Indigo Antiqua 2 is an old-style humanist serif typeface primarily based on personal studies of a typeface by Francesco Griffo (1450–1518) Italian punchcutter. But it is not a revival of the so called original Bembo (1496) or any other typeface. My Inspirations are of various kinds, but some outstanding old typeface masters like Guillaume le Bé, Miklós Kis, Peter de Walpergen and Christoffel van Dijck are important. Indigo Antiqua 2 is most commonly used for body text were legibility / readability matters – and is a reliable multi-purpose typeface. It has been applied for thousands of book titles and between the book covers made reading comfortable. By using Indigo Antiqua 2 with OpenType features You can reach additional ligatures, various figure sets, small caps, stylistic options and a lot of other typographical choices. Multi-Lingual support: Central European languages and many others. | See www.fontanova.se

Forte e gentile, “strong and kind” is the motto of Abruzzo region located in central Italy on the Adriatic coast. As the region it’s named after, Abruzzo typeface is strong yet inviting with its sharp angular serifs and smooth transitions. Abruzzo is a display typeface with high contrast, large x-height and plenty of character. Abruzzo is equipped several OpenType features: Standard ligatures that take care of the collisions between f and other tall lowercase characters, and for more fun there is over 40 Discretionary ligatures including st, ch and plenty of more unconventional character combinations, such as fy, fr, rw, vi, and so on. See the full range in the specimen poster. On top of that Abruzzo has over 70 variants for the standard characters set in Swash, Stylistic and Titling Alternates. Abruzzo best used in stylish headlines, advertising, packages or as a logotype.

Do you want to get something miracle? Miracle World is an elegant serif font to level up your design into something miracle. It can never go wrong to be applied in any purposes. The weight of the font was designed to bring strength to any title/header. On the other hand, the curves of the characters convey a sense of elegance. It is also has fascinating features that helps you maximize your design. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuations PUA Encoded It can be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

An elegantly refined typeface with a subtle wedge serif, the character shapes of Acolyte STF set a rhythm of light and dark like windows in a cathedral. Standing tall (as in condensed!) and respectful, Acolyte STF is aptly named as a companion to any design, packaging and advertising. Acolyte will illuminate your designs with a display typeface reminiscent of European 20th century letterforms. Its distinctive letterforms are slightly chiseled and angular with curves in just the right places. Wrapped in an aura of mystery, Acolyte's origins are from condensed typefaces, with an understated gothic feel. Available for Macintosh and Windows, Acolyte will set an edgy tone for all of your design needs. Complete with an Adobe-standard character set, this font also includes the Euro and is cross-platform compatible.

This family is inspired from the set of two styles, Roman normal and Italic, and the ornaments used by an unknown printer working around East Switzerland, circa 1750's. It is a Dutch style font, slightly bolder than usual Fournier's or Caslon's Roman fonts, with some emphasized serifs and finals parts and special letters as capital "U" for example. A set of initials, fleurons, ornaments and frame elements is joined to the family as a supplement. The two styles, Normal and Italic, are containing standard ligatures, a few alternative characters and titlings (who are more preferable than enlarged capitals). They are "small eye" or "Small x-eight" fonts. The standard characters set is completed with accented or specific characters for Western (Including Celtic) and Central Europe, Baltic, Eastern Europe and Turkish.

Joe Cool is a bold geometric sans with minimal counters designed to achieve the maximum weight, solidity and impact on the page. Joe Cool Extended was actually created first, then it seemed like a good idea to add progressively more compact versions for added variety and versatility. See also Gravitas, my Bauhaus inspired font family which explores similar territory.

Here's another gem from Samuel Welo's perennial classic, The Studio Handbook, originally called Goddard Classic. Welo's inimitable penwork manages to be both worldly and whimsical, and remains as fresh today as when it was first introduced in the 1920s. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Shelton Slab is a Typeface with an eroded, printed look. The letters seem to be from different alphabets to support the wood type feeling. Every letter has an alternate character. Shelton Slab has an extended character set to support Central and Eastern European languages and also contains arrows and other special glyphs available through the OpenType contextual alternates feature.

Jaggers is a handwritten typeface based on the letterforms Caslon. It may be hard to see the resemblance between these two since Jaggers is such a unique font. Its casual appearance is charming and easy to read. Jaggers has an expanded character set including European letters and symbols! This font is definitely one of Victory"s best.

Manata is a modern futuristic semi-cursive font. This typeface has a unique angle spreading through each glyphs to enhance dynamic and flow. Combined with straight and sharp stem to balance the overall feel and readibility. Perfect usage for large size display, title, poster, logotype and body text. Manata also support multilingual and have several alternate glyphs.

This little gem is based on a typeface discovered in a Boston Type Foundry catalog from the late 1800s, originally called "Mikado". This font gets its name from one of the more memorable characters in Gilbert and Sullivan’s operetta. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Four letters for this font came from a puzzle in a 1983 Games magazine. After seeing them, I could not resist the temptation to do a complete set of letters made from push pins or tacks, a truly tacky font. Most of the letters on the lower case keys are alternatives--choose the one works best for your purposes.

Malvie is casual, groovy and friendly font. Made for titling and products, branding, packaging, display, signage and other fit-for-bold medium. Each glyphs shown dynamic curves, especially with the stems which is personalized by heavy swinging stroke. Its contain 270 glyphs with latin standard character set and two opentype features; Stylistic Alternates and standard Ligatures also extra swashes.

Introducing Drakune - Beauty Elegant Serif a font that epitomizes the essence of Beauty Elegant Serif. This font, meticulously crafted, offers a perfect blend of timeless beauty and contemporary sophistication. Drakune transforms your designs with its graceful serifs and intricate details, providing a touch of refined elegance that is currently in high demand. Explore the versatility of Drakune through its diverse alternates and ligatures, each contributing to a stylish and distinctive typographic experience. Elevate your creative projects with the allure of Drakune, setting a new standard for Beauty Elegant Serif fonts in the current design landscape. Here's what you get: Regular & Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

German type designer Ingo Preuss created this family between 2014 and 2016. Instance is a new classic built on the foundation of over two centuries of history. Fresh and contemporary, while feeling familiar. This typeface is a high contrast sans serif typeface family and was designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. A flexible, medium to high contrast, sans serif less about designing a stylish decorative design and more about applying contrast onto a neo-grotesk skeleton. Instance is more than just chopping off the serifs. The classical proportions of the capitals and x-heights were maintained, but the letterforms were rebalanced for use without serifs. Contemporary modifications were made to some widths, as well as an all new Light weight was created. Please note: Instance STD Office Packages is only as TrueType (* .ttf) and Standard-Version. Also, the character set has been reduced to Standard (without OpenType-Features, SmallCaps, old style figures, etc.). Ideal for testing and for Microsoft Office applications.

Introducing the Silver South Font Duo, a classy, contemporary pair of script and serif fonts. With a stylish didot-style serif font and a free-flowing, expressive script companion, Silver South offers beautiful typographic harmony for a diversity of design projects, including logos & branding, wedding designs, social media posts, advertisements & product designs. Silver South Script • A clean, free-flowing script font containing upper & lowercase characters, numerals and a large range of punctuation. Silver South Script Alt • This is a second version of Silver South Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Silver South Serif • A classy serif font containing upper & lowercase characters, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Silver South Script fonts. Script Ligatures • Silver South Script also includes 38 character ligatures. These double letters allow you to recreate a more natural, hand-drawn flow to your text.

Inspired and derived from the serial numbers printed on United States paper currency, the tongue-in-cheek infringe typeface has grown from the alphanumeric set of characters that sit reservedly aside the faces of dead presidents. Taken out of their bright-green element, the characters have been given a life of their own, and have been joined by a one-hundred percent unique set of lowercase characters. The font stands out in both formal and informal uses and can be used for both headlines and supporting text.

Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.

Savigny began as an offshoot of Le Havre. Le Havre met my design objective of a geometric sans serif with a strong art deco touch. Le Havre’s primary inspiration came from the art deco titling of the 1930’s, and the lower case was just icing. The art of the 1930’s is of particular interest to me, and I love the art deco era and its art, and the simplicity of geometric shapes. I am mostly interested in designing display typefaces. In many ways Le Havre was the exact opposite of another popular insigne offering, Aviano Sans. Le Havre has very high ascenders, a lower case and is very condensed. Aviano Sans has no lowercase and extremely extended capitals. With the rise of webfonts I began to see Le Havre being used frequently online. It’s short x-height and very tall ascenders made it difficult to read in on screen text settings as it was intended as display type. With this observation, I felt that there is more room for a geometric sans in the insigne catalog. So I set about to design a new geometric sans using the successful skeleton of the Le Havre family. Although I planned to extend the Le Havre line, the new family is so drastically different I decided on a new name: Savigny. The face evolved and began to take on a few humanist touches. Designed from the very beginning as a webfont, the design is open and pleasing to the eye, with a tall x-height. To optimize it for onscreen settings, the spacing is generous. In addition, it includes extended and condensed members, making it insigne’s first superfamily. The family includes over 100 OpenType alternate characters. These include several style sets. Some are stemless, others are purely geometric, and in a nod to Savigny’s origins, Art Deco titling alternates. Please see the informative .pdf brochure to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Savigny is a great choice for a professional designer who wants a well rounded typeface family that is ready for the web.

Few projects are outside the range of PMN Caecilia® Sans. Drawn specifically for on-screen imaging, the family benefits from a large suite of weights, each with several stylistic variations. This is a design ideally suited to building digital interfaces, complex websites, apps, games, kiosks, HTML ads and large-scale brand identities. “My goal was to create a, friendly, versatile, ageless, yet discerning typeface family that will serve the needs of many users,” says Peter Matthias Noordzij. the typeface’s designer. “It is not intended to be eye-catching, but generous: enabling numerous visual and typographical expressions.” The use of Noordzij’s earlier design, PMN Caecilia, in Amazon’s Kindle® wireless reading devices, gave him the opportunity to study the behavior of the slab serif typeface in an on-screen environment. Although based on his earlier design, Noordzij incorporated fundamental changes to optimize PMN Caecilia® Sans’ digital performance. While PMN Caecilia has proven to be a steadfast serif typeface in print and on screen, the addition of a sans serif counterpart gives designers more flexibility when creating complex hierarchies. The combination of serif and sans serif makes the PMN Caecilia family a good choice for everything from print editorial projects to complicated web sites. A broad range of typefaces pair well with PMN Caecilia Sans. Humanist serif typefaces, such as Agmena™, Dante®, and Frutiger® Serif, set up dynamic typographic harmony, while designs like ITC New Veljovic™ Masqualero™ and Perpetua®, will create a striking counterpoint. And, of course, PMN Caecilia is a natural design partner – as are other slab serif typefaces, like the Aptifer™ Slab, Joanna® Nova and Soho® families.

Sister Pamella font duo Cyrillic is a pair of script and sans serif fonts, which perfectly complement one another. With a handwritten script font and a modern sans serif Sister Pamella font duo Cyrillic will be perfect for use in all your design projects be it logos, signatures, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, gorgeous typographic designs, wedding stationery and much more. The Cyrillic part of the font contains the uppercase letters and lowercase letters and 17 ligatures, giving a realistic hand-lettered style. Sister Pamella script Cyrillic includes a full set of uppercase 2 sets of lowercase letters, numerals, a large range of punctuation and 38 ligatures, giving a realistic hand-lettered style. Sister Pamella sans serif containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect contrast with the Sister Pamella script font. Multilingual Support for 32 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.

A new family has sprung from the world of insigne. Mandrel Didone is his name. The face is well-liked by those with whom it seeks an audience because of its courtly demeanor and exquisite look. Mandrel Didone conducts itself beautifully in front of each set of eyes with a confident attitude, never wavering or tripping in its polished step. But, despite it’s gentility, this exquisite family is not weak in the face of adversity. Mandrel Didone is a powerful and conspicuous typeface that has towering x-heights, great contrast, confident bends, and sharp serifs. It is well-crafted for high-impact resistance. It uses its sharp serif ends deftly, cutting through opponents' clumsy clutter in the battle for the reader's attention. This noble family consists of nine weights and their matching italics, ranging from Thin to Black. Mandrel Didone also comes with a plethora of OpenType options to let you embellish your text. The family's 500 glyphs and support for more than 70 languages are accompanied with ligatures, old-style figures, and stylistic sets. Raise your glass in honor of the new Mandrel Didone! This champion, with its powerful serifs and great contrast, is ready to take on your challenge in many tests to come.

The careful balance between the emotional swings and shapes set in strong contrast such as the burly serifs, or generally vertical and orderly appearance within the Duwal Pro determine the special look of this Antiqua typeface. All characters of the Duwal Pro are designed to be open and accessible. The lowercase letters are designed with a large x-height, which is why they are ideal for small font sizes. Many striking details give Duwal Pro a defined and firmer appearance with increasing font size so it is also suitable for use in headlines and work marks. The deliberately constructed and emphasized design of the serifs give the font a strong position and at the same time force the reading direction. Using Duwal Pro in Bold weight, the serifs look clearly striking, the design language is concise and the typeface receives an additional sympathetic force. The Italic weight draws on the expressive but not intrusive design of the Regular, but appears sharper and is ideal for text passages. The font family contains italics, small caps, lots of ligatures, swashes, another format set, contextual alternatives and special characters as well as other open-type features which allow the use of Duwal Pro in 48 languages.

“La Belle Zabriella” - new elegant luxury font family from Julia Visht. Classical font collection: luxury modern Serif (Bold, Regular, Light) with stylish decorative elements and classy authentic Script! La Belle Zabriella is a must-have for your collection of fonts. Main features: -Ligatures. Set of opentype ligatures allows to make your design truly unique. -Alternates. Set of lowercase alternates allows you to create even more authentic custom-feel text. - OpenType Style Set. Open Type Style Sets allow to create many perfect styles of your text. -Multyfunctionality. It's perfect for: elegant modern branding, web-design, logo creating, posters, headers, advertising, wedding stationery, book cover designs, classy packaging, album covers, handwritten quotes, greeting cards, wall art, websites, photos, and so much more. -Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese. Stylish font family for stylish projects! Happy creating! Designers: Julia Kruk Publisher: Julia Visht

MVB Dovetail is an editorially focused text serif designed by David Sudweeks. The working idea for the typeface came from a design school letter-making exercise: Take a pair of scissors and a few large sheets of paper, and start cutting. The resulting letters and the action itself of cutting them out of paper informed the type design process, producing strong, simple shapes and an open, inviting texture. Dovetail’s tone is crisp and straightforward. Its classic letterforms, set off with a touch of playfulness, give the design both a practical and spontaneous personality. The text weights capably set copy at a variety of sizes for print and render crisply on screen. Its lightest and heaviest weights perform best at display sizes. Care has been taken to save the typographer’s time with OpenType features including contextual punctuation and symbols to fit mixed-case, small-caps, and all-caps settings, as well as figure sets tuned to each use.

🏆 Selected for the 12th Biennial of Brazilian Graphic Design. Graviola Soft is a juicy type family. It is based on our Graviola typeface, but we didn’t just round its corners. We redrew every stem and terminal so they would look just right. Combined with curved diagonal strokes and alternate glyphs, Graviola Soft makes for a super friendly typeface. The family consists of 16 fonts, from Thin to Black and matching italics. While the intermediate ones work for body text, the extreme weights look specially beautiful at display sizes. Each font contains 530+ glyphs, supporting more than 90 languages. Stylistic sets provide alternates in two groupings (a, v, w, y and G, g, &). We think Graviola Soft works best on packaging, logotypes and headlines, but we’re eager to see what else you can do with it.

Introducing the delightful Quasar sans serif font – a true gem in the world of typography! With its clean and modern design, Quasar brings a touch of elegance to any project. This font family consists of not one, but six distinct weights, offering you a versatile range of options to choose from. Whether you're aiming for a bold and impactful statement or a more subtle and refined look, Quasar has you covered.

Slantinel is a versatile sans-serif type family with lots of personality! It consists of 9 fonts coming with 3 weights in 3 versions each and supports many international languages. Slantinel works best in small to medium sizes and is useful in a wide variety of settings such as childrens books, packaging designs, greeting cards and much more due to its handwritten feel and its many distinct details.

Magnetica font family combines design simplicity of modern sans serifs with a futuristic feel based on semi-rounded concept. Its fluent lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font, especially its Italic variation, will find its use also in larger text blocks where simplicity, clean lines and well applied kerning is a must. Create something spectacular with Magnetica.

Addington CF is a graceful and reliable serif, useful in any application. Beautiful and practical, Addington is designed for excellence at small point sizes, while doubling as a capable, bold display typeface. Includes roman and italic sets across seven weights. Addington CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

JetJaneMono is a large family of sans-serif faces which are monospaced. It is very plain (plain=plane=jet). The font family has two widths and three weights, with each upright style paired with an italics style. These twelve fonts are then duplicated with another set in which small caps replace the lower-case letters. The typeface was created in 1994 and in 2021 the condensed widths were added.

Knuckleball is a wonky, octagonal sans-serif typeface produced by Bebop Font Foundry in 2023. The font shares its name with the elusive knuckleball - a baseball term for a pitch that is thrown without spin. The throw is erratic and unpredictable due to the airflow over the motionless seams. The strange and unexpected letterforms of the font represent the pitch's movement. Knuckleball is ideal for logos, branding, and merchandise.

Quartan is an industrial, unicase sans serif family, with three weights. The Austrian designer Maria Martina Schmitt developed this series of typefaces for designers to use when setting chunks of text en masse. Being a unicase design, Quartan¿s letterforms have no ascenders or descenders; lines of text may be stacked virtually on top of one other. This offers a multitude of possibilities for headline, logo, or corporate identity design.

A rough-and-ready hand-brushed script, with edgy lines and awesome character! It includes opentype features - stylistic alternates for the lowercase letters, and a comprehensive set of natural looking Ligatures to add to the realistic nature of the typeface. Lucky Fellas font family includes a complimentary textured titling sans serif font, and some super sexy swashes and splatters font to add some finishing touches to your designs.

Bingley is a beautifully old-fashioned, proper, and full of class body typeface. The British feel of this face comes from its inspirational source—a tombstone script from Oxford. The characters are squat and nearly square in proportions, even cursive comes with a pronounced breadth. Generous counters and pleasant stroke weight contrast ensure high legibility of any text set in Bingley. Pronounced serifs and drop-shaped terminals further enrich the experience.

Inspired by architecture and hand-lettered posters of the 1940s, JY Koliba makes a statement that is very 21st century. With an ultra-light weight plus an elegant book and bold, Koliba was designed to be flexible. Fine-tuned with a full Latin glyph complement, and Windows kerning support for designer Jure Stojan’s Slovenian mother tongue, Koliba is set to be one of the foundry’s best-loved sans serifs.

An ever so slightly off kilter sans-serif, Good Grief started as a digitization of a film typeface called Carmel by LetterGraphics. From there, this fun and friendly typeface was taken from its limited character set and fleshed out to a fully functional typeface. With the legibility of a text typeface, yet the personality of a display type, Good Grief - why haven't you gotten this fantastic font yet?

Normative Lt is a sans serif type family by Green Type, a low cost version of Normative Pro, includes only a Unicode Latin 1252 character set. Normative Lt is a font with wide sphere of application, legible from very small size to very large ones. Can be used both in technical documentation, office work, business communication, as well as in advertising, visual communication, magazines and posters, in branding and packaging.

Singo Sans is a valiant font family and extraordinary sans serif. Singo itself literally means Lion in Indonesia, which is the the strong and gallant animal just like this typeface. It has proportion of hard lines and smooth curves. Singo works great in any branding, logos, magazines, films, posters, websites, etc. Singo features: A full set of uppercase characters Numbers & punctuation Multilingual language support PUA Encoded Characters 2360 Total glyphs

Introducing our new product called Lamphier a Spooky Playful Serif Font, Lamphier inspired by Playful style with spooky style typography theme. This font is suitable for book covers, children's books, comics, posters, packaging, merchandise, logotypes and much more. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Happy Designing!