Edita is a gentle typeface, humanistic in concept yet with a contemporary feel, where softness and fluidity play a very important role. This can be seen especially in its italics, which are loosely based on handwriting. This book typeface family is intended to be used in books where text is set together with photographs and other graphic elements. However, Edita is a general book typeface, versatile enough to be used in many other contexts, from novels to promotion material. Edita’s large character set, covering most languages which use Latin script, and styles give the designer the possibility to work with a big typographic palette, allowing complex typesetting with several levels of information. This is further enhanced by the two optically corrected weights Edita Small and Small Italic. They have been particularly designed for their use in very small type sizes, such as in captions and notes. They differ in having a slightly bigger x-height, heavier stems, reduced contrast, and carefully drawn ink-traps to ensure legibility at sizes as small as 5 pt. Additionally, their extenders are shorter to save space which allows text to be set with tighter leading.

This is the companion sans family to make the Librum serif families work as well as they do. By companion, I do mean stylistically compatible. But mainly, they have the same vertical metrics. So they work very well for run-in heads, inline character styles, and all the rest of the needs in large books with complex formatting. They are designed for use in InDesign, and they work very well in that environment. The fonts use the same OpenType feature files as the rest of the Librum families. The feature files for the italic and bold are more limited—as I have rarely used things like that [over the past 20+ years]. The character shapes are a bit whimsical. The original ancestor of this book design sans was a very playful font I released as Aerle. It’s been calmed down a lot but is still loose and friendly. For a great deal, see Librum Book Design Group , for a package containing all fifteen fonts!

The French publication “La Lettre Dans le Decor et La Publicite Modernes” (“The Letter in the Modern Décor and Advertising”) was a 24-page booklet showcasing the then-current trends of the time (circa late 1930s-early 1940s). On one page was found a squared, extra bold sans serif alphabet set with strong Art Nouveau influences, yet it was ahead of its time by taking on the look and feel of 1980s techno typography. They say “everything old is new again”, and Nouveau Techno JNL is now available digitally in both regular and oblique versions.

ITC Belter was designed by Andreu Balius in 1996. Out of a purposely limited form repertoire Balius created a constructed typeface with a cool and technical character. A distinguishing characteristic of this font is the cross at the ends of many strokes. The figures seem to be products of mass production, which heightens the mechanical feel of the font. Belter is meant for point sizes of 10 and larger in headlines and shorter texts and must be set with generous spacing.

ACEISIDA is a font that supports over 100 languages from around the world. Basic and some Extended Cyrillic, Basic, Additional and Extended Latin, Basic Greek, and some newly added characters recently entered into use in everyday life. ACEISIDA is a font that elegantly combines the timelessness of antique design with the modernity of the grotesque. The absence of serifs results in a universally readable and sophisticated format. It was designed to focus on the main text, complementing other design fonts without disrupting them. This font is perfect for those who appreciate minimalism and refinement, and its smooth lines make it suitable for various design projects. It adds understated elegance to any design, making it the ideal choice for those who value simplicity, modernity, and sophistication. The font includes many glyphs for the Kazakh language, catering to the ongoing transition to the Latin script and accommodating various spellings. It also features a basic set of characters and glyphs with accents for the Greek language and an uppercase version of the letter “eszett” for German.

Canadian designer Patrick Griffin made P22 Counter as an exercise in exploring the limits of counter-space and interchangeability between extremely geometric and standard calligraphic forms. Within a field of solid stems and horizontal strokes, parallel lines and curves play the role of counterparts to define square and round shapes, making what’s revealed just as interesting as what’s withheld. Each of the three basic Counter fonts stakes its own aesthetic territory, from clean basic minimalism, through the nostalgia of exuberantly pixel-based design, and on to calligraphic-cum-typographic, all within clear and precise geometric parameters. Counter Pro comes with that entire range included in a single font, giving its user the ability to move freely in a visual space and counter-space that can be defined by more than 1450 glyphs. While all the fonts come with extended Latin language support, P22 Counter Pro includes all three fonts in one font, many alternates, swashes and ending forms that are not available in the basic fonts.

BluHead Studio LLC is pleased to announce the complete Prenton typeface family! Born of an award winning pedigree, Prenton is an elegant and meticulously drawn sans serif typeface by Roy Preston of Great Britain. Perfect for intricate text settings, it is an extensive family of typefaces containing twenty-one weights in all. The ten OpenType Pro fonts are typographically rich collections of small caps, inferiors/superiors, numerous figure sets and fraction styles, and ligatures. There are Condensed and Ultra Condensed versions of the roman weights and a single Thin Display weight. This wide-ranging variety provides a solid foundation for lengthy and complex typographic layouts. All fonts are OpenType CFF and support an extended Central Europe character set.

Mystical Woods is a script and caps font duo. I went back to the basics for this one -- ink and a brush on paper. I cleaned up the letters enough so that there are no jagged edges, but left enough of the character to keep that inky look -- those are the Rough fonts. Then I went back through again and cleaned the heck out of them, making every line and curve smooth for our cut-crafting friends -- those are the Smooth fonts. Since these two fonts were written together with the same tools and style, you can also mix the script letters in with the caps letters! Each font comes with a full set of standard characters and punctuation, as well as over 300 extended Latin characters for language support. And the script fonts also have 45 double-letter ligatures!

21st century innovation demands a 21st century style. It’s the age of virtual assistants. It’s machine learning and AI. It’s blockchain and cryptocurrencies. Shape the feel of these modern concepts with the mechanically-inspired forms of Chypre. Chypre’s subtle technological feel is perfect for our culture’s evolving electronic media applications. At its source, the carefully adjusted character designs and the balanced weight contrast convey to the modern reader an understanding of cutting edge concepts through a pleasing human feel. Unlike many other tech-driven fonts out there, this next-gen cyborg is a great option for text settings as well as headlines. The new face is composed of six styles, including numerous alternates which dramatically alter the appearance. There are also extra letter shapes, numerous figure options, and extensive language support. Designed to fit where you need a high-tech feel, Chypre is a modern font for a modern age.

I created CemeteryWalk in 2018 to illustrate a program for a local cemetery walk. CemeteryWalk places letters on pictures of gravestones. In 2022 I expanded the family by placing three different sets of letters on the gravestones. Each of the four different sets of letters on gravestones has two styles, one with black letters on white gravestones and the other with white letters on black markers (the bold style). The bold style can be placed beneath the plain style to add color or texture. All eight styles are caps only, with the lower-case letters having different shapes for the tombstones but the same letters as in the upper case. There is only one set of accented characters and it is where the upper-case letters are found. Each also has an alternate set of characters that are somewhat similar in appearance and it can be accessed using the OpenType feature of stylistic sets. A final typeface in the family is a picture font of items that may be found on old tombstones.

Our Mouse Memoirs Pro was inspired by vintage Mickey Mouse, Beagle Boys, and Uncle Scrooge comic books put out by Walt Disney in the 50's and 60's. It nods to the Disney aesthetic with an all-around fun personality and truly animated look. The chipper letterforms engage the audience, while the SmallCaps and extensive figure sets expand the scope of use. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Two typefaces from the 1923 Barnhart Brothers & Spindler specimen book have been combined to produce this gem. Swagger Capitals, designed by Carl S. Junge, for the uppercase and Gothic Novelty Title for the lowercase. Named for a lively dance from the nineteenth century. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Axelby JNL was modeled from a set of die-cut, self-adhesive cardboard letters from the 1960s. The design is reminiscent of some early wood type in the way it has letters of varying widths that do not conform to any set standard. The font is perfect for plain, easy-to-read and attention-getting headlines.

Petras Script, the first digital script font created by the calligrapher Petra Beiße, has, for many years, met with worldwide success. Now the font is complemented with an alternate character set, which gives designers more flexibility and adds a personal touch to the font. Petra Beiße has resided for a long time in Wiesbaden, Germany, where she is working as a renowned calligrapher. It is rare that any of her scripts are transferred into digital format and sold worldwide as fonts. Because Petras Script became such a huge success, she decided to release Casanova Script Pro.

Theater posters of the 1930s were often exuberant exercises in Art Deco lettering sensibilities, and the handiwork which inspired this typeface is no different. Big, bold and oddly elegant, this face is an excellent choice for enticing and commanding headlines. Both versions contain the complete Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 character sets, with several language-specific localizations.

Debrosee is a font with a modern, luxurious, classy and different style from the others. Debrosee has uppercase, lowercase letters, numbers, and symbols that are elegant, modern and according to the standard. This font suit for modern style letter, example for logo, sport, adventure, fitness, and other masculine styles. This font also supports 17 languages ​​(see in the preview image).

This font is inspired by all those end-of-the-pier amusement arcades and fairground rides. It’s also a bit of a nod to comic book graphics of the Marvel era and the superheroes who deliver knockout punches in a spew of drop shadow typography. With Pier Arcade you can now create your own fairground ride or comic book adventure. Enjoy! See also my other fun fonts Bebopalula, Barrowboy and Calypso.

Initially an experiment in vertical calligraphy, Mama Script was developed by drawing on multiple sources of inspiration. These range from simple swashy handwriting, lettering and signage, to the works of renowned calligraphers. This script likes to stand out everywhere it appears. Mama Script comes with a full set of alternates, as well as many ligatures for precise display use and a simulated balance between the hand and the machine.

Type designer Friedrich Poppl is perhaps best known for his classic text faces and elegant scripts, but it seems he had a playful side as well. This frisky face is based on Dynamische Antiqua, which Poppl did for the Stempel foundry in 1960, but which was never released. Bright, bold and bouncy, it’s the perfect choice for headlines with impish impact. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Qi is a display sans-serif inspired, in part, by the art deco typefaces sometimes seen on old signs along rural American backroads. Unlike these signs, Qi is new, fresh, a little bit quirky, and not at all in need of repair or a fresh coat of paint. The family is comprised of six distinct fonts with more on the way. With an entire set of Central and Western European (and, of course, American) glyphs, plus a bunch of alternates and ligatures, Qi could be the perfect display face for your next sign, poster, newsletter, headline or, well, most anything else. Hey, the lowercase alone makes these fonts well worth the price.

Guillaume is a small family of text fonts with its roots in the French sixteenth century. The roman is based on the types of Guillaume Le Bé (c.1525–1598), and the italic on those of Claude Garamont (Garamond) (d. 1561). Garamont’s romans have inspired countless modern interpretations, but his italics, despite their merit, have attracted much less attention. Guillaume offers extensive support for European languages, and is best suited for use in applications that support OpenType. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’ and other period features, and fractions. For more detail, please see the pdf available in the Gallery.

Matrixoid come with natural taste of letters. with the real hand done I created them, also additional variation in outline font to make good sensation feel. When you type with this font, I believe you will enjoy the sensation of the natural feel of this font, equipped with ligature and outline version features make the display even stronger for your projects such as posters, logos, advertisements, book covers and all brands for your requirement. I recommend for you to use photoshop or illustrator to make design with this font and let see when you will say WOW :) So what include when You want to use them ? OTF files Ligatures Numbers + Punctuation Non-English support Ligatures Please contact me if anything question, I'm glad to help :) Happy Designing, Haksen

The Standard version of the Norden font family (see Round and Display) is "a standard sans serif" font. However, the significant detail and difference is that it comes with slightly rounded end corners, which makes the font “easier on the eye”, especially at large sizes compared to traditional fonts with sharp-edge corners. This little but important difference gives the font a commanding yet poised presence, without it imposing itself, as it were.

Mick is a hand-drawn typeface inspired by graffiti works of old style. The family contains Regular and Light styles. Cyrillic and extented latin character sets.

Amorie is a tall and skinny hand drawn font. It comes in various weight and styles, and with an array of opentype options. Built to appear completely hand crafted, different designers could produce completely different results, selecting either Modella (classic and chic), Nova (fun and fancy) or SC (Small Caps and all business.) Each style comes in light, medium and bold and has an accompanying italics version. Opentype for this font includes Contextual Alternatives, which produces three versions of each character, making sure no two identical letters appear next to each other thus giving your design a fully authentic look. There are also stylistic alternatives, which offer different style to a select few characters, including capital letters: A, K, R, Q, Y and lowercase letters: a, e, k, t, y. Lastly, is a large set of swashes, 3 for each letter they accompany. For the most part this includes the whole uppercase alphabet as well as lower case letters with an ascender or descender. Amorie includes a large set of graphic extras, including stylish frames, arrows, line breaks, corners, flourishes and more. The complete package gives you one unbeatable font family. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want.

Modern script font with an elegant and captivating concept. You can use it in designs such as logos, photographer watermarks, business cards, creative posts, branding, business, wedding invitations, crafts and many more because they have interesting features and characters. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Ligature -Alternate -Swash Note : Open with a program that supports the Opentype feature and an glyphs panel is available to see more alternative characters. Sample programs like Adobe Illustrator and the like!

Bilokos Pro is a cool and modern display font. Designed by experts to make your design look out of this world, this font has the potential to take your creative ideas far. This is a condensed sans serif display font. On the one hand, it has rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles in any medium. It also comes with stylistic variations of 0-9, A-Z and a-z to satisfy the most demanding professionals. It has OpenType features like full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences. With its large character set, it meets the needs of professionals because it will support several languages ​​of Western Europe, Eastern Europe, Central Europe, Greek and Cyrillic for international communication.

All the nine weights of Bogart, as well the matching true italics forms, feature an extended charset of over 1600 glyphs, covering 219 languages using latin, cyrillic and greek alphabets, and sporting a complete set of Open type features. To add flexibility for editorial usage, a text-oriented Bogart Alternate set of nine weights was added to the family keeping the design more similar to its modern old style model and allowing for a heavy readable mid-weight range.

Hambare is a sans serif font family that is bold, elegant, and futuristic. Its clean lines and balanced proportions make it an ideal choice for digital and print designs, ensuring readability and visual impact. Hamabare comes with six styles that you can mix and match. Add it to any design to provide the flexibility and visual impact you need to take your designs to the next level!

This jaunty display face was discovered in one of the many books on sign writing produced by Eric Matthews. The work was signed “King Cole", hence the font’s name. This typeface’s large x-height and tight spacing make it highly suitable for attention-grabbing headlines. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Sometimes type designs are set aside as one project takes priority over another and occasionally it becomes overlooked. One such example is a set of extra bold, sans serif stencil characters drawn out in 2017. Regrettably, as much time has passed, no backstory can be applied to this typeface. It was checked against existing releases in the Jeff Levine Fonts library and didn’t seem to have been re-worked for any subsequent release. With this in mind, Baggage Claim JNL makes its belated appearance and is available in both regular and oblique versions.

Pamela Bestie is a fun and playful layered font that's perfect for adding some personality to your designs. This font comes in two styles: regular and extrude. The regular style features a smooth, clean design that's easy to read and works well for headlines and body text. The extrude style has a dimensional, layered look that adds depth and texture to your designs. Both styles of Pamela Bestie feature a hand-drawn feel with slightly irregular letterforms, giving the font a charming and quirky personality. The font includes a full set of uppercase and lowercase letters, as well as numerals and punctuation. Overall, Pamela Bestie is a versatile font that's great for a variety of design projects, from branding and packaging to social media graphics and more. Whether you use it alone or layered with the extrude style, this font is sure to add some fun and whimsy to your designs.

The inspiration source for Bindi Monogram is a 1915 publication by Cartier-Bresson of Paris containing classic and modern monogram patterns for embroidery. This Art Deco style monogram has been redrawn, balanced, and brought forward into the digital age for your type-setting use and enjoyment. Like so many monograms from this period, it is only a two letter monogram format, but this particular monogram comes with an accent color block character to add pop! Download and view the MFC Bindi Monogram Guidebook if you would like to learn a little more.

Sally Garden - A Sweet Handwriting Font Duo. It comes with an elegant and modern style which is perfect to make any design stand out! This font ideal for elegant branding projects, greeting cards, packaging, social media, logo design and of course, wedding invitations. Sally Garden Type Features: Uppercase -Lowercase Numerals & Punctuations PUA Encoded Ligatures Suitable for Headlines, Logotypes, Signs, Posters, Letterhead, T-Shirt and many more. Support International Language Be sure to check out all the previews above by clicking on them and scrolling down to see all the fonts and ideas and inspiration for using this font duo. Hope you enjoy with our Font Thank You Graphicfresh

A vintage rubber stamp alphabet and star printing set had a package header with Art Deco-inspired lettering describing the product. Sold by a company called Elvin [circa late 50's-early 1960s], these Japanese-made sets were one of many distributed by independent toy importers and made in various configurations including [at times] tiny animal stamps. The type design on this particular item was the model for Retro Packaging JNL, available in both regular and oblique versions.

Let it be known that this font is named for Excalibur, King Arthur's Magic Sword. The font is derived from a note that Arthur hastily penned to his Queen, Guinevere, during a lull in one of his many battles against the Saxons. Arthur's armour was so hefty that he could not easily seat himself, and so to pen his letter to Guinevere he plunged his legendary sword Excalibur into the marshy soil on which he had been fighting and thereby steadied his writing hand with the hasp of his magical sword. This ancient and battle-weary font is based on the writing from a fragment of that original document. It has been heralded by modern scholars as "grunge" writing of great antiquity. The font Excalibur SCF contains a full character set and it is professionally letterspaced and kerned. Use this font to create a feeling of haste, of authentic ancient history, of magical times, of chivalry, of dragons and of brave battles fought.

Introducing Akahe, a font that blends traditional elegance with modern sophistication. With its thick strokes and serif edges, Akahe adds a touch of classic style to any design. And with its stylistic set options for upper and lowercase letters, you can personalize the font to suit your unique style. Whether you’re working on a website, a brochure, or a branding project, Akahe is the perfect font to elevate your designs. Its thick strokes and serif edges make it highly legible, so your designs will always be easy to read and understand. But Akahe isn’t just beautiful, it’s also versatile and functional. You can use its stylistic set options to customize the font to your specific needs, making it perfect for a wide range of design projects. And with its comprehensive character set, you can create designs in multiple languages. So why settle for a standard font when you can have Akahe? Download it today and start creating designs that are both classic and modern, sophisticated and stylish. Whether you’re working on a large-scale project or just looking for a new font for your personal designs, Akahe is a perfect choice. What’s Included : - File fon - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like - many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Athletic Condensed was designed to be a must have for any kind of projects. Bold and elegant at the same time, both the regular and slanted styles are super versatile and can be used to dictate a strong message, headlines or just setting casual text. Practical and simple, this font is a classic that will not let you down, as it does an excellent job either as the main character or supporting role.

panderman is a simple modern san serif font with 4 font styles. Simplicity and modernity are the basis for making this font. Perfect for branding, logos, invitations, mastheads, and more. The panderman also includes the full set: Uppercase and Lowercase Multilingual Symbol Number Punctuation Alternative multilingual 4 font styles (Regular, Italic, Bold, & Bold Italic) Hope you enjoy our fonts and if you have any questions feel free to message & I'm happy to help. Thank you.

Script characters should fit together neatly and the connections mustn't look awkward. While this can be accomplished by using dozens of alternate glyphs and OpenType feature coding, there is still something worthy and eloquent about doing it with the simplest character set possible. Tribeca Script is a casual, mono-weight script first drawn as the headline for a Taste of Tribeca poster and later finessed into a font with no pretense of looking hand-rendered.