This is not an ordinary fonts, this is how the real throw up graffiti come into fontype! if you want real throw ups style graffiti fonts, this is the answer! because this is pure from my real graffiti eperiences around the streets. Kerning, spacing i adjust more tight, similar with the real throw up in the streets. The intersection between letter also you can erase it or leave it collide, depends of whats your styles, see our tutorial in the picture slides. I hope you guys like it, cheers!

La Charly is an exquisite and delicate handwritten script font that exudes elegance. It features captivating letter alternatives and enchanting tails at the beginning and end of each stroke. The font's distinctive attribute lies in its heart-shaped connecting tail, which adds a touch of romance and charm. To use alternates, heart connector, beginning and ending swashes, you don't need to use software that supports opentype, because we have made it separately so it's very easy to use. Files included: La Charly-Regular La Charly-Tail La Charly-Heart Feature: Ligature, Multilingual and PUA encoded.

The inspiration for AlbertBetenbuch came from a typeface drawn by Albert Dürer and an interpretation of that face in Arthur Baker’s Historic Calligraphic Alphabets (Dover, 1980). It is not a recreation of either. The characteristic common to AlbertBetenbuch and the faces inspiring it is the decorative zig-zag with the upper-case letters. In late 2018 the inside of the shadowed style was separated out. It looks very much like the plain face but its spacing matches the shadowed version. It can be layered with the shadowed version to easily create two-colored letters.

Alcantera Font Duo is a stunning pair of fancy script and serif fonts. These typography are designed to contrast and complement each other with elegant beauty and contemporary style. Use Alcantera Font Duo to create beautiful wedding invitations, beautiful stationery art, great social media posts, cute greeting cards and much more. To use the stylistic alternate, beginning and ending swashes you don't need to use software that supports opentype, because we have made it separately so it's very easy to use. Features: Stylistic Alternate, Ligature, Swashes, Multilingual & PUA Encoded

This family was inspired by an engraved plate from Diderot & Dalembert's Encyclopedia (publication beginning in 1751), illustrating the chapter devoted to letter engraving techniques. The plate bears two engravers names : "Aubin" (may be one of the four St Aubin brothers ?)and "Benard" ( which name is present below all plates of the Encyclopedia printed in Geneva ). It seems to be a transitional type, but different from Fournier or Grandjean. Small caps are included in fonts for TTF and OTF version, separate files are included in the family sets of the Mac TT version.

Halloween is quickly approaching!!! Killen Seven is an excellent choice for any Halloween project. Get inspired by its spooky atmosphere and use it to make any Horror project stand out. It has separate lower and uppercase letters, as well as numbers, punctuation, and multilingual letters. The Ligatures will come in handy for whatever your imagination can come up with! 7 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Introducing Kinship, a Grotesque 9 weight font family by We Are Colt. Kinship has been created to be your all-round go-to grotesque font that works well for copy and titles. With nine standard weights, this font is more flexible than a bungee rope. Kinship is a sans serif modern classic grotesque font, perfect for adding personality to logos and brochures. Pairs well with script and brush fonts: I recommend Stroom . Features: 9 separate font weights Western European, Central, South-eastern Upper and lowercase Numerals Free 300 font weight

Some words from the designer... Like long legs walking a runway in stiletto heels, ITC Cherie is both sophisticated and feminine. West coast designer Teri Kahan developed this art nouveau-style font into two distinct all capital alphabets – one with a “high waist”, placed in the capital position, and the other a “low-waist,” placed in the lower case position. They work separately or together, and this dual nature gives a designer the ability to make subtle changes in a logo or line of text. Additional flourished letters round out this versatile headline font.

Griffo Classico™ was produced by Franko Luin in 1993. It is a revival inspired by the types cut by Francesco Griffo for the Venetian printer Aldus Manutius at the end of the fifteenth century. The roman is based on the type Griffo cut in 1496 for Bembo's de Aetna," and the italic on a type he cut in 1501 for an edition of Virgil. Griffo did not make separate italic caps, so Luin designed his own for Griffo Classico. This is a serviceable family with five weights, including small caps.

This is not a stencil font. At least it isn't intended to be. The foundation for the entire font comes from a progression in experimental rules on stroke intersections (pinching, separating) while maintaining proportions and elements from a more conventional typeface. More latitude was given to the unicase "Fat" face but still retains the overall flavor of the original. The end result is a typeface that's hard to categorize as any one personality. Most likely a good candidate for logo, display, or headline work, the applications for Encoder are yet undeciphered.

Lucian Bernhard designed this typeface for American Type Founders in 1929. Bernhard Fashion sports tall ascenders, stylish embellishments, and much taller than normal capitals that drop below the baseline. This extra light typeface radiates elegance and lightness. SoftMaker’s Bernhard Fashion Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Ampmosphere, a picture font, contains instruments and components from a 60's rock and roll band. After a friend's request to create a guitar graphic, I decided to start a set. Over time, more instruments were added along with amps, tubes, lights, etc. The glyphs are great to use individually or combined. 65 detailed glyphs in all... A - Z upper and lower case; 0 - 9; comma, period and forward slash. Upper case A, B, C and D are the separate strings for the stringed instruments a, b, c and d.

Typold originated out of the desire to improve geometric forms and push beyond previous achievements through collaborative working methods and knowledge sharing. The result is a finely balanced modern sans serif constructed from mathematical inputs, typographers needs, and the natural hand and eye of an artisan. Details include nine weights and matching italics, three separate widths, 1000 characters with an alternative lowercase a and y, small caps, 12 variations of numerals, Opentype features inferiors, superiors, fractions, case sensitive punctuation, extended symbols including emoji's and language support covering Western, South and Central Europe.

With Hearty Font is an exquisite and delicate handwritten script font that exudes elegance. It features captivating letter alternatives and enchanting tails at the beginning and end of each stroke. The font's distinctive attribute lies in its heart-shaped connecting tail, which adds a touch of romance and charm. With its graceful design, With Hearty Font is sure to captivate and inspire. To use alternates, heart connector, beginning and ending swashes, you don't need to use software that supports opentype, because we have made it separately so it's very easy to use.

Andeeta! A sweet handwritten font that will add fun to your creativity. the font consist of a charming all-caps font and a sweet handwritten script font for the perfect and fun blend of your content. Andeeta has also added 26 doodles to add interest to your content in separate files. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hi to me on Instagram: https://www.instagram.com/tlatoustype/ Thank You!

Adantine offers the opportunity to bring Victorian Elegance and Character to modern design work. It is inspired by the hand-lettered captions often seen on old sepia-toned postcards, but also has some of the spirit of 19th century advertising cuts. Adantine is offered in regular and text faces, as well as all and small Capitals forms with purpose made swashed capitals, and in a decorative embossed form. It can be used to set small amounts of text, as well as for headings and display purposes. Bring some steam-age elegance to your next project!

Larch is a clear and crisp high quality script typeface. It consists of five weights: White, Bright, Shaded, Dark & Black. Each style is working great separately, but they make the perfect combination together. Larch is designed by Måns Grebäck in 2016. The font supports hundreds of languages. It contains contextual and stylistic alternates, swashes and ligatures. Write # after any lowercase letter to make swashes! You can also write % after the following letters to make left swashes: b d f h i j k l t Example: Black% Lar#ch

Anteb font family is one of those large and useful families that you really can’t miss if you are looking for typeface combining originality and legibility. Anteb is one of these – a sans serif with modern look designed very smart with rounded corners. It is developed in 10 separate weights ranging from Thin to ExtraBlack, each coming with Alternate version, which is well suited for a variety of typographic applications such as headlines and small texts. The Anteb font family supports multiple languages and is available as both webfont and desktop font.

Garamond Nova Pro is one of the fonts of the SoftMaker font library. It is a modern interpretation of the classic Garamond style. SoftMaker’s Garamond Nova Pro typeface family contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

I present you Trečiokas typeface. This two font family is based on written letters that were sketched by using paint markers and afterwards pollished digitally. Glyphs mostly are connected, leaving some separate, as a contrast to round and soft letter shapes. It includes extended latin character set. In 2013 I made the Aerofont project, which included custom music instruments that were made based on Trečiokas Normal letter shapes. The main idea was to connect music and typography, by making sound emitting letters. You can watch the project video here.

Galle is a very distinctive and specific typeface. It has 356 glyphs that are coherent in their own way. We have two versions to use: regular and italic. It is a display font with very characteristic letters, each of which has been developed separately, but in such a way as to match the rest of the typeface. The inspiration taken to design the cut is Sri Lankan typography - a lot of squiggles and sharp edges, hence the name of one of the prettiest and atmospheric cities in Sri Lanka - Galle.

Robert E. Smith designed this typeface for American Type Founders in 1942. Brush Script is perfect for display work where an informal, handwritten style is desired, for example in signage and on posters. SoftMaker’s Brush Script Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.

Classike is a high contrast squarish display typeface. Inspired by the Art Déco period from a modern perspective. Refined and elegant yet with a mechanical vibe, it is ideal for pairing with any functional font, it works especially well with Geogrotesque, from which it inherited its proportions and soul. Classike adds an exclusive touch and helps enrich your graphic voice. A Variable Font version is included with the family or as a separate style. Read some thoughts about the design process at the Emtype's blog. For more details see the PDF.

This font was made during testing of a neat little application, that traced hand-written letters on the fly. That application was later abandoned, and the font, named Simpel for it's obvious casual simplicity, was finished separately. This story goes up to the year 1998, and recently the font was returned from the archives. SImpel was completly remastered and some useful ligatures were added. It is nice, clean and really, quite simple. Which often comes very handy. It will work well in comic books, magazines and party flyers, for instance.

Marsha & Joshua! A sweet handwritten font that will add fun to your creativity. the font consist of a charming all-caps font and a sweet handwritten script font for the perfect and fun blend of your content. Marsha & Joshua has also added 26 doodles to add interest to your content in separate files. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hi to me on Instagram: https://www.instagram.com/tlatoustype/ Thank You!

Bluzonir is an exquisite sans-serif font that effortlessly blends elegance and style. Featuring 52 style alternatives and 26 ligatures included in the regular variant, as well as provided separately for ease of use, with no special software needed to access them. Its versatility allows you to create visually stunning designs that stand out. Elevate your projects with the impeccable elegance and style of Bluzonir. What Includes? Character Map Features: Standard alphabet and punctuation Stylistic Alternates and Ligatures PUA Encoded - no special software is needed to access extra characters Multilingual Characters

Ribbon type. Holy grail of complex-lettering-turned typeface or an elusive Loch Ness monster that is often teased, possibly seen in the wild, but never confirmed? From the amazing lettering artist and author Martina Flor and masterful type designer Neil Summerour, comes the aptly named Ribbons. Ribbons is a sincere and well-conceived approach to providing a reliable solution to ribbon and ribbon-styled type for creative professionals when a lettering artist just isn’t available. Ribbons provides both flat and ‘folded’ options with the Regular and Fold styles, but then raises the bar with separate layer styles that will allow you to easily create the elegant back and forth movements produced with ribbon-style lettering we have all come to appreciate. These layer options are provided in both ‘smooth’ and ‘pleated’ connected styles. Flor and Summerour didn’t stop there. Each typeface was expanded with a number of stylistic alternates, additional swashed and flourished letters, ligatures, and even more in order to provide as many decorative options as possible to the creative. To round out the nine fonts available in the typeface and to ‘put a bow on it’, they’ve added a separate Shadow style and two different color fonts (available exclusively with family purchases).

These fonts will join-as-you-type in your OpenType application as shown in the posters above. Choose Use Contextual Alternates option in your app to get basic recommended baseline joins for teaching. Additionally, use can choose from 7 Stylistic Sets of alternative letterforms that are so important for Teachers. Create 'pen-lifts' too! Fonts display unjoined by default on this website and are delivered that way - joining is controlled by you. A mature ‘joined-up’ hand is the result of correct instruction from an early age. Sassoon Write typefaces are a direct progression from the separate letters of Sassoon Infant or Sassoon Primary and were specially created for teaching cursive handwriting in a flexible way. Designed for older pupils and adults, rather than children. A family of 4 fonts than join, or enter " | " between letters for unjoined text. For use with OpenType compatible applications such as Word. Enables progressive pupil exercises for a smooth transition between separate letters and teaching joined handwriting. Free to download resources Stylistic Sets and how to access the alternative letters feature in these OpenType fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

VLNL Boulangerie was originally an incomplete set of early 20th century wood type letters, that Donald Roos found in a dust covered carton box stashed away somewhere at the Royal Academy in The Hague. Charmed by the letter forms Donald decided to print them on paper with a printing press. Next he digitised the prints as they came out, including small imperfections and damages. The missing characters were composed and added digitally to complete the alphabet. (See if you can spot those!?) We think VLNL Boulangerie is a little French in appearance (hence the name), it's joyful, warm, a little crunchy and round-ish. It defenitely has that ‘je-ne-sais-quoi’ that seperates it from most wood type grotesques. It can be perfect for lettering on a storefront window of – let's say a bread shop or a lunchroom. Or a logo for a downtown hipster café. VLNL Boulangerie hardly has any limitations actually.

Chop chop! VLNL Cleaver is an important tool in the Vette Letters’ kitchen. It’s a butcher knife of a font. Razor sharp, ultra heavy and with pointy slanted serifs. At first glance it seems straight-lined, but a closer look revails that all straight lines are curved inward slightly, which enhances the sharp image even more. Cleaver was originally designed by DBXL for cutting meat - hell, it even hacks right through bone. It can easily splice a chicken in one slash or seperate ribs, just like that. You can also very well use it to chop up hard vegetables like pumpkin or squash on the chopping block. It gets better, the opposite blunt side can be deployed to crush ingredients like garlic, nuts or spices like black pepper. You could use a grinder, but with Cleaver it’s more fun, isn’t it? VLNL Cleaver is suitable to give a sharp edge to flyers, posters, logos (Heavy metal bands and other) or magazine headlines.

Flinton is a basic Vintage Serif Display Font. Flinton Font Family consists of 3 types of letters that have several variants into 14 font style, Include Regular Serif, Bold Serif & Script Demo and Catchwords & Illustrations for extras. This font is suitable for types of designs that have elements of Vintage Concepts, such as logotypes, posters, merchandise designs, etc. And this font has an opentype feature, also supported for several languages, Which consists of several styles: Clean Outline Roughen Texture Slant Texture Slant Script Demo Catchwords what is included in this font are as follows: Opentype Feature Multilanguage Support Numeral Sepparators Math Symbol More 1000 Count Glyphs I hope you enjoy using this Flinton Font Thanks For Support

Maria Martina Schmitt was born in Vienna, Austria in 1950. Since 1998, she has been working as a freelance designer, focusing on cultural collateral, economic publications, illustration, type design, and logo design. Airam blends contemporary legibility with historic blackletter forms, creating a contemporary text face that speaks to the old European past. Airam certainly appears darker than most other contemporary text faces. Airam’s letterforms are slightly broken, too. They display angled joints in lieu of smooth curves. This “broken” aspect actually aids legibility at smaller point sizes. While Airam may not be suitable for setting whole books or newspapers, this font will add a splendid touch to short tracts of small text. Additionally, Airam looks superb in large headlines.

Kröwn is a ruthless display font family. It is presented in three styles that can be used stacked to create beveling and dimensional effects. Kröwn’s most distinctive feature is the absence of counter shapes, or at least its minimum impact. All counter shapes width is the same as the separation between characters, this creates a blocky, strong and hardcore rhythm. Use it with precaution to build strong titling, powerful logotypes or short letterings. With Kröwn, the less is more, the bigger the better. Its visual style draws inspiration from sword and sorcery fantasy genre and historical periods as the middle age.

My new font is beautiful and smooth modern calligraphic script with a straight baseline. And I also added a separate font with cute swashes at the beginning and at the end. You do not need special software, everything works simply and clearly :) Mignon will look beautiful on Christmas and holiday invitations, wedding invites and stationery, logos, and more. I love using it for emphasis words and pairing it with serifs. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7

Wished Lovely! A sweet handwritten font duo that will add fun to your creativity. These two fonts consist of a charming all-caps font and a sweet handwritten script font for the perfect and fun blend of your content. Wished Lovely has also added 26 doodles to add interest to your content in separate files. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hi to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Bestoom is a playful handwritten font, made with dynamic letter strokes and a bouncy layout that makes your design looks more cheerful! Inspired by comic typography and kids' storybook. This font is available in regular and bold that you can use separated or combined. Bestoom is an all-caps font that has the gorgeous uppercase and lowercase also complete with alternates and playful ligatures that expand your possibility to get many variations of typographic design! Other features: Uppercase Lowercase Numbers Punctuations Accented characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõöøùúûüýþÿĀāĆćĈĉĊċČčĎďĒēĖėĚě ĜĝĠġĢģĤĥĨĩĪīİıĴĵĶķĹĺĻļĽľŃńŅņŇňŌōŐőŒœŔŕŖŗŘřŚśŜŝŞşŠšŤťŨũŪūŮůŰűŴŵŶŷŸŹźŻżŽžȘșŢţ ẀẁẂẃẄẅ Stylistic alternates Custom ligatures Thank you for visiting and have a nice day!

Accia is one of the world’s first true sans-to-serif variable fonts. Its weight axis ranges form Thin to Extra Bold, and its serif axis ranges from Sans to Forte. Accia is designed to be perfectly usable at every possible point of the design space, and its different instances work together perfectly as an infinitely flexible type system. The typeface contains a total of 879 glyphs supporting multiple Latin-based and Cyrillic- based languages, together with added sets of numbers and punctuation, small capitals, ligatures and other commonly supported OpenType features. Accia is also available as separate font families.

The movie poster promoting the 1962 James Cagney comedy "One, Two Three" had it's text done in free-style hand lettering. Starting with an auto-trace in order to have an isolated version of the black letters separated from the red poster background, the tracing kept the basic forms intact, but with limited accuracy. Cleaning up and digitally reshaping the letters manually to form a more correct version [closer to the original movie poster], additional figures, foreign characters, accents and punctuation were drawn from scratch. This is now available as Handwritten Note JNL in both regular and oblique versions.

Realgar is a generic and neutral typeface but with enough personality to be different, but not as much to be unfamiliar. The name refers to an ancient natural pigment, known for its vivid orange colour. It is a multipurpose typeface in an eclectic style that combines geometric and grotesque with some humanist touches. Some of its main features are the wide proportions, closed apertures and idiosyncratic numbers that make Realgar stand out. In addition, the rounded dots convey a friendly and contemporary look. A Variable Font version is included with the family or as a separate style.