Rallisaguen is a New Modern Serif Font. This another collection of Serif is perfect for your next branding project, excellent for your business. Rallisaguen have a smooth edges, so this font gives an authentic handcrafted feel style. Rallisaguen is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Athlete is a highly legible, geometric text and display font. Inspired by classic sans-serifs Futura and Gill Sans, this elegantly minimal typeface blends traits of these twentieth century classics and is available in a comprehensive family of six weights. It includes old style non-aligning (lower case) numbers, both proportional and tabular, as well as accented characters for Central European languages. A versatile, contemporary sans-serif, Athlete is suitable for more-or-less any text or display purpose.

Ovane a new fresh & modern Sans serif with a strong style, a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! Ovane Clean Display Typeface is the part of a strong and modern Bold display. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serif and the distinctive letter shapes show their strength in logo design and impressive editorial use.

Monka is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Monka have a smooth edges, so this font gives an authentic handcrafted feel style. Monka is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Alexandria Eschate Font Duo is a contemporary pair of script and serif fonts. Its offers beautiful typographic harmony for a diversity of design projects, name card, headlines, branding visual identity, poster, logo, magazines and etc. 2 fonts (Script and Serif) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates Multilingual Support for ä ö ü Ä Ö Ü ... OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Sofimaria is a super unique ligature font that you wont forget! It’s a high contrast serif that has loads of style. A modern take on a Caslon style typeface, this font is ideal for those bold headings or wedding invitations. It’s got hundreds of characters and ligatures plus all those European letters! Sofimaria pairs perfectly with a light scripts font or minimal sans serif. Main Features: Uppercase & Lowercase letters Punctuation and special characters Multilingual support Ligatures & Alternate glyphs

GAZELLA Displays Fonts. This font has a unique and bold typeface, making it suitable for unique design themes. The unique binding of the serifs makes this typeface cool and stands out from the usual serif fonts, perfect for headlines, logos, posters, packaging, T-shirts, coffee shops, restaurants, magazine headers, signs or gift/post cards, cafes and weddings or any kind of advertising purposes. GAZELLA comes with uppercase, lowercase, Numbers, Punctuation, Ligatures and also Multi Language Support.

Sánchez, designed by Daniel Hernández, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell. Offering contrast and balance to the square structure, Sánchez Slab is a new version, more robust with straight edges, that give greater character and power. Sanchez Slab comprises 12 variants, ranging from extra light to black, each of the same x-height. Regular and Italic variants are available for free.

Losta Masta - fun and playful serif family. Unique, playful and versatile serif family with 40+ ligatures and 100+ alternates that you can combine to get curves and beautiful shapes just in seconds. Play with the ornaments to create a more stunning display. This font is suitable for use in many design forms, for example magazines, postcards, logos, vintage look, old classic ,60s, 70s, 80s era, wedding projects and many more. We recommend using Adobe Illustrator or Photoshop.

The Golden Class is a font duo between a serif and two modern script fonts. Golden Class is good for logo branding, wedding invitation, typography wedding, quotes text, magazine, or anything you want to do. Golden Class Serif includes numbers punctuation, alternates, and it also supports other languages. Golden Class script was built with OpenType features and includes ligatures, beginning and ending swashes (lowercase alternate), numbers, punctuation, alternates, and it also supports other languages. Thank you!

Rotally is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Rotally have a smooth edges, so this font gives an authentic handcrafted feel style. Rotally is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Introducing Bilgosia, a Display Family typeface. It contains a Main Serif with Sans and Script as companion. If the whole three combined, it will suitable for any your projects. Each font could be standalone font either. The main serif contains Swashes Alternates , Ligatures and Discretionary Ligatures for your display purposes. Made it from scracth node by node for the best flow. Anyhow we wouldn't talk much here. You could see our display images as references to your projects.

Markisa is a simple, cool, and dynamic Humanist-flavored Sans Serif type family. It consists of eighteen weights from Thin to Black in both Upright and Italic styles. The resilient yet robust typeface. A san-serif with a humanist touch, a steady combination of seriousness and merriment. Works well as texture in small sizes, while at the same time claiming its space on the display. With its distinctive characteristic, can catch anyone’s attention wherever and whenever.

Bronzier is a strong serif display family with 8 different styles. Bronzier was designed with a strong and sharp serif which gives it a more manly look. Sporty, vintage and modern taste at the same time which mean you can use this font family for many design styles. Inspired by old-school typography and modern style. Create a perfect design with Bronzier! Because Bronzier is suitable for logos, logotypes, apparel, jersey, tags, labels, posters, stickers, branding and more.

Introducing Nusara, the contemporary sans serif font that's taking the design world by storm. With its classic typography and modern twist, Nusara is the perfect font for designers who want to make an impact. Whether you're creating text or display materials, Nusara is versatile enough to handle it all. Nusara is also incredibly easy to read. Its clean lines and well-designed characters make it a breeze for your audience to read your message. And because it comes in nine weights—from Thin to Black—with matching italics, you have plenty of options when it comes to customizing your design. Whether you're creating a website, a brochure, or a social media post, Nusara is the perfect font for the job. With its contemporary look and feel, and its classic typography roots, it's a font that's sure to make an impact. So why not add Nusara to your design toolkit today? With its versatility, readability, and nine weights to choose from, it's the perfect font for all your design needs.

Binate provides a smart and adaptable solution for the modern creative. Designed with functionality at its core, Binate offers a synergetic blend of neutrality and expression — all within a contemporary superfamily. Binate combines the characteristics of a workhorse sans serif and an elegant brush-inspired display style. The Binate family delivers a wide variety of possibilities and combinations for designers with its vast range of weights from Hairline to Black. Built for purpose, Binate offers designers a diverse spectrum of expression, as Binate is as comfortable in the tiny details on packaging as it is in large formats like billboards and posters. Binate’s apertures present a crisp and rigid style that evoke a utilitarian design, yet experimenting with some of Binate’s lower hooks can offer a more approachable and friendly demeanor. All of Binate's companions — like its Italics — can unlock new layers of creativity and tone of voice, and they all feel at home on both digital and print mediums. Binate encourages you to experiment with its impressive weight ranges and arms you with ample tools to refine and tweak endlessly.

Afsane is a sans-serif headline font family designed by Naghi Naghashian in 3 weights, Light, regular and Bold.This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Afsane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Afsane design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Afsane’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Afsane was developed for multiple languages and writing conventions. Afsane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography.

Elegant, graceful, and timeless. Astralaga is a versatile font family with a timeless, classic appeal, over 50 alternates & ligatures and multilingual support. Every letter has been hand-drawn and crafted with the upmost care. The variety of weights provide a range of choices that will help you find the best typographic character for your project. All 5 weights are well-suited for large display uses and high impact headlines. The available stylistic alternates and ligatures offer a number of different options that give your project a unique look. This high contrast serif typeface features a total of 1850 glyphs and offers comprehensive language support. THE 5 WEIGHTS OF ASTRALAGA Astralaga Light – very delicate and elegant Astralaga Regular – a classic beauty with gorgeous shapes Astralaga Medium – a great midground between lights and bolds Astralaga Semibold – high contrast and high impact Astralaga Bold – pure boldness and elegance FEATURES 5 weights High contrast 40 ligatures per weight 11 alternate glyphs per weight 1850 glyphs Comprehensive language support OpenType features: Access All Alternates, Discretionary Ligatures, Fractions, Kerning, Standard Ligatures, Stylistic Alternates, Stylistic Set 1, Superscript

A new happy handwritten sans serif font has arrived! Little Boxes has been designed with felt pen on smooth paper to create the illusion of human craft and then digitalized. Three different fonts Regular, slanted and dance. Optimized shapes to obtain the best readability without loosing the analogical feeling of the original designing tool, makes this font perfect both for printing and digital environments and it allows the use of the font on any project with different media supports. This fresh font family is ready for text, but check your opentype features window while using the font and discover a beautiful set of alternate letters. Create catchy words and add more fun to any layout, which makes it a perfect match for titles and display too. A friendly typeface to give a whimsical touch to your projects. We highly recommend using Little Boxes for App, web, ePub, digital Ads, Video games, and a great fitting for printing; headlines, posters, DIY hand-lettered artwork, books, holiday cards, invitations, T-shirts, labels, packaging, artisanal goods, etc.

Introducing OVERLAND, a modern and minimalist Sans Serif typeface with a touch of daring exploration. With slightly rounded corners, it has a strong and distinctive personality that makes it perfect for branding, editorial design, web, and mobile applications. OVERLAND is a versatile typeface that adapts to any environment. Its simplicity makes it highly legible, ideal for communicating clear and direct messages. But its imposing presence makes it stand out in any context, making it an ideal font for those looking to create designs with a touch of originality and style. With six different weights and designed in both uppercase and lowercase, it's a complete typeface family. Its minimalist style is elegant and refined, with its Super and Bold weights ideal for branding or headlines, while its lighter weights allow you to use it for medium or long texts. OVERLAND is a versatile and stylish choice for any project. Thank you for visiting our store, and please don't hesitate to contact us if you have any questions. We're here to help you create stunning designs.

Nameh is a single weight sans-serif headline font designed by Naghi Naghashian. It is a condensed big title font. This font is a contribution to modernize the Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. Nameh supports Arabic, Persian (Farsi) and Urdu. It also includes proportional and tabular numerals for the supported languages. Nameh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Nameh was developed for multiple languages and writing conventions. Nameh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Phoska Dangers is an sports sans serif display font, and with a style that is very different from the others. This font comes in four styles, Regular, Outline, Oblique and Oblique Outline Version. Phoska Dangers is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank You.

Centro Slab Press: Specimen Manual PDF Ever since its first release, Centro Slab has been particularly popular with corporate applications, branding and print media. The new Centro Slab Press version was redesigned with narrower proportions which are better suited for publications such as magazines and newspapers as well as web applications. Centro Slab Press is a very clean and legible typeface even at heavier weights, a characteristic which is not often seen among slab typefaces. This is part due to the fact that Centro Slab Press is not overpowered by clumsy serifs. Instead it incorporates semi-slabs which provide comfortable reading without compromising its modern profile. The italics are narrower than the romans and incorporate beautiful cursive characteristics. Each style consists of 659 glyphs with several opentype features and an extended set of characters which support more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet. The family is composed of 16 styles from ExtraThin to UltraBlack along with their italics. All weights were meticulously hinted for excellent display performance on the web.

Jekta is a sans-serif headline font designed by Naghi Naghashian. This is a single weights font, ExtraBold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jekta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Jekta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jekta was developed for multiple languages and writing conventions. Jekta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Redpine is an unique and simple sans serif font. Use it to add that special retro touch to any design idea you can think of! There are 2 types of fonts in Redpine, namely clean and textured. If you need a clean and aesthetic design, you can use the regular redpine or you want to use as a rough design or some scratch effect, you can use textured Redpine. Redpine is perfect for branding projects, logo, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need retro taste. What's Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Hope you enjoy with our font! Taznix

Corsica is an all-purpose geometric sans-serif typeface of visually uniform stroke thickness. The design seeks to be reminiscent of classic 20th Century grotesques with a crisp modern appearance and opentype features that are now expected. Coverage includes most Roman languages, Greek and basic Cyrillic. Each font contains a standard set of features including fractions, small capitals etc. The family contains six weights, two widths and three lowercase size options, together with an italic variant for each. The are three standard 4-font families for each size variant and a further three corresponding families for Condensed versions. The versatility provided by this extensive family has many useful applications. In particular, the choice of small, medium and large lowercase letter sizes (SX, MX, LX) allows designers to select an appropriate style for suitable impact and legibility in different situations such as headlines, captions, signage, web menus etc. Although each of the three size options will work equally well in most situations, the middle size (Corsica MX) would generally be the preferred choice for lengthy texts.

Homa is a sans-serif sigle weight font designed by Naghi Naghashian. It is extremely legible even in very small size. This font is The contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Homa supports Arabic, Persian ( Farsi) and Urdu. It also includes proportional and tabular numerals for the supported languages. Homa design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Homa’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Homa was developed for multiple languages and writing conventions. Homa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Aeroxys is an condensed sans serif display font, and with a style that is very different from the others. This font comes in four styles, Regular, Oblique, Outline, and Oblique Outline Version. Aeroxys is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We hope you enjoy the font. Thank you.

Resgak is a contemporary serif font with 20 fonts, ranging from thin to extra black with its matching italics, Resgak offers many possibilities to be applied in many graphic or editorial projects. Lighter weights are suitable for body text, and the heavier weights are perfect for striking headlines. Resgak is perfect for many different projects such as logos and branding, invitations, stationery, social media posts, advertisements, printed quotes, product packaging, product designs, labels, photography, watermark, special events and many more. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. We hope you enjoy the font and have fun! Thank You.

Pegah is a sans-serif font family designed by Naghi Naghashian in three weights. Pegah Light, Pegah Regular and Pegah Bold. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Pegah supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Pegah design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. BaBa was developed for multiple languages and writing conventions. BaBa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Enamela (rhymes with Pamela) is a monoline square sans that is available in normal width and condensed versions. Although rooted in the early years of sans serif type, the Enamela fonts have a timeless quality that is practical and unpretentious. The letterforms derive from vitreous enamel signage dating from the Victorian era and widely used in Britain for street nameplates, Post Office signs, the plates on James Ludlow wall postboxes, railway signs and direction signs, as well as for circular Automobile Association wayfinding plaques throughout the first half of the twentieth century. The quirky terminals, stemming from the compression of geometric type, invite comparison with the Charles Wright fonts used for UK vehicle registration plates. Enamela and Enamela Condensed are both available in three weights – regular, medium and bold – and as italics (optically corrected obliques). A commonly used alternative M with a vertex that touches the baseline is provided at the Alt-M (µ) keystroke on a Mac, or Alt-0181 on Windows. A commonly used G with a plain vertical throat, no crosspiece, is assigned Unicode FF27 (full width capital G).

Characterized by generous unstressed curves, subtley waisted stems and asymmetric serifs, Fielding is a great choice for sure-footed stylish text and elegant headlines. Its warm classical forms resolve into highly readable text at any size both on paper and on screen. Six weights and corresponding italics provide a choice of styles while small capitals, superscript, subscript, fractions, a range of ligatures and cameo capitals will add refinement to the most demanding of layouts. Default numerals are of uniform height, a little smaller than capitals and are proportional: not 'old style' in the traditional sense, they nevertheless sit comfortably in general text. Tabular numerals and lining numerals are also available. Italic styles are lighter in weight and freer in form, skipping alongside their upright counterparts to provide pleasing emphasis or variation. The comprehensive latin character set includes eastern European, Baltic and Turkish languages. First designed for a quarterly magazine, Fielding can be used wherever a modern interpretation of tradition is required including branding and packaging, websites, news media, books, general publicity and smart documentation.

BaBa is a sans-serif font family designed by Naghi Naghashian in three weights. BaBa Light, Baba Regular and Baba Bold. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. BaBa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. BaBa design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. BaBa was developed for multiple languages and writing conventions. BaBa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Interval Next is a modern sans serif font family that is the successor of the successful Interval Sans Pro. Designed by Olivier Gourvat, Interval Next typeface consists of 16 fonts in 8 weights — Ultra Light, Light, Book, Regular, Medium, Semi Bold, Bold, Black— and has 4 styles. This super family combines a humanist mind with its contrasted shapes and a modern look with its open counters. With its four versatile styles (Condensed, Narrow, Roman and Wide) Interval Next has a creative palette able to meet the modern typographic demands. Its OpenType features will provide you almost unlimited multilingual support as well as small caps, case sensitive forms, proportional and tabular figures, slashed zero, numerators, superscripts, denominators, scientific inferiors, circled figures, subscript, ordinals, fractions, arrows and f-ligatures. Also extremely functional for professional editorial design, Interval Next has a pro kerning and would be extremely suitable for mobile applications, e-books, web sites, headlines, posters, signage and many more. Interval Next covers a large spectrum of languages such as West European, East European and the Cyrillic.

Monarque is an elegant typeface. It is crafted with fine details that would make your typography stand out. Large x-height, high stroke contrast, rounded curves & long sharp serifs create together a dramatic look that would succeed in delivering a strong message with elegance. The true italic’s are designed to work harmoniously with the roman for a striking contrast within a line. Originally created to be an all-caps only, the font includes a lot of uppercase ligatures that are thought to flow in naturally and achieve a legible composition. OpenType features include a stylistic set of alternates, contextual alternates, discretionary and standard ligatures, old style figures, small caps and case-sensitive forms. The type family is available in 5 weights for a total of 10 fonts and supports over 200 Latin-based languages, making Monarque a solid powerful typeface ready for any kind of project from editorial design, branding, magazines, logos and more. As Monarque is only available as a display (for now) its full potential operates at its best with headlines or short to medium-length texts.

Introducing Jackloft, the ultimate display font for all your design needs! With its energetic and bold brush textured style, Jackloft is perfect for advertising, headlines, posters, thumbnails, and much more. What makes Jackloft unique is its ability to stand out in any design while still maintaining legibility. This font includes a full set of uppercase and lowercase letters, numbers, and punctuation marks. It pairs well with sans-serif fonts for a modern look or can be paired with other brush script fonts for a cohesive design. The design concept behind Jackloft was to create a font that could convey a sense of energy and excitement while still being readable. The brush textured style gives the font a handcrafted feel, making it perfect for designs that require a personal touch. Jackloft is not a revival or based on a historical design. Instead, it was created to fill a gap in the market for a display font that was both bold and legible. So, whether you're designing a poster or creating a social media graphic, Jackloft has got you covered!

Oddval is a unique contemporary display geometric sans-serif with prominent ink traps and a smooth, masculine tone. Due to its modern and original style, it is well-suited for creative projects closely linked to innovation. Oddval has a strong presence in the text due to its high x-height, minimal stroke contrast, and slightly wide oval shapes. The Oddval type family includes 9 weights ranging from hairline to heavy, with corresponding Italics for a total of 18 fonts. These fonts are also available as a single variable font file, allowing you to create without limits. The typeface is designed with extensive language support, including Extended Latin, Cyrillic, and Greek, covering over 220 languages. It also includes advanced typographic features, such as standard and discretionary ligatures, a stylistic set, contextual alternates, tabular and small figures, fractions, and language localizations. Suitable for both print and on-screen media, Oddval is ideal for use in headlines and logotypes. It can also be set in short paragraphs to create a unique contemporary feel.

Meet Metrock, a bold and distinctive brush sans-serif font that exudes strength, modernity, and artistic edge. Crafted with large letters, Metrock is the epitome of impactful design with a touch of rugged elegance. The characters in Metrock are deliberately bold, featuring boxy shapes that command attention. The thick weight adds a sense of solidity and substance, while the sharp corners and brush details introduce an element of raw creativity. This unique combination makes Metrock a font that stands out in any display setting. In addition, enjoy the features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Metrock fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Bustor Rhikan is a stylish, clean, and linear slab serif font, with style that is very different from the others. This font comes in two styles, Regular and Oblique Version. Bustor Rhikan is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank You.