Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans OT Std The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Vaccine is a slab serif font family with a mixture of the usual and one-sided serifs. We call it ‘semi semi slab serif’. Serifs and terminals have soft rounded shapes, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in a setting and delicate and soft in appearance. This design peculiarity, together with low contrast and strong serifs, produces the qualities needed for using the font in small sizes, in low quality print, and in bad reading conditions. Vaccine got modern stylish design and has a prominent place in the set of popular faces. The family consists of 10 members - five weights with the corresponding italics. It can be used in a wide range of applications - magazines, advertising, corporate identity, urban navigation, packaging, children books, etc. Design by Manvel Shmavonyan with the help of Gayane Bagdasaryan as a consultant. Released by ParaType in 2013.

Squad is a humanist sans serif with semi condensed proportions. Inspired by Adrian Frutiger’s perfectionist style this typeface is a harmonious breed of humanist heritage and contemporary simplicity. The balanced characteristics, clear and legible silhouette and simultaneously vivid appearance of Squad makes it perfect for any design purpose. The figures are evident — it consists of 18 styles from Thin to Black; covers Extended Latin, Cyrillic and Greek with span for more than 130 languages; flawless functionality and supporting many OpenType features, such as localizations, tabular numerals, inferiors & superiors, numerators & denominators, fractions, discretionary liga- tures, case sensitivity etc. Designers: Svetlin Balezdrov, Svet Simov Features: • Over 780 glyphs in 18 styles (Thin to Black) • Extended Latin, Cyrillic and Greek scripts for more than 130 languages; • High x-height and Semi Condensed proportions; • Moderate contrast and vertical stress; • Humanistic characteristics and open vertical terminals; • True form of italics; • Coverage of multiple OpenType features; • Perfect for text, headlines and web;

Semi-serif? Semi-sans? Emerging from the hazy border that divides Sans from Serif, Integra aims to integrate both styles in a cool, elegant, contemporary fashion. With its sleek anatomy, flared terminals and almost non-existent straight lines, Integra was inspired by the stressed, modulated, unserifed letterforms incised in the early 15th-century ledger tombs at Santa Croce church in Florence, and the neoclassical grotto inscriptions at Stourhead in England that dates from the mid 18th-century. Integra, however, gives a contemporary, even futuristic twist to these references by featuring original, audacious shapes on key letters like L, E and X; as well as with the modern, generous proportions of its lowercase; infusing it all with a flowing, luminous, Latin American feel. Integra comes in several weights and italic styles, for text composition and display usage. Its rounded counterforms and arch-like shapes lend texts a spacious, neat, architectural quality, perfect for sophisticated content.

Neue Reman Sans 1.0 --- New Update! CONDENSED - SEMI CONDENSED - SEMI EXPANDED - EXPANDED It has 70 fonts style in total family + 2 Variable Style. --- It is a Roman, Humanist, Grotesk and Geometri sans serif family. The family comes in 7 weights with matching italics + Variable Font File and includes multilingual latin characters. Neue Reman Sans contains 306 glyphs - this is the first version of Neue Reman Family with standard ligatures and a variety of figures and fractions. We create Neue Reman typeface to use in multipurpose project such as on website, systems, printing, embedding, servers, screens, display, digital-ads, branding, logos, titles, headlines, teks, and everything else. This font is a project that we are working on for the long term. We has updating the Condensed and Expanded versions. Then we plan to continue working on Latin Pro, Greek and Cyrillic. It all will be updated gradually. So, hope you would like the first version of Neue Reman Sans Serif Typeface. Thank you very much.

Are you ready to travel back in time? To a world of neon lights, high-tech logos, and a retro-futuristic style that defined an era? Then you’re ready for Forgotten Futurist. This industrial typeface is the perfect blend of old and new, with a vintage feel that still looks cutting-edge. Its letterforms are inspired by the 1960s and 1970s, when technology was just starting to take off and the world was full of possibilities. But Forgotten Futurist is more than just a tribute to the past. Its rounded technical corners and sleek lines are timeless classics, just as relevant today as they were decades ago. And with ten different styles to choose from, including Ultra-Light, Extra-Light, Light, Book, Regular, Semi-Bold, Bold, Heavy, Black, and italics, you’ll have all the flexibility you need to create a truly unique design. So if you want to add some retro-futuristic flair to your next project, look no further than Forgotten Futurist. It’s the typeface of the future, inspired by the past. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The Vtg Stencil series of fonts from astype are based on real world stencils. All styles offering an extended Latin character set. » pdf specimen «

Raniscript started out as an idea for a bold and strongly structured ronde style script with some contemporary touches. As I tinkered with various forms it took on a life of its own. Having an old world feel, it makes me visualize faded shop signs from India written in English. The name comes from a series of colorful vintage matchbook designs advertising the Flying Rani. You'll find Raniscript ideal for packaging, book titles, brochures or anything requiring a robust display treatment. It comes fully loaded for OpenType savvy applications. Three full sets of caps are included. By clicking the Titling button in Illustrator you can type using an all caps set that includes ligatures, case sensitive punctuation and language coverage. Other features include oldstyle figures, Central European language support, fractions, contextual letter substitution, swash characters, and ornaments.

Zapf International font is the work of German designer Hermann Zapf, formal enough for widespread use yet tempered with calligraphic warmth. Vigor in the italics is achieved more from design than from slant. One of the distinguishing characteristics of Zapf International is its graduation of weights. Light and medium are relatively close and equally eloquent for text. Demi is a full two steps heavier than medium and heavy several steps beyond demi.

A DISTANT SOIL is a classic bold and beautiful science fiction/fantasy comic book series by creator, writer, artist AND letterer Colleen Doran! A DISTANT SOIL is being remastered and re-released by those awfully nice chaps at Image Comics and Colleen commissioned Comicraft to create the definitive bold and beautiful Colleen Doran font, based on her original pen lettering, so that she might re-letter the series without excessive eye strain or hand cramp.

A handwriting font with a decidedly sexy, Mediterranean flair. Perfect for restaurant signage, menus, party invitations and more. Sangre includes a plethora of European characters.

Omnidirectional Arrows JNL is a series of arrow dingbats in different shapes and directions in both solid and outlined drop shadow versions from Jeff Levine.

Yeah, Baby! You wanted the World’s Greatest Comic Book Fonts and we gave them to you! They're Sexy DropCaps! They're Saucy Dingbats! GIRLS!GIRLS!GIRLS!

Raffish is a display typeface with its formal base in Dutch type designer Henk Krijger's seminal typeface Raffia - the most decorative and handsome of script typefaces.

See also some related font families: American Advertise 013 , American Advertise 014 , American Advertise 015 , American Advertise 016 , American Advertise 017 , and American Advertise Square Series .

Letterpress Helpers JNL continues a series of vintage cartoons, border and corner elements, stock designs, sales helpers and other embellishments re-drawn from vintage source material.

Magnetica font family combines design simplicity of modern sans serifs with a futuristic feel based on semi-rounded concept. Its fluent lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font, especially its Italic variation, will find its use also in larger text blocks where simplicity, clean lines and well applied kerning is a must. Create something spectacular with Magnetica.

P22 Cigno is a new digitization of the 1950s Italian typeface by Aldo Novarese for the Nebiolo foundry. This semi-formal script has a definite mid-century European flavor suitable for menus, invitations and poster work. Along with the accurate rendition of the regular weight, designer Colin Kahn has added a lighter companion font for another variation on Cigno. Both fonts feature a full Western European character set.

A vintage British lettering stencil was the inspiration for Sandwell Stencil JNL, which is available in both regular and oblique versions. This pleasant and condensed stencil font was originally a semi-stencil – many of the characters were made as solid letters ,while the others had a traditional stencil treatment. For the digital version, the stencil treatment was applied to previously solid characters to create a consistency in the overall design.

Cygnito Mono Pro™ is a monospaced type design built with 3 shapes: circle (rounded), squircle (semi rounded) and octagonal structure. This pro version come with 4 styles with 3 weights each. Inspired by industrial design and modernism. This font built with modular architecture that’s ideal for programming applications and technology-driven design projects. It’s also well suited to design projects centered on mathematics, science, computers, and UI/UX applications.

Calder is a display typeface collection. It incorporates 10 styles and offers two distinctive voices: a playful semi-connected script and a selection of subtle yet authentic sans serifs. Designed to complement each other, they offer a unique and engaging visual tool. Inspired by the pursuit of the outdoors, Calder began as a personal experience and endeavor to express and share the spirit of adventure connected with this renewed, growing movement.

Darkloard is inspired by the old-fashioned era. The Darkloard font is a heavy-weight semi-serif font from the vintage style. Four varieties are available: Regular, Stamp, Spurs, and Spurs Stamp. The use of this font results in carefully-crafted styles. Darkloard font is ideal for branding projects, posters, or packaging that need a vintage feel. Features: Uppercase & Lowercase Numerals & Punctuation Multilanguage Supports 60+ Latin based languages Alternates and Ligatures

I am here to deliver! I used a semi dry brush for this font, and when views at large sizes you can really enjoy the brush traces. The font keeps the authentic feeling of something hastily written with a brush. Along with he very tight spacing and kerning, it does it job! Quite good for headlines that needs that extra punk, or T-shirts design, posters, Instagram photos or interactive designs!

Magnesia Sf is a modern, one-of-a-kind font that will make your designs stand out against the competition. This stylistic semi-block serif comes in 4 styles and has Multi-languages support and the display typeface has what you need for all sorts of projects! Perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, digital and more.

Look Like Coffee is a Display font. This font describes about fun, semi casual, stylish, headline, easy going, dynamic, and easy to use. FEATURES - Support Opentype Features - Support Ligatures - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Look Like Coffee works great in any product packaging, logotype, magazine, editorial, quotes and any projects that need all about fun and dynamic taste. Enjoy using! Thanks. HIRO.std

Avancar Condensed Font Family showcases the exquisite pairing of modern grotesque style and soft sans-serif design. These conjunctions provide the effect of owning two subfamily typefaces and are an amazing solution for designers. The main feature of this font family is a semi-condensed design with a slightly higher x-height. And, while having the same skeleton design and stem width, they provide a completely different look and feel.