Introducing Voire is an Elegant stylish and playful modern serif family. Voire comes with two versions display and Regular, and it has 9 weights from thin to Black with tons of alternates and ligatures This modern pretty serif family is perfect for all sorts of elegant designs like wedding invitations, but can also work great for logo, branding, website font and headers, or product labels. It's easy to read and the alternates are visually interesting

Mithella is a sans serif family with a pleasant touch. Some letters, especially linear ones, look normative like other rounded sans serifs, but the difference can be seen clearly in curved letters so that it gives a pleasant impression for each series of words. Mithella comes with eight weights ranging from thin to black to complement your design needs be it branding, blogging, logos, advertising, games, cooking, packaging, editorial and publishing, web and screen design.

Back to the future! NT Brick Sans is a pixelated sans serif. Inspired by the Pixel Art phenomenon and Lego bricks, bringing back the good old 16-bit era with open-type features. It's bold, soft rounded, supports multi-language, featuring low caps option. Brick Sans will make your project special. Grab it now.

Graúna is Typeóca’s first ‘serious typeface’. The idea was to produce a revival of Block Heavy, removing the ‘rough’ texture from its outline. Though other revivals existed, most of them approached the Block family as a whole, leaving aside the idiosyncrasies that make the Heavy weight so unique. In the early stages of its development, however, we realized that a lot of its quirkiness is only possible precisely because of the ‘rough’ texture we were trying to remove. That way, we started going further and further away from the original model, and thinking about the typeface in its own terms, resulting in an impactful yet friendly sans serif, ideal for logos and short titles.

Madani is a geometric sans serif consisting of 9 weights ranging from Thin to Black and matching Oblique. With a touch of character choice, adding tails to some glyphs on the stylistic set 1 and pointing joined at some of the tapered characters in the stylistic set 2, suitable for display and body text font.

SG Gluper - inspired by the OG Cooper Black typeface that is intended for display use. This retro serif font combination can handle many typographic uses but is best suited for headlines, branding, and logos. It has a multilingual feature that supports more than 200 languages. Gluper also has an alternate version including swashes and ligatures.

Regarn Font Family is a sans serif font with 9 weight options to choose from thin to black, Regarn is versatile enough for any type of project. Whether you’re a designer looking for a new font to add to your collection, or just need some basic text fonts on hand, Regarn has you covered.

Brinnan is a wide, contemporary sans serif typeface that was conceived as a branding and editorial solution. With it’s ten weights, ranging from an elegant Thin weight to a solid and dense Black weight, this family was designed as a versatile and flexible that can be used on a range of projects and mediums.

Kenza is a serif geometric font, which is inspired by letterpress printing. Hand crafted wood letters used in the mid-20th century. It is characterized by being large, bold poster-block movable type.

The design approach from this humanist sans-serif is much more simple and neutral than Lisboa Tamil (lacks the hook-head terminals). Latin transliteration characters were also included.

A laid back slab serif font with a good deal of the funky side of pizzadude.dk! You will need to use OpenType supporting applications to use the autoligatures

This is Range Sans, the sans-serif counterpart to Range Serif . It can be categorized as a grotesque, with the idiosyncratic angular details from the serif family making themselves known in the arches and bowls of the lower case. The range of weights is larger than Range Serif, with two more weights at the lighter end of the spectrum. The weights from light to black correspond to their seriffed sisters, so can be interchanged with them freely while maintaining a similar text color and vertical metrics. This is useful for adding emphasis; Range Sans is deliberately lacking an italic, but the italics from Range Serif work better than you might expect in running text, particularly for the light and regular weights. Range Sans has a contemporary, somewhat geometric look that lends itself to uses such as corporate identities, minimalist graphic design, and logos. The middle weights do work well in running text, however, with the angled details being less noticeable at small sizes. Designed for demanding typography, supporting most Latin-based languages, Range Sans is equipped with true small caps for all weights, an array of numeral styles (proportional- and tabular- lining and oldstyle figures, small cap figures, numerators, denominators, superscripts and subscripts/scientific inferiors), automatic fractions, a set of useful arrows, case-sensitive forms, and a range of currency symbols including recent additions: Turkish Lira, Indian Rupee and Russian Ruble.

Introducing our first old english black letter Royal Grande. Quite basic anatomy not the contemporary style. With this not too complicated black letter that make this font good for general display projects. We also make it a black letter family because we rarely see this kind of option in the market. Another good news , we also offer the variable format this time for the new font enthusias community.

Blippo Black with its constructed style is a typical headline typeface. Its robust figures with their even strokes were composed using the basic forms of the circle and rectangle. Its curves are often not completely closed. The figures of Blippo Black form dark, heavy lines, making the typeface suitable only in middle and larger point sizes. Blippo Black will make an impression when used for flyers and correspondence.

TG Aqsa Grotesque Pro is the latest version of the font that was previously released in 2017, TG Aqsa Grotesque. In this latest version there are several optical fixes on each glyphs. In this latest version also added 2 new weights namely black and ultra black so that TG Aqsa Grotesque Pro has 6 fonts of different weights. Still maintaining the sans serif grotesque style coupled with the improvement of the letter form make TG Aqsa Grotesque Pro have a good level of readability when applied as a body text. And this version also has extended latin which will support more than 90+ different languages.

Mode is a typographic experiment exploring how same sans serif form adapts to different circumstances and what are the possibilities in variations of Thin / Black, Contrast / Negative contrast. Two main groups are Mode 0 (with rounded shapes) and Mode 1 (with angular shapes). Each of them varies from Thin to Black in six cuts, in the same manner it varies from contrast shapes to negative contrast. Mode comes in total of 72 cuts regular and italic, it speaks majority of Latin based languages and is equipped with smcp, c2sc, Old style and all caps numerals. Mode is made by DAGGERtypo during a period of 2019/2020

Bellagia Display is a blend of two hand calligraphy typefaces and vintage serifs with a natural bond consisting of 7 weights from Thin to Black. All the wildcards and binders are specially designed to bring out the letters that are unique, and interesting. This makes it a very versatile font that works in both large and small sizes. Perfectly supports your creativity in making various design projects such as logo designs, branding, posters, magazines, labels, merchandise, invitations, long and short texts, and many of your other needs. Bellagia Display Features: - 7 Weights (from Thin to Black) - 1 Variable font - Alternates & Ligatures - OpenType support - Multilingual - PUA Encoded.

Along Sans Grande is an ultra condensed sans serif font family developed based on the typeface styles of the Along Sans Geometric Font Family. In the case of the black weight with the largest change in the size of the stem, the size is 180:140:100, respectively. And, the thin weight style has the same proportion of stem size. Some Glyphs that need to support the stem alone remain a size 222 for Black Weight. These interpolation rules are sufficient to complement the rhythm and readability of the whole family. This family is perfect for special titling works, logo designs, and cool showcases.

Extra bold, extremely black! Siah font comes with 2 weights and provides a modern and clean sans serif Arabic/Persian type experience for headlines and headings! Siah means "Black" in Persian. This font also supports basic Latin. The complete font family is a great choice for all graphic designers, typographers and visual artists. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Pressroom is a modern "legibility face," designed to be easy-to-read under even the harshest conditions. As you might expect of such a typeface, it's got an ample x-height, robust serifs, and minimalist descenders -- but Pressroom displays more grace and allure than most families of this kind. (Its designer nonetheless describes Pressroom as having "the sophistication of a crocodile.") Pressroom has regular, italic, and bold italic styles, along with a special black weight intended for headlines, callouts, and other display uses. Numerals are semi-cap in all but the black, where they are fully lining. Would work well in newsletters, flyers, office forms, or even periodicals.

Rough Riders Redux along with our Rough Riders font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Rough Riders, along with our Rough Riders Redux font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

This is a grotesque typeface which was derived from an older more simple version designed back in 2000. Bulletin Sans Pro is distinguished by its selective deep cuts which give this typeface a robust and contemporary look. These cuts become more apparent at larger sizes while they create a more subtle effect at smaller sizes. For intense titles try the black version. When space and legibility for long texts are critical, use the lighter versions. The family consists of 10 fonts—from black to light—including true italics. It supports 20 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban lifestyle.

Entrée is a versatile sans serif font that works well in a variety of sizes and applications. It has a friendly, laid back personality and comes in six weights.

Sidiqie is a modern sans serif with a monoline and minimalist style. With smooth, neat lines, and with just a hint of contrast, Sidiqie works beautifully for logos, branding, and web titles. See examples for some examples of how you can use them. Includes Sidiqie Light Sidiqie Reguler Sidiqie Bold Sidiqie Black Support for western languages

Modeco is a merge of modern and art deco styles. Its shown elegance, classy, ??and glamour look as 1920's visual trends, blended with geometrical sans serif in a functionality approach and complete font family styles. Its consist of 9 styles from Thin to Black with each matching oblique. It's contain 400+ glyphs that covered broad latin language.

Planca is a sans serif typeface with medium contrast and distorted rhythm of the line. Spaced and mastered for optimal readability. All lines are of equal thickness. Its morphology is based on the study of traditional writing with a wide tip stick. It comes in 4 different weights (Light, Regular, Bold and Black) and provide multilingual support.

Bovino is a display serif font family. It was formed in a strong and sharp characters. The moderate x height and high contrast strokes make it attractive for titles and large size usage. Bovino contain more than 400 glyphs which covered broad latin languages, its consist of 9 styles from thin to black with each matching italics.

Braggadocio is a very black typeface. Braggadocio is a strange hybrid with characteristics of both sans serif and modern faces; and it belongs very much to its time. Like high society in the 1920's, it should not be taken too seriously. Use the Braggadocio font for display lines in advertising, magazines and light hearted communications.

ITC Symbol font was designed by Aldo Novarese, a simple, straightforward design of understated elegance. It has just the hint of a serif to aid legibility. Book and medium weights have a light, even color and are perfectly complemented by the bold and black weights. The italics are clear and simple, a comfortable companion to the roman.

Ferpa is Typeóca's Fierciest Font Family. Drawn using only straight lines, Ferpa uses every kink, every kink and every serif as an opportunity for expressivity. From Thin to Black in both Roman and Italic constructions, Ferpa is available as 18 otf static font files, with a character set that goes a little beyond Latin Extended A.

MyCard is a display sans serif font of modernist spirit, where uppercase letters take the height of the lowercase letters (unicase), where only ascending and descending exceed the x-height. MyCard is ideal for creating logos, packaging, labels, advertising and short titles, in texts produced interesting textures. MyCard comes in three weights Regular, Bold and Black.

Skorid is a geometric condensed sans serif font family, constructed only out of straight lines. Coming in 7 weights, regular and italic, from thin to black, you have a wide array of possibilities of using Skorid for any purpose you need. Skorid speaks around 70 languages, including Cyrillic. Contains a lot of alternative letters to boost your creativity.

This slab serif is a general purpose type in six weights. The lighter weights are useful for short passages of text. The heavier weights are a versatile tool for setting headlines. Available weights are Extra Light, Light, Regular, Semibold, Bold, Black. Silica was designed to withstand condensation using horizontal scaling without compromising the weighting scheme of the design.

Introducing Mixoma, a combination of Serif and Sans strokes gives Mixoma a stylish look. The available stylistic alternates are designed to make your typography look more unique and help bring out your inner Mixologist. Mixoma is available in 9 weights, Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black each having an italic version. Enjoy!

Tact is a geometrically sans serif font, black and condensed looking glyphs, with an alternative glyph set to improve its use in different graphic contexts. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, futuristic themes, sport, film, computers, phones, video games, magazines... Contains all Latin and Cyrillic glyphs.

Vertebrata is a serif type family of six fonts, designed by Fulvio Bisca between 2011 and 2014. It embodies features from different ages of writing and history of typography: the solemnity of Capitalis Monumentalis in uppercase and small caps, rhythm of Textura in lowercase, sturdiness of 1800 Slab Serifs in the overall look and feel, and a contemporary modular approach to the construction process. In spite of the geometric genesis of the letterforms, special attention has been paid to optical corrections, in order to obtain a natural and legible design. With more than 500 glyphs per font and carefully designed small capitals, Vertebrata is a complete OpenType family, including multilingual and advanced typographic features. Regular, Italic, Bold and Bold Italic styles are intended for both text and display applications, whereas Black and Black Italic are more suitable for display size settings.

Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extralight to Black). Designed as a sans-serif companion for Leksa, Leksa Sans works perfectly either with it or alone. It is suitable both for text setting and for short inscriptions. One of the main features of the typeface is its professionally-designed Cyrillic which (together with serif companion Leksa) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

An ultra black blackletter, Avebury Black and Avebury Inline were inspired by an early blackletter from the Caslon Foundry. Early blackletters from the Bruce Type Foundry are also reflected in this slightly modernized and more readable typeface. Caution. For display only.

Meche Pro it is a geometric typeface family with a semi-formal touch, it contains 12 variants, from the Thin to Black and Stencil Thin to Black versions, plus Cyrillic alphabet with alternatives and different ligatures was added, especially for titles