Patron is a sans serif influenced by two dissimilar type designers, Günther Gerhard Lange and Roger Excoffon. Patron is a sans serif influenced by two dissimilar type designers, Günther Gerhard Lange and Roger Excoffon. Patron unites their contradictory approaches to create an expressive, yet versatile grotesk. As a result, Patron is characterised by a generous x-height, flared stroke endings and an unconventional shift in balance, inspired by Excoffon and a rigorously precise, modern interpretation for which Lange was most famous.

Merchons is a fancy line style Display sans serif font. With two line soft stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Merchons font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Merchons font. Cheers, Maulana Creative

Introducing Bilgraf, a cursive craft sans serif combination font. This typeface opens up a world of creative possibilities, offering a harmonious balance between the traditional and the contemporary. With Bilgraf, you get the best of both worlds – the timeless charm of cursive calligraphy and the contemporary appeal of a sans-serif display font. Whether you're an experienced designer or just starting your creative journey, Bilgraf is the tool you need to add a touch of elegance and modernity to your projects.

Rum Silhouette is developed as a display face within the type family »Rum« Rum Silhouette is a decorative all caps font, with uppercase letters based on Rum Soft Sans Black and a thin companion has replaced lowercase letters. It is suitable for posters and editorial design in large sizes. Includes two sets of numbers & punctuation marks that are in betweens. The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

Yellow House is a hybrid typeface, combining a bubbly display with a serious serif. It gives a contemporary and quirky feel to any design you wish to add it to. This font is so versatile, perfect for branding, poster design, editorial design, logotype, packaging, and so on.

Get ready for a modern spin on your typographic projects with the Typical Pro Sans Serif Font 9 Weight. This font offers a clean, grotesk feel that is perfect for any technical or heading design. Its contemporary design makes a perfect choice for projects with a modern flair. With clean lines, tight letter spacing, and a classic sans serif style, this font is sure to bring a unique edge to any project. Enjoy the perfect mix of texture and proportion with this modern font. Get ready to take your typography to the next level with Typical Pro Sans Serif Font 9 Weight. Typical Pro Sans Serif Font is a grotesk typeface of modern design, with technical precision and a clean finish. Its 9 weight offers clear and refined letters that provide perfect legibility for headlines and other text styles. Its line height is consistent and balanced, making it suitable for producing high-impact visual messages. Its modern, straightforward letterforms give projects an air of sophistication, while retaining a firm technical backbone. With nine different weights, it is the perfect choice for any heading or label that requires a strong, contemporary look.

Idealista directly responds to its other members, Nudista and Kulturista. It shares the same proportions and the same set of weights, yet it enriches the expression means of the two typefaces with new themes — the character set is smooth, even round, and it boasts a number of special details and perky moves. Most of all, Idealista relishes juicy magazine titles, typographic logotypes and propagandist posters. Unlike cold, technicist typefaces, it has great zest for life, so there's no wonder that in each of the letters, intuition wins over intellect. Owing to this, the text set in Idealista has a special voluptuous quality and unmistakable temperament — in a single typeface Idealista combines the best of sans-serif, slab-serif, as well as geometric and calligraphic construction principles, coming down to one impressive, expressive cocktail. Some letters have serifs, some do not, some are sharp, some are smooth, and all this results in the nice hip-hop beat of the line of text. The typeface has five weights and ten styles in total, so it can easily accommodate to the needs of complex texts, unlike many of its display counterparts. Idealista is valuable partner for the more text-suited Nudista and, if need for tiny sizes arises, to Kulturista as well.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Halfroy is our answer to generic geometric sans trends exploding nowadays who creates sameness. Halfroy brings new sans perspectives by combining rounded and sharp edges to create delicate sans fonts. See the difference by looking at counter-shapes compared to outline, insides counter shapes you will sees a sharp edges while round but not geometrical on outlines. Halfroy gives your project unique visual impact whatever your design project is, but we recommend using thin, semibold to Fat as display then light and regular. Halfroy taken inspirations not from looking at other sans typeface, but its design inspirations comes from observing a land contour and geographical statistics in our city, Kota Batu. We found that our city geographic consist of steep slope like waves with sharp peaks and surrounded by small and third highest mountains peak on our country. From then on we begin visualize and applied on few letters. Take a look on our 'O', 'f', 's' letters, its like a stone carved letters. Its hard edges and soft edges outline clearly draws from our inspiration source. Even Halfroy looks stony, hard as individual letters, we treat this type with humanist approach in mind. Therefore you can sense a friendly yet casuals of typical sans serif fonts when it grouped together to form a words or sentences. We hope Halfroy will gives your design project a unique on its own.

Matisse's paper cutouts inspired Gail Blumberg, Adobe art director, to create a typeface of figures. Her biggest challenge: keeping each Cutout design in scale. It's not easy to make a standing figure, like 'Y,' to be the same size as a curled up figure, like 'G,'" Gail says."

Belgium Font Family is a modern serif font family whose design refers us to the style of modern sans serif. The distinctive features of Belgium Font Family are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized business like simplicity.

Lankie is a clean, contemporary, geometric, condensed sans serif font. The font is ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.

Gothico Antiqua is the result of grunging up one of my early sans-serif type designs. It strangely works very well and looks authentic at small to medium settings.

A classic, narrow and clean sans serif family with seven weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.

Sunday Market is a casual and playful sans serif font family. It is a family of six that supports multilingual languages. The font family is suited for any project.

Findon is a classic sans serif uppercase stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

Entrée is a versatile sans serif font that works well in a variety of sizes and applications. It has a friendly, laid back personality and comes in six weights.

Relish is a more traditional sans serif version of our Guildford typeface, with round punctuation. Relish contains all the high-end features expected in a quality OpenType Pro font.

Introducing Bargo - Sans Serif 3 Styles by Look Minus Today. Behind these 3 styles, we want to combine a typeface that can provide a different perspective. Regular which gives

Modernist sans serif with a "big" look and lots of weights. Compact, elegant and strong, Sense commands any kind of page -- from the largest headline to the smallest text.

Revue is a display face originally designed for Letraset. The heavy sans serif letterforms of this font are ideal for use in signage, on posters and in advertising display.

Concave Tuscan Extra Condensed is a classic wood type sans serif design that is the basis for Table Wood JNL, which is available in both regular and oblique versions.

Marqana is an elegant and modern sans serif font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a unique touch.

PL Fiedler Gothic Bold is a display sans serif designed by Hal Fiedler. The distinguishing characters in the PL Fiedler Gothic Bold font are lower case q and t.

Clear Prairie Dawn is an original humanist sans serif family based on the designer's own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you might notice in other such faces as Optima, Gill Sans or Stone Sans. The italic is a designed italic, rather than merely a slanted roman, and incorporates many of the ideas that the designer found too lively for the roman fonts. The complete CPD package consists of three weights with italics, and a set of original ornaments.

Litza is a layered, condensed, all-caps cross stitch display type family. It is made up of 10 layers that show different stages of stitching and can be stacked, moved around, and coloured separately in order to create interesting effects. The ten layers come in 3 weights; Light, Medium, and Bold. The 3 weights can also be mixed with one another to create a vast range of combinations when stacking the layers. Litza has multilingual support and includes glyphs for a wide range of Latin and Cyrillic languages. The family also contains a set of ornamental borders and over 80 decorative symbols in the shape of various animals and objects. Combining the various Litza layers allows you to create eye-popping, intricate, experimental typographic compositions that are rich in detail - with ease. The condensed, geometrics sans-serif letterforms and playful nature of the Litza layering system give a contemporary feel - while at the same time retaining a nostalgic and tactile quality due to its reference to traditional needlework techniques and patterns. Ideal for use at larger point sizes where the unique, stylish effects can be best expressed - Litza will add a touch of intrigue and work best in headings and emphasised text for poster design, editorial design, packaging design, and motion design.

Agane is a Basic modern Sans Serif font. Design with oval as main shape, It's combine the basic sans type with smooth curve in the end, perfectly suited for graphic artists to complete their design such as web design, advertisements, posters, logos, product signs, and many more. Agane contains all standard glyphs and punctuations.

Caracas is a new family of sans serif fonts, looking friendly, sweet and comfortable to read. Where text flow between straight lines and round by becoming transparent in the interest of readability. Caracas is ideal for working in small letters and texts of a technical nature. Caracas is a humanistic approach to reading sans forms.

We call this san serif font Ewofi This font is designed with attention to the uniqueness and harmony in its use, has a distinctive character in every word that is written using this font. not only that, but we also complete this font with ligatures and alternates that enhance visuals. This handwritten font is perfect for children’s magazines, drink banners, games, posters, beverage, outdoor events, thumbnails, food banners, cheerful writing, film titles, quotes, titles, logos, and various kinds of projects you need, of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

In the history of 20th century graphic arts, the evolution of the informal sans serif has been a uniquely American phenomenon. The ongoing saga of this (still as popular as ever) sub-genre dates back to the maturity of the Industrial Age and early Hollywood film titling, runs through the prosperous times of interwar print publications, sees mass flourishing during the various media propagations of the film type era, and solidifies itself as arguably the most common design element in the latter years of the century. Fun, bouncy, playful, and highly exciting, the casual sans serif is now all over game packaging, film and animation titles, book covers, food boxes, concert posters, and pretty much everywhere design aims to induce excitement about a product or an event. The casual sans is the natural high pill of typesetting. We figured it was high time for the casual sans to adapt to 21st century technology, gain more versatility, and become as much fun to use as the emotions it triggers. So we’re quite excited to issue Bananas, a fun sans serif family in 6 weights and 3 widths that can be used anywhere your designer’s imagination can take you. Rather than being based on a single design, Bananas was sourced from multiple American film era faces, all from 1950s and 1960s, when the casual sans genre was at its popular peak. Headliners’ Catalina and its very similar cousin, Letter Graphics’ Carmel, served as initial study points. Then a few Dave West designs informed the design development and weighting process, before narrow and wide takes were sketched out and included in the family. The entire development process happened in a highly precise interpolative environment. All Bananas fonts come with a full glyph complement supporting the majority of Latin languages, as well as five sets of figures, automatic fractions, quite a few ligatures, biform/unicase shapes and other stylistic alternates.

The Generic Typeface Collection is a series of sans-serif typefaces inspired by the craftsmanship of graphic design, typesetting, and printing in the analogue era – before Adobe, Macintosh computers and desktop publishing – when dinosaurs ruled the earth. With the use of various typesetting apparatuses or dry transfer type, photo copiers, and shooting layouts and paste-ups to film, the printed results was not as exact, precise and predictable as it is today. When examining old prints, it is difficult not to like the way that characters in over- or underexposed film have a special type of vibe to them that is often sadly lost in today’s pursuit of total perfection. Encouraged by this, I saw a need for a collection of typefaces that are non-clinical and non-conformist, and some that are coarse, rough and distorted – errors that might come from poor exposure when put on film, enlargements from small point texts, or maybe quality loss from successive generations of photocopies. Or all of the above. This is an attempt to incorporate spirit and personality into a set of typefaces without losing distinction. You might call it a homage to non-perfection. I call it human. The Generic Typeface Collection consists of 11 fonts divided into four series. The three standard series – the Formal Release series, the Coarse Copy series, and the Rough Display series – all contain three fonts each. The Extra Splendor series contains a couple of shadow fonts for that little extra sparkle. Formal Release – Handcrafted & Clean The Formal Release series features sans-serif typefaces for everyday use. They are handcrafted and clean, human and uncomplicated. The Formal Release series contains three typefaces that add tons of personality to any text. G10 FR ‘Slim’ – a slightly under-exposed and clean typeface in a regular weight (228 glyphs - 1 alternate) G20 FR ‘Classic’ – a properly exposed clean typeface in a bold weight (228 glyphs - 1 alternate) G30 FR ‘Bulky’ – a heavily over-exposed clean typeface in an ultra weight (228 glyphs - 1 alternate) Coarse Copy – Dirty & Rough The Coarse Copy series features non-conformist typefaces that are worn and rough, maybe after going through that bad copier a few times too much. The Coarse Copy series contains three sans-serif typefaces that add tons of spirit to any text without compromising too much on legibility. Try them on in poster-sizes and everyone will know that you mean business. G40 CC ‘Slender’ – an under-exposed coarse typeface in a regular weight (228 glyphs - 1 alternate) G50 CC ‘Typic’ – a properly exposed coarse typeface in a bold weight (228 glyphs - 1 alternate) G60 CC ‘Huge’ – a heavily over-exposed coarse typeface in an ultra weight (228 glyphs - 1 alternate) Rough Display – Faded & Decorative The Rough Display series features attention-seeking decorative typefaces in three feature-packed fonts. Faded and gritty like the image distortion and degradation from successive generations of photocopies, they are eye-catching typefaces intended to stand out in bigger point sizes. Use these typefaces for signage, headlines and similar situations were a strong typographic statement is desired. We have packed no less than 1,334 alternate characters and 212 discretionary ligatures into this series for a greater chance of not having characters that look exactly the same more than once. G70 RD ‘Slinky’ – an under-exposed rough and decorative typeface in a regular weight (741 glyphs – 448 alternates – 66 discretionary ligatures) G80 RD ‘Standard’ – a properly-exposed rough and decorative typeface in a bold weight (748 glyphs – 448 alternates – 73 discretionary ligatures) G90 RD ‘Swollen’ – a heavily over-exposed rough and decorative typeface in an ultra weight (748 glyphs – 448 alternates – 73 discretionary ligatures) Extra Splendor – Sparkling & Extraordinary The Extra Splendor series features two shadow typefaces for that little extra sparkle. One clean shadow to be used with G20 FR ‘Classic’, and one rough shadow to be used with G80 RD ‘Standard’. Having the shadows separate from the main typeface adds another layer of expressiveness in that you can try out color combinations for that extra splendor. Tips for matching (applies to both the base font and the shadow font): Set the kerning to Metric, not optical. Increase tracking to accommodate for the shadows extra width. G25 ES ‘Classic Shadow’ – a clean shadow to be used with G20 FR ‘Classic’ (228 glyphs – 1 alternate) G85 ES ‘Standard Shadow’ – a rough shadow to be used with 80 RD ‘Standard’ (227 glyphs) OpenType features – alternate characters and discretionary ligatures – can be accessed by using OpenType friendly professional design applications, such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Dip is the abbreviation for Carrer Diputació (Diputació Street), where the original sign spells Farmacia Específicos Diputación. The reference taken from the pharmacy sign is a curious model, where sans-serif lowercase letters coexist with script uppercase. This fundamentals create the system that we have introduced in Eixample Dip. The capitals are built with contained decoration to achieve maximum compatibility between letters. The script capitals are the default uppercase but we have also included alternative capitals, a slab style that can be combined with the scripts. The narrow influence of the original sign is correlated with the Narrow styles of the Dip family. But for more versatility, Eixample Dip explores normal widths and weights as well. Furthermore an Inline version was added to the suite.

Protura Sans Serif Masculine - 9 Font Weights With Italics Introducing Protura Sans Serif Masculine, a versatile and powerful font family designed to make a bold statement in your creative projects. With nine distinct font weights and accompanying italics, Protura offers unmatched flexibility for all your design needs. Key Features: Nine Font Weights: Protura Sans Serif Masculine boasts an extensive range of weights, from Light to Ultra Bold. Whether you're crafting a subtle headline or a powerful logo, you'll find the perfect weight to convey your message. Italics Included: In addition to the standard weights, Protura also provides elegant italic versions for each weight. These italics add a touch of sophistication to your typography, making it ideal for editorial work and branding projects. Masculine Aesthetic: Protura's design exudes strength and masculinity, making it an excellent choice for projects aimed at a bold and assertive audience. Its clean lines and sharp edges give your text a contemporary and impactful look. Versatile Usage: This font family is highly adaptable, suitable for a wide range of design applications, including branding, packaging, editorial design, posters, websites, and more. It's a true workhorse font that performs well in various contexts. Legibility: Protura prioritizes legibility without compromising on style. Its well-crafted letterforms ensure that your text remains clear and readable, even at small sizes. OpenType Features: Take advantage of OpenType features such as ligatures and alternate characters to add subtle design nuances and improve overall visual appeal. Multilingual Support: Protura Sans Serif Masculine supports a multitude of languages, making it a globally accessible font choice for your projects. Applications: Branding: Create impactful logos and brand identities that leave a lasting impression. Editorial Design: Enhance the readability and visual appeal of magazines, newspapers, and books. Web Design: Craft modern and engaging websites that resonate with your target audience. Packaging: Design packaging that stands out on the shelf and communicates product quality. Posters and Flyers: Grab attention with bold and stylish promotional materials. Unleash the power of Protura Sans Serif Masculine to elevate your design projects with a masculine, contemporary, and highly versatile typographic solution. With its extensive weight range and italics, this font family empowers you to create impactful and visually stunning designs.

Polynesiac was discovered deep in the jungle on a cave wall on Gilligan's Island. "I was looking for ancient pictographs, and I find this crap instead!" says designer Wesley Poole. "But, the more I looked at it, the more I appreciated its charms." Sort of tropical, but not strictly Polynesian, this sans serif face never stoops to caricature, and achieves instead, a mysterious new flavor of the South Pacific Islands. Fun as it is, there's a certain dignity to it. "Living in Hawaii you just absorb this stuff. This is a fun loving culture. I hope I captured that, along with some Island Aloha."

Coastine Chic Modern Font is Sans-Serif Font with upper and lowercase is complemented by some of the same alternatives made with love. Access your OpenType features to access the large selection of alternate letters and ligatures, select the letters you like from the large variety to get the display font you like. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features : Uppercase and Lowercase Stylistic Alternates & Ligatures Numerals & Punctuation Multilanguange PUA Encoded Web Font Included Thank you for visiting my shop! Contact me with an inbox message If you have any question. Happy Creating

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate Antiqua, Corporte Sans Serif, and Corporate Egyptian is a design program of classical quality, perfectly in tune with each other. Weidemann says: My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography! Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate Antiqua, Corporte Sans Serif, and Corporate Egyptian is a design program of classical quality, perfectly in tune with each other. Weidemann says: My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography! Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program.

The aim of the project was to create a new type family for corporate and editorial design. The resulting humanist sans serif Weitalic has strict and angular strokes, but at the same time possesses a calligraphic look – an interplay of contrasts. Thanks to the very eye-catching features the result is a distinctive typeface that looks good in both the headline and the area of body text. With its 8 weights with matching italics and numerous OpenType features Weitalic is prepared for professional and complex typographic work. The fonts have an extended character set to support Central and Eastern European as well as Western European languages.

At times, one source of inspiration can generate more than one idea. This was the case with the 1918 sheet music for the song "You're Still an Old Sweetheart of Mine". The cover displays the title in a hand lettered narrow Art Nouveau Sans serif style. A number of characters were revised and the overall font was compressed by 25% to create a whole new look and feel. The end result became Slim Nouveau JNL. This was the same material used to originally model Easy Money JNL, which is truer to the original lettering design. The font is available in both regular and oblique versions.