Vitali Neue is geometric sans serif typeface family with a friendly feel. The low contrast and high x height is perfect for headlines and display uses.

Hatcher is a stylish and distinct serif font. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

A revival of one of the popular English Antique styles of the 19th century. The slab serif style was also used by American wood type manufacturers.

this is a cool sans serif font with a casual and complete with unique icons that you can make a logo or decoration on your design

Windlesham is a more traditional sans serif version of our Guildford typeface. Windlesham contains all the high-end features expected in a quality OpenType Pro font.

Yoon Backjae is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts

Rancher JNL was inspired by classic wood type. This wide, slab serif typeface is reminiscent of wanted posters, broadsides and other printed matter from the 1800s.

Sans-serif reversed capitals in circles, resembling typewriter keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

Nosi is a quirky serif display typeface designed for fun titles, children's books or posters that wants to capture the restless spirit of the oddball mind.

Fordham JNL is a slab serif typeface in regular and oblique versions that has a casual, informal look reminiscent of 50s and 60s-era ad headlines.

Gusto is a mixture of San Serif and Humanist style fonts together. We put the craft into the character. It's a unique option available for you.

Namata is a sans serif font with 7 weights and 14 styles. It is suitable for use for your documents, especially at a very affordable price.

Introducing Greywall, a bold stretch sans serif font. Greywall it perfect for posters, logos, magazines, covers, banners, t-shirts and headers, or even large-scale artwork.

Vivala Milk is a sans serif display font with calligraphic genes and an extensive Latin language support. It is ideal for headlines, posters, brands and magazines.

Yoon Gogooryo is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts

Mixink Std is a serif font features amazing swashes. It has a vintage feel and look that makes it perfect for any retro and nostalgic project.

Seriffi Morgan is a paper-tasting serif typeface, just what you need. It supports West and Central European languages as well as Baltic, Turkish and Romanian.

Mix and match the upper and lowercase keys to access swash and non-swash letters in this unconventional serif font with a plethora of European characters.

Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.

Fagies is a modern and bold sans serif typeface featuring characters that stand out from every background. Suitable for logos, posters, packaging, branding, invitations, notes, etc.

Exogenetic is a monoline, sans-serif typeface suitable for display/headline purposes. It was influenced by circuit boards and robotics. Exogenetic is available in OpenType format.

Cheyra is a thin and modern sans serif font. Cheyra combines uppercase and lowercase styles. Use it for any design projects that require a charming appearance.

The original Tower Condensed font design is attributed to Morris Fuller Benton (1934). PL Tower Condensed is a tall, condensed slab serif typeface; good for headlines.

Introducing the elegant display serif fonts very suitable for the use of nature-themed logos, for wedding invitations, print projects, and posters, magazines and much more

Motena Golden is a elegant pair of script and sans serif font. It's suitable for any project purpose such as invitation, logotype, packaging, branding and more

Gengboy is a fun bold Sans Serif typeface featuring characters that stand out from every background. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, etc.

YD Yoonche is a geometric sans serif consisting of 4 weights. It supports up to 13 different languages such as English in Latin and other scripts.

Edgethorn is a beautiful, italic-only transitional serif typeface that was born after I became obsessed with a few small paragraphs of italic text on a type specimen broadside from 1785. Working on this type revival allowed me to delve much more deeply than I ever have before into type history and typeface classification, and I’ve included some type history for you with your download so that you can play around with the smattering of historical characters I included (like the medial s). Although it is based on centuries-old typefaces, Edgethorn is elegant, timeless, and perfect for 21st century projects. Edgethorn includes approximately 525 glyphs — including 64 standard and discretionary ligatures and a handful of contextual alternates and character variants — and supports over 200 languages. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign.

The idea of a brand-new grotesk is certainly rather foolish – there are already lots of these typefaces in the world and, quite simply, nothing is more beautiful than the original Gill. The sans-serif chapter of typography is now closed by hundreds of technically perfect imitations of Syntax and Frutiger, which are, however, for the most part based on the cool din-aesthetics. The only chance, when looking for inspiration, is to go very far... A grotesk does not afford such a variety as a serif typeface, it is dull and can soon tire the eye. This is why books are not set in sans serif faces. A grotesk is, however, always welcome for expressing different degrees of emphasis, for headings, marginal notes, captions, registers, in short for any service accompaniment of a book, including its titlings. We also often come across a text in which we want to distinguish the individual speaking or writing persons by the use of different typefaces. The condition is that such grotesk should blend in perfectly with the proportions, colour and above all with the expression of the basic, serif typeface. In the area of non-fiction typography, what we appreciate in sans-serif typefaces is that they are clamorous in inscriptions and economic in the setting. John Sans is to be a modest servant and at the same time an original loudspeaker; it wishes to inhabit libraries of educated persons and to shout from billboards. A year ago we completed the transcription of the typefaces of John Baskerville, whose heritage still stands out vividly in our memory. Baskerville cleverly incorporated certain constructional elements in the design of the individual letters of his typeface. These elements include above all the alternation of softand sharp stroke endings. The frequency of these endings in the text and their rhythm produce a balanced impression. The anchoring of the letters on the surface varies and they do not look monotonous when they are read. We attempted to use these tricks also in the creation of a sans-serif typeface. Except that, if we wished to create a genuine “Baroque grotesk”, all the decorativeness of the original would have to be repeated, which would result in a parody. On the contrary, to achieve a mere contrast with the soft Baskerville it is sufficient to choose any other hard grotesk and not to take a great deal of time over designing a new one. Between these two extremes, we chose a path starting with the construction of an almost monolinear skeleton, to which the elements of Baskerville were carefully attached. After many tests of the text, however, some of the flourishes had to be removed again. Anything that is superfluous or ornamental is against the substance of a grotesk typeface. The monolinear character can be impinged upon in those places where any consistency would become a burden. The fine shading and softening is for the benefit of both legibility and aesthetics. The more marked incisions of all crotches are a characteristic feature of this typeface, especially in the bold designs. The colour of the Text, Medium and Bold designs is commensurate with their serif counterparts. The White and X-Black designs already exceed the framework of book graphics and are suitable for use in advertisements and magazines. The original concept of the italics copying faithfully Baskerville’s morphology turned out to be a blind alley. This design would restrict the independent use of the grotesk typeface. We, therefore, began to model the new italics only after the completion of the upright designs. The features which these new italics and Baskerville have in common are the angle of the slope and the softened sloped strokes of the lower case letters. There are also certain reminiscences in the details (K, k). More complicated are the signs & and @, in the case of which regard is paid to distinguishing, in the design, the upright, sloped @ small caps forms. The one-storey lower-case g and the absence of a descender in the lower-case f contributes to the open and simple expression of the design. Also the inclusion of non-aligning figures in the basic designs and of aligning figures in small caps serves the purpose of harmonization of the sans-serif families with the serif families. Non-aligning figures link up better with lower-case letters in the text. If John Sans looks like many other modern typefaces, it is just as well. It certainly is not to the detriment of a Latin typeface as a means of communication, if different typographers in different places of the world arrive in different ways at a similar result.

Manier is a fresh, display, wedge-serif font family inspired by transitional and contemporary typefaces. Manier has a big x-height value, modern proportions, sharp serifs and an extreme stroke contrast with a vertical stress. The Roman style is paired with dynamic Italics which combines the elements of classic Cursive and the characteristics of Manier. The typeface is a great choice for headlines, titles, posters and branding but also can be successfully used in occasional texts.

Tact Slab New is geometrically a slab serif font, with 3 weights, condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab New is compatible with the sans serif font Tact New. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, posters, corporate designs, futuristic themes, sport, film, computers, phones, video games, publishing... Contains all the Latin and Cyrillic glyphs.

Megapolis - Sans Serif Font Family - Multilingual support - 16 Styles With its elegant and clean structure with 16 styles and multilingual supports, you can easily use the sans serif font feature in many areas. From body text to big headlines, from classic to modern and bold styles, you can develop your projects. Ideal for books and magazines, magazine covers, editorials, headlines, websites, logos, branding, advertising and more. You can create your unique designs with this font. Have a good time.

Hello. Introducing our sans serif typeface "Croiscella" Croiscella is elegant and modern sans serif font. it has a geometric, classy, and simple atmosphere. Croiscella came with 2 weight, Reguler and Bold, 2 Slant fonts. It has a ligature and support multilingual language. It can easily be matched to an incredibly large set of projects, and good for communicating your brands. So add it to your creative ideas and notice how it makes them stand out! Enjoy

Gladies is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Gladies have a smooth edges, so this font gives an authentic handcrafted feel style. Gladies is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Forbes consists of one bold weight and is an alphabet in the style of the bold English slab serifs, as made evident by its flexed serifs. This style first made its appearance in the 19th century. It was used at first only on posters but later became available in smaller point sizes and was then be used for titling and headlines. With its robust figures, Forbes should be used exclusively for these applications in middle and large point sizes.

Laceria is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Laceria have a smooth edges, so this font gives an authentic handcrafted feel style. Laceria is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Introducing Kinfolk sans-serif font. The perfect choice for designers and creatives looking to add a modern, minimalistic touch to their projects. Crafted with precision and attention to detail, our sans-serif font offers a clean and stylish look that will elevate your designs to the next level. With its versatile design and legibility, it's ideal for a wide range of projects, including logos, branding, web design, and print materials. Thanks for downloading, and I hope you enjoy it!

Clarins This is a beautiful font duo that includes a Serif and a Script font. These fonts are written by hand and perfectly match each other, serif leaves streaks from an uneven stroke and looks a little careless and attracts attention, It will fit perfectly into a project where this inaccuracy is necessary. The script written with a brush is perfect for any project and will decorate it, as well as it includes alternates for lowercase. Enjoy using!

Brewery Factory This is a vintage font collection inspired by old brewery, pubs, bars and the style of their design. This collection includes 16 font styles - Serif and Script has a regular, rough, vintage, halftone style, as well as a regular and rough style for Serif and Script there are shadows in two versions - short and long. The script font includes alternatives for Uppercase and Lowercase, as well as swashes. This font is easy to use has OpenType features.

Designed as a companion to its roman namesake, Aragon Sans is a novel approach to the humanist sans serif. Using the underlying blueprint of true and trusted 16th century forms, its humanism is deeply rooted in fine typographic tradition. By also using the same idea as its roman counterpart, where the stems gradually thicken as they go higher, it becomes a unique breed of sans serif, conservative, and legible in small text, and attractively modern in titling setting.