most informative parts of the written word for a human brain to identify, are the top and bottom edges of each word, and to a lesser degree, the leading and trailing edges. The overall shape has more useful info than the inner workings of each word. DT Enigmystic, is a display font family that gives you just that. The outer edge. At first glance, these letters don't look like standard letters, and yet, they are perfectly readable. And it is a 'somewhat' smart text, in that it will automatically complete the trailing edge of every word, whenever it sees a comma, period or space. Similarly, it will automatically complete the leading edge of every word following a space. When used as display test or as a heading, the first letter will need to be preceeded by a space, to achieve a full enclosed word outline. As with most of my fonts, do use Contextual Ligatures. This allows the letters to come alive. When generated here on this webpage, contextual ligatures are not turned on, and so the words do not appear completely closed at their beginnings and ends. But as can be seen in the poster images, these outlined words do automatically complete themselves when contextual ligatures are active.

Gens De Baton is based on a charming lower case alphabet that appeared in the Almanach des Enfants pour 1886 (Paris 1886) under the heading “Amusing Grammar Lessons.” Gens De Baton means simply “Stick People.” The unknown designer turned the bare letter forms into drawings of people for the enjoyment of the children for whom the almanac was intended. The letter forms themselves were based on the French Romain du Roi (King’s Roman), except for the ‘g’ and the ‘j’ -- which were based on Baskerville. The letters ‘w’ and ‘y’ were not included, as they are seldom seen in French. We have left the letters somewhat rough, as they appeared in the Almanach des Enfants , resisting the temptation to clean up all the lines and render them with digital perfection. We have used our HiH Firmin Didot to supply an upper case and auxiliary characters, as Didot was originally a modified version of Romain du Roi. It is interesting to observe the contrast between the polished look of the Didot upper case and the rough, hand-drawn look of the lower case. Purchasers of this font have our permission to use it for the amusement of adults as well as children. We recommend setting Gens De Baton at 24 points or larger.

Introducing Sociato: a typographic trendsetter. It's a quirky font that perfectly blends modernity and antiquity. The French Revolution was a period of uncompromising innovation in art and fashion, with celebrity artists, notably Jacques Louis David, creating propaganda for the new regime. This regime failed, but we have rare historical artifacts related to this historical upheaval. The typeface was inspired by a declaration published during the French Revolution that extolled the development of a new religion, the cult of the Supreme Being. It's a stunning piece of work, with a wild, baroque layout and hand drawn typography. Words leap off the page in a cascade of sounds and shapes, and quirky letterforms give it a lively, almost mischievous character. It's a veritable goldmine of typographic ideas. This typeface is based on the hand lettering in the original manuscript, but it has been enhanced by adding a full variety of characters. The typeface comes with a comprehensive range of diacritics, including old-style figures. The typeface is suitable for a wide range of uses, including titles and headers, and it should look beautiful in any typographic setting. Use Sociato to create a revolutionary identity, as bold and audacious as the French Revolution!

Introducing the innovative and original Josep Patau’s new recipe, salsa and wild-type master. 1. In a font, combine a bit of slightly outdated British slab types from the late Victorian period. If you find Vincent Figgins’s variety, do not discard. You'll find plenty to choose from in his specimens, some of then with unexpected vitality an enviably condition, despite it’s age. As aging wine, they had improve their quality with time. Cut Didones into thin slices and add. 2. In a blender, whisk the strength of these Slab serif with highly contrasted strokes from Bodoni or Didot’s neoclassical types. Adjust the mix to get a sweeter or spicier taste, but do not forget to emphasize the contrast to avoid the dressing off. 3. On the page, set the wide variety of weights as your menu demands. If you want to feed fill the stomach of the hungriest holders, use Bridone Titling as main course. If you are serving a traditional menu, starter, main and dessert, then simmer a combination of weights and sizes according to your space. It will not disappoint, much less your guests . 4. Spread thoroughly the page, serve and enjoy . If you like natural, switch to Bridona, your pages will thank you.

Marintas is a sleek upright italic that offers you a modern look and feel. This elegant sans serif comes across as lively, yet comfortable. Some semi slab characteristics of the font give it a face-forward momentum. These semi slabs, even with their geometric construction, are fluid shapes with a soft hint of brushstroke. The soft curves of Marintas paired with its playful but geometric semi slabs or ending strokes give the face its spirited--though friendly--eye-catching appearance. The Marintas family is comprised of 8 variants, ranging from Thin to Ultra. Its incredible versatility ranges from the delicate hairline to the extreme ultra weight. The heavier weights show some similarity to Antique Olive, and the face has an exuberant South American or Latin feel. This type of family is well-suited for advertising, retail, food and beverage products as well as for use in magazines, logotypes, and books. The fonts lend themselves to display settings, but are still very usable for longer copy. Because of its large x-height, the typeface is legible at very small sizes and as a webfont. Marintas has support for extended Latin character set. A wide range of Western languages are also supported, including Central, Eastern and Western European languages. In all, Marintas supports over 40 languages that use the extended Latin script, making Marintas a great choice for multi-lingual publications and packaging. All insigne fonts are fully loaded with OpenType features. Marintas is also equipped for complex professional typography and includes ligatures, alternate characters and fractions. The face includes a number of numeral sets, including old-style and lining figures with superiors and inferiors. OpenType-savvy applications such as Quark or the Adobe Creative Suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Check out the informative .pdf brochure to see these features in action.

Suddenly...it’s the World of Tomorrow! With the push of a button Dynatype automates your typesetting experience. Dynatype is actually Two fonts in One–without switching fonts you can instantly change from Dynatype’s “regular” style to its alternate connecting version with the simple push of a button. For more details download “The Dynatype Manual” from the Gallery Section. What is Dynatype? Dynatype is the upright, slightly more formal cousin of Dynascript. It shares many of the characteristics of it’s slightly older relation, but is drawn entirely from scratch and has it’s own unique character. Dynatype may be reminiscent of various mid-century neon signage, and of sign writing, Speedball alphabets and even baseball scripts. Its design also takes some cues from a historical typographic curiosity that began in Germany in the ‘20s and which lasted into the ‘60s—when Photo-Lettering gave it the name "Zip-Top". Basically it was believed to be the wave of the future—that by weighting an alphabet heavier in its top half, one could increase legibility and reading speed. The jury’s still out on whether or not there’s any validity to this notion, but I think you’ll agree that in the context of this design, the heavier weighting at the top of the letters helps to create some uniquely pleasing forms, and a font unlike any other. Typesetters across the planet will also be able to set copy in their language of choice. Dynatype’s 677 glyphs can be used to set copy in: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, Esperanto, Estonian, Faroese, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokmål, Norwegian Nynorsk, Oromo, Polish, Portuguese, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Turkish, and Welsh—and of course English. Sorry! Off-world languages not yet supported. PLEASE NOTE: When setting Dynatype one should ALWAYS select the “Standard Ligatures” and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.

Whether you call them slab serif, square serif, or Egyptian, you know them when you see them – sturdy, nearly monoweight designs with blunt, straight-edged serifs and a no-nonsense attitude. The Rockwell® Nova family is a fine example of this appealing and eminently usable type style. This is a design that is both robust and adaptable. Marked by the flat top-serifs on the cap A, unusual Q tail and high-legibility two-storied lowercase a, Rockwell has a bit of handmade charm that distinguishes it from the cool, more modern interpretations of the slab serif style. The family is excellent for branding, headlines and other display uses. The simple shapes and hearty serifs also make it a good choice for short blocks of textual content in both print and on-screen environments. The light and bold weights are perfect for setting blocks of text copy, while the extra bold and condensed designs bring authority to display copy. Throw in a little color, and you amp up Rockwell’s messaging power. The regular and italic designs perform handsomely, in the most modest of screen resolutions. With four weights of normal proportions, each with a complementary italic, and three condensed designs, two with italics, the family is a commanding and versatile graphic communicator. Rockwell’s large x-height, simple character shapes and open counters, make for an exceptionally legible design. It should not, however, be set so tight that its serifs touch, as this will erode legibility and impair readability. A benefit to Rockwell’s slab serifs, however, is that the design combines beautifully with both sans serif typefaces and a variety of serif designs. Rockwell OpenType® Pro fonts have an extended character set supporting Greek, Cyrillic, most Central European and many Eastern European languages, in addition to providing for the automatic insertion of ligatures and fractions. Looking for its perfect pairing? Look no further than ITC Berkeley Old Style, Between™, ITC Franklin Gothic®, Harmonia Sans™, Metro® Nova or Frutiger® Serif.

Typography enters the Space Age! Dynascript brings the ease of “Pushbutton Automatic” to your typesetting experience. Dynascript is actually Two fonts in One–without switching fonts you can instantly change from Dynascript’s connecting font to the non-connecting italic with the simple push of a button. For more details download “The Dynascript Manual” from the Gallery Section. What is Dynascript? Dynascript is the slanted script cousin of Dynatype. It shares many of the characteristics of it’s sibling, but is drawn entirely from scratch and has it’s own unique character. To some it may be reminiscent of various mid-century neon signage, and of sign writing, Speedball alphabets and even baseball scripts. The design of Dynascript also takes some cues from a historical typographic curiosity that began in Germany in the ‘20s and which lasted into the ‘60s—when Photo-Lettering gave it the name "Zip-Top". Basically it was believed to be the wave of the future—that by weighting an alphabet heavier in its top half, one could increase legibility and reading speed. The jury’s still out on whether or not there’s any validity to this claim, but I think you’ll agree that in the context of this design, the heavier weighting at the top of the letters helps to create some uniquely pleasing forms, and a script unlike any other. Typesetters across the planet will also be able to set copy in their language of choice. Dynascript’s 694 glyphs can be used to set copy in: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, Esperanto, Estonian, Faroese, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokmål, Norwegian Nynorsk, Oromo, Polish, Portuguese, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Turkish, and Welsh—and of course English. Sorry! Off-world languages not yet supported. PLEASE NOTE: When setting Dynascript one should ALWAYS select the “Standard Ligatures" and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.

Layered font set 3D Bulb lamp Bulblamp is a 12 component font system that can be layered in different ways to create endless classic titling effects used commonly in signage by skilled sign painters and sign makers and any who interested in simple and flexible ways to make graphic design. Examples of how to use this you can see on the images. Moreover, You can start fast in Figma, Illustrator and Photoshop with predefined downloadable package. ! Download free predesigned Figma, Illustrator and Photoshop sets for this fonts here: https://drive.google.com/open?id=17ogdSIjPuLA5-CUaAO1TlqJGbRPWy5iA&authuser=popov_av%40koriphey.ru&usp=drive_fs Each file is named according to its purpose. The number indicates the recommended order of the layers. 1 below, 5 on top. 1 means you should place it first. Of course, you do not have to use all the fonts, and vice versa - you can repeatedly use the same font style with different styles. What is Layered font? In fact, these are common fonts located in a stack strictly one above the other. This allows quickly create unique text effects using ordinary fonts. Where can you use this? These fonts can be used in any program that allows you to stack fonts as objects strictly one above the other, however it is recommended to work in professional programs such as Illustrator, Photoshop, Figma and so on ... How to use this font set quickly? For quick use, I recommend using ready designs for Figma, Photoshop or Illustrator. Download fonts and Install all fonts. Go to the link https://drive.google.com/open?id=17ogdSIjPuLA5-CUaAO1TlqJGbRPWy5iA&authuser=popov_av%40koriphey.ru&usp=drive_fs which has contained pre-made solutions for this font applicable in Figma, Photoshop or Illustrator and download presets. Follow the recommendations on the pages. Basically, you will need to replace the words in the template with your own, then edit colors and transfer the result to your design. In that’s all, it's easy.

Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits. Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll. In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design. Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.

Dubrove is a wedge serif typeface inspired by Moravian (Czech) type designs of the 1930-50s. The character font is expressive: free, daring and graceful, delicious and attractive. Here are more than 1100 glyphs, all 102 European languages, all Ancient Slavic Alphabet (49 characters), Latin and Slavic small capitals and OpenType features with many solutions. Dubrove has several stylistic sets, historical forms, localized forms of several languages, interest contextual ligatures and many other delicacies. In the Dubrove typeface several stylistic sets of Slavonic lowercase letters are made. In addition to font basic style (in fact it is close to the natural lowercase character) is a traditional [ss02] set (postpreliminary, the Soviet Union, when most copy lowercase letters are uppercase) and lowercase the natural character [ss03], the style of which, in particular, is often used in the Bulgarian script.

At this time I found the Album of monograms – a guide for doing handicrafts in families and educational institutions. It was published in St. Petersburg in 18ХХ. Finally, I found an authentic English style monograms set. These monograms are characterized thin swirled lines and lush foliage patterns. I manually redesigned and vectorized two sets of alphabets (narrow and wide) and happy to introduce you Marriage Monograms font. You’ll get the set includes Wide and Narrow capitals, so you can make your own monogram, by combining letters you want. +SVG file as well. Please note, you should use graphic applications such as Adobe Illustrator or Photoshop, but not Microsoft Word. All you need is place the Narrow one on top of the Wide one. Please feel free to request any help you need: kaer.pro@gmail.com All the best, Roman.

Klaster Sans is a massive geometric sans-serif typeface inspired by the first German geometric fonts. In particular, their clear, but rough forms and not perfect curves. As well as minimal optical compensators. Due to all this, the letters look weighty and powerful. Klaster Sans has 14 styles. From neat thin to extremely heavy. And it's all in italics. Or one variable font with two adjustment axes. All styles include an extended set of Latin characters and basic Cyrillic. It has support for 210 languages. Also contains stylistic alternatives, case-sensitive forms, arrows, fractions, tabular figures, circled figures and other. Features: – Total glyph set: 657 glyphs; – 14 styles (7 weights x italic) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic; OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01); – Ligatures; – Case-sensitive forms.

Remember when you first saw the credits of a Woody Allen movie and thought, "I love that typeface!" Well, maybe that was just us. That typeface—Windsor (specifically Windsor Light Condensed)—is a classic. But it has problems. The letterforms are sometimes REALLY wonky. And the ampersand is a tragedy. Plus, there's no italic, and the weights and widths available in digital form are a hodgepodge. That's where Mrs. Keppel comes in. Alice Keppel, one of the most famous illegitimate members of the Windsor household ever, lends her name to this typeface family with numerous weights and a true italic. It's a slim serif with Edwardian leanings. She's approachable, she's refined. She's equally charming and at home in mercantile settings, in elegant settings, in populist settings, and in Polite Society. She's a design response to a genuine need. She's Mrs Keppel!

Great Monday is unique, fresh and beautiful handwritten font for branding / logo design / logotypes / greeting cards / promotional graphics and anything in between. Great Monday is completely handmade with passion, perfection as well as aesthetics at it's level best. Unique Ligatures We have created 14 unique ligatures to make sure the font looks beautiful and professional. Extended Character Sets Along with the basic Latin character set, we have added Western European, Central European, South Eastern European character sets for your convenience. The font contains a total of 336 glyphs. Advanced Kerning We have performed advanced, in-depth kerning for all possible letter combinations. What You Get This font being a handmade typeface, comes with only single weight (Regular). CREDITS: Font designed by Lis at Fontastica, produced by Fontastica, distributed by Designova. Created with ProCreate and Fontself on iPad Pro.

THE SUNMORA DECORATIVE SERIF Classic Decorative Serif Font from the eighties to present. It’s an elaborate curve and unique tail shape with a special 12 weight, thin to black. Make you freely set any design for headings, logos, fashion, website, floral, tagging, magazine cover, posters, and many more Completely bloom with the compatibility in multi-language, make it easy to use for any country. Come up with an alternative to bloom up your design and discretionary ligature to use it as decorative font THE SUNMORA has bloomed and it’s all class so if you want a stylish font that is guaranteed to draw the eye, then this is it! A guide to accessing all alternatives can be read at: http://adobe.ly/1m1fn4Y Features: A-Z Character Set a-z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Yes Script says Yes! Yes Script is a bold connected brush script inspired by the typography of the late 60s and 70s. Yes Script is not an anachronistic vintage type -due to it’s clean features and straight edges it’s more of a contemporary design suitable for branding, packaging, magazines and so on from digital to print. Yes Script is equipped with Contextual Alternates and Standard Ligatures that are automatically on and help to keep the flow of the font natural and connections between letters smooth. In addition there’s Swash, Titling Alternates and two packs of Stylistic Sets. Access the alternates in any OpenType savvy software or seek the Character Palette for even more alternates. Stylistic Set 3 is packed with 24 swooshes and ornaments set in letters a-x. Yes Script is PUA encoded so you can access the alternates in any software.